Neil,
-Original Message-
From: Neil Puttock n.putt...@gmail.com
Date: Thu, 10 Mar 2011 21:04:31 +
To: James Lowe james.l...@datacore.com
Cc: LilyPond User lilypond-user@gnu.org
Subject: Re: Double Digit Fingering ie 10 11 12
On 10 March 2011 18:52, James Lowe james.l...@datacore.com
mastered the fundamentals you can then
experiment.
I hope this helps for now.
James
I'm working on a lighter file (more comprehensive for me) :
http://old.nabble.com/file/p31118481/cellules_avecvariables.ly
cellules_avecvariables.ly
Also , i would like to color in black the notes
guesstimate it would take compile (I.e the make bit).
James
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Carl,
-Original Message-
From: Carl Sorensen c_soren...@byu.edu
Date: Sat, 12 Mar 2011 07:55:43 -0700
To: James Lowe james.l...@datacore.com, t...@sheafpublishing.co.za
t...@sheafpublishing.co.za, LilyPond User lilypond-user@gnu.org
Subject: Re: Compile for Mac
The total process may take
-compiling.
James
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have to then shift
the text to the left or right manually for it to drop down or fit nicely.
But being able to align it to something might be simpler as often I have
room either on the note before or the bar.
Those are the kind of problems I wonder that could be solved?
James
.
James
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aware that it's
an active research area, especially with Rencon:
http://renconmusic.org/ ...
--snip--
James
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to get a bit complicated. So I just wondered
if there was a way to tell LP to print a new \score to the right instead of
underneath the one before it?
Thanks as usual for your time.
James
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http
Janek,
From: Janek Warchoł [lemniskata.bernoull...@gmail.com]
Sent: 14 March 2011 21:30
To: James Lowe
Cc: LilyPond User (lilypond-user@gnu.org)
Subject: Re: How to print to \score { } constructs next to each other instead
of underneath
2011/3/14 James
Hello,
)-Original Message-
)From: Aurelien [mailto:tyran...@free.fr]
)Sent: 15 March 2011 07:54
)To: James Lowe
)Cc: lilypond-user@gnu.org
)Subject: Re: New here and first question about using repeat percent over
)more than two measures
)
)
)No, I really want to use %. Or at least, I'd
from a voice
)
)
)in case that's of use to anyone else.
)
It might be of use to Mr. L. S. Repository.
James
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#automatic-beams
(scroll down a bit and see the snippet for kneed beams).
James
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Hello,
)-Original Message-
)From: Aurelien [mailto:tyran...@free.fr]
)Sent: 16 March 2011 06:35
)To: James Lowe
)Cc: 'lilypond-user@gnu.org'
)Subject: Re: New here and first question about using repeat percent over
)more than two measures
)
)On Tue, Mar 15, 2011 at 01:40:48PM +, James
'
performers on stage would give quite the same experience.
James
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) behaviour.
) I don't know if this is good english, but I can understand it better.
)
)
)What you're proposing is good English, and makes sense where the
)original
)did not.
)
I'll make a small patch.
James
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the music that has a constant volume where overall
volume/dynamics are less important.
Also I expect that you'd notice less compression in a piece of music if you
were very familiar with it simply because your brain would 'fill in' the 'gaps'
and compensate for the compression 'failings'.
James
the classical literature (for example)
that is still available and didn't die and disappear after its first
publication, is 'good' but I do believe it is 'probably, more than likely'
better than the stuff that didn't survive or is no longer available.
James
.
That is a good thing.
James
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is generated from)
it wasn't obvious what to use.
Can anyone point me in the right direction?
Thank you.
James
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and by double-clicking.
)
What does your PATH command show when you run it in a CMD window. Does it show
two LilyPond path statements or just one?
Also did you use 'control panelsadd/remove programs' or run the uninstaller
directly (they should do the same thing but it is interesting to know).
James
.
I believe you could use a \bar type construct but you have to manually
create the last bar anyway, so it's as much work for the whole piece as not.
James
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attached two pngs
of my real-world file (before and after) and wondered if I was simply
using the wrong grob or something like that?
Thanks for any help or advice.
James
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Neil
-Original Message-
From: Neil Puttock n.putt...@gmail.com
Date: Tue, 22 Mar 2011 22:11:08 +
To: James Lowe james.l...@datacore.com
Cc: Nick Payne nick.pa...@internode.on.net, LilyPond User
lilypond-user@gnu.org
Subject: Re: volta bracket too short (OT)
On 22 March 2011 21:55
we can see the place we can tweak.
If they do not line up after you have remove that paper definition then there
is another issue.
James
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that?
James
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!
James
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hello
\paper {
paper-width = 5.5\in
paper-height = 11\in
left-margin = 0\in
right-margin = 0\in
line-width = 4.0in
doesn't this need a slash?
4.0\in
James
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if it does
'slightly complicate the construction.
The only thing to remember (and I have never understood why but was told to and
it works) is that you must have a \layout {} even if that construct is 'empty'
within your \score that you are creating your markup from.
James
round the cue notes issue.
James
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if there is an automated way to produce numbered full-measure
)rests like shown in the attachment?
)R1^\markup 1 does not come in too handy when setting parts for
)percussion with loads of rests.
There is this
http://lsr.dsi.unimi.it/LSR/Item?id=473
James
and Adobe Acrobat on the Mac and in Windows.)
So is this a problem with Acrobat and Preview works ok?
James
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Hello
From: Jan-Peter Voigt [mailto:jp.vo...@gmx.de]
Sent: 31 March 2011 12:50
To: James Lowe
Cc: m...@apollinemike.com; lilypond-user Mailinglist
Subject: Re: problem with OS X 10.6.7 and Lily-PDFs
I have also installed 10.6.7 and have not noticed anything - I've just printed
out a full score
hello,
James.
On 31 Mar 2011, at 22:08, Patrick Karl pck...@mac.com wrote:
Message: 3
Date: Thu, 31 Mar 2011 13:21:09 +0200
From: Jan-Peter Voigt jp.vo...@gmx.de
Subject: problem with OS X 10.6.7 and Lily-PDFs
To: lilypond-user Mailinglist lilypond-user@gnu.org
Message-ID: 4d9463a5.1000
hello
James.
On 31 Mar 2011, at 22:25, Bernhard Ott bernhard@gmx.net wrote:
Dear all,
IMHO there should be a natural sign showing the f' after the clef-change: am
I wrong?
music = \relative c' {
c8 d e fis
c d e f
c8 d e fis
\clef alto c d e f
}
\score
Begin forwarded message:
From: Shane Brandes sh...@grayskies.netmailto:sh...@grayskies.net
Date: 31 March 2011 23:18:35 GMT+01:00
To: James Lowe james.l...@datacore.commailto:james.l...@datacore.com
Subject: Re: no natural sign when clef changes
The terminal f if natural requires a natural sign
hello,
On 1 Apr 2011, at 00:03, Bernhard Ott bernhard@gmx.net wrote:
On 30.03.2011 17:36, James Lowe wrote:
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf
a little more
centered to my liking.
Hope this helps.
James Worlton
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/staffsymbol
Which lists ' ledger-line-thickness' but not 'thickness'.
So it doesn't appear to be listed.
At least that is how I assume one would go about finding the value?
James
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hello
.
On 4 Apr 2011, at 22:52, Damian leGassick damianlegass...@mac.com wrote:
running onyx plus reboot has fixed this for me
d
any particular operations or did you just clear/run everything?
James
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else and the
one you 'want' to use is just called lilypond.app and you are all set. You can
even leave any icons in the dock as they are as they link to 'lillypond.app'
not the specific executable inside of it.
James
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as no one knows or has an answer.
James
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'] } a'8[ a'8 a'8 a'8
]
Is this a bug or should we putting this as an @knownissue?
James
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Staff.ottavation = #8 to include it in the layout
)section so it applies to the whole score?
Can't you just use
\clef treble_8 in your score
http://lilypond.org/doc/v2.13/Documentation/notation/displaying-pitches#clef
Instead of using a \layout { } construct?
james
2011/4/6 James Lowe james.l...@datacore.com
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Peter O'Doherty
)Sent: 06 April 2011 09:51
)To: lilypond-user
From: Peter O'Doherty [mailto:k.p.odohe...@gmail.com]
Sent: 06 April 2011 12:21
To: James Lowe
Subject: Re: ottavation
Thanks for your reply, James. My question wasn't very clear - there are
numerous instances of ottava passages in the score, but not the whole score so
\clef treble_8
.
)
http://lsr.dsi.unimi.it/LSR/Item?id=668
For a start
james
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hello
James.
On 8 Apr 2011, at 23:53, Ed Ardzinski ed_ardzin...@hotmail.com wrote:
It just seems odd that going back to the beginning of the repeat, back in
4/4, would not have any notification...
I don't think so. If you are repeating the bar then you are repeating the bar,
I.e. play
to manually remove those extra LP path statements too.
Hope this is of help.
James
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example.
I hope this helps
James
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.
sorry if this was irrelevant.
James
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that the documentation is
)updated if this possible.
)
Any constructive suggestions to the Documentation are always, always welcome
especially if you write something yourself.
Start here:
http://lilypond.org/doc/v2.13/Documentation/contributor/documentation-suggestions.html
regards
James
changes so
I often have to 'extract' meaning out of people's problems if the doc could
have prevented that. I don't have access to create tracker issues else I could
do that kind of thing myself if only to stop me keeping my own personal to-do
lists, if that makes sense.
James
Tom,
)-Original Message-
)From: Tom Cloyd [mailto:t...@tomcloyd.com]
)Sent: 15 April 2011 07:31
)To: James Lowe
)Subject: Re: getting repeats to play in midi
)
..
)
)I write hoping the feedback might be helpful in some way. I STILL have no
)idea where to send documentation suggests other
Hello,
)-Original Message-
)From: Phil Holmes [mailto:m...@philholmes.net]
)Sent: 15 April 2011 11:47
)To: James Lowe; Graham Percival; Tom Cloyd
)Cc: Lilypond
)Subject: Re: Using the articulate.ly script AND getting nice-
)lookingengraved output - how to
)
)James - do you have a Gmail
to keep message in user
Begin forwarded message:
From: Tom Cloyd t...@tomcloyd.commailto:t...@tomcloyd.com
Date: 15 April 2011 22:25:27 GMT+01:00
To: James Lowe james.l...@datacore.commailto:james.l...@datacore.com
Subject: Re: getting repeats to play in midi
Reply-To: t...@tomcloyd.commailto:t
for grace notes are listed and set.
Is this what you were looking for?
James
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/v2.13/Documentation/contributor/index
With regard to compiling source code.
However it seems that your friend just wants to use LP to create beautiful
notation, so no compiling is needed just use the download links above and it
should be fine.
James
want to put you or your friend
off from using LP on a Mac. Indeed I've literally just finished a set of 10
parts for our Local Wind Band with no issues at all.
regards
James
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)
)but it does not work.
)
)Any idea how I could change the color of the ledger lines (ledger lines
)only, I do not want to change the whole staff's color).
)Thanks in advance.
)
\override Staff.StaffSymbol #'color = #red
James
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reasons I use a CueVoice and _not_
\cueDuring .
Thanks in advance.
Cheers,
Xavier
While not the most elegant way, can you not just use a markup with the clef
glyph and an override to make it smaller and then shift it up/down/left/right
as needed?
James
type thing' it isn't always codas and fines.
James
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if it would be useful to get a before (2.12) and after (2.13) of
the ligature you say used to be shown.
James
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the PDF, the
screen display was fine.
James
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' is
)acceptable, and in some situations either ` or ' are both valid. this seems a
)bad situation to have so far as making it easy to write valid lilypond source
)code.
See: http://thread.gmane.org/gmane.comp.gnu.lilypond.devel/29523/focus=29525
James
Karl,
)-Original Message-
)From: Patrick Karl [mailto:pck...@mac.com]
)Sent: 27 April 2011 15:31
)To: lilypond-user@gnu.org; m...@philholmes.net; James Lowe; Fr.
)Michael Gilmary, mma
)Subject: Re: font use
)
)
)
) Message: 1
) Date: Tue, 26 Apr 2011 17:09:10 +0100
) From: Phil Holmes m
an example, however if you have a \midi { } in your \layout {} then
simply comment it out % and see if you can compile it and produce a PDF, else
you'll need to give us a bit more to help you here.
What does 'Windows - 2.13.2' mean?
James
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#/Users/Jon/Desktop/Kummer 72.pdf -c .setpdfwrite -f
/Users/Jon/Desktop/Kummer 72.ps' failed (1)
error: failed files: C:\\Users\\Jon\\Desktop\\Kummer 72.ly
--
What version of Windows are you using?
james
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lilypond-user
hello
---
From: Jon Daly [mailto:jondal...@gmail.com]
Sent: 29 April 2011 14:27
To: James Lowe
Cc: Phil Holmes; lilypond-user@gnu.org
Subject: Re: Blank PDF but a MINI file that plays the music... Any ideas?
I am using windows 7
---
and you installed SP1 recently right?
if yes
for Man of La Mancha. A
)common one is 3/4 6/8 but I an example of 3/4 4/4.
)
http://lsr.dsi.unimi.it/LSR/Item?id=261
Does that do what you want?
or
http://lsr.dsi.unimi.it/LSR/Item?id=743
for another option.
also this
http://lsr.dsi.unimi.it/LSR/Item?id=395
James
to 'document'.
So I appreciate any offers, but I will have to go back over the emails again to
see if I can concisely re-state my problems with the attempts to help before.
James
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you use an 'absfontsize' (which I guess is what a
\huge is) or if you choose a different font.
James
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more information, if no one answers you.
James
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https://lists.gnu.org/mailman/listinfo/lilypond-user
://lilypond.org/doc/v2.13/Documentation/notation/aligning-objects#index-break_002dalign_002dsymbols
and move it 'back' towards the start of the new line (if you see what I mean).
You can even (I do this sometimes) use a normal markup to a note and then tweak
it so it shifts 'left'.
James
Janek et al
From: Janek Warchoł [mailto:lemniskata.bernoull...@gmail.com]
Sent: 10 May 2011 08:00
To: Graham Percival
Cc: Francisco Vila; lilypond-user@gnu.org; James Lowe
Subject: Re: nobody has ready Learning 3.1 ??? (was: how does beforebreak work?)
James,
is any more help needed (assuming
on how you have constructed your
\addQuote can you not just change the' \relative c' to' \relative c,' or use
the '\transpose bes,' by explicitly stating the 'relative-ness' of the Octave.
using ' or ,
James
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lilypond-user
.
See:
http://lilypond.org/doc/v2.13/Documentation/notation/vertical-spacing
James
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website ! Please make it
more visible.
G.
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/index.html
Second Link.
James
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to remember : )
James
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. Is this still on the to-do list, or
)am I missing something? (A workaround?)
)
)--
---
[James' reply:]
There are few bugs still about for cross staff
http://code.google.com/p/lilypond/issues/list?can=2q=cross%20staff
Some of them contain workarounds some don't.
1300 and 1324 for instance.
James
not really sure exactly want you want but just add another \score {...}
under the first one.
\score { \somenotes}
\score { \morenotes }
that's it.
James
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{\tiny \dynamic p}
)[ gis8_\markup{\tiny \dynamic mp} ]}
)
)Best regards,
)
)- Karim Barkati
[James' reply:] You could define a global 'smallDynamicGrace' function in your
ly file so that you included a \once \override and make the dynamic smaller
that way so that every time you used
)script-priority that has been set.
)
[James' reply:] This is an LSR snippet.
http://lsr.dsi.unimi.it/LSR/Item?id=447
I've checked the CG and it only talks about if the docs fail to compile, vs
updating an LSR snippet.
Do I just go in and do this edit directly on the snippet and then send
Reinhold,
)-Original Message-
)From: Reinhold Kainhofer [mailto:reinh...@kainhofer.com]
)Sent: 01 June 2011 12:15
)To: lilypond-user@gnu.org
)Cc: Paul Scott; James Lowe
)Subject: Re: Compound time signature
)
)Am Mittwoch, 1. Juni 2011, 13:13:04 schrieb Reinhold Kainhofer:
) Am Mittwoch
to exit
Please type another input file name:
This seems to be a path resolution problem, but I can't understand what is
causing the trouble.
-
What does the command 'path' give you when you run that in cmd window?
James
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DynamicText #'font-size = #-2
)
) }
) }
)}
)
[James' reply:]
There are a few ways to do this, the way that I do it is this.
MyMusic = relative c' { a b c d }
\score {
\transpose bes c { \MyMusic }
}
This transposes all my music into b-flat (assuming it is written in concert
pitch) so
/gmane.comp.gnu.lilypond.general/59941
James
p.s doesn't help with the 'path' issue though. :/
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there is no one-to-one equivalent. I don't know about Kainhofer, but the
official doc page is here:
http://lilypond.org/doc/v2.13/Documentation/notation/vertical-spacing
The descriptions are given as far as I can tell. There are more aspects of
control now hence the different naming.
James
/albums/v60/Langer/misc/aphex-twin-deathwaltz-1.jpg
or
http://www.well.com/user/bryan/quartet.gif
:)
Ready everyone...ah-one ah-two ah-three...
James
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Reader 9.x or later. 3rd party PDF readers can't cope
) with PDF portfolios.
)
[James' reply:]
http://www.foxitsoftware.com/support/showfaq_technical.htm
Seems they can but I don't really understand portfolios to know if this is the
same thing or not.
Foxit is a better viewer generally for Windows
this?
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?
James
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? (Publishers will)
--
http://lilypond.org/doc/v2.13/Documentation/notation/other#index-_005cbackslashed_002ddigit
This isn't what you want I know but might give you some clues (or others) how
you could go about creating that specific FB char without re-inventing the
wheel.
James
r4. e8 }
\new CueVoice
{ \stemUp d'8^flute c d e fis2 }
d,4 r a r
}
Hopefully you get the idea
James
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in individual measures if possible. Any suggestions?
---
[James' reply:] Put the \compressFullBarRests inside the music variable
Notes = {
\compressFullBarRests
R1*4/4*4
}
etc
James
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lilypond-user mailing
Hello
From: Steven Weber [pant...@hotmail.com]
Sent: 14 June 2011 21:01
To: James Lowe; lilypond-user@gnu.org
Subject: RE: Can you make MultiMeasureRests ignore spaces?
--
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
your password as
verification.
If you try to run a command that requires 'sudo' without typing the command in,
the prompt will tell you...something like
'permission denied' or 'you need to be 'root' to do that'.
I hope that helps.
James
PS if you ever want to know what a command does or means
override that behavior of \voiceOne? (I did eventually
find the syntax b'4\rest, but seems clunky and verbose... better way?)
Thanks... btw, I'm completely hooked on lilypond after only a little bit of
use. Everything that I hated in Finale seems to be much better handled here :)
James
Ming,
From: MING TSANG [mailto:tsan...@rogers.com]
Sent: 15 June 2011 02:49
To: David Santamauro; James Lowe; Federico Bruni
Cc: lilypond-user@gnu.org
Subject: Re: V2.14.0 - midi volume midi arpeggio
david, James Federico :Thank you all for the tips. It cut down my learning
curve.
Federico
that behavior of \voiceOne?
Thanks... btw, I'm completely hooked on lilypond after only a little bit of
use. Everything that I hated in Finale seems to be much better handled here :)
James
~~~
\version 2.12.3
\include english.ly
\paper {
#(set-paper-size a4)
}
global = {
\key d \major
Hello
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Phil Holmes
)Sent: 15 June 2011 14:00
)To: James Harkins; lily-users
)Subject: Re: Voices, ties and rests
)
)- Original
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