Couple of questions:
I'm trying to use pitchedTrill, but its creating a problem when I have a tie
coming off the note:
score.ly:125:88: warning: unterminated tie
\pitchedTrill d4~ \startTrillSpan \! ees d16 \stopTrillSpan b (g ees
\pitchedTrill d4~)
Thanks very much, this worked well.
Best,
Alex
On Jun 29, 2011, at 1:46 PM, Kieren MacMillan wrote:
Hi Alex (and Mike),
What I really want is the trill with a flat sign, but I didn't figure that
one out.
This is what I do:
trillWithFlat = {
\once \override TrillSpanner
I am having a problem with bar lines, if I put the following around a staff
break
\bar ||
\break
\bar |:
I get the repeat sign on the start of the staff, but not the double bar on the
end of the previous staff.
I am using partial bars before and after the break, but through
Thanks a lot!!!
-akj
On Sep 19, 2010, at 10:11 AM, Alexander Kobel wrote:
On 2010-09-19 15:38, Alex Jones wrote:
I am having a problem with bar lines, if I put the following around a staff
break
\bar ||
\break
\bar |:
I get the repeat sign on the start of the staff
I need to include nested crescendos and decrescendos within a document (e.g. an
overarching crescendo with phrasing decrescendos). Is this possible?
For example the idea would be something like the following:
fis, \ \ (ees') \! f,! \ (d') \! \!
Any suggestions?
Thanks!
-akj
I am using the expression to not display the tuplet number
\override TupletNumber #'stencil = ##f
but at some point later in the score I want that number to be displayed again
and when I use what I figured was the appropriate reactivation expression
\override TupletNumber #'stencil = ##t
it
I am using lilypond for a transposition solution. Unfortunately, when doing
the transposition, the shift is to keys where it would make sense to write the
notation in the enharmonic key.
E.g. the new key is c-sharp major and it would be nicer to actually write it in
d-flat major, is there a
Apologies if others have solved this in the past, but I wasn’t able to find a
solution on the list quickly. Has anyone seen something like the following:
I’m trying to write both a stopped and accented note, that is slurred to an
open note. I’m having trouble with the stopped and accented
to your previous request.
--
Phil Holmes
- Original Message - From: Alex Jones akjonesjeff...@gmail.com
To: lilypond-user@gnu.org
Sent: Friday, January 09, 2015 7:06 PM
Subject: overlapping articulations with slurs
Apologies if others have solved this in the past, but I
Apologies if others have solved this in the past, but I wasn’t able to find a
solution on the list quickly.
I’m trying to write both a stopped and accented note, that is slurred to an
open note. I’m having trouble with the stopped and accented articulation
occurring overtop of each other.
I’m working with a score that has multiple staves that appear and disappear at
various points.
I ran into a curious behavior:
I have two staves fro a while, the second has two notes that complete
mid-measure so I encoded like this:
\score {
\new StaffGroup \relative c' {
\new Staff
\key f
-in-parentheses-_002d-method-3
-akj
On May 23, 2015, at 6:09 PM, ole m...@oleschmidt.info wrote:
maybe this helps?
http://lsr.di.unimi.it/LSR/Item?id=782
ole
Am 23.05.2015 um 23:44 schrieb Alex Jones akjonesjeff...@gmail.com:
Does anyone have a suggestion for a good way to accomplish
Does anyone have a suggestion for a good way to accomplish this in lilypond?
time signature with a second time signature in parentheses?
Thanks in advance!
-akj
___
lilypond-user mailing list
lilypond-user@gnu.org
This worked like a charm, thanks to everyone!
-akj
On May 23, 2015, at 7:05 PM, David Nalesnik david.nales...@gmail.com wrote:
#(define ((time-parenthesized-time up down upp downp) grob)
(ly:stencil-combine-at-edge
(grob-interpret-markup grob
(markup #:override '(baseline-skip
Thank you!!!
-akj
> On Sep 13, 2015, at 11:15 AM, David Kastrup wrote:
>
> \musicglyph #"pedal.Ped"
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Two questions,
I’m trying to write a chord with a tie to null space (see pic below). I tried
1 (<>) and only get one slur
then I tried
<< {e1 (<>)} \\ {g! (<>)} \\ {b (<>)} \\ {e (<>)} >>
and the notes are not vertically aligned
suggestions?
Second question: I’m trying to write a dynamic
I’m using the Script.priority-order to place an accidental above a trill
ornament, but when combining with a note accent it creates an ordering property
as per the documentation example. However with the following snippet:
\version "2.18.0"
\relative c''' {
a2-> \trill
\once \override
This was successful, thank you! I did not try the more involved solution.
-akj
> On Dec 27, 2015, at 1:12 PM, Thomas Morley <thomasmorle...@gmail.com> wrote:
>
> 2015-12-27 18:18 GMT+01:00 Alex Jones <akjonesjeff...@gmail.com>:
>> I’m using the Script.priority-o
I am trying to replicate an odd structure, which places cue notes over top of
the conclusion of a compressed multi measure rest.
Normally when I make cues I use the << {} \\ {} >> structure such that I might
have code like the following, but it breaks up the multi measure rest, any
19 matches
Mail list logo