(as it seems), I just sent a
request,
because just yesterday I wrote a piece where this feature would have been
very useful.
Then it will get added to the tracker, and perhaps some developer (like Mark
Polesky or Marc Hohl) will decide to implement the Enhancement. Of course,
it's possible
Mats Bengtsson schrieb:
Carl Sorensen wrote:
You forgot that tabStaff needs tabVoice, and both of your constructs
used
Voice contexts, instead of tabVoice contexts.
The first, ... \\ ... , implicitly creates Voice contexts.
The second explicitly creates Voice contexts.
I think you've
to
put the request there...
Marc
Original-Nachricht
Datum: Wed, 19 Aug 2009 17:42:40 +0200
Von: Marc Hohl m...@hohlart.de
An: bug-lilyp...@gnu.org, Patrick Schmidt p.l.schm...@gmx.de, Carl D. Sorensen
c_soren...@byu.edu
Betreff: Enhancement request: automatic polyphony
Neil Puttock schrieb:
2009/8/19 Marc Hohl m...@hohlart.de:
Carl, do you have any hints where to start such an enhancement?
If you search for `separator' you should find the code which splits
the music into voices. It will have a context-spec-music block which
will need amending
Carl Sorensen schrieb:
On 8/20/09 12:58 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
Neil, thanks for your hint!
I searched and found the following definition in scm/music-functions.scm:
(define (voicify-list lst number)
Make a list of Musics.
voicify-list
Valentin Villenave schrieb:
2009/8/19 Patrick Schmidt p.l.schm...@gmx.de:
I actually sent two enhancement requests to bug-lilyp...@gnu.org one week ago
(13 Aug. 2009). I wonder what happened to them. (Enhancement request: automatic
polyphony in TabStaff context; Enhancement request:
Neil Puttock schrieb:
2009/8/20 Marc Hohl m...@hohlart.de:
Or are there some caveats I simply do not see now?
I can't think of anything, but you should run `make check' to be sure
(if you can't compile, give me a shout and I'll do a test run).
I tried make check and got
Neil Puttock schrieb:
2009/8/20 Marc Hohl m...@hohlart.de:
Here it is.
Oops, you've reverted the changes Werner made to percussion.itely
eleven days ago.
Strange, I did
git reset --hard
git pull
before I made my changes on origin/master. How can I create a decent patch?
Marc
Graham Percival schrieb:
On Fri, Aug 21, 2009 at 11:31:04PM +0200, John Mandereau wrote:
Le vendredi 21 août 2009 à 21:53 +0100, Graham Percival a écrit :
Ah, I was unclear. It checks for texi2html (oops, I meant to say
that above!), but not the version number.
Does it really
Graham Percival schrieb:
[...]
My apologies, I'm wrong. I managed to encounter the same error
message as Marc, but not due to configure: I installed texi2html
1.82 into $HOME/usr/, export PATH=$HOME/usr/:$PATH, ran
configure, and compiled the docs fine...
This would mean the patch itself is
Jay Anderson schrieb:
[...]
So what do you think? Should the SmallStaff just
be left as a snippet?
If it is a snippet ideally I'd want to do something like:
\include small_staff.lyi
\score {
\new SmallStaff {...}
}
How would one make small_staff.lyi so this worked? This way it would
be
Trevor Daniels schrieb:
Marc Hohl wrote Saturday, August 22, 2009 7:30 PM
Jay Anderson schrieb:
[...]
So what do you think? Should the SmallStaff just
be left as a snippet?
If it is a snippet ideally I'd want to do something like:
\include small_staff.lyi
\score {
\new SmallStaff
Pierre Couderc schrieb:
What is the best way for a book with Lilypond extracts in it?
I have tried LaTeX with lilypond book, but I get mixs of lilyponds
'images with other images.
What am I missing?
Is Scribus an alternative : I see here that there are problems too?
Ooffice?
Thank you in
Patrick Schmidt schrieb:
hi folks,
is there a way to achieve repeated ties of selected notes of a chord in an alternative
ending (apart from using a polyphonic approach in a homophonic context)?
e.g.
\repeat volta 2 {
e b e~ g~ b~ e~1
}
\alternative {
{ c e g b e1 }
{ c e g b e1 }
}
Patrick Schmidt schrieb:
Hi Robin Marc,
thanks for your solutions! The problem is that they don't work in a tabVoice
context. (In my mail I didn't mention that I also wanted to use tablature.)
Ok. I think it would work in 2.13.4, but your alternative shown below is
probably better.
So I
denis.roe...@loria.fr schrieb:
Quoting Graham Percival gra...@percival-music.ca:
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
Something else I just though of, is that there isn't a shortcut for
setting the direction of stems that aren't beamed. It would be
helpful if
Patrick Schmidt schrieb:
Hi Christian,
Original-Nachricht
Datum: Tue, 8 Sep 2009 23:10:51 -0400
Von: Christian Henning chhenn...@gmail.com
An: lilypond-user@gnu.org
Betreff: Pitch_squash_engraver
Hi there, quick question since I cannot find anything in the
.
Marc
On Wed, Sep 16, 2009 at 10:30 AM, Marc Hohl m...@hohlart.de wrote:
Hi,
I tried to manipulate the length of the stems but I got strange results.
Please compile the following file:
---
\version 2.13.3
test = \relative c {
{ c4 ( d\5 ) e ( f
control points calculated in relation to the
note heads, not the stems,
so removing the stencil or setting them transparent doesn't have the
desired effect...
Marc
/Mats
On Wed, Sep 16, 2009 at 10:30 AM, Marc Hohl m...@hohlart.de wrote:
Hi,
I tried to manipulate the length of the stems
Paul Malcolm schrieb:
Can anyone answer the following. I am a string (Viola) player and need
some special markings
in my sheet music. One is the usual semitone marker. This is like a
circumflex between two notes.
For example e f would be written roughly as e^f but with the
circumflex over
David Stocker schrieb:
Thanks Kieren.
I actually do need the chords expressed as one voice. I'll look
through the list archives and see if I can use your solution.
Thanks,
David
Kieren MacMillan wrote:
Hi David,
Is there any way to make this work, so that both sets of notes are
Alexander Kobel schrieb:
Hi, all,
anyone knows how to write a G clef, like in
\clef treble_8
but with the octavation 8 in parentheses? (It's for a staff with a
solo voice sung by either alto or baritone, and thus the octavation is
optional.)
This solution (with a callback created by Neil
Hello,
I have some kind of ornamental matrix
a b c
d e f
g h i
I want to display at the end of each \bookpart
(I use different symbols, but this doesn't matter here).
The matrix should be placed centered, and in order to align the
symbols properly,I defined
matrix = \markup {
\override
Robin Bannister schrieb:
MarcHohl wrote:
Is there a different approach I can use?
If the three-part \fill-line is so dominant, I suppose you have to
cope using ordinary lines.
But \concat and \with-dimensions might make this easier to twiddle:
maintain total \hspace by hand.
matrix
Despite of the answers that were given
(and which normally are sufficient enough for a workaround):
can someone explain to me why lilypond still (at least sometimes)
displays stems when I
\override Stem #'length = #0?
Thanks in advance
Marc
\version 2.13.4
test = \relative c' {
c4 d
Robin Bannister schrieb:
Marc Hohl asked:
why lilypond still (at least sometimes) displays stems
You probably haven't enabled no-stem-extend
Cheers,
Robin
Ah, yes - thanks for the hint; I did't know that there is such a property.
Now it works like a charm.
Marc
Hello,
is there a way to lower the distance between the point where a slur
starts (or ends, respectively)
and the corresponding (tab) note head *without* manipulating every
slur's control-points?
Thanks in advance
Marc
___
lilypond-user mailing
Kieren MacMillan schrieb:
Hi Marc,
is there a way to lower the distance between the point where a slur
starts (or ends, respectively)
and the corresponding (tab) note head *without* manipulating every
slur's control-points?
Can you increase the Y-offset?
Um, no.
I tried this by inserting
Ralph Palmer schrieb:
Paul and Marc -
My apologies for the late reply -- I was on vacation last week, with
no internet access. For the circumflex indicating a half step, take a
look at the Learning Manual and possibly the index, and look for \markup.
I didn't find anything your problem - but
Federico Bruni schrieb:
Federico Bruni wrote:
Thanks to Francisco's link I managed to put the music in a markup block.
Now I have problems with aligning text on the right. I've made
several tries, but nothing is working as expected.
Any suggestion? (see example attached)
I've resolved
Laura Conrad schrieb:
Someone should look at the fonts in abctab2ps,
http://www.lautengesellschaft.de/cdmm/, which I would expect to be
licensed under a free license, and to include most of what lilypond
would need.
A short look at these fonts discovers that some glyphs are just chosen
Laura Conrad schrieb:
Marc == Marc Hohl m...@hohlart.de writes:
Marc I am not at all familiar with these old tablatures, but they
Marc look just amazing, so simply for typographic and aesthetical
Marc reasons, these should be made possible with lilypond.
Actually
Carl Sorensen schrieb:
On 10/6/09 12:22 PM, Marc Hohl m...@hohlart.de wrote:
Laura Conrad schrieb:
Marc == Marc Hohl m...@hohlart.de writes:
Marc I am not at all familiar with these old tablatures, but they
Marc look just amazing, so simply
Federico Bruni schrieb:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra example attitude.
(at least, nobody since Jonathan made the Goyescas
Graham Percival schrieb:
On Fri, Oct 16, 2009 at 10:33:01AM +0200, Federico Bruni wrote:
Graham Percival wrote:
I'll be honest: I'm a bit disappointed that nobody has stepped
forward with a I love lilypond, I love making fancy stuff, I'll
make an awesome tablature/educational/orchestra
I have a file with normal and tab staves, and in the last bar
the highest notes touch the tab staff regardless of the
values for VerticalAxisGroup #'minimum-Y-extent.
How can I increase this distance?
Thanks in advance!
Marc
\version 2.13.6
\include deutsch.ly
#(set-global-staff-size 17)
Daniel Hulme schrieb:
[...]
OSorry, but my music-reading friends and I think the default-option
bar lines are ugly--we've never seen any so fat!
Out of interest, are you looking at these on a screen or a print-out? I
find when I'm looking at my part on the screen, PDF readers tend to
Joe Neeman schrieb:
On Fri, 2009-10-23 at 10:20 +0200, Marc Hohl wrote:
I have a file with normal and tab staves, and in the last bar
the highest notes touch the tab staff regardless of the
values for VerticalAxisGroup #'minimum-Y-extent.
How can I increase this distance?
Hi Marc,
Try
Graham Percival schrieb:
On Tue, Oct 27, 2009 at 12:01:24PM +0100, Federico Bruni wrote:
Unfortunately, I haven't figured out how to add the tweaks suggested by
Graham.
So if someone else is able to do it, he's free to emprove the (attached)
file (read the TODO section in the beginning).
Graham Percival schrieb:
On Sat, Oct 31, 2009 at 09:31:19AM +0100, Marc Hohl wrote:
Sorry - I wanted to tweak it, but I was busy and finally forgot.
I have added a function which takes care of glissandi between
two equal note head positions. If I can manage to automatically
take
Hello,
how can a snippet in the LSR be corrected?
http://lsr.dsi.unimi.it/LSR/Snippet?id=633
is not perfect, it should look like
---[snip]---
%LSR Contributed by Frederico Bruni
%% Hide fret number: useful to draw slide into/from a casual point of
%% the fretboard.
hideFretNumber = { \once
Marc Hohl schrieb:
Hello,
how can a snippet in the LSR be corrected?
http://lsr.dsi.unimi.it/LSR/Snippet?id=633
is not perfect, it should look like
---[snip]---
%LSR Contributed by Frederico Bruni
%% Hide fret number: useful to draw slide into/from a casual point of
%% the fretboard
Neil Puttock schrieb:
2009/10/31 Marc Hohl m...@hohlart.de:
how can a snippet in the LSR be corrected?
You either wait for an LSR editor to do your bidding, or make a copy
of the original snippet and add something like `correction' to the
title.
http://lsr.dsi.unimi.it/LSR
Hello Raphaël,
which version are you using?
I recommend the latest development version (2.13.7),
because there you don't need tablature.ly and \tabNumbersOnly
any more.
If the OttavaBracket still shows up, please send
a minimal example, so I can see what's going wrong and perhaps
improve the
Raphaël Doursenaud schrieb:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Just tried the git version and it still displays the OttavaBracket on
the tablature.
Please find attached a sample file of what I was doing.
The fix proposed by Martin is perfect for me but it would be cool to
have it
Graham Percival schrieb:
We recently learned that \cadenzaOn requires an explicit Voice
context.
Nobody is adding it to the docs.
All we need is somebody to write 3 (or maybe 4) lines of text.
Into a text file. And then send us a patch.
Is the attached one ok?
Marc
Hello Mike,
oldwhtman schrieb:
I'm using Lilypond 2.12.2 on a Linux system. I'm trying to use \slur to
indicate ligato (pull off) from a grace note. It is a two voice system and
the slur is on the first voice which has stems pointing upward. Lilypond
draws the slur symbol above the stems
Jesús Guillermo Andrade schrieb:
Dear fellows: Inspired by the script created for flamenco music I
began to design some symbols which are specific for a cuatro in
Venezuela and other parts of the world.
At any rate, the main difficulty Im experiencing right now is the fact
that no matter how
misunderstood your inspiration and
thought you found this script elsewhere on the list or somewhere similar.
Sorry for the noise.
Marc
El 17/11/2009, a las 03:53 p.m., Marc Hohl escribió:
Jesús Guillermo Andrade schrieb:
Dear fellows: Inspired by the script created for flamenco music I
began
Valentin Villenave schrieb:
On Tue, Nov 10, 2009 at 8:18 PM, Carl Sorensen c_soren...@byu.edu wrote:
Could someone volunteer to create a patch to the documentation by adding
this to the Known issues and warnings section of Unmetered music in
rhythms.itely?
In the meantime, I'm CCing
Graham Percival schrieb:
On Sat, Nov 14, 2009 at 05:49:19PM +0100, Marc Hohl wrote:
Graham Percival schrieb:
All we need is somebody to write 3 (or maybe 4) lines of text.
Into a text file. And then send us a patch.
Is the attached one ok?
Thanks! It had a few minor
Carl Sorensen schrieb:
On 11/20/09 12:15 AM, Marc Hohl m...@hohlart.de wrote:
Valentin Villenave schrieb:
On Tue, Nov 10, 2009 at 8:18 PM, Carl Sorensen c_soren...@byu.edu wrote:
Could someone volunteer to create a patch to the documentation by adding
this to the Known
(oops, I forgot to include the list...)
Hugh Myers schrieb:
The following doesn't work(the commented out line in the TabStaff):
\version 2.12.2
%
% test5.ly -- qd testbed for mixed notation score and tab.
%
eMinor = e b gis e b e,
firstBar = { \eMinor \eMinor \eMinor }
{
\time 3/4
Hugh Myers schrieb:
I see nothing in the sample that allows for monophonic. As given I
only see polyphonic. The piece I'm working on is a mixture of both---
which obviously means I must be able to switch from one to the other.
Again, the sample is only polyphonic--- I must be missing something.
Hugh Myers schrieb:
Second point taken. I hope you realize that 2.13 has bug fixes for
2.12--- yes?
Yes, but 2.13.x is work in progress. There is a new layout engine
which is still under improvement, as far as I know.
So the layout may change considerably between 2.13.x and 2.13.y.
2.12.x is
Hugh Myers schrieb:
Here is the shortest template I use:
\version 2.13.7
upper = {
b c d
}
Use
upper = {
\repeat unfold 100 {
b c d
}
}
lower = {
gis, d e, 2.
}
and
lower = {
\repeat unfold 100 {
gis, d e, .
}
}
respectively.
Marc
{
\time 3/4
\new Staff
Hugh Myers schrieb:
Since the project can't be done in 2.12, what do you suggest?
I inserted a paper block after the \header:
\paper {
indent = 0
between-system-space = 2\cm
between-system-padding = #5
ragged-bottom=##f
ragged-last-bottom=##f
}
You can play with the numbers, but at
Howard schrieb:
I have downloaded the Installer to my Limux Suse 10.2 Desktop.
Where did you download it from? If you got it from lilypond.org,
there is a line proposing to run
sh lilypond-your version here.sh
on a console. That's all.
Marc
I see is is a
Shell Script.
Where do I go from
Hugh Myers schrieb:
Should probably support at least some advanced timing measures ala
Guitar-Pro or some such... Pointers?
What about www.google.com? ;-)
But seriously: is tuxguitar able to read ascii tabs? It has a export
function to lilypond.
Interpreting ascii tabs by any software
Hugh Myers schrieb:
In Segovia's 'Diatonic Major and Minor Scales', under the notes shown
for a given scale are marks beginning with a number surrounded by
parenthesis followed by a line vaguely parallel to the notes,
concluding with an uptick between a given pair of notes. What is this
called
Todd O'Bryan schrieb:
I just started using Lilypond and am loving it. But I have a rare use
case and am having trouble.
I'm trying to set Anglican chant--basically there are several bars of
whole and half notes on a grand staff that get matched up with text
below. That part is easy, I'll just
On Saturday 16 February 2008 02:46:45 Joseph Wakeling wrote:
Hello everyone,
I've discovered what I think is a bug in 2.10.25. Apologies if this has
been fixed in more recent versions but a Google search didn't raise any
awareness of the issue.
Here's the problem. Suppose I have a repeat
Hello,
After years of typesetting guitar music with MusiXTeX, I finally switched to
Lilypond (2.10.5, which comes with ubuntu feisty). Now (nearly) everything
works fine, but there are two related problems with tabulature:
1) How can I put a symbol instead of the fret number in the tabulature?
On Thursday 28 February 2008 10:20:30 Stefan Thomas wrote:
Dear lilypond-users,
is it possible, to build the funktionsbezeichnung? I mean the slashed
letter D7. It is the (bit strange but common ) symbol for the diminished
chord in germany's harmony classes.
Thanks for any advice.
Stefan
On Monday 03 March 2008 02:32:25 hhpmusic wrote:
Hi, There is a small question: can I write Bartok pizzicato in LilyPond?
How to do? Haipeng
Take a look at the LSR - if you search for bartok, you'll get:
http://lsr.dsi.unimi.it/LSR/Item?id=335
Greetings
Marc
--
www.hohlart.de
On Monday 17 March 2008 08:22:34 Oscar van Eijk wrote:
Hi All,
Last week I sent a mail with some flamenco notations. Since then, I've
been playing around a little (the result is just too big to attach; it's
at http://vaneyck.terra-terra.com/flamenco.pdf).
The inline lilypond code uses the
On Tuesday 18 March 2008 18:38:59 Oscar van Eijk wrote:
Hi All,
I promise, this is my last mail in a row about flamenco notation :)
No, please carry on :-)
I've been figuring out a few options, and came up with something that
might be useful for the LSR.
It's not perfect, but my current
On Wednesday 19 March 2008 21:55:44 Oscar van Eijk wrote:
Thanks again Mats!
I no-one has any suggestions for improvements, this is my final version
(I'm working with the attached flamenco.ly).
Hi Oscar,
no more improvements, looks great!
Greetings
Marc
The result of the inline test is
Marco Vermeulen schrieb:
Hi all,
I just want to say how amazed I am with the quality of this software. It
sure beats anything I've ever worked with, and is a real treat for a techy
kind like me :working:
I am a bass player who likes to play lots of muted notes. I've been trying
to transcribe
I need a time signature with a note in the denominator,
and I was happy to find a solution at
http://lists.gnu.org/archive/html/lilypond-user/2006-04/msg00123.html
as follows:
%%% snippet
tsMarkup =\markup {
\number{ \column { 4 { \note #2 #0.75 } }
}
}
{
\override
Carl Sorensen schrieb:
Thomas Scharkowski t.scharkowski at t-online.de writes:
Hello,
can the lines of a fret diagram get diffent widths?
For example 6th string thick, 5th string thinner, 1st thinnest?
Thank you
Thomas
Currently, no.
It would be a relatively simple fix to add
Thank you for your reply - now it works perfectly!
Marc
Mats Bengtsson schrieb:
As I just reported on the bug mailing list, I finally managed to find
the culprit,
namely that the property style was set on the TimeSignature grob.
Adding the line
\override Staff.TimeSignature #'style = ##f
Torquil Macdonald Sørensen schrieb:
Hello, I am having no luck trying to get lilypond to specify fret 12 on the
third string, for the first note in this example:
\new TabStaff { g4\3 f\3 e\3 c\4 }
You have to specify the octave position, either absolute:
\new TabStaff { g'4\3 f'\3 e'\3
Am 10.03.2012 07:41, schrieb J Ruiz:
Hello,
I'm using v2.14.2
Trying to typeset this 19th century arpeggio notation with a slash
across a note. It's described:
Chords marked as shown (see attached) are played as the preceding
arpeggio chords, with the addition of a note where the oblique line
,
Marc
best,
lj
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
%
% bend.ly
%
% preliminary tests for drawing bends
% 2011-03-11
%
% Marc Hohl
%
% TODO:
% - draw dashed line for \holdBend
Am 19.03.2012 17:35, schrieb m...@apollinemike.com:
Dear Luis,
Lionel Rascle is working on this sorta thing.
You can e-mail him at le...@free.fr for some code.
Hey, that's interesting. Does he know about my work and the
long discussions with Carl about the syntax and stuff?
It would be
Am 19.03.2012 12:34, schrieb luis jure:
on 2012-03-19 at 10:59 Marc Hohl wrote:
I wrote an extension for lilypond some time ago, which provides bends
and stuff. I didn't manage to get this nicely into lilypond, but
meanwhile, have a look at the attached files.
like wow! what a fantastic set
Am 14.04.2012 11:57, schrieb Federico Bruni:
Hi,
I started using version 2.13.56 and I realized that this bug seems fixed:
http://code.google.com/p/lilypond/issues/detail?id=1459
As hideNotes/unHideNotes work fine in TabStaff now, I'm thinking that
it would be nice to add a TabNoteHead
Am 15.04.2012 12:06, schrieb Federico Bruni:
Il 15/04/2012 11:00, James ha scritto:
Federico, it seems you have the ability (and knowledge) to create a
tracker yourself so I suggest that if issue 1459 is fixed you change
the label to fixed - someone else will verify - and then create a new
Am 16.04.2012 23:25, schrieb Federico Bruni:
Il 16/04/2012 12:24, Marc Hohl ha scritto:
if you create a patch, I think you can remove the
Stem #'transparent = ##t
in the definition of TabVoice in ly/engraver-init.ly, because the stems
have
now length zero, so this is superfluous
Hello Pete,
Am 25.05.2012 07:53, schrieb Pete Farmer:
deletia/
Hi Marc,
I'm will try to extend your work on bend.ly to include a few new cases. I'm
in the process of laying out some material by The Hellecasters and as you
can imagine I'm encountering many instances which require rather exotic
Am 29.05.2012 16:48, schrieb Álex R. Mosteo:
I'm transcribing a piece which is heavy on chords with only two notes in
octaves:
c c' and so on. I wonder what's the fastest way to enter lots of these.
Using the 'q' shortcut helps a little; in other parts I use the
{} {} notation and that
Am 30.05.2012 00:02, schrieb Henning Hraban Ramm:
Am 2012-05-29 um 20:07 schrieb David Kastrup:
If it is for easy user scripting: Lua. Flexible, easy to learn,
especially designed for that purpose.
Yup. And fast. And easily mappable to a different language like
LilyPond. String or symbol?
Am 03.06.2012 16:42, schrieb Federico Bruni:
This question is related to a bug report I sent some hours ago:
http://lists.gnu.org/archive/html/bug-lilypond/2012-06/msg00022.html
Try to compile the attached file with 2.14.2 and 2.15.39 or git version.
You'll see that in latest version the slurs
Am 21.06.2012 01:50, schrieb Sami:
Hi all!
This has probably been asked before, but I haven't found it anywhere, so I
ask it myself. Excuse any repetition, and please direct me there if it
exists and you can find it easily.
With lilypond-book and co, what I understood is that one writes a
Am 02.08.2012 21:09, schrieb David Kastrup:
Rodolfo Zitellini xhero...@gmail.com writes:
I think I could come more or less from the 24th to the 27th, do you
have already planned some of the activities?
It is a bit hard to do at the current level of registrations. Graham is
there the whole
Am 08.08.2012 17:30, schrieb Gabriel Taubman:
Hi Ole,
Thanks for the help! That looks like it almost does the trick. If I
add more bars though, then sometimes it wraps a measure strangely.
See attached.
If I manually insert a \break, then that can fix it, but I was hoping
to not need to
Am 06.08.2012 07:26, schrieb Nikolay Kirov:
Hello!
LilyPond produces EPS files with sizes
1MB (ba_001_1_07.eps) and
20MB (ba_001_1_05.eps)
[the files are in the zip: http://nikolay.kirov.be/2013/ba_001.zip]
using very similar source codes:
ba_001_1_07.ly and
ba_001_1_05.ly
lilypond
and the scheme-stuff I inserted.
HTH,
Marc
Thanks so much for your help! I really appreciate it.
Gabe
On Fri, Aug 10, 2012 at 3:51 PM, Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de wrote:
Am 08.08.2012 17:30, schrieb Gabriel Taubman:
Hi Ole,
Thanks for the help
everything (except for the totally bonkers
spacing that it's deciding to put between measures... :) )
Thanks again!
Gabe
On Sun, Aug 12, 2012 at 2:42 AM, Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de wrote:
Am 11.08.2012 17:52, schrieb Gabriel Taubman:
Hi Marc,
Thanks
Am 19.08.2012 15:02, schrieb David Kastrup:
Details are still somewhat fuzzy since I don't have all that much
feedback concerning who will arrive when and leave, but there are some
corner points.
Apparently Janek will be arriving in advance. No details yet as to his
exact travel time and
Am 19.08.2012 19:12, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
And yes, I'll take my guitar with me, and my wife will be joining,
too, but not the lilypond meeting – she'll take the car and will do
some day trips around Waltrop. I hope she'll be back in time each
night so I have
Am 19.08.2012 22:29, schrieb Janek Warchoł:
On Sun, Aug 19, 2012 at 3:02 PM, David Kastrup d...@gnu.org wrote:
Details are still somewhat fuzzy since I don't have all that much
feedback concerning who will arrive when and leave, but there are some
corner points.
Apparently Janek will be
Am 22.08.2012 20:29, schrieb m...@mikesolomon.org:
On 22 août 2012, at 20:24, Marc Hohl m...@hohlart.de wrote:
[...]
I'll take the sleeping bag and sleeping pad if you can bring them - I only have
a pillow and toothbrush.
I put it in the car. See you soon!
Marc
Am 23.08.2012 10:19, schrieb David Kastrup:
Jan Nieuwenhuizen jann...@gnu.org writes:
I would like to arrive Friday early evening and stay till at least late
Saturday night, possibly Sunday too.
Excellent. How are you fitted regarding sleeping bag/mat/tent/camper?
The two Musescore
Am 26.08.2012 22:56, schrieb and...@andis59.se:
Hello,
I'm trying to create a lilypond file that will output this:
http://www.davidoakesguitar.com/pdf/Etude_1.pdf
But I just don't get it!
In nearly every case, it is wise to insert bar checks |, then one finds
very quickly that
I have
Am 28.08.2012 18:47, schrieb Federico Bruni:
Il 28/08/2012 17:03, fabio gabbianelli ha scritto:
i have this problem
(De)crescendo with unspecified starting volume in MIDI.
r1 s8 r1 s8 r1 s8 r1 s8 g4.
\_\markup {\line
i think it's refer to \ how i can
Am 28.08.2012 20:23, schrieb Federico Bruni:
Il 28/08/2012 20:09, Federico Bruni ha scritto:
Il 28/08/2012 20:06, Federico Bruni ha scritto:
I can't make it work using my previous minimal example.
Also, I can't compile a snippet in NR 1.3.1 (attached)
nevermind, it's a bug in recent master:
Am 22.08.2012 00:59, schrieb Nick Payne:
Not sure if this indicates an error in Lilypond, but if I forget the
terminating brace when using manual beaming, then the log contains
several programming error lines and the output contains noteheads
without stems. Here I've commented out the closing
Hello all,
I am just about rewriting the bar line user interface and stumbled across a
serious problem: with my new approach, the valta brackets are displaced.
For developing a fix, I need to know how this is properly done.
Gould doesn't say much about the details, and this is the only
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