skip bars vs compress

Hi all, Please excuse me if this is an obvious question, but can anybody please explain to me when I should use skip bars or when I should use compressFullBarRests? Is there a best practice model I should be following? Many thanks, Craig ___

Re: skip bars vs compress

Holmes - Original Message - *From:* Craig Dabelstein javascript:_e(%7B%7D,'cvml','craig.dabelst...@gmail.com'); *To:* Phil Holmes javascript:_e(%7B%7D,'cvml','m...@philholmes.net'); *Sent:* Thursday, August 21, 2014 12:04 PM *Subject:* Re: skip bars vs compress Hi Phil, Sorry

\mark under score clashing with measure numbers

Hi all, I'm using this code to put a D.C. al Fine below the staff in a score: \once \override Score.RehearsalMark.break-visibility = #end-of-line-visible \once \override Score.RehearsalMark.self-alignment-X = #RIGHT \override Score.RehearsalMark #'direction = #DOWN \mark D.C. al Fine but

Re: \mark under score clashing with measure numbers

pierre.schneider.pa...@gmail.com wrote: Hi Craig, 2014-08-25 4:36 GMT+02:00 Craig Dabelstein craig.dabelst...@gmail.com: Is there anyway for me to fix this. I appreciate all your help. Try : \version 2.18.2 \score { \new Staff { s1*4 \break s1*4 \bar || %\tweak

Re: \mark under score clashing with measure numbers

Thanks very much Pierre. I've got it working now. I really appreciate your help. Craig On 26 August 2014 06:34, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com wrote: 2014-08-25 21:50 GMT+02:00 Craig Dabelstein craig.dabelst...@gmail.com: This works brilliantly on the score

makefile problems

Hi all, Does anyone have experience with using makefiles? I've adapted the example from the usage documentation but I keep getting errors, such as *** No rule to make target `score' Any help or tips would be greatly appreciated. Craig - piece = symphony2 - CPU_CORES=`cat /proc/cpuinfo

Re: makefile problems

, Craig Dabelstein craig.dabelst...@gmail.com a écrit : Hi all, Does anyone have experience with using makefiles? I've adapted the example from the usage documentation but I keep getting errors, such as *** No rule to make target `score' Any help or tips would be greatly appreciated. Craig

Re: ScholarLY - introduction and call for collaboration

(and not related to \anntoate): Am 03.02.2015 um 00:00 schrieb Craig Dabelstein: Hi Urs, Here is a zip of the complete project. There are 2 issues: [1] If I put part-init.ily and score-init.ily in the top-most folder (the same folder as main-init.ily), lilypond returns an error -- cannot

Re: ScholarLY - introduction and call for collaboration

/flute.ily It is still producing an inp file for every single part though. Craig On Tue Feb 03 2015 at 10:54:36 AM Craig Dabelstein craig.dabelst...@gmail.com wrote: Dear Urs, Thanks so much for your advice. I tried both methods you suggest and neither one worked, but this did

Re: ScholarLY - introduction and call for collaboration

It is now working ABSOLUTELY BRILLIANTLY! Thanks for all your help. Craig On Tue Feb 03 2015 at 11:15:18 AM Urs Liska u...@openlilylib.org wrote: Am 03.02.2015 um 01:55 schrieb Craig Dabelstein: Dear Urs, Thanks so much for your advice. I tried both methods you suggest and neither one

Re: Annotate and Lilyglyphs

Liska u...@openlilylib.org wrote: Am 06.02.2015 um 01:32 schrieb Craig Dabelstein: Thanks Urs, I had to try many different combinations, and don't ask me why, but this is what I eventually found worked: @\crescHairpin{} and \lilyDynamics{ff}@ Why one of them needs the @ symbol

Re: Annotate and Lilyglyphs

Hi Urs, A solution: If I use \emph instead of \textit it works. This works: message = Should the @\emph{cresc.} begin here or immediately after the preceeding \lilyDynamics{pp}@? Craig On Sat Feb 07 2015 at 5:28:59 AM Craig Dabelstein craig.dabelst...@gmail.com wrote: Hi Urs, I

Multi movements and annotate

Hi List, Has anyone been using annotate with a multi movement work? Annotate correctly recognises the measures and bars (obviously) but there is no way for someone reading the critical report to know which of the three movements it is referring to. Any advice? Craig

Re: Annotate and Lilyglyphs

in Texas, USA. In the few short days I've been using annotate it has already made my communications about changes/corrections so much simpler and accurate. Craig On Sat Feb 07 2015 at 6:54:03 AM Urs Liska u...@openlilylib.org wrote: Hi Craig, Am 06.02.2015 um 20:28 schrieb Craig Dabelstein

Re: Annotate and Lilyglyphs

Hi List, Sorry for the frustrating question, but how do I combine Samuel's code -- @[^@]*@ -- with an annotate message such as -- Should the @\textit{cresc.} begin here or immediately after the preceeding \lilyDynamics{pp}@? Craig On Sat Feb 07 2015 at 7:49:15 AM Urs Liska u...@openlilylib.org

Re: Annotate and Lilyglyphs

Craig Dabelstein: Hi List, Sorry for the frustrating question, but how do I combine Samuel's code -- @[^@]*@ -- with an annotate message such as -- Should the @\textit{cresc.} begin here or immediately after the preceeding \lilyDynamics{pp}@? You don't do that at all. You simply wait until I

Re: Annotate and Lilyglyphs

wrote: Am 07.02.2015 um 07:54 schrieb Urs Liska: Am 7. Februar 2015 04:47:11 MEZ, schrieb Craig Dabelstein craig.dabelst...@gmail.com craig.dabelst...@gmail.com: Dear Urs, All good. I've followed all your instructions -- no problem. However, perhaps I'm putting \setOption

Re: Multi movements and annotate

See attached score file -- work in progress On Sat Feb 07 2015 at 6:46:18 AM Urs Liska u...@openlilylib.org wrote: Am 06.02.2015 um 20:39 schrieb Craig Dabelstein: Hi List, Has anyone been using annotate with a multi movement work? Annotate correctly recognises the measures and bars

Annotate and Lilyglyphs

Hi all, I'm having some trouble getting the Lilyglyphs to display in Latex after exporting the annotate inp file. Do you put the Lilyglyphs code into the annotate message section? e.g. message = This \decrescHairpin\ is very long. Would a \textit{dim.} be better? or message = Should this

Re: Annotate and Lilyglyphs

{dim.}@ to work. Craig On Fri Feb 06 2015 at 8:37:56 AM Urs Liska u...@openlilylib.org wrote: Am 05.02.2015 um 23:19 schrieb Craig Dabelstein: Hi all, I'm having some trouble getting the Lilyglyphs to display in Latex after exporting the annotate inp file. Do you put the Lilyglyphs code

Annotate

Hi all, Could I ask what sorts of things you class as a Critical Remark as opposed to a Musical Issue? Craig ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Annotate and Lilyglyphs

Craig Dabelstein: Urs, I tried and failed to understand the ouput Here is the ouput error. Processing `/Users/craigdabelstein/Dropbox/Maximes_Music/French_music/Berlioz/lilypond/Score/Berlioz-01-score.ly' Parsing... openLilyLib: library infrastructure successfully loaded

Re: [ANNOUNCE] my newest Lilypond engraving

It looks fantastic Kieren. Bravo! Craig On Sun Feb 08 2015 at 6:52:43 AM Kieren MacMillan kieren_macmil...@sympatico.ca wrote: Hello all! Just a note to announce my newest Lilypond engraving: my Chaconne for unaccompanied violin (2001). (You can download the score at

openlilylib and Makefiles

Hi List, Does anyone have experience with using both openlilylib and Makefiles? I'm using Urs' scholarLy, and have updated to the latest code as of yesterday, and through Frescobaldi it all engraves fine. However, when I try to run my Makefile on the same piece it gives me cannot find file:

Re: openlilylib and Makefiles

Thanks for the help everyone. All fixed. Craig On Mon Feb 09 2015 at 6:56:24 PM Urs Liska u...@openlilylib.org wrote: Am 09.02.2015 um 09:02 schrieb Craig Dabelstein: Hi all, I've still had no joy trying to get this makefile to find openlilylib. Does anyone have any ideas? Craig

Re: Re: small caps

, 16 Jan 2015 20:55:30 +1100 From: Nick Payne nick.pa...@internode.on.net nick.pa...@internode.on.net To: Craig Dabelstein craig.dabelst...@gmail.com craig.dabelst...@gmail.com I think you have encountered bug #1482: https://code.google.com/p/lilypond/issues/detail?id=1482 On 16/01/2015 20

small caps

Hi List, Can anyone tell me why I can't get *small caps* working with this code? Many thanks, Craig scoreTitleMarkup = \markup { \column { \on-the-fly \print-all-headers { \bookTitleMarkup \hspace #1 } \fill-line { \large \bold \caps \fromproperty #'header:piece

Re: small caps

that you need to issue? Also does the font actually have small caps natively? Shane On Fri, Jan 16, 2015 at 12:54 AM, Craig Dabelstein craig.dabelst...@gmail.com wrote: Hi List, Can anyone tell me why I can't get small caps working with this code? Many thanks, Craig

Peer review

Hi Lilyponders, I'm not sure if this is an appropriate request for the group, but I was wondering if anybody had the time to look at a sample part I have typeset and make any comments regarding the typesetting. There may be many things here that an experienced typesetter may see that need

Git/Lilypond workflow

Hi list, Would anyone be able to briefly share with me how they use Git with Lilypond; i.e. do you create a separate repository for each composition you are working on, do you make a separate branch for each part while you are working on it and then merge when it is finished, if you sell your

Re: Git/Lilypond workflow

Thanks for the advice everyone. I appreciate your experience. Craig On Fri Feb 13 2015 at 8:24:28 AM H. S. Teoh hst...@quickfur.ath.cx wrote: On Thu, Feb 12, 2015 at 02:07:36PM -0800, Tim Walters wrote: [...] Different strokes, I guess! Indeed. :-) On 2/12/15 1:44 PM, H. S. Teoh

Re: Peer review

Hi all, Thanks so much for your feedback. As I suspected there were issues you raised that I never would have picked up on my own. I really appreciate your time and expertise. Craig On Wed Feb 18 2015 at 8:45:05 PM Urs Liska u...@openlilylib.org wrote: Am 18.02.2015 um 03:30 schrieb Craig

Re: ScholarLY - introduction and call for collaboration

Dear Urs, Bravo! This is excellent work. I really appreciate all the time and effort you put into Lilypond. Craig maximesmusic.com On Wed Jan 28 2015 at 9:58:13 AM tyronicus samuelsp...@gmail.com wrote: I must immediately excuse myself for not reading the blog post first and seeing that

Re: ScholarLY - introduction and call for collaboration

Thanks Urs, And you put the \include annotate code in the main-init.ily file? Craig On Sat Jan 31 2015 at 8:05:57 AM Urs Liska u...@openlilylib.org wrote: Hi Craig, Am 30.01.2015 um 17:59 schrieb Craig Dabelstein: Urs, Here is a zip of the complete project. Thank you

Re: ScholarLY - introduction and call for collaboration

31 2015 at 4:58:58 PM Urs Liska u...@openlilylib.org wrote: Am 31. Januar 2015 03:05:24 MEZ, schrieb Craig Dabelstein craig.dabelst...@gmail.com: Thanks Urs, And you put the \include annotate code in the main-init.ily file? Yes, and any similar code like the include of global-defs.ily

Re: ScholarLY - introduction and call for collaboration

. Strange! Craig On Sun Feb 01 2015 at 3:11:35 AM Craig Dabelstein craig.dabelst...@gmail.com wrote: Hi Urs, I followed your advice re: file structure -- main-init.ily has annotate, and part.init.ily and score-init.ily include main.init.ily. When engraving the score it all works perfectly

CueDuring and Markup

Hi List, When using CueDuring, how do I get markup entries to show up in the cue? I've used this code to get articulations and dynamics to show up, but I can't work out how to get markup items to show. \set Score.quotedCueEventTypes = #'(note-event articulation-event dynamic-event) Many

Re: CueDuring and Markup

Thanks Thomas. text-script-event was the one I was missing. All the best, Craig On Sat Jan 10 2015 at 12:15:38 PM Thomas Morley thomasmorle...@gmail.com wrote: 2015-01-10 1:58 GMT+01:00 Craig Dabelstein craig.dabelst...@gmail.com: Hi List, When using CueDuring, how do I get markup

Re: more succinct code

: 2015-01-13 23:59 GMT+01:00 Craig Dabelstein craig.dabelst...@gmail.com: Good morning List, Sorry if this is a simple question, but I was wondering if the following code cand be made shorter by putting these elements of code somewhere that can be shared by all staves. \consists

Re: more succinct code

Works brilliantly. Many thanks! On Wed Jan 14 2015 at 6:54:07 PM Thomas Morley thomasmorle...@gmail.com wrote: 2015-01-14 7:01 GMT+01:00 Craig Dabelstein craig.dabelst...@gmail.com: My saviour! Thanks for your help. I now have my layout block looking like this (below), but I

Re: openlilylib and Makefiles

Hi all, I've still had no joy trying to get this makefile to find openlilylib. Does anyone have any ideas? Craig On Mon Feb 09 2015 at 2:22:03 PM Kevin Barry barr...@gmail.com wrote: On Mon, Feb 9, 2015 at 2:01 AM, Craig Dabelstein craig.dabelst...@gmail.com wrote: Does anyone have

Re: musicxml2ly

Thanks for your responses everyone. I'm on a Mac. Do I append for f in *.xml to the end of my command; e.g. /Applications/LilyPond.app/Contents/Resources/bin/musicxml2ly --nd --nrp --npl --no-beaming -m --language=english for f in *.xml Craig On Fri, 20 Mar 2015 at 06:58 Stephen MacNeil

Re: 2 \tempo command at the same time

Hi Anton, Can't you do: \tempo Swing 4=125 Or is that not what you are looking for? Craig On Fri, 20 Mar 2015 at 17:59 Anton Curl curl.an...@gmail.com wrote: Hi everyone! I'd like to put an indication displayed in all the parts but only once in the score, like a tempo mark. I found

Re: musicxml2ly

Thanks everyone -- all working great now! On Fri, 20 Mar 2015 at 09:21 Martin Tarenskeen m.tarensk...@zonnet.nl wrote: On Fri, 20 Mar 2015, Noeck wrote: Hi Craig, Do I append for f in *.xml to the end of my command; No, you put all your command within the for loop: for f in

musicxml2ly

Hi all, Is there a command for converting a whole folder of xml files to lilypond, rather than doing them one by one? Many thanks, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com http://www.facebook.com/craig.dabelstein http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en

Re: Tweak Down causes extra space

at 06:25 Craig Dabelstein craig.dabelst...@gmail.com wrote: Hi Jim, Thanks for your quick response. I'll look into your solution now. Craig On Fri, 13 Mar 2015 at 06:23 Jim Long lilyp...@umpquanet.com wrote: Hi, Craig. Just for a different perspective, I always put form-related marks

Tweak Down causes extra space

. This has been driving me crazy. I'm sure there is a simple fix that I've overlooked. Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com http://www.facebook.com/craig.dabelstein http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en Da Capo test file.ly Description: Binary data

Re: Tweak Down causes extra space

objects. I hope it will give you some ideas about alternative solutions to your problem. Jim On Thu, Mar 12, 2015 at 07:35:44PM +, Craig Dabelstein wrote: Hi Lilyponders, Has anyone run into this before. When including a Da Capo markup at the end of a file, if it sits above

Re: Tweak Down causes extra space

, that's what I would use. However, I would still recommend putting all rehearsal marks (including the D.C.) into the global music variable, so that both your full score and your individual parts will have identical rehearsal marks. Jim On Thu, Mar 12, 2015 at 08:37:13PM +, Craig Dabelstein

Re: Tweak Down causes extra space

Thanks Stephen. I'll try it out and compare. Craig On Fri, 13 Mar 2015 at 09:06 Stephen MacNeil classicalja...@gmail.com wrote: How is this \version 2.18.2 \language english daCapo = { %\once %\override Score.RehearsalMark #'self-alignment-X = #RIGHT \once \override

parts for natural horns and trumpets

to change from say Horn in F, to Horn in D, to Horn in Af, etc. Any help would be greatly appreciated. Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com http://www.facebook.com/craig.dabelstein http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en

Text above fermata

\score { \new Staff { c4 c c c | R1\fermataMarkup ^G.P. | c4 c c c | c2 r \fermata ^G.P. | } } *Craig Dabelstein* e:craig.dabelst...@gmail.com http://www.facebook.com/craig.dabelstein http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en

Lilypond--iPads--Git

Hi Lilyponders, Does anyone have experience with trying to write lilypond files on their iPad and uploading them to Git? I'm using the Textastic app on the iPad (because it recognises Lilypond syntax), combined with Textexpander for all my snippets. It syncs to Dropbox, but I can't work out how

automated file/folder creation

Hi Lilyponders, Does anyone use a utility that automatically generates files and folders when starting a new (large) score, or do you simply cut and paste one you have finished in the past? Something such as this utility on GitHub: https://github.com/mwitmer/LyUtil Craig

more succinct code

Good morning List, Sorry if this is a simple question, but I was wondering if the following code cand be made shorter by putting these elements of code somewhere that can be shared by all staves. \consists Page_turn_engraver \consists Melody_engraver \override Stem.neutral-direction =

Re: ScholarLY - introduction and call for collaboration

Dear Urs, I incorporated annotate into one of my current scores and it is fantastic. I can't wait for the Latex package to go along with it. Thanks for all you hard work. Craig On Wed Jan 28 2015 at 8:35:07 PM Noeck noeck.marb...@gmx.de wrote: I hope my other reply is a sufficient answer

Re: ScholarLY - introduction and call for collaboration

Hi Urs, I put \include scholarly/annotate.ily in each of my 24 files -- one for each instrument. In the score I put: \include scholarly/annotate.ily \setAnnotationExportTargets #'(plaintext latex) I added 1 criticalremark and 1 musical issue to test it out. The generated parts (both the log

trill spanner

Dear Lilyponders, Could anyone tell me how to produce a trill spanner without the tr symbol at the beginning? I'm trying to a produce a wavy trill line above a bar of music, but without the tr symbol at the start. Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com http

Re: trill spanner

Thanks Pierre and Davide, That will work fine. Much appreciated. Craig On Tue, 5 May 2015 at 17:44 Davide Liessi davide.lie...@gmail.com wrote: Dear Pierre, Il 05/05/15 09.01, Pierre Perol-Schneider ha scritto: Or a more elegant one: \version 2.18.2 \relative { c'

Re: Text above fermata

Thankyou everyone. You guys never let me down! On Wed, 1 Apr 2015 at 21:18 Kieren MacMillan kieren_macmil...@sympatico.ca wrote: Hi Craig, Does anybody know how I can get the text in this example to be above the fermata instead of below? This is the way I would do it: gpferm = \markup

Re: error code question

Thanks for your help. The problem was not including spacer rests for the opening grace notes in the measure counter. All the best, Craig On Sat, 15 Aug 2015 at 20:46 Thomas Morley thomasmorle...@gmail.com wrote: 2015-08-15 12:17 GMT+02:00 Craig Dabelstein craig.dabelst...@gmail.com: Hi

error code question

ly:grob-array-list in expression (ly:grob-array-list (ly:grob-object left-bound #)): /Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/output-lib.scm:1391:18 1: Wrong type argument in position 1 (expecting Grob_array): () Exited with return code 1. *Craig Dabelstein

Re: scholarly/annotate

itrary stuff in the annotation and have *valid* LaTeX > produced. > > Please remind me if I fail to come back to this. > > Urs > > Am 29. Oktober 2015 08:45:06 MEZ, schrieb Craig Dabelstein < > craig.dabelst...@gmail.com>: > >> Dear Urs (or any other Annota

scholarly/annotate

{NoteHead} {Originally \textit{Flauti in F} which is an E\flat\ transposition.} How would you have this display in your latex Critical report? I hope this makes sense. All the best, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://

Re: Sibelius 7 to LilyPond Conversion!

I agree with Michael. I export a full score musicXML from Sibelius and then import it into Finale. Then I extract all the parts and then export each part as a musicXML. Most of the time these import into Frescobaldi/Lilypond just fine with the occasional error. Craig On Thu, 29 Oct 2015 at

Re: Scholarly footnotes

wrote: > Just shortly: > > I do think we'll find a good way for you, and I also think this is a good > opportunity to continue work on ScholarLY. Especially considering that just > a few days ago Craig Dabelstein also asked about ScholarLY. > > > Urs > > > Am 09.11.201

transposition problem

the global variables (key signatures) to transpose correctly without changing the written notes of the instrument? See the minimal example. Many thanks, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub/craig-dabelste

Re: transposition problem

Hi David, I just realised that if "\partial 8" is added to the start of the global variable that the build fails (see attached). Any ideas? Craig On Mon, 9 Nov 2015 at 11:45 Craig Dabelstein <craig.dabelst...@gmail.com> wrote: > Thanks David. I never would have worked tha

Re: transposition problem

Thanks David. I never would have worked that one out on my own! Craig On Mon, 9 Nov 2015 at 09:26 David Kastrup <d...@gnu.org> wrote: > Craig Dabelstein <craig.dabelst...@gmail.com> writes: > > > Hi Lilyponders, > > > > I have a score where all key change

Re: transposition problem

Apologies -- try this one. On Mon, 9 Nov 2015 at 12:14 David Kastrup <d...@gnu.org> wrote: > Craig Dabelstein <craig.dabelst...@gmail.com> writes: > > > Hi David, > > > > I just realised that if "\partial 8" is added to the start of the global &

Fwd: transposition problem

Lilyponders, It appears that in this file the part is not inheriting the time signature and partial measure from the global variable. I've changed the time sig to 6/8 in the global but it still appears as common time in the output. Craig On Mon, 9 Nov 2015 at 12:30 Brian Barker

Re: scholarly/annotate

lso use cases where it would be extremely > helpful *not* to have content and annotations intertwined like that. > Developing a dialog based interface for editing annotations would also > benefit from such a separation. > Actually such an interface (in Frescobaldi) is also on my wish/to

Re: scholarly/annotate

le not exactly rich in time I'm more than ready to bring this package >> further. >> >> So far custom properties are just translated into key-value properties to >> the LaTeX command. It's then the task of LaTeX to do something useful with >> them. As I said the current se

Re: B Series paper

Hi Ponders, In case anyone else is following this thread, I bought a ream of the Fuji A3+ paper from Officeworks that Nick recommended, and I bought an Epson Workforce WF-7610 printer that would print A3+ double-sided. The problem is, Fuji's paper is 320 x 450 mm, and Epson defines their A3+ as

Re: Rehearsal mark/tempo collision

Thanks Lilyponders. These ideas are really helpful. Craig On Mon, 30 Nov 2015 at 07:57 Simon Albrecht <simon.albre...@mail.de> wrote: > On 27.11.2015 21:10, Craig Dabelstein wrote: > > Any idea how I can prevent the rehearsal marks from being pushed > > upwards by the temp

Rehearsal mark/tempo collision

-width = #'(-2.0 . 0.5) in my Layout/Context/Score block but it doesn't seem to be having any effect. All the best, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub/craig-dabelstein/b2/5

Re: Multi-rest with automatic bar number before and after it

Hi Lilyponders, On this same subject, is it possible to put the span of bar numbers below a multi bar rest e.g. below a 14-bar multi bar rest, have it print (centered) 1-14? Any help would be greatly appreciated. On 19 February 2016 at 04:20, Menu Jacques wrote: > Hello

Re: Multi-rest with automatic bar number before and after it

Thanks for the help everyone. Craig On 19 February 2016 at 09:35, Thomas Morley wrote: > 2016-02-18 23:31 GMT+01:00 tisimst : > > > > On Thu, Feb 18, 2016 at 3:26 PM, Kieren MacMillan [via Lilypond] <[hidden > > email]> wrote: > >> > >> Hi

Re: Multi-rest with automatic bar number before and after it

Hi Harm, Is it possible to have the bar numbers underneath in the usual (small) font rather than the big numbers used for the multi rest? Craig On 19 February 2016 at 09:49, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Abraham, > > > It's also seen in film scoring, so I

Re: Multi-rest with automatic bar number before and after it

Brilliant! Thank you! On 19 February 2016 at 11:06, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2016-02-19 1:31 GMT+01:00 Craig Dabelstein <craig.dabelst...@gmail.com>: > > Hi Harm, > > > > Is it possible to have the bar numbers underneath in the usu

Re: Multi-rest with automatic bar number before and after it

Hi Harm, I discovered a problem. It works perfectly with 4/4 time but it doesn't work with other time signatures. Can you suggest to me how I can make it work for different time signatures? All the best, Craig On 19 February 2016 at 12:43, Craig Dabelstein <craig.dabelst...@gmail.com>

Re: Multi-rest with automatic bar number before and after it

This is great work! It's exactly what I need but it threw me a bunch of errors. I'll try to put together an example to show you. Craig On 20 February 2016 at 22:41, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2016-02-19 4:23 GMT+01:00 Craig Dabelstein <craig.dabelst...@gmail.

Re: scale durations

.de> wrote: > On 07.03.2016 22:53, Craig Dabelstein wrote: > >> Hi David, >> >> No, I didn't have to move the Default_bar_line_engraver. It worked fine >> the way you originally said. >> > > The one with Default_bar_l

"format" and "make implicit" for muliple files

Hi Lilyponders, Would anyone know how to apply some of Frescobaldi's features to a whole folder of files rather than one at a time? E.g. the "format" feature and the "make implicit (per line)" feature. Many thanks, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <

scale durations

. All the best, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en> ___ lilypond-user mailing list lilypond-user@gnu.org https://l

Re: scale durations

Thanks everyone. My fraction was right, but my eyes had glazed over from code and I had missed one sneaky spacer rest that was throwing everything else out. All the best, Craig On 8 March 2016 at 06:58, Malte Meyn wrote: > > > Am 07.03.2016 um 21:45 schrieb Kieren

Re: scale durations

Hi David, No, I didn't have to move the Default_bar_line_engraver. It worked fine the way you originally said. Craig On 8 March 2016 at 07:24, David Kastrup wrote: > Malte Meyn writes: > > > Am 07.03.2016 um 21:45 schrieb Kieren MacMillan: > >>\set

Re: problem with lyric extender line

Thanks Jay, It was those colliding voice names that did it. All the best, Craig On 16 May 2016 at 09:48, Jay Anderson <horndud...@gmail.com> wrote: > On Sun, May 15, 2016 at 4:38 PM, Craig Dabelstein > <craig.dabelst...@gmail.com> wrote: > > I have a score that requ

Re: problem with lyric extender line

Thanks Klaus. All fixed. Craig On 16 May 2016 at 10:03, Klaus Blum <benbigno...@gmx.de> wrote: > Hi Craig, > > > Craig Dabelstein wrote > > Can anyone tell me > > how I can get the vocal extender line in the 2nd oboe to stop at the end > > of &g

problem with lyric extender line

Hi Lilyponders, I have a score that requires the players to also sing. Can anyone tell me how I can get the vocal extender line in the 2nd oboe to stop at the end of bar 5? I've tried both \skip and " " but neither gives the right output. Many thanks, Craig lyric test.ly Description: Binary

display multi measure rest span

could work, but that would mean doing every rest manually. I was wondering if there was some kind of function that would work. Thanks for your advice, Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub/craig-dabelste

Polymetric notation

eFraction = 19/4 \scaleDurations 1/5 \repeat unfold 6 { c4 c2 } c4 \set Staff.timeSignatureFraction = 4/4 R1 \fermataMarkup } >> %%% *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub

Re: Polymetric notation

%%% >> >> \version "2.19.36" >> >> \relative c' << >> \new Staff { >> \time 4/4 >> R1 \fermataMarkup | >> R1 \fermataMarkup | >> } >> \new Staff { >> \time 4/4 >> \omit Score.TimeSign

Lyrics problem

__ } >> } \score { \new Staff = "Audience" { \set Staff.instrumentName = #"Audience" \set Staff.shortInstrumentName = #"Aud." \compressFullBarRests << \global \audienceNotes >> } } \layout {

2 questions on choir staff

ot;Bass" \set Staff.shortInstrumentName = #"B." \new Voice = "bass" { \clef bass \repeat unfold 20 { c1 } } } >> } %%end *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http:/

Re: 2 questions on choir staff

{\rotate #90 \column{" " \vspace #-4 \bold "SOLI" > }} > > 2. > > What do you mean by removing te opening bracket? > > JM > > Le 4 sept. 2016 à 11:40, Craig Dabelstein <craig.dabelst...@gmail.com> a > écrit : > > > Hi Lilyponders, >

Re: 2 questions on choir staff

{ > \context { > \Score > > } > \context { > \ChoirStaff > \override InstrumentName.self-alignment-X = #LEFT > \remove System_start_delimiter_engraver > } > \context { > \Staff > \override InstrumentName

Re: include all files in a folder

Thanks Urs. On 29 August 2016 at 16:28, Urs Liska <u...@openlilylib.org> wrote: > > > Am 29. August 2016 06:27:14 MESZ, schrieb Craig Dabelstein < > craig.dabelst...@gmail.com>: > >Hi Lilyponders, > > > >Is there some form of code for including all

include all files in a folder

lude "../Notes/movtI/*.ily" Any ideas? All the best. Craig *Craig Dabelstein* e:craig.dabelst...@gmail.com <http://www.facebook.com/craig.dabelstein> <http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en> ___ lilypond-use

Lyrics question

> } \new Staff = "Oboe 1" { \set Staff.instrumentName = #"Oboe 1" \set Staff.shortInstrumentName = #"Ob. 1" << \global \oboeINotes >> } >> >> } \layout { } *Craig Dabelstein* e

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