Bars - Rehearsal Marks
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
:
http://tomrudolph.berkleemusicblogs.com/2008/05/17/sharing-files-between-finale-and-sibelius-via-musicxml/
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Questions in the Infrequent Use box.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
At 03:18 on 29 Jun 2009, Graham Percival wrote:
On Mon, Jun 29, 2009 at 10:58:49AM +0100, Mark Knoop wrote:
At 23:55 on 27 Jun 2009, Graham Percival wrote:
- what do you think of the new Manuals page? Personally, I like
having color-coded backgrounds (in addition the title bars
At 09:47 on 19 Jul 2009, Brian Kidd wrote:
Are you sure you are saving your file in UTF-8?
Not entirely.
Which editor are you using?
Vim.
:set encoding=utf-8 fileencodings=
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user
is only for chords, just use _ and ^ to
position single note fingerings, or use - to let LP decide.
{
c4^3
d4_2
e4-1
\set fingeringOrientations = #'(down)
bes-34
}
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
At 21:35 on 29 Aug 2009, James E. Bailey wrote:
I can rotate a character with the \rotate command, but is there a
way to get a mirror of a character, either horizontal or vertical?
to print, for example ə?
ə _is_ a rotation of 180°, not a reflection. And why can't you just
enter ə?
--
Mark
questions this
irrational decision not to make following the key signature an option
in lilypond. The decision does the coders no credit. Regards, daveA
I have just read through most of this thread again, and the only
insults I find come from you.
--
Mark Knoop
some tips too...
If you uncomment the lines with 'logfile', the script will record your
clicks to a log - useful for debugging.
Cheers,
Mark
--
Mark Knoop
gconfschemafile
schemalist
schema
key/schemas/desktop/gnome/url-handlers/textedit/command/key
applyto/desktop
/docs/abs/HTML/index.html)
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
when transposed to G-flat major *should* become a B-doubleflat.
2) Atonal transpose: which would favour the simplest spelling. e.g. G
transposed up a tone would *always* become A.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http
Mark Knoop wrote:
Joe Neeman wrote:
I'm trying to tweak the spacing code, and I've come across a case where I'm
not sure what to do. In the attached example, I have a note followed by a
clef change followed by a bar line. Given that the clef fits in the space
that would be there anyway
Graham Percival wrote:
Given this list, I'm only interested in doing hard items. If you're
interested in doing anything from this list, please reply.
Yes! I can do 2 hours a week in the TRIVIAL-MEDIUM range. Let me know
what to do.
--
Mark Knoop
and contemporary music performers) for at least 10 years,
mainly as an easier way to refer to particularly large irrationals.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
, but I'll
look at just the 2.4.1 Printing lyrics subsection. I'll
leave 2.4.2 Lead sheets to someone else or a later time.
Trevor
I'll do Rhythms.
--
Mark Knoop
[EMAIL PROTECTED]
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
/books
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
the
arpeggio line, even for small chord-spans?
{
c' e' g' c''4\arpeggio
c' d' e'\arpeggio
\arpeggioUp
c' e' g' c''\arpeggio
c' d' e'\arpeggio
}
--
Mark Knoop
inline: arpeggio.png___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
dangerous... In Norwegian I would have used NB -- I
don't know how that would work?
Yes, it's a good idea. +1 to N.B. instead of Warning though.
(And notice that the sentence immediately after the warning box in 2.1.1
contradicts the warning itself...)
--
Mark Knoop
Trevor Daniels wrote:
Eyolf said:
On 18.10.2007 (23:45), Graham Percival wrote:
There are two options to this:
No, there's only one:
1) Gather everything about MIDI into one
section (currently 4.3) and
mention everything there
I agree
Absolutely.
--
Mark Knoop
?
I prefer 4, 3, 2, 1 (in that order). But I don't think standardisation
is necessary, although perhaps an official preference could be specified.
--
Mark Knoop
[EMAIL PROTECTED]
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
just use padding to move each note individually?
Yes, I think so. You could try it in version 2.11 - it handles a lot of
spacing issues much better.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman
should be consistent in its reference to
sharps and flats. Perhaps:
Double accidentals should be removed, as well as E-sharp (= F), B-sharp
(= C), C-flat (= B), F-flat (= E).
Otherwise, it all looks very good.
--
Mark Knoop
___
lilypond-user mailing
Victoria wrote:
Is there a way to do a fermata? I've spent upwards of 2 hours looking in the
tutorial and just can't find it, if it's there. If not, can you make one?
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Articulations-and-ornamentations
--
Mark Knoop
. 1.0 )
\stemDown
\clef bass
\relative c {
c4 g' f e
}
}
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
this:
\times 2/3 { g4 g g } r2
If you need another crotchet before the triplet, then that goes in front
of \times:
g4 \times 2/3 { g g g } r2
Here you can omit the 4 in the tuplet as lilypond is already working in
crotchets.
Hope this helps.
--
Mark Knoop
this:
\times 2/3 { g4 g g } r2
If you need another crotchet before the triplet, then that goes in front
of \times:
g4 \times 2/3 { g g g } r2
Here you can omit the 4 in the tuplet as lilypond is already working in
crotchets.
Hope this helps.
--
Mark Knoop
[EMAIL PROTECTED
get what you want.
(I've just removed your fermata markup to make it clearer.)
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
want the
source to be usable for different paper and staff sizes. (LaTeX does
this well with \linebreak[2], for example.)
I'm using:
\once \override Score.PaperColumn #'line-break-penalty = #-20
but it doesn't seem to be having any effect. Any ideas?
--
Mark Knoop
On Fri, 2008-03-07 at 17:59 +1100, Joe Neeman wrote:
On Thu, 2008-03-06 at 13:46 +, Mark Knoop wrote:
I'm trying to use the line-break-penalty property of the
paper-column-interface to set some preferred line-breaking positions
(e.g. to prefer a line break at the start of a variation
- occasional
bars - as part of the process of learning his music. They would require
quite a lot of work and tweaking to get to a publication standard: for
my purposes I just do some basic hacks!
Attached FYI is the source for some excerpts from the second movement of
Opus Contra Naturam...
--
Mark
BufEnter * cd %:p:h
in your ~/.vimrc
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
of the next line and the
bracket is not terminated.
I've not come across these before - might they be regressions?
--
Mark Knoop
\version 2.11.44
\paper {
ragged-right = ##t
}
% music
uppermusic = {
\times 2/3 { g'2 g' g' }
g'1
\set tupletFullLength = ##t
\times 2/3 { g'2 ^1 g' g
postscript box over it, but I
was hoping there might be a more elegant solution.
\version 2.11.44
\paper{ ragged-right=##t }
{
c'1
{
\clef bass c'1
} \new Staff \with { \remove Clef_engraver } {
c''1
}
}
--
Mark Knoop
test1.pdf
Description: Adobe PDF document
adjusting just one
end of a hairpin.
PS: Hi Kim, haven't seen you for years... how's Melbourne?
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On Thu, 2008-05-15 at 08:51 -0400, Kieren MacMillan wrote:
True... but check out http://www.celemony.com/cms/index.php?
id=dnaL=0.
This is VERY scary...
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
\music
and in the score block for the parts:
\keepWithTag #'part \music
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
by setting the break-align-symbol to staff-bar instead
of false, but then the time signature seems to reserve extra space
between the clef and the barline, pushing the clef to the left too far.
Any ideas to get around this? I'm using 2.11.49.
1. http://lsr.dsi.unimi.it/LSR/Item?id=272
--
Mark
know of workarounds.
http://code.google.com/p/lilypond/issues/detail?id=391q=include
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
in different places (Beethoven
always wrote pedal markings between the staves); secondly, on and off
are not exactly difficult to understand.
And thirdly, they're only predefined commands - use your own if you're
really confused by them.
--
Mark Knoop
it.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
.)
1.3.1, New dynamic marks
The first example on this page unfortunately cuts off the top of the
'f'.
Cheers,
Mark
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
the { ... } \\ { ... } polyphony method, would
it perhaps be a good idea to at least include an example of the right
way to do it here?
{ \voiceOne ... } \new Voice { \voiceTwo ... } \oneVoice
I think Graham usually refers to LM 3.2.2 Explicitly instantiating
voices...
Mark
--
Mark Knoop
On Thu, 2008-07-17 at 09:42 -0700, Patrick McCarty wrote:
On Thu, Jul 17, 2008 at 12:47 AM, Mark Knoop [EMAIL PROTECTED] wrote:
1.3.1, New dynamic marks
The first example on this page unfortunately cuts off the top of the
'f'.
This is a known issue:
http://code.google.com/p/lilypond
{
\voiceOne g2
} \new Voice {
\voiceTwo d4 bes
} \oneVoice |
}
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
-visible 2)
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On Thu, 2008-09-18 at 17:41 -0700, Patrick Horgan wrote:
Of course if you pick one that eog doesn't know how to display it
will complain.
Perhaps replace eog with xdg-open for better portability?
xdg-open - opens a file or URL in the user’s preferred application
--
Mark Knoop
will be opened. Or do I have it
to add in the lilypond-invoke.editor program?
It depends what you are using to view the pdf. If you are using evince
in gnome, you need to add the textedit schema to gconf. See the
attached files for details.
--
Mark Knoop
textedit-url-handler.schemas
Description
}
-- http://hemiola.eu/rightmargin.pdf
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
something. What is the piece?
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
#Units_of_length
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
these in drumContentsBreak and notice the variation:
s1 { hh8*8 } s1 \noBreak s1 \break
s1 { hh8*4 s2 } s1 \noBreak s1 \break
s1 { hh8*6 s4 } s1 \noBreak s1 \break
The last one seems about right to me. HTH,
Mark
--
Mark Knoop
___
lilypond-user
note (steven's
suggestion gives beaming by eight notes, that i don't find
satisfactory).
i know i saw once a solution to this, but i can't find where...
\set baseMoment = #(ly:make-moment 1 8)
\set subdivideBeams = ##t
--
Mark Knoop
___
lilypond-user
\5 d fis\5 d |
%% bar 21
fis4\5 d fis\5 d |
See Known issues and warnings here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Special-rhythmic-concerns#Grace-notes
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user
://lilypond.org/doc/v2.14/Documentation/notation/writing-pitches#accidentals
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
is to stderr, so:
lilypond -dshow-available-fonts x 2 show-available-fonts.txt
should do the trick.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
TextSpanner #'(bound-details left-broken text) = ##f
\once \override TextSpanner #'(bound-details right-broken text) = ##f
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
{ }
}
===
and all will be well.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
wrongly. (And with awful spacing in this
Sibelius produced image.)
http://en.wikipedia.org/wiki/File:Db_minor_key_signature.png
I believe the initial B-flat is optional.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https
/watch?feature=player_detailpagev=Sh03YXzvDF4#t=89s
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
a little easier. I've put the info and
necessary files here:
https://github.com/markk/textedit-ly
Let me know if this works for you.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
There is now a new version of this in Python which should work better
for most people. Now configurable to your favourite editor.
https://github.com/markk/textedit-ly
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
At 20:36 on 07 Apr 2013, Orm Finnendahl wrote:
Hi Mark,
Am Sonntag, den 07. April 2013 um 16:48:14 Uhr (+0100) schrieb Mark
Knoop:
https://github.com/markk/textedit-ly
Thanks that was really helpful (especially the apparmor part! Ubuntu
seems to gradually digress into some bugridden version
At 10:50 on 08 Apr 2013, Orm Finnendahl wrote:
Am Montag, den 08. April 2013 um 08:47:45 Uhr (+0100) schrieb Mark
Knoop:
If you can send me that script and documentation I'll include it in
the git repo.
ok, here you go:
Updated now at https://github.com/markk/textedit-ly
--
Mark Knoop
\sixteens
}
\new Score \with {
% bar number set high to accentuate the problem
currentBarNumber = #200
barNumberVisibility = #(every-nth-bar-number-visible 1)
\override BarNumber.break-visibility = #end-of-line-invisible
} {
\music \sixteens
}
--
Mark Knoop
. Then, for example when the brass are all not playing on one
page, I get two rehearsal figures without a staff in between.
Is it possible to get the Dynamics contexts to be aware of when the
intervening staffs have been removed?
Minimal example attached and any thoughts appreciated.
--
Mark Knoop
this for the layout you require, you can
always have a separate score block for midi output. i.e. just append to
your file something like:
\score {
{ s1*4 \VoiceMusic }
{ \PianoRHMusicIntro \PianoRHMusic }
{ \PianoLHMusicIntro \PianoLHMusic }
\midi { }
}
--
Mark Knoop
}
{ s4\ s4 s4 s4 s4\!\poco\ s4 s4 s4\! }
}
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
example:
\version 2.17.27
partone = \relative c' {
c d e f g a b^combineText c d e r r
}
parttwo = \relative c' {
r r e f r r g a d e f g
}
\score {
\new Staff { \partone }
\new Staff { \parttwo }
\new Staff
\partcombine \partone \parttwo
}
--
Mark Knoop
At 08:50 on 11 Oct 2013, James Worlton wrote:
On Fri, Oct 11, 2013 at 8:29 AM, Mark Knoop m...@opus11.net wrote:
Hi all,
I'm using partcombine and am looking for a way to add a text marking
when automatic combining starts. It seems the Part_combine_engraver
only provides text hooks
(expecting number): gap
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
At 16:03 on 16 Oct 2013, David Kastrup wrote:
Mark Knoop m...@opus11.net writes:
Is there any way to use a variable in a \markup \override?
That has nothing to do with LilyPond, but rather with Scheme.
gap = 5
bskip = #'(baseline-skip . 5)
' means: don't evaluate the following expression
the
constraints that are necessitated by that physical problem.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
command line software:
- pdftk: http://www.pdflabs.com/tools/pdftk-the-pdf-toolkit/
- convert: http://www.imagemagick.org/
unpaper is ideal for this also
http://unpaper.berlios.de/
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
but the middle line mainly in
Baroque music and earlier.
The tenor clef (on the 4th line) is very common in cello, bassoon,
trombone music.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
a Makefile for the project which preprocesses the
included files (with sed for example) to comment out the midi block. It
could then uncomment the block again after compilation.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http
At 12:40 on 05 Jan 2010, Reinhold Kainhofer wrote:
Am Dienstag, 5. Januar 2010 11:10:07 schrieb Mark Knoop:
At 17:32 on 04 Jan 2010, Federico Bruni wrote:
Il 04/01/2010 14:14, James Lowe ha scritto:
Can you use the \tag option here? To set a variable that you
could then 'filter
|?)
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
-interface::print
\override Staff.Clef #'text = #(markup #:musicglyph clefs.G)
(untested)
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
find information on polymetric scores in the documentation.
You will need to combine the examples shown in the NR 1.2.3 Polymetric
notation section. Essentially you want staves with different time
signatures, unequal bar lengths, combined with scaling durations.
--
Mark Knoop
At 19:38 on 22 Jun 2010, Patrick Schmidt wrote:
Correct me if I'm wrong but I don't think that musicxml2ly can
read .capx-files. It can handle .xml and .mxl-files, though.
This looks as though it might be helpful:
http://bjungmann.privat.t-online.de/CapXMLSkripte.htm#CapToMusic
--
Mark
that
notation means. It could be a comma (breath mark), a quaver rest, or
some sort of articulation. At least tell us the meter of the music.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote:
On 2/5/07, Mark Knoop [EMAIL PROTECTED] wrote:
On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote:
On 2/5/07, Mark Knoop [EMAIL PROTECTED] wrote:
On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote:
Hi,
Anyone know the magic key
f'! fis'! g'!4
}
\score {
\new Staff {
\melody
}
\layout { ragged-right = ##t }
}
%%
--
Mark Knoop
forked-stem.png
Description: PNG image
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo
On Fri, 09 Feb 2007 20:34:32 +0100 Mats Bengtsson [EMAIL PROTECTED] wrote:
Quoting Mark Knoop [EMAIL PROTECTED]:
1. There seems to have been a decision made at some point to merge
note heads in some cases (see collision-head-chords.ly in the
regression tests and the second chord
and got the same results. This would seem to be a bug to me: a
quaver triplet should not beam as two groups of three semiquavers.
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
as to where to start with such a function? I suppose
I just need to get the positions of the two noteheads and draw a thick
line in between.
Many thanks,
Mark
--
Mark Knoop
attachment: cluster.png___
lilypond-user mailing list
lilypond-user@gnu.org
https
There seems to be a bug - see attached screenshot. Key signatures are
inserted always as if in treble clef rather than appropriate to the
selected clef.
--
Mark Knoop
attachment: bug.png___
lilypond-user mailing list
lilypond-user@gnu.org
https
which
doesn't occur in real music? ;)
Yes, it's a bug, the cause of which was discussed recently in this
thread:
http://comments.gmane.org/gmane.comp.gnu.lilypond.devel/56456
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https
motivic item in two whole systems!). But let me guess: Is this from
Mazeppa?
Yes, and interestingly in this edition the rfz in the second system is
misplaced. It should be on the LH d' d'' octave.
--
Mark Knoop
___
lilypond-user mailing list
lilypond
{ \removeWithTag #'part \music } }
%
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
At 09:57 on 05 Feb 2014, Mark Knoop wrote:
I'm making a music function below to automatically create a repeat
structure. It's useable at the moment, but there are a couple of
improvements that could be made - any suggestions for these would be
very helpful.
1. The main problem is where to revert
to the text and
TextSpanner.bound-details.left.padding = #-0.5
- the vertical position of the dashes (i.e. raise
it a little bit relatively to the text)
TextSpanner.bound-details.left.stencil-align-dir-y = #CENTER
--
Mark Knoop
___
lilypond-user
a number like #-0.5 instead of #CENTER
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
{
{
\new Staff {
c'1
c'1
\repeat volta 2 { c'1 }
}
\new Staff {
\repeat volta 2 { c'1 }
c'1
c'1
}
}
}
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user@gnu.org
https
' a' }
\time 4/4
\repeat unfold 8 { c'4 }
\break
\time 5/4
\repeatBars 40 { d' e' f' g' a' }
\time 4/4
\repeat unfold 20 { c'4 }
\break
\repeatBars 40 { d' e' f' g' }
\repeat unfold 20 { c'4 }
}
--
Mark Knoop
___
lilypond-user mailing list
both events happen at the same moment in time, you have to use
tweak.
\version 2.18.0
\score {
{
-\tweak outside-staff-priority #1000
^\markup Above the next text please
a'4-\tweak outside-staff-priority #0 ^below please
}
}
--
Mark Knoop
in the essay includes:
\override NoteSpacing.stem-spacing-correction = #0.6
as opposed to the default of #0.5. Might it be a good idea for the
feature to be illustrated with the default value?
--
Mark Knoop
___
lilypond-user mailing list
lilypond-user
1 - 100 of 264 matches
Mail list logo
