I would like to obtain access to Leo Treitlers
article published in The Journal of Musicology, volume 10 Spring
1992 entitled The Unwritten and Written Transmission of Medieval chant
and the start-up of musical notation. Please tell me how I can down load the
article or purchase from the
up, with the lower a pushed off to the right.
I was using earlier versions of 1.6 when I first encoutered this, but I've tried it
again with 1.6.10, and this still happens.
Any help appreciated!
Thanks,
James
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How can I hide the meter signature on a staff line, for Music Theory
quizzes?
--Jim Fay
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In a line of music with a different key signature each measure (music theory
quiz), is there a way to prevent naturals from showing up in each new key
signature.
--Jim Fay
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I'm brand-new LiliPond user - it's great! Very easy to learn, too.
Two questions:
1. Putting together some music for a choir I've just joined, and I'm having
trouble figuring out where the lyrics for the 2nd, 3rd, etc verses go.
Normally for songs I see music that just has the lyrics for the
Thanks for the help.
I've got the multiple verses printing on separate lines now, but the second
and third verses are printed below the music, while the first verse is in
the middle. Suggestions for how to get all the verses in the same place?
Also, compiling is saying:
Interpreting music...
I use ChoirStaff instead of StaffGroup. It doesn't draw bar lines down
through the lyrics.
- James
\score { \notes
\context ChoirStaff
\context Staff = women
\partcombine
\context Voice = sopranos { \voiceOne \sopMusic
I'm running SP2 with Lilypond 2.2.5/Cygwin with no problems.
- James
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In writing snippets to merge into latex for Music Theory assignments, the
following puts a different key signature in each measure.
What I'd like it NOT to do (which it currently does) is to cancel the
previous bar's key signature with naturals.
Jim Fay
Annapolis, MD
% key_sig_trebleA.ly
-Original Message-
From: Paul Scott [mailto:[EMAIL PROTECTED]
Sent: Saturday, October 30, 2004 6:46 PM
To: [EMAIL PROTECTED]; Lilypond user list
Subject: Re: key signature changes
James Fay wrote:
Great Paul, thanks,
Now, also how can I do it in version 2.0.2 --- same way
text at the end of a part (D.C. al coda)? Probably the
same question as #1.
Thanks,
- James
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like the MIDI to play correctly for this.
- James
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the same thing, but Scheme
isn't high on my list of things to learn. (Best of all would be hearing
that there's a way to just tell Lilypond to combine rests in a staff.)
- James
while () {
if (/%/) {
print $_ . \n;
}
else {
$l = $_;
my @notes = split ' ', $l
on this.
- James
#(set-default-paper-size letter)
\paper {
linewidth = 550\pt
}
\version 2.2.5
\header {
title = Go, Tell It!
tagline = OK Chorale / Version 1.7
}
sopWords = \lyrics {
| Go __ tell it!
| Shout it from - the moun- tain- top
Go tell - it eve- ry- where
.
The existing \skip 1 lines put that lyric under the first note of bar 5,
which is what I want.
I've updated to version 2.4.2 under cygwin (Thanks to Bertalan Fodor).
- James
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 11, 2004 12:52 AM
I'd like to use partcombine to eliminate the two rests on each staff (vocal
music), but I'm not getting it. This .ly file behaves the same with and
without the \partcombine lines. Suggestions?
Lilypond 2.4.2 under cygwin.
- James
\layout {
linewidth = 455.244096\pt
}
\version 2.4.0
I don't know where the official archives are, but there's more than one
archive option -
http://lists.gnu.org/archive/html/lilypond-user/
http://www.mail-archive.com/lilypond-user@gnu.org/
Probably several others as well.
- James
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can read the source, the bits around it don't matter so much.
I'd guess that messages here would be similar; there's probably going to be
code involved that helps no matter what language is used to talk about it.
- James
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This Music Professor uses Lilypond-book for class materials in Music Theory
Jim Fay
Annapolis, MD
www.nvcc.edu/home/nvfayxj
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time reading.
- James Moore
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to use it, in much the same way you can grant
licenses to use any type of property that you own.
This is from an American point of view - haven't the faintest idea what
European/Asian/etc concepts look like.
- James
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\spanTwo c \startTextSpan c
d4 d d d \stopTextSpan
e4 e \stopTextSpan e e
}
}
\layout { }
}
% end example
Thanks,
James Worlton
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For what it's worth, to get rid of the clashing note column warning in
the terminal, just substitute the notes in the hidden voices with
fake notes (spacer rests) of the appropriate duration.
James Worlton
On Tue, Nov 3, 2009 at 1:16 PM, James W. jworl...@gmail.com wrote:
(My original reply
(My original reply went to David only, sorry)
Thanks, for your quick response David. It's a little less elegant than I
was hoping for, but it does work!
Any alternative solutions out there? If not, that's fine, David's solution
does work.
Thanks,
James Worlton
On Tue, Nov 3, 2009 at 12:31 PM
In 2.13.6 I did a project and used:
\set Score.markFormatter = #format-mark-box-alphabet
and I got the boxes and the letter I (all in one command!)
James Worlton
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I don't understand why either, but you get around the problem by
using the \new Staff \with { instrumentName = Ausführung } syntax.
I'm 100% percent sure that the culprit is the umlaut, although why,
is beyond me. It's probably a bug.
On 29.11.2009, at 13:56, Stefan Thomas wrote:
Dear
On 30.11.2009, at 13:11, Stephan Elliot Perez wrote:
… In the first example, the textspanner stays above although I
preceded it with _
You may want to use the \textSpannerDown from section 1.8.1 in the
Notation Reference
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On 12.12.2009, at 00:29, Neil Puttock wrote:
2009/12/11 stefankaegi ska...@hispeed.ch:
uhm... I have some doubts you understand me properly... The pedalling
actually should be like in my example (pedal on e and f), but
it's a
bit bad positioned.
This is a nasty bug of the Dynamics
In the future, a better formed question would be, Hi, I installed
lilypond on Windows 7 and am having these problems…
On 12.12.2009, at 03:37, Roberto Altschul wrote:
Does Lilypond run under Windows 7?
Roberto Altschul
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It works fine. Indeed I will be patching the MS Windows Learning Tutorial with
screenshots that came from Windows 7 soon.
Once I get my head around git ;)
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of
Jonathan Kulp
Sent: Sat 12/12
release rather than
something that has always been in the stable release.
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of
craigbakalian
Sent: Sat 12/12/2009 21:41
To: lilypond-user@gnu.org
Subject: RhythmicStaff
Hi,
I am running 2.13.8
No matter how hard I try, I can't seem to reproduce this problem.
With, or without the markup (which includes a variable which hasn't
been described in the snippet), or the notecolumn markup, I still get
the expected output, with the notes properly shifted. Can you send an
example which
I don't know if you know about it, but the link from the download
page on lilypond.org for osx 10.5 has several methods of getting
lilypond to work.
http://ivo.bouwmans.name/lilypondleopard/
On 13.12.2009, at 19:14, Robert Ley wrote:
Re: Version 2.12.2-1
Downloaded both documentation and
Which script? What does the site say to do to make it run? I know
there are at least three different methods listed at the website on
ways to use lilypond. At lest two of which, I know from first-hand
experience work perfectly, the others of which, I know from second-
hand experience work
if you separate the dynamics into a different variable, then you can do:
music = {c1}
dynamic = {s4\ s2 s4\!}
Or similar, given the note lengths.
On 13.12.2009, at 21:45, Tom Dickson wrote:
I have a piece that has a decrescendo over the last note - what's
the best way to set this?
I tried
Sorry, I can't help you. Amazing as it sounds, the instructions in
the documentation http://lilypond.org/doc/v2.12/Documentation/user/
lilypond-program/Setup-for-MacOS-X#Setup-for-MacOS-X actually worked
for me, so I've never used any of the methods on the website, except
to see how jEdit
in the learning guide.
Try that...see if that at least gets you going.
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of James
Bailey
Sent: Mon 14/12/2009 20:16
To: Robert Ley
Cc: lilypond-user@gnu.org
Subject: Re: No Work!
Sorry, I can't
Have you tried any of the methods that don't include using the built-
in editor? It's designed to make an introduction to lilypond easier,
but in your case, that hasn't worked. That having been said, the
editor that ships with lilypond is slightly less useful than using
TextEdit, so you may
) save it as a test.ly, then from the lilypond menus open this
file and try to compile it.
James
On 15.12.2009, at 00:54, Robert Ley wrote:
Well, with v 2.13.9 I now have the full menu bar and all the
commands, but the first open page doesn't compile, no .pdf format
reader appears. I've tried
it as a test.ly (not
test.ly.txt) and then compile the file? Does this work?
Thanks
At the moment you are still not giving us everything, only bits and pieces.
James
PS Please remember to 'reply-all' when emailing.
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jEdit with the LilyPondTool plugin practically does all of that already.
James Worlton
On Tue, Dec 15, 2009 at 11:07 AM, Kees van den Doel kvand...@shaw.cawrote:
If lilypond came with a rudimentary GUI I think it would at least octuple
the number of people trying it out.
Something simple
This ships with the macintosh version, which is what the original
poster uses. It broke for a while on 10.5/10.6.
On 15.12.2009, at 19:11, Kees van den Doel wrote:
I was thinking of something utterly trivial with as few features
as possible (File open/save and compile).
Maybe call it the
.
That is about as simple as it gets I for me.
I can even change the font in the wordpad file (to courier) as having a fixed
width font to edit with is easier on the eye (I think).
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Stefan
Thomas
Sent
on OSX.)
I use texteditor for OSX, just convert to plain text first and save with
a .ly extension.
James
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I'm really sorry you couldn't get it to work. After months of the GUI
not working at all on 10.5/10.6, there appeared to be a fix which has
worked for every other user. So, unless you can give anyone on the
list some more details about what you did, which version you were
using, and what
James Bailey wrote:
I'm really sorry you couldn't get it to work. After months of the GUI
not working at all on 10.5/10.6, there appeared to be a fix which has
worked for every other user. So, unless you can give anyone on the list
some more details about what you did, which version you were
First and foremost, *I* am not in a position to change anything with
the programming. But any problems you encounter will certainly help
the people who do the programming to make the end-user experience
better.
Having read your other email, as I understand it, you downloaded a
script and
to it, lilypond is a compiler, and implementation in a GUI
may or may not work.
On 16.12.2009, at 18:19, James Lowe wrote:
James Bailey wrote:
I'm really sorry you couldn't get it to work. After months of the
GUI not working at all on 10.5/10.6, there appeared to be a fix
which has worked
Don't worry, I've not lost patience; however, you seem to not be
hearing me. I understand that two methods of using lilypond did not
work for you: the GUI application that comes with lilypond, and a
script for terminal use. There are other ways of using lilypond. I'm
asking you to see if
filesystems.
I hope this helps.
James
Robert Ley wrote:
The problem I had was not related to the script that I downloaded.
The problem I had was very simple and not related to me creating
anything. The page you refer to is about using Terminal to create music
pages. I didn't get that far
On 17.12.2009, at 18:22, Robert Ley wrote:
So i do not think the problem is with you at all.
The console shows this message:
Thursday, December 17, 2009 9:05:46 AM US/Pacific
Dec 17 09:06:44 rdlpowerbook LilyPond[231]: type
'exceptions.OSError': [Errno 86] Bad CPU type in executable
The 'correct' version for system 10.5.8 on a PPC chip should be the
PPC binary. The direct link to the 2.13.9 binary is here:
http://download.linuxaudio.org/lilypond/binaries/darwin-ppc/
lilypond-2.13.9-1.darwin-ppc.tar.bz2
On 17.12.2009, at 19:04, Robert Ley wrote:
The 'correct' version
I only noticed this because I'm checking the regression tests, but I
think page-top-space is the setting you would need.
You can find an example of its use it in the regression tests.
On 18.12.2009, at 03:54, Hugh Myers wrote:
Given:
\version 2.13.7
\header {
tagline = ##f
}
\layout {
Maybe change Alternate Input to Input software, or Input
programs, or Progams, At least One of Which You Will Use to Enter
Your Scores if You At All Value Your Time and Sanity.
Input aids.
Hmm, on second thought, what about calling it Easier editing?
'Aids' isn't much better for the
It is possible, it just depends on how adept you are and what you want
really want out of your OS.
For example I have used Damn Small Linux, booting from a USB stick then
download the applications from with then RAM disk image this loads
(including Lilypond and a PDf viewer etc) and then make
that
'Bourrée' doesn't end up as 'Bourr é e'.
I use this method because I don't have a lot of accented characters to deal
with and also I can move my ly files into virtually any plaintext editor
without worrying about any weird conversions that a different OS or editor will
do.
James
Here's a link to what is being mentioned here:
http://www.sheetmusicplus.com/look_inside/1938302/image/137025
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Hugh
Myers
Sent: Sun 20/12/2009 1:17
To: lilypond-user
Subject: Need help before I
Yes I can confirm this too. You beat me to it, I meant to post this yesterday.
It seems that each file is being deleted one at a time rather than just
removing the Lilypond dir or the 'usr' dir that gets created. You can watch it
do this as the uninstaller runs.
As the default installer on
originally I was going to report this on 2.13.9 and 2.13.8 (I think), but I see
that it does the same thing for me on windows 7 for 2.12.3 when I run the
uninstaller app (I haven't tried uninstalling from control panel - I have to
wait for it to uninstall first to reinstall it 8 ) )
From:
the point and hopefully make it
obvious on how to apply these values.
---
\version 2.12.2
\header {
title = \markup {\concat {B \char ##x0f6 u \char ##x159 r
\char ##x0e9 e} }
}
{a b c d e}
---
Have fun
James
David Kastrup wrote:
Stefan Thomas kontrapunktste...@googlemail.com
http://lsr.dsi.unimi.it/LSR/Item?id=232
Athanasius Pelletier wrote:
How can I get the dynamics (i.e pp fff) above the music instead of below
where the lyrics are? Lillypond seems to keep putting them below.
Nick wins!
:)
Nick Payne wrote:
On 23/12/09 04:43, Athanasius Pelletier wrote:
How can I get the dynamics (i.e pp fff) above the music instead of
below where the lyrics are? Lillypond seems to keep putting them below.
c^\pp
Nick
___
On 22.12.2009, at 19:12, Kieren MacMillan wrote:
Hi Athanasius,
How can I get the dynamics (i.e pp fff) above the music instead of
below where the lyrics are?
Lillypond seems to keep putting them below.
Use the \dynamicUp macro.
Hope this helps!
Kieren.
There's a \dynamicUp??!! I
On 22.12.2009, at 21:28, Kieren MacMillan wrote:
Hi James,
There's a \dynamicUp??!! I really gotta start reading the changes
to the program.
That came in *many* versions ago… ;)
Cheers,
Kieren.
Like I said, I really gotta start reading those new features things
I don't know much about tablature, but are eighth notes supposed to
have stems and beams?
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Hello, I'm on Mac OSX 10.4. Do I need to do something special to get
the angle brackets in tablature? For what it's worth, I get this
output in my sterr:
Interpreting music...
Preprocessing graphical objects...
programming error: FT_Get_Glyph_Name () error: invalid argument
continuing, cross
On 26.12.2009, at 13:16, Trevor Daniels wrote:
James Bailey wrote Saturday, December 26, 2009 9:37 AM
Subject: question about tablature
I don't know much about tablature, but are eighth notes supposed
to have stems and beams?
Yes, if \tabFullNotation is invoked.
But there is a bug
On 26.12.2009, at 14:19, Carl Sorensen wrote:
On 12/26/09 5:16 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
James Bailey wrote Saturday, December 26, 2009 9:37 AM
Subject: question about tablature
I don't know much about tablature, but are eighth notes supposed to
have stems
On 26.12.2009, at 19:04, Patrick McCarty wrote:
On Sat, Dec 26, 2009 at 2:00 AM, James Bailey
derhindem...@googlemail.com wrote:
Hello, I'm on Mac OSX 10.4. Do I need to do something special to
get the
angle brackets in tablature? For what it's worth, I get this
output in my
sterr
On 26.12.2009, at 20:07, Carl Sorensen wrote:
On 12/26/09 10:21 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl Sorensen wrote Saturday, December 26, 2009 1:19 PM
On 12/26/09 5:16 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
James Bailey wrote Saturday, December 26, 2009 9:37
On 26.12.2009, at 22:11, Carl Sorensen wrote:
On 12/26/09 12:42 PM, James Bailey derhindem...@googlemail.com
wrote:
On 26.12.2009, at 20:07, Carl Sorensen wrote:
On 12/26/09 10:21 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Carl Sorensen wrote Saturday, December 26
On 26.12.2009, at 22:11, Carl Sorensen wrote:
On 12/26/09 12:42 PM, James Bailey derhindem...@googlemail.com
wrote:
On 26.12.2009, at 20:07, Carl Sorensen wrote:
On 12/26/09 10:21 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Carl Sorensen wrote Saturday, December 26
On 27.12.2009, at 07:49, Patrick McCarty wrote:
On 2009-12-26, James Bailey wrote:
Hello, I'm on Mac OSX 10.4. Do I need to do something special to get
the angle brackets in tablature? For what it's worth, I get this
output in my sterr:
Interpreting music...
Preprocessing graphical objects
On 28.12.2009, at 10:59, Stefan Thomas wrote:
Dear community,
in the below quoted snippet, I would like to have the rests in the
second staff without articulations.
Is it possible?
\version 2.12.2
arti = {
\repeat unfold 4 { s8-.- s-. }
}
fragA = \relative c' {
\context Voice {c8 d e
On 28.12.2009, at 10:59, Stefan Thomas wrote:
Dear community,
in the below quoted snippet, I would like to have the rests in the
second staff without articulations.
Is it possible?
\version 2.12.2
arti = {
\repeat unfold 4 { s8-.- s-. }
}
fragA = \relative c' {
\context Voice {c8 d e
On 28.12.2009, at 10:59, Stefan Thomas wrote:
Dear community,
in the below quoted snippet, I would like to have the rests in the
second staff without articulations.
Is it possible?
\version 2.12.2
arti = {
\repeat unfold 4 { s8-.- s-. }
}
fragA = \relative c' {
\context Voice {c8 d e
Can you provide a short example that shows the collision? I'm having
difficult imagining how to get such a collision, and then how to
correct it.
On 29.12.2009, at 19:06, Alberto Simões wrote:
Dear all,
Can't find a solution to hide one of the two whole notes that are
colliding. The only
I thought I could help, but apparently my scheme-fu isn't good enough
for this. I first thought I could beat \Balloon_engraver into doing
what you need, but there's scant information on it, and I don't know
how to change the size of the box it creates.
Then I thought I could just use
c'1
(b4)}
On 29.12.2009, at 19:28, Alberto Simões wrote:
Sure:
voiceA = \relative c {
c1( d4)
}
voiceB = \relative c {
c1( b4)
}
voice = { \voiceA \\ \voiceB }
On 29/12/2009 18:16, James Bailey wrote:
Can you provide a short example that shows the collision? I'm having
On 29.12.2009, at 20:14, Alberto Simões wrote:
Hey
On 29/12/2009 19:11, James Bailey wrote:
I assume you *want* the two heads merged into one. since as it is,
there
is no collision. The easy way is to force them together.
In fact, accordingly with lilypond documentation, the two heads
Out of curiosity, are these errors local to one user, or global for
all user accounts on the computer? It may be a problem with a ~/
*profile or ~/*rc file
On 29.12.2009, at 21:17, Patrick Schmidt wrote:
Hi all,
a while ago I got a bus error every time I invoked lilypond (or any
other
On 29.12.2009, at 22:48, Patrick Schmidt wrote:
Datum: Tue, 29 Dec 2009 22:43:12 +0100
Von: James Bailey derhindem...@googlemail.com
An: Patrick Schmidt p.l.schm...@gmx.de
CC: lilypond-user@gnu.org
Betreff: Re: command-line usage - dyld message
Out of curiosity
/LilyPond.app/Contents/Resources/lib/libpangoft2-1.0.la
---
This might give some clues. I am using Lilypond 2.13.9 and the binary is in my
applications folder.
James
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Sorry to double post, also I have been scouring some forums that dyld issues
can also be because of permission problems.
So to that end, assuming that you can 'locate libpang' I'd do an 'ls -al' on
the dir that contains the lib dir
i.e
jamess-imac:~ james$ ls -al /Applications/LilyPond.app
Have you tried the methods in the notation reference, 1.6.2,
modifying single staves?
On 30.12.2009, at 13:02, craigbakalian wrote:
Hi,
I apologize for the length of the code below, but I cannot explain
this issue any other way. I have a percussion part where the
player switches from
So, does this mean that the problem is not isolated to one user account?
On 30.12.2009, at 11:29, Patrick Schmidt wrote:
This is what I get when I type
'locate libpang':
Is there anything wrong?
Thanks for your help!
patrick
--
Jetzt kostenlos herunterladen: Internet Explorer 8 und
:
James,
the problem seems to be isolated to my main user account! I was
able to compile the Welcome-file in my test account (using the
command-line):
/Applications/LilyPond.app/Contents/Resources/bin/lilypond /
Applications/LilyPond.app/Contents/Resources/Welcome-to-LilyPond-
MacOS.ly
When I
have used 'mv ~/.+ temp/' instead of 'mv ~/.* temp/' to
avoid the invalid arguments?!)
I still can't compile the ly-file from the command-line in my main
account (dyld message).
patrick
Original-Nachricht
Datum: Wed, 30 Dec 2009 16:19:55 +0100
Von: James Bailey derhindem
If you can show this in a one measure example, I'd more than willing
to help you, but trying to find out where the problem is, amidst all
of your voices is a bit more work than I'm willing to put in.
On 30.12.2009, at 20:43, Alberto Simões wrote:
Hey
On 30/12/2009 19:38, Nick Payne wrote:
send an example that shows the problem, I'll
be more than happy to look at it and help you find a solution.
On 30.12.2009, at 21:39, Alberto Simões wrote:
On 30/12/2009 20:01, James Bailey wrote:
If you can show this in a one measure example, I'd more than
willing to
help you, but trying
, at 21:58, Alberto Simões wrote:
On 30/12/2009 20:58, James Bailey wrote:
The problem wasn't finding the collision. The problem was figuring
out
what's going on in the other voices. There are no measure numbers,
so I
can't see what the other voices are doing at the same time (often
problems
On 30.12.2009, at 22:35, Patrick McCarty wrote:
On Sun, Dec 27, 2009 at 4:02 AM, James Bailey
derhindem...@googlemail.com wrote:
On 27.12.2009, at 07:49, Patrick McCarty wrote:
On 2009-12-26, James Bailey wrote:
Hello, I'm on Mac OSX 10.4. Do I need to do something special to
get
with using gedit or
similar. I much prefer it.
James
Marc Weber wrote:
Excerpts from David Stocker's message of Fri Jan 01 15:33:38 +0100 2010:
The Dual-Boot would be an alternative to installing Kubuntu as a virtual
machine.
if your cpu doesn't support virtualizing you can also run colinux
On 02.01.2010, at 16:20, Xavier Scheuer wrote:
If such a technique is required for all exceptions to the chord
structure, it seems as if the chord method could become patchwork
if many exceptions are needed in a piece. Ten exceptions might be
common on a one-page hymn, requiring the creation of
My biggest problem in typing input is getting notes in the correct
octave. Relative mode doesn't help me that much because I have to
stop and think which direction is within a fourth of the previous
note.
The thing that's unambiguous is direction. If I'm on the b in the
middle of the
This still works just fine except that the instrument name oboe
does not print at the beginning of the first line. That part was
working just fine a year ago. Can anybody tell me what happened? I've
tried 2.11.27 and 2.10.33, and it doesn't work with either of them.
Ii can't remember what
the instrument name oboe does not print
\version 2.11.27
\include LoHow.ly
\context Staff { \set Staff.instrument = oboe \clef treble \alto}
If you look at the current docs, you'll see that the relevant
properties are now called instrumentName (for the name on the first
system) and
The d flat has both an accent and a staccato mark over it. Lilypond
wants to put he accent on top of the staccato. I wanted the staccato
on top of the accent. Here are four tries. Two of them work; two of
them don't. (no surprise there) Two seem to be according to the
manual page 96; two
2008/11/16, Graham Percival [EMAIL PROTECTED]:
Read the bloody tutorial and LM 3. Particularly the syntax of a
lilypond file.
Particularly^2, the a \score contains a single music expression
part.
- Graham
Seriously, Graham, if you can't be nice and fuzzy, don't respond.
(Wasn't that
Is it just me, or does the brace not show up?
2008/11/18 Marek Klein [EMAIL PROTECTED]
Maybe this snippet is what you are looking for:
http://lsr.dsi.unimi.it/LSR/Item?id=503
--
Marek Klein
http://gregoriana.sk
2008/11/18 Cordilow [EMAIL PROTECTED]:
Sometimes it's desirable to have
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