Dear all,
I am sorry if this may look like a silly question: I tryed searching but
maybe the solution is so simple and yet I can't see it.
Typing this:
\time 4/4
g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
32 4 4) 2 4)
#(override-auto-beam-setting '(end 1 32 4 4) 3 4)
}
relative c {
time 4/4
qBeam g''16. (a32) bes8 a16. (bes32) c8 bes16. (a32) g8~ g fis
g16. (a32) bes8 f!16. (g32) ees8 d16. (c32) bes8 f'16. (g32) ees8
}
Nick
On Fri 17/04/09 1:18 PM , Jayaratna jayara
Dear all,
I need to print in red colour the first letter in a word, but the following:
\markup {\roman \with-color #(x11-color red) M \with-color #(x11-color
black) vsicvs}
creates a space between the coloured letter and the rest of the word.
Any suggestions?
Thank you in advance,
Andrea
--
, 2009 at 09:55:49AM -0700, Jayaratna wrote:
Dear all,
I need to print in red colour the first letter in a word, but the
following:
\markup {\roman \with-color #(x11-color red) M \with-color
#(x11-color
black) vsicvs}
creates a space between the coloured letter and the rest of the word
we can look for the
problem.
Trevor
- Original Message -
From: Jayaratna jayara...@gmail.com
To: lilypond-user@gnu.org
Sent: Wednesday, June 10, 2009 7:34 PM
Subject: Re: Different colours in a single word
I am sorry I am a real beginner, this:
title = \markup
Dear all,
first of all thenk you for your fantastic supprt. I found the problem, which
was in one of the subfiles (I forgot to type a at the end of a markup
:blush:)
Trevor, you are certainly right, I don't do a good outlining of my files.
Usually I don't modify the header, and when I do I
In fact now it works on my other computer, which has a 2.12.2 version.
Thank you so much,
Andrea
Mark Polesky wrote:
Jayaratna wrote:
score.ly:38:23: error: stringa di escape sconosciuta: `\concat'
tagline = \markup
\concat { A*** M* \with-color
://lilypond.org/doc/v2.10/Documentation/user/lilypond/Explicit-staff-and-system-positioning#Explicit-staff-and-system-positioning
It still looks very obscure to me, but I'll study it thoroughly and if I
need some more help I'll write again.
Thanks again,
Andrea
Mats Bengtsson-4 wrote:
Jayaratna wrote
Dear subscribers,
Typing this code in a 3/8 measure (version 2.10.33):
e8 c16 c' c c
I get a very strange strange autobeam: the second c second beam-line is not
connected the following ones.
The same is happening on these codes in different parts:
f8 c16 d c d
In this one I get the
, 2.11.49.
However, I'm confused that you see problems only in the score and not in
the parts.
Perhaps the problem is something else. If you send a small but complete
example
that illustrates the problem, I'm sure that you can get help from the
mailing list.
/Mats
Jayaratna wrote
I can't say why pasting the code from my file this forum generates errors
here:
Jayaratna wrote:
{ d'8\rest 8 8 g,8 g' f r8 8 8 }\\{d,8 f d s4. e8 g e }
a,8 a' g f a f d d' c
The error disappears as soon as I edit this post and reappears when I post
it or prewiew it. I am
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard. Maybe
this is a newbie idiotic question, but I cannot understand how to input
these two bars: the problem is printing the tied A across the measures while
keeping the second one in the same chord with the upper
Thank you, I think it's exactly what I needed!
A
James E. Bailey-3 wrote:
Am 07.02.2009 um 15:50 schrieb Jayaratna:
Dear subscribers,
I am inputting some very complicated polyphonic music for keyboard.
Maybe
this is a newbie idiotic question, but I cannot understand how
Hi Robin,
in fact I just came back to the list because I still didn't know how to tie
that a: I'm trying your tieWaitForNote, which sounds like should work...
Thanks!!!
A
Robin Bannister wrote:
Jayaratna wrote:
This does not seem to work:
{\stemUp c2^~ c4}\\{\stemDown g4 \stemUp a4_
.} }
%%
James E. Bailey-3 wrote:
Aside from the tie/stem collision, is this not what you wanted?
\version 2.12.2
\new Staff \relative c'' { { \voiceOne c2~ c4 } \new Voice
{ \voiceTwo g4 \voiceOne a_~ a } }
Am 07.02.2009 um 17:21 schrieb Jayaratna:
Hi Robin,
in fact I just
Dear subscribers,
I need to make something similar to this. Any clues?
Thanks for your help,
A
http://lilypond.1069038.n5.nabble.com/file/n150880/zigzag.jpg
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Zigzag-slurs-tp150880.html
Sent from the User mailing list
Dear Pierre,
thank you, this is exactly what I needed. I still have to decide if I want
the thicker or the thinner one.
A
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Zigzag-slurs-tp150880p150886.html
Sent from the User mailing list archive at Nabble.com.
Dear Urs,
i don't know how to say it in English: on a flute it should be a kind of
staccato made with no tongue, using the diaphragm, almost like a rithmical
vibrato. I hope it makes sense.
A
--
View this message in context:
Dear members,
I need to print parentheses around a Staccatissimo mark. I found how to
create dynamics with parentheses in Lilypond snippets. I think it's very
similar with other expressive marks, but can't find how to do it.
Thank you for your help,
Andrea
--
View this message in context:
Dear members,
I need to print parentheses around a Staccatissimo mark. I found how to
create dynamics with parentheses in Lilypond snippets. I think it's very
similar with other expressive marks, but can't find how to do it.
Thank you for your help,
Andrea
--
View this message in context:
Dear subscribers,
this issue will sound already answered, but I couldn't find anything on
searching, so, please, forgive me in this case.
In the following small example I'd like the staccatissimo to appear outside
the slur. I tried several \override scripts, but with no results.
Thank you for
Dear members,
I apologize if this matter should have been discussed earlier. I tried to
find posts about this but maybe my English language skills are not enough to
make the right search.
I am copying a score because I need to make parts: I need to put some texts
and other marks on single parts
Dear members,
I apologize if this matter should have been discussed earlier. I tried to
find posts about this too but maybe my English language skills are not
enough to make the right search.
My score has a double bar (\bar ||) before a cadenza, but the piece does
not end and goes on with a
, 2010 at 12:44:42AM -0700, Jayaratna wrote:
I am copying a score because I need to make parts: I need to put some
texts
and other marks on single parts but I would like them not to appear on
every
line of the score, but just at the top of each group. Any suggestion
about
how this can be done
snippets section after \mark is
introduced in the Notation Reference
On Jul 25, 2010, at 10:05 AM, Jayaratna wrote:
Dear Graham,
thank you for your prompt answer.
I just have a further question: can a \mark be printed at the top of each
score group (this is what I need), or it is only
Andrea,
I'm not sure of what you are asking.
If you write a minimal example:
http://lilypond.org/doc/v2.13/Documentation/web/tiny-examples.it.html
you'll make our job easier :)
Il giorno dom, 25/07/2010 alle 00.53 -0700, Jayaratna ha scritto:
My score has a double bar (\bar ||) before
Thank you, Reinold,
Thank you for your reply: I guess I'll hara-kiri making duplicate files for
parts and score... :(
Andrea,
Venice, Italy
Bugzilla from reinh...@kainhofer.com wrote:
Am Sonntag, 25. Juli 2010, um 14:30:36 schrieb Jayaratna:
thank you for your reply. Selected snippets
Dear members,
again I apologize if this should have been discussed previously.
When I try to reduce the global staff size, music elements are not scaled
accordingly. Therefore I solved it by adding #(layout-set-staff-size 20) in
the score block. Now the scaling works properly, but custom fonts
Thank you, Xavier,
I hope it will be mended sometimes.
Ciao,
Andrea,
Venice, Italy
Xavier Scheuer wrote:
2010/7/25 Jayaratna jayara...@gmail.com:
Dear members,
again I apologize if this should have been discussed previously.
When I try to reduce the global staff size, music elements
Dear Xavier,
thank you. I tried to put the code you suggested in the first staff, and it
works, but the font is bigger than in the initial one.
Maybe I can use this throughout my score and suppress the piece = blabla
in the header.
Cheers,
Andrea
Xavier Scheuer wrote:
2010/7/25 Jayaratna
Thanks again for all your valuable advice.
Andrea
Xavier Scheuer wrote:
2010/7/25 Jayaratna jayara...@gmail.com:
Dear Xavier,
thank you. I tried to put the code you suggested in the first staff,
and it works, but the font is bigger than in the initial one.
Maybe I can use
From: Xavier Scheuer x.sche...@gmail.com
Subject: Re: New piece header in the same score
To: Jayaratna jayara...@gmail.com
Cc: lilypond-user@gnu.org
Message-ID:
aanlktinon5qrqutceuhmmum-xsvhjffjdev85hvy6...@mail.gmail.com
Content-Type: text/plain; charset=UTF-8
2010/7/25 Jayaratna
Dear Neil and Reinhold,
this is far too advanced for me. Even trying to copy and paste your codes
gives me errors (I think it's the \with thing).
Anyway in my case \mark will suffice: I will study your examples in depths
later,
Thank you again,
Andrea
n.puttock wrote:
On 25 July 2010
Dear all,
I have been checking old posts for this same problems, but my case is
slightly different, and I would like to ask your opinion/advice on this.
I have a score ending with a partial measure, and some parts do not play on
that measure.
For instance part a ends like this:
\time 2/2
Dear all,
I am asked to insert a few bars of the first violin part on a soprano staff
to help the singer when there are many measures of silence before his/her
entrance.
I do this by adding in my vocal part:
{\tiny \quoteDuring #violinoa { s2.*3 } }
\\
Thank you very much, I didn't find this in the documentation.
Maybe I should have looked elsewhere rather than in 'Score and parts'.
Thank you again,
Andrea
Reinhold Kainhofer wrote:
Am Donnerstag, 21. Oktober 2010, um 15:54:27 schrieb Jayaratna:
I am asked to insert a few bars
Dear members,
this seems to be something that has not been discussed yet.
I am writing a Postface in two languages, so I made my own titles (using
\markup) and put my texts inside a \markuplines section at the end of my
score.
Lilypond says: programming error: FT_Load_Sfnt_Table (): error.
Thank you so much, this solves my problem!
A
Mike Solomon-2 wrote:
On Feb 7, 2011, at 12:09 PM, Jayaratna wrote:
Dear members,
I have been asked to print bar numbers in italic fontface.
I checked the documentation and this forum, but if I've not missed it, i
could find no help
Dear members,
I have been asked to print bar numbers in italic fontface.
I checked the documentation and this forum, but if I've not missed it, i
could find no help.
Any suggestion?
Thanks,
Andrea
--
View this message in context:
Dear members,
how do I print a dotted beve? I need it for a mensural ligatura.
Thank you,
AM
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Dotted-breve-and-longa-etc-tp165612.html
Sent from the User mailing list archive at Nabble.com.
Yes,
c\breve.
gives out an error.
A
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Dotted-breve-and-longa-etc-tp165612p165622.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
Dear Simon,
I updated my system and now it works!
Thank you!
A
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Dotted-breve-and-longa-etc-tp165612p165624.html
Sent from the User mailing list archive at Nabble.com.
___
Dear members,
I am not sure this question belongs to this forum. I am using LilyGlyphs on
a LateX document, and so far it worked wonderfully.
Finally now I need to insert something more complex than the predefined
commands, and I don't know where to start.
Anyone could tell me how to make a
Dear Lilypond experts,
I need to type a series of examples of mensural music, in which three parts
(Cantus, Altus Bassus) contain 3 semibreves per bar, one part (Tenor)
contains three breves per bar. I am notating it using 3/1 and 6/1 fractions,
but I would like to use timesig.neomensural98
Dear Pierre,
thank you, it works wonderfully. I just modified the tenor like this:
\new Staff \with {
\override TimeSignature.stencil = #(lambda (grob)
(grob-interpret-markup grob
#{
\markup\concat {
\musicglyph #timesig.neomensural32
Schneidy wrote
Forget \magnify #1, you do not neet it.
Cheers,
Pierre
Of course!
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Custom-time-signature-symbols-tp166005p166013.html
Sent from the User mailing list archive at Nabble.com.
Dear members,
I'd like to use my roman font digits for proportional symbols in a
Renaissance score. Ho do I replace the Feta font digits with my Roman
Garamond ones?
I've looked at this post, but it does not work with replacing my font:
Dear Simon,
thank you for your answer. Your suggestion works, but I need to insert the
change in the middle of a part. If I put your override code in the \with
part, it overrides also my neomensural initial time signature.
\version 2.18.2
\new Staff
{ \relative c' { %Tenor
Dear Phil,
this is simple and perfectly working. I'm also trying to magnify it a little
adding part of Simon's code \once \override TimeSignature.font-size = 3 ,
but my proportion does not show any increase in size.
Thank you,
A
--
View this message in context:
Dear lilyexperts,,
is there a function for a fraction without a separation line to be used in
\markup?
Something like:
\markup { \fractionwithnohline 21 5 }
Thank you,
A
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Fraction-with-no-line-tp166333.html
Sent from
http://lilypond.1069038.n5.nabble.com/file/n166341/frac.png
Thank you all for your nice answers, I wonder if I will ever be able to
program these codes so easily as you.
This is the difference between the suggested codes. Which one would you use?
A
--
View this message in context:
Dear lily-experts,
I wonder if this is a known issue. The phenomenon happens sistematically
when I don't have objects down to the first line of my staves or up at the
top.
Suggestions?
http://lilypond.1069038.n5.nabble.com/file/n167060/2014-10-02-183022_1024x600_scrot.png
--
View this
Dear Lilyexperts,
I have to reproduce the following part.
I have no idea on how to type the double clef, and I can't figure out
anything from the documentation.
Any suggestion?
Thank you,
A
http://lilypond.1069038.n5.nabble.com/file/n167389/2014-10-10-210649_1024x600_scrot.png
--
View
Dear Harm,
yes, there is a breve rest after the first clef in the first line. It means
the part with that clef have to wait one breve, while the part following the
second clef starts first.
Actually that rest is the reason why I did not choose to just make a new
clef with a \markup \concat glyph.
Hello Harm,
I am going to hack your code further to adapt it to my usual mensural
layout. But it works. I need time to understand everything you've made but
definitely thank you. As far as I got it, you defined a commando for adding
a clef next to the original, and another one to add the cleff
Hi Pierre,
I guess your suggestion should better the note spacing. I have to experiment
on it though.
Thank you,
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Double-clef-canon-tp167389p167447.html
Sent from the User mailing list archive at Nabble.com.
Hi Harm,
I don't really have a personal setup for mensural music. Recently I begun a
project that involves a lot of mensural notation, therefore I am still
learning and noticing . Usually I adjust flaws when they occur, just within
the notation rather than on the layout level, but I guess this is
Dear Lilyexperts,
I have a series of short scores that I need to print all in a row, tight to
each other but with a little white space in between, more or less like this:
http://lilypond.1069038.n5.nabble.com/file/n168064/2014-10-29-165843_1024x600_scrot.png
I see it is possible to concat
Just experimenting. If I write:
it works. But this gives errors:
To get it working I have to move the layout block:
But I can't move my layout block inside my included files. Is this the
problem?
--
View this message in context:
Hi JM,
I edited out the tags from both my entries,
thanks
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Can-I-markup-concat-more-than-one-file-in-a-row-tp168064p168071.html
Sent from the User mailing list archive at Nabble.com.
Pierre,
thank you for your solution. I understand how it works, and it is brilliant
and simple.
As far as I understand it is not possible to include a working (one which
gives a pdf output when run) lilypond file in a \markup environment. This
means I will have to edit all my scores and
By the way how do I get linebreaks inside a \concat of several scores?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Can-I-markup-concat-more-than-one-file-in-a-row-tp168064p168077.html
Sent from the User mailing list archive at Nabble.com.
Dear Lilyexperts,
can I customize a double barline \bar|| so that the space between the two
lines is white and not transparent? This would make two consecutive bars to
appear as separate file.
Thank you,
Andrea
--
View this message in context:
Hi Pierre,
Yes, I guess this is the easiest way to have Lilypond setting the line
breaks.
I just tweaked a little your code,
gap = \mark\markup {
\with-color #white
\with-dimensions #'(0 . 0) #'(0 . 0)
\filled-box #'(-.25 . .25) #'(-5.5 . 0) #0
}
and removed %\override BarLine.kern =
I am using Urs Liska's LilyGlyphs on a LateX document, and so far it worked
wonderfully.
Finally now I need to insert something more complex than the predefined
commands, and I don't know where to start.
Anyone could tell me how to make a minim with mensural head?
I need to understand how to
Dear Urs,
thank you for helping me in this.
I have a TexLive distro installed on a Lubuntu os.
Thanks,
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Lilyglyphs-tp168113p168187.html
Sent from the User mailing list archive at Nabble.com.
Very interesting developements here. I love Lilypond!
I am fine with the default font at the moment, just wondering if any of
these fonts has specific improvements for ancient notation engraving.
Thank you,
A
--
View this message in context:
Let alone the music spacing, I think the diamond note heads are fare too
small, in general.
This is taken on a 12pt score magnified at 180%, default lilypond engraving:
http://lilypond.1069038.n5.nabble.com/file/n168304/2014-11-02-180946_1024x600_scrot.png
Look at the quavers flags, and
Interesting stuff, I should try it. I guess I'll wait for the 2.19 version to
become stable
and try some different fonts.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Where-to-Download-the-New-Music-Fonts-tp165035p168305.html
Sent from the User mailing list archive
Dear Lilyfriends,
I am following the steps from the notation manual at this location:
http://lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#key-signature
My code is:
\version 2.18.2
\score {
\relative c' {
\key f \major c d e f
\set Staff.printKeyCancellation = ##f
\clef
Ok, that one was a dummy example I made to see if the 'error' happened in a
context different from the one I have in my file. Maybe it would just be
good to add Trevor's explanation to the website.
I actually wanted to copy the following score: I just decided to keep the f
key.
Dear Lilyfriends,
In the following code I need to reduce the space between the clef and the
key signature (with scaled units).
Thanks for your help,
A
\version 2.18.2
mytimesigv = { \override Staff.TimeSignature.stencil = #(lambda (grob)
(grob-interpret-markup grob
#{
Dear members,
I have a group of .ly files that I need to update because o some changes I
have made on a layout file which is included in some files of my document
(not all of them). Executing lilypond-book gives no updating, because the
files themselves have not been changed. Is there a way to
Thank you, Jacques, touch is enough for my needs at present.
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Forcing-Lilypond-book-tp168763p168768.html
Sent from the User mailing list archive at Nabble.com.
___
Dear Lilypondians,
is it possible to display a system bracket midline?
Here is a working example:
\version 2.18.2
global = { \override Staff.Clef.full-size-change = ##t
\override Score.BreakAlignment #'break-align-orders = #(
make-vector 3 '(
Thank you, Pierre,
Very helpful, as always! :D
I'll try to adapt that snippet and get back if I have problems.
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Midline-system-bracket-tp168813p168815.html
Sent from the User mailing list archive at Nabble.com.
Yes, I need help, sorry.
How would you make a bracket instead of a brace in this function of yours:
braceBar =
#(define-music-function (parser location bracExt)(number?)
(define ((braceBarLine markup) grob)
(ly:stencil-combine-at-edge (ly:bar-line::print grob)
X LEFT
Dear Lilypondians,
I am trying to adapt this code by Pierre to my needs:
http://lists.gnu.org/archive/html/lilypond-user/2012-05/msg00379.html
So far I have made this:
http://lilypond.1069038.n5.nabble.com/file/n168820/doubleincipit.png
Three things I need to adjust:
1) the brace needs to
Awesome, but I have more than 50 such snippets to aggregate...
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Double-incipit-was-midline-system-bracket-tp168820p168823.html
Sent from the User mailing list archive at Nabble.com.
It should work. I don't see any such extremes in the music I need to prepare,
but, for the record, look at what could happen:
http://lilypond.1069038.n5.nabble.com/file/n168826/multipleInsipit.png
doubleincipit-2.ly
http://lilypond.1069038.n5.nabble.com/file/n168826/doubleincipit-2.ly
--
Sorry again, how do you get line breaks?
This does not help
\markuplist {
\justified-lines { \concat {
\myincipit
\myincipit}
}
}
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Double-incipit-was-midline-system-bracket-tp168820p168827.html
Sent from the User
A lot!!! Hope my publisher will not change my line-width, but today a big gap
was filled.
Time to enter the music.
Thank you so much, Pierre
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Double-incipit-was-midline-system-bracket-tp168820p168830.html
Sent from
Dear Lilypondians,
I can't find anything about this in the Notation Manual, except this line:
breveTP = #(ly:make-duration -1 0 3/2)
Which makes the duration of a breve 3/2 its usual value. Where do I find a
table with all the other note durations names (is it something like
crotchetTP,
It's a known bug:
http://code.google.com/p/lilypond/issues/detail?id=720
I found this workaround:
I save my example as a pdf. Then I crop it typing this in the commandline
pdftops -eps myfile.pdf
cat filename.eps | ps2eps filename_cut.eps
HTH
Andrea
--
View this message in context:
Thank you, Graham and Guoguocuozuoduo,
I didn't get it was a setup variable (maybe working late at night doesn't
help) and finally I found make-duration in the manual (maybe google doesn't
work well at night either).
So it's just a variable, but wonderfully it works like a new duration:
\version
Maybe something like 'testi alternativi', but I'm sure you could find
something better.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/translation-of-divisi-lyrics-tp169671p169678.html
Sent from the User mailing list archive at Nabble.com.
Phil Holmes-2 wrote
According to typesetting rules (see Behind Bars by Elaine Gould, for
example) rests should remain consistently placed with respect to staff
lines.
I don't know if it is mentioned by Gould or others but the placement of
rests sometimes is not just a matter of design
Just a few days ago I had to correct the following incipit:
http://lilypond.1069038.n5.nabble.com/file/n169753/dentestui01.png
In the original the longae rests at the beginning of the piece indicate that
the Modus Longarum is imperfect, thus:
Simon Albrecht-2 wrote
It’s only natural that mensural notation follows wholly different
conventions than 19th/20th century typesetting standards
The (maybe ot) point was that the rest position can have a meaning. Incipits
are quite a common feature in modern notation.
Cheers,
A
--
View
Dear Lilypondians,
I need to place a music line in a Latex table so that any measure in the
music has the same width of the correspondent cell in the table.
I tried placing single lilypond files in the table, but because they contain
different objects (minims, different clefs, whole notes etc.)
Dear Brian,
thanks for your suggestion. Actually for mixing music and text I would
prefer equally spaced notes whatever their value, which is the opposite of
proportional spacing. I usually do a trick by setting all note figures to an
octave.
Thank you,
Andrea
--
View this message in
Hi Pierre,
yes, this is helpful. I will still have to adjust the page dimensions.
But the real problem is that in any case these examples will not be
vertically centered (lilypond makes adjustments according to flags, clefs
and anything falling above or below the stafflines), so I will have to
Hi Kevin,
thanks for your advise. I have found that in fact I have to adjust the
line-width file by file. Most of the times when a file has multiple lines
lilypond-book works fine, the problem arises when I have single lines which
lilypond doesn't split in two lines but which are too full to be
Dear lilypondians,
Lilypond doesn't engrave the custos at the end of a line if the next line
begins with a rest.
Can I change this behaviour? Is it a setting of break-visibility?
Thank you,
Andrea
\score{
{
\new MensuralStaff {
\relative c'{
a b c d e f g a g a a g a a
Hi Pierre,
very helpful, as always,
Thank you,
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Custos-and-rest-tp170860p170863.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
I found a couple of instances in which this crop method too fails:
a) the stem of a b flat;
b) the 8 at the bottom of an octavated clef.
See attached files.
esempio3033-crop.pdf
http://lilypond.1069038.n5.nabble.com/file/n170551/esempio3033-crop.pdf
esempio3064-crop.pdf
for i in *.ly; do lilycrop $i; done
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Re-bottom-of-EPS-output-cut-off-size-of-PDF-files-tp170572p170591.html
Sent from the User mailing list archive at Nabble.com.
___
Hi Andrew,
thanks a lot. I am not a programmer so I couldn't have taken the workaround
to this level, you can't imagine how much work this is going to spare me.
May I request a feature? Is there a way to insert an option for getting eps
output?
Thanks again,
Andrea
--
View this message in
Hi Andrew,
this Bash is going to be VERY(!!!) useful for me, thank you VERY(!!!)
much for posting it,
Andrea
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Re-bottom-of-EPS-output-cut-off-size-of-PDF-files-tp170186p170496.html
Sent from the User mailing list
Hi Andrew,
I'd like to add two lines to your bash, but I need assistance:
After
lilypond $file
I'd like to burts the file into multiple pdfs (one per page) and I do this
by:
pdftk $file.pdf burst
This makes one pdf file per page with the following output:
originalpdf.pdf
1 - 100 of 120 matches
Mail list logo