Dirck,
The two chords are of different duration.
\consists "Span_arpeggio_engraver" is not needed.
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Dirck Nagy
Sent: Sunday, August 29, 2021 1:32 PM
To: lilypond-user@gnu.org
Subject: Arpeg
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or attached file?
Mark
From: Dirck Nagy [mailto:dn...@uwlax.edu]
Sent: Sunday, August 29, 2021 4:27 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Arpeggios across notes in different
Ken,
Perhaps this may give you a start
https://lsr.di.unimi.it/LSR/Search?q=text+in+hairpin
Mark
I am engraving some music that has a "poco rit." embedded inside a hairpin.
See attached image.
How do I do that in Lilypond?
I'm using Lilypond 2.22.0
Thanks,
Ken Wolcott
Knute,
\finger \markup \overtie #"52"
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Sent: Thursday, October 21, 2021 9:00 AM
To: lilypond-user@gnu.org
Subject: Changing fingers while holding key down
H
Knute,
Some instructions are here
https://lilypond.org/doc/v2.22/Documentation/notation/inside-the-staff#fingering-instructions
although it refers mainly to stringed instrument.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Be
Hello,
A command/instruction exists to make double slurs between two chords.
What is the search term that I should use?
Thank you for your kind attention.
Mark
exactly do you want. But try to see
examples in the documentation, maybe there is what you are looking for:
http://lilypond.org/doc/v2.22/Documentation/notation/expressive-marks-as-curves#slurs
07.11.2021 19:08, Mark Stephen Mrotek пишет:
Hello,
A command/instruction exists to make double
Reuben,
Exactly!
Thank you.
Masrk
From: Reuben Kagan [mailto:reuben.ka...@gmail.com]
Sent: Sunday, November 7, 2021 8:21 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: search term
Hello Mark,
https://lilypond.org/doc/v2.23/Documentation/notation/expressive
Lukas-Fabian,
A new one for me!
Thank you.
Mark
From: Lukas-Fabian Moser [mailto:lukasfabianmo...@googlemail.com] On Behalf
Of Lukas-Fabian Moser
Sent: Sunday, November 7, 2021 9:47 AM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: search term
Am 07.11.21 um 17:08
David,
Even cleaner!
Thank you.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, November 7, 2021 11:22 AM
To: Lukas-Fabian Moser
Cc: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: search term
Lukas-Fabian Moser writes:
> Am 07.11.21 um
Hello,
.
A piano piece I am engraving has several sections. Each has different
meters, keys, and number of voices. Each is coded in a separate score for
ease of future editing.
The entire piece is structured
\header {
title = ''title''
composer = ''composer''
opus = ''opus''
}
\in
1e.ly"
\include "Op 13 1f.ly"
No header is to appear in each of the sections.
Eventually the second and third movements shall also be included.
Again thank you for your kind attention.
Mark
-Original Message-
From: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: T
Valentin,
Thank you for your suggestions.
I shall try them.
Mark
-Original Message-
From: Valentin Petzel [mailto:valen...@petzel.at]
Sent: Tuesday, November 9, 2021 1:01 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re: opus migration
Hello Mark,
Am I right to
: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: Tuesday, November 9, 2021 12:51 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: opus migration
On Tue 09 Nov 2021 at 11:43:54 (-0800), Mark Stephen Mrotek wrote:
> I did not explain the structure of the piece accurat
Hello,
To get instructions I went to
https://lilypond.org/doc/v2.22/Documentation/notation/expressive-marks-attac
hed-to-notes
And copied the code only modifying pitch and duration.
\version "2.22.1"
\relative c' {
\time 2/4
\key aes \major
ees'4
<<
{ f,8. [(aes3
Jean,
Thank you for your reply.
Outside staff priority has been removed
Attached is a PDF of results.
Mark
-Original Message-
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Wednesday, November 17, 2021 11:25 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re
a de Verdier [mailto:leo.correia.de.verd...@gmail.com]
Sent: Thursday, November 18, 2021 9:05 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Delayed Turn
The beam appears since you have both the hidden note and the others in the
same voice. Adding the double backslashes is a shorthand for creating a ne
Moser [mailto:lukasfabianmo...@googlemail.com] On Behalf Of
Lukas-Fabian Moser
Sent: Thursday, November 18, 2021 12:31 PM
To: Mark Stephen Mrotek ; 'Leo Correia de Verdier'
Cc: 'lilypond-user'
Subject: Re: Delayed Turn
Correction: Since we're in a throwaway voice anyway, we don&#x
Hello,
Where in Frescobaldi 3.1.2 is the drop down that contains special
characters, e.g., those with accents.
Thank you.
Mark
Knute,
Thank you.
Mine has only articulation, dynamics, spanners, and bar lines.
Letter with accents do not appear.
Mark
-Original Message-
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Friday, November 19, 2021 6:41 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re
Ralph,
Thank you.
Under tools, coding, special characters. Got it!
Mark
From: Ralph Palmer [mailto:palmer.r.vio...@gmail.com]
Sent: Friday, November 19, 2021 8:06 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: special characters
I only have 3.0.0, and there it&#
Paul,
Have a look at
https://lsr.di.unimi.it/LSR/Item?id=538
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Paul Scott
Sent: Monday, December 27, 2021 11:01 AM
To: Lilypond-User Mailing List
Subject: optional cue no
Hello All,
How do I get the slur go from the acciaccatura to the "a"?
Thank you for your kind attention..
\version "2.22.1"
\relative c' {
\acciaccatura b'8 8
}
Mark Stephen Mrotek
Shane,
Thank you for the suggestion, yet it only removes the slur it does not
reposition it.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Sunday, March 6, 2022 9:46 PM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
\version
Kieren,
Thank you, yet the slur still connects with the fis rather than the a.
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Monday, March 7, 2022 7:15 AM
To: Mark Stephen Mrotek
Cc: Shane Brandes ; Lilypond-User Mailing List
Subject: Re
Shane,
Shall inspect context. Perhaps something prior is affecting.
Thank you for your assistance.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Monday, March 7, 2022 7:40 AM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
Run
Hello All,
While achieving the desired layout
\once
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(staff-bar clef))
produces a warning of unterminated slur event.
Mark
(staff-bar clef))
\clef treble cis''8 a |
}
Thank you for your kind attention.
Mark
-Original Message-
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Monday, March 21, 2022 12:02 AM
To: Mark Stephen Mrotek ; &#
Keith,
Please provide a minimum working code of what you want.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 3:22 PM
To: Mark Stephen Mrotek
Subject: RE: Help with ties and accidentals
Thanks Mark. Is there a way to prevent the natural symbol
Keith,
I do not see any difference between Original and Output.
Please check for accuracy.
Flash: In what key is this coded?
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:13 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE
Keith,
Piece is in C
Every time you want a bes you must write bes.
The same applies with the ges.
Give me a moment to do a code for you.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:28 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Keith,
See the attached.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:28 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE: Help with ties and accidentals
Sorry for the mistake on the links
Original - Music <h
Keith,
Been there, done that.
You are welcome.
Continue to play with Lilypond. It shall reward your efforts.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 7:00 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE: Help with ties
Kevin,
Form what I see, the voices are interchanged.
What is in voiceOne should be voiceTwo and vice versa.
See:
https://lilypond.org/doc/v2.22/Documentation/learning/i_0027m-hearing-voices
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@g
Hans,
Without getting into detail, Arnold Dolmetsch contends that
"They (the various indications of a trillo) have no particular shade of
meaning, being only the consequence of his (Bach's) lack of system."
The Interpretation of the Music of the 17th and 18th Centuries, p. 169.
Mark
-Origi
Knute,
In an older version of Lilypond two merge commands were present: "different
dotted" (that you used) and "different headed" (which might be helpful)
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Knute,
I did also.
Could it be the result of the scaling? That is the notes, by Lilypond's view,
are in different columns and therefore cannot be merged.
Mark
-Original Message-
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Friday, May 6, 2022 4:29 PM
To: Mark Stephen M
Anahu,
Is this acceptable?
\version "2.22.2"
\relative c
{\tuplet 3/2 { g''8_4 g g } \tuplet 3/2 { c^4 c c } }
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ahanu Banerjee
Sent: Wednesday, May 18, 2022 8:54 PM
To: Lily Pond
Sub
Eby,
The variables are defined as rhA, rhB, rhC, yet in the part-combine they are
listed as sopranoA, sporanoB, and sopranoC.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Eby
Mani
Sent: Thursday, November 15, 2018 12
Happens,
Not to worry.
-Original Message-
From: Eby Mani [mailto:eby...@yahoo.com]
Sent: Thursday, November 15, 2018 5:23 AM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: RE: partcombine with 3-4 voices, flags not merged
My mistake while writing to the list, apologies, they
Ethan Sue
Suggestion here
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-attached-to-notes
Scroll down to “delayed turn.”
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ethan Sue
Sent: Monday, November 19, 2018
Hello,
Under 2.18 a reminder accidental could be created with an "!" (exclamation
point).
In 2.19 I cannot use the command and cannot find an alternative - except
automatic.
Am I missing something?
Thank you,
Mark
___
lilypond-user maili
Joram,
Thank you. Got it.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Noeck
Sent: Sunday, November 25, 2018 4:41 PM
To: lilypond-user@gnu.org
Subject: Re: reminder accidental
Hi Mark,
do you have a minimal exampl
Stephen Mrotek wrote:
> Under 2.18 a reminder accidental could be created with an "!"
> (exclamation
> point).
>
> In 2.19 I cannot use the command and cannot find an alternative -
> except automatic.
>
> Am I missing something?
Do you have a MWE? Also would you c
Andrew,
Perhaps the purpose is to indicate the possibility of singing in two difference
keys. Here D major and Db major.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Thursday, November 29, 2018 5:33 AM
To: lilyp
David,
How about marking the part "ad libitum?"
Or perhaps making it bar-less as in a cadenza?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Sumbler
Sent: Friday, December 07, 2018 9:24 AM
To: lilypond-user@gnu
Brent,
Copied, pasted, ran it.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Brent Annable
Sent: Monday, December 17, 2018 6:39 PM
To: lilypond-user
Subject: Merge_rests_engraver broken?
Hi all,
Is the Merge_rests_engraver b
Hello,
Please see attached snippet.
In measure 3 the two e flats should be tied.
I have looked at using transparent as given in
http://lsr.di.unimi.it/LSR/Snippet?id=8
yet that would "collide" with the quarter rest.
Any suggestions would be greatly appreciated.
Thank you,
Mark
Jay,
Beautiful, and it preserves the voice leading!
Thank you!
Mark
From: Jay Anderson [mailto:horndud...@gmail.com]
Sent: Sunday, December 23, 2018 3:11 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: tie across voices
On Sun, Dec 23, 2018 at 2:40 PM Mark Stephen
21:35, Mark Stephen Mrotek wrote:
>
> Hello,
>
> Please see attached snippet.
>
> In measure 3 the two e flats should be tied.
>
> I have looked at using transparent as given in
>
> http://lsr.di.unimi.it/LSR/Snippet?id=8
>
> yet that would collide with the qua
Gentlemen:
In France the entrance to a building is on the ground floor. The floor above is
the premier étage – the first floor.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Tuesday, January 01, 2019 7:43 PM
To:
Aaron,
Thank you for the caveat regarding Gould.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Aaron Hill
Sent: Saturday, January 05, 2019 9:35 AM
To: lilypond-user@gnu.org
Subject: Re: <>
On 2019-01-05 2:40 am, Wols
Urs,
Perhaps
{
\slurUp \stemDown \grace d''4 (c'')
\appoggiatura d'4 c'
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Monday, January 14, 2019 4:08 AM
To: lilypond-user
Subject: Appoggiatur
Urs,
Forgot something
{
\slurUp \stemDown \grace d''4 (c'')
\stemUp
\appoggiatura d'4 c'
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Monday, January 14, 2019 4:08 AM
To: lilypond-user
Stig Brautaset:
Something like this from
http://lilypond.org/doc/v2.19/Documentation/notation/long-repeats?
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
\relative {
c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
\set Score.rep
Peter,
Does this work?
\version "2.19.81"
<<
\new Staff \relative { c''1 c }
\new Staff \relative { c'1 c }
\new Staff \relative { \clef bass c1 c }
\new Staff \relative { \clef bass c,1 1}
>>
If you want different grouping look at
http://lilypond.org/doc/v2.19/
Joseph,
You could "unattach" the pedal from both parts and put the both in a
\new Dynamics {
}
The pedaling would be attached to "spacers" rather than notes.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Joseph Au
Yeko,
I see four lines of code in your word document. Each has some very minor
error/additions
1) remove the braces { }
2) remove the braces { }, change \trill to \startTrillSpan
3) remove the brace, }, after the \afterGrace and the brace, }, at the very end
4) remove the brace, }, after the \
Tim,
You can "insert" a second voice using the << // >> syntax explained here:
http://lilypond.org/doc/v2.19/Documentation/learning/i_0027m-hearing-voices
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Tim
Slattery
S
Trocado,
Which do you want the tuplet brackets all the same or the bracket omitted on
the last three notes?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
trocado
Sent: Wednesday, March 27, 2019 4:35 PM
To: lilypond-u
Aaron,
Please supply a snippet that encapsulates only the “problem.”
The code you provide has several syntactical errors.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Aaron Feldman
Sent: Saturday, March 30, 2019 3:21 PM
To: lilypond
Strephan,
How about:
\version "2.19.83"
melody = \relative c' {
c4 d e f^\markup {\center-align \bold "Fine"} \bar "||" |
g8 g a f g g g4\fermata^\markup {\right-align \bold "D.C. al Fine"} \bar
"|." }
\score {
\melody
\layout { }
}
Mark
-Original Message-
From: lilypond-user
David
Maybe use bar checks?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Bellows
Sent: Saturday, May 18, 2019 3:59 PM
To: lilypond-user
Subject: Unconventional score and unwanted stray staff lines
Hello ever
e, just to see if voices
align.
Then remove it for publication.
Mark
-Original Message-
From: David Bellows [mailto:davebell...@gmail.com]
Sent: Saturday, May 18, 2019 10:46 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Unconventional score and unwanted stray staff lines
Dave,
You are asking a computer (Lilypond) to look good when "one never knows what's
going to happen."
IMHO, the two are mutually exclusive.
Mark
-Original Message-
From: David Bellows [mailto:davebell...@gmail.com]
Sent: Sunday, May 19, 2019 1:23 PM
To: Mark Ste
Kieren,
Thank you for the correction.
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Sunday, May 19, 2019 2:50 PM
To: Mark Stephen Mrotek
Cc: David Bellows ; Lilypond-User Mailing List
Subject: Re: Unconventional score and unwanted stray
Peter,
This from
http://lilypond.org/doc/v2.19/Documentation/notation/woodwind-diagrams
\version "2.19.81"
\relative c' {
c1^
\markup {
\center-column {
'flute
" "
\woodwind-diagram
#'flute
#'()
}
}
}
Mark
From: l
Evan,
As to your “bonus” question, <<{….}//{….}>> creates two separate voices, as in
polyphony,
While <..> creates a chord.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Evan Driscoll
Sent: Tuesday, July 02, 2019 8:54 PM
To: Lilypon
Evan,
Never used <<{ } { }>>.
Tried to locate it in the manual – no success.
Your question must be answered by someone with more knowledge of the code than
I.
Mark
From: Evan Driscoll [mailto:eva...@gmail.com]
Sent: Wednesday, July 03, 2019 10:01 AM
To: Mark Stephe
Simon,
The hand indicator is discussed and coded here:
https://www.mail-archive.com/lilypond-user@gnu.org/msg128029.html
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Simon Albrecht
Sent: Wednesday, July 17, 2019 3:1
John,
Compiles under Lilypond 2.19.83 and Windows 7.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of John McWilliam
Sent: Monday, July 22, 2019 2:32 AM
To: lilypond-user@gnu.org
Subject: Ragged-right
Windows 10
I have raised thi
Hello!
The following is from 2.19 documents
\version "2.19.81"
\relative c'' {
c2*2/3 ( s2*1/3\turn d4) r
<<
{ c4.( d8) }
{ s4 s\turn }
>>
\transpose c d \relative c'' <<
{ c4. (d8) }
s4
\once \set suggestAccidentals = ##t
\once \ove
Pierre,
Thank you, it is perfect.
The piece is in D, need I change anything other than the specific notes, a and
d?
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Friday, August 02, 2019 11:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re
Patrick,
Not sure about the page break.
Is this what you want?
\version "2.19.81"
\score {
{ <<
\new PianoStaff <<
\new Staff c''1
\new Staff c''1 >>
\new PianoStaff <<
\new Staff { d''1 }
\new Staff d''1 >>
>>
}
Patrick,
Regret any error my deficient reading caused.
Allow me to inquire. Do you want an entirely new staff group on the second page?
Mark
From: Patrick Karl [mailto:jpk...@gmail.com]
Sent: Saturday, August 10, 2019 7:58 AM
To: Mark Stephen Mrotek ; 'lilypond-user'
S
\new Staff d''1 >>}
From: Patrick Karl [mailto:jpk...@gmail.com]
Sent: Saturday, August 10, 2019 7:58 AM
To: Mark Stephen Mrotek ; 'lilypond-user'
Subject: Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start
Delimiters
On 8/9/19 11:40
Very welcome!
From: Patrick Karl [mailto:jpk...@gmail.com]
Sent: Saturday, August 10, 2019 11:02 AM
To: Mark Stephen Mrotek ; 'lilypond-user'
Subject: Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start
Delimiters
On 8/10/19 12:10 PM, Mark Stephen Mr
Mason,
My use is for transcribing 17th and 18th C piano music.
After a line or two I compile using Frescobaldi. My errors, frequent, become
apparent.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
ma...@masonhock.com
S
Andrew,
Agreed. Just now looked at the "snippet." I tried to fathom where the 7 came in.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Thursday, September 19, 2019 5:01 PM
To: lilypond-user@gnu.o
Andrew,
Nested tuplets are presented at
http://lilypond.org/doc/v2.19/Documentation/notation/writing-rhythms#tuplets
Scroll down to the fourth example.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Se
Ming,
Perhaps
http://lilypond.org/doc/v2.19/Documentation/notation/context-modification-identifiers
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of MING TSANG
Sent: Tuesday, October 08, 2019 6:23 PM
To: Lilypond-usermailinglist
Subjec
Knute:
Perhaps the second example under “Slurs” at
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-curves
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Sent: Sunday, October 13, 2019 3:18 PM
To:
Brian Barker,
Thank you for your replay!
Not really, the 12 measures occur in the middle of the piece.
Mark
-Original Message-
From: Brian Barker [mailto:b.m.bar...@btinternet.com]
Sent: Sunday, October 20, 2019 7:14 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re
+carsonmark=ca.rr@gnu.org]
On Behalf Of Aaron Hill
Sent: Sunday, October 20, 2019 7:06 PM
To: lilypond-user@gnu.org
Subject: Re: note spacing
On 2019-10-20 6:50 pm, Mark Stephen Mrotek wrote:
> A setting of a treble (Hours-treble) 12 measures are spread over three
> lines
> - 4 mea
on Hill
Sent: Sunday, October 20, 2019 9:09 PM
To: lilypond-user@gnu.org
Subject: Re: note spacing
On 2019-10-20 8:28 pm, Mark Stephen Mrotek wrote:
> Thank you for your response and suggestions.
> The \paper command does not make any changes.
> A \break cannot be inserted on any of the measu
Reggie,
The piano staff need more "spacers."
In the treble and bass change both to "s1*3 s8."
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Reggie
Sent: Monday, October 28, 2019 3:32 AM
To: lilypond-user@gnu.org
Subje
Hello all,
A C.P.E. Bach Piano sonata has the upper staff written with the soprano
clef.
My skill at reading music in soprano clef is minimal. So I am attempting a
translation to treble clef.
Does Lilypond have means to assist in this task?
Thank you,
Mark
soprano.pdf
Description:
David Kastrup,
Thank you for your kind attention to my request.
I shall attempt both of your procedures.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Friday, November 01, 2019 4:33 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Notation in
Karsten.
Perhaps:
\paper {
ragged-bottom = ##f
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Karsten Reincke
Sent: Saturday, November 09, 2019 10:32 AM
To: Phil Holmes ; Lilypond-User Mailing List
Cc: k.rein...
David,
It compiled perfect from Frescobaldi for me.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Menéndez Hurtado
Sent: Monday, November 11, 2019 8:17 AM
To: lilypond-user@gnu.org
Subject: Very weird output on any compilation
Same with me 1:01 pm PST
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Aaron Hill
Sent: Friday, November 15, 2019 12:18 PM
To: lilypond-user@gnu.org
Subject: Re: Has LSR moved?
On 2019-11-15 11:39 am, David Sumbler wr
David,
Insigtful!
I shall change my proofing.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Nalesnik
Sent: Saturday, November 30, 2019 7:46 AM
To: Jinsong Zhao
Cc: lilypond-user
Subject: Re: How to proofread?
Jacques,
You do not need to use chord notation and the \set command.
Fingering down indicated by the _ (underscore), e.g., a,4_3, and the up
fingering by the ^ (carat), e.g., e^1
The - (dash) is a neutral setting and Lilypond decides according to voice
number.
Mark
-Original Message-
F
Jacques,
Not to my knowledge/experience (I set 18th C Piano music).
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jacques Menu
Sent: Thursday, December 05, 2019 2:34 AM
To: Thomas Morley
Cc: lilypond-user
Subject:
Knute,
This works for
\version "2.22.1"
\relative a,, {
\clef bass
\time 6/8
a4.~ a4. |
< a~ a'~>4.( q8 ) | }
So maybe it is a version issue?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Se
Kenneth,
Not dense at all.
Change staff works within a single voice. You split it between rh and lh. Might
suggest you use "upper" and "lower" for staff designation if you use rh and lh
as variable names.
Assuming you start in "lower" with lh.
Then
\tuplet 3/2 { b,8(d b }
\change Staff = "up
Kenneth,
If you want, send your code to me and I shall try to achieve what you want with
an explanation.
Mark
-Original Message-
From: Kenneth Wolcott [mailto:kennethwolc...@gmail.com]
Sent: Saturday, July 30, 2022 6:45 PM
To: Mark Stephen Mrotek
Cc: Lily Pond
Subject: Re: Learning
Kenneth,
The auto beaming can be overridden using [..]. Look up "manual beaming"
in the docs.
Stem direction can be changed with \stemUp and \stemDown.
Attached is a start.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On
Greg
How about this?
\version "2.22.1"
\relative c' {
\time 5/4
c32 [c c c] \times 2/3 {c32 [c c]} c64 [c c c] c2. |
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Greg Lindstrom
Sent: Sunday, August 21, 2022 7:29 PM
To: lil
Ming,
Bar 4 in both are identical. What is “wrong” in the second score?
What is wrong with bar 6? There is only one example.
What adjustment do you want to the beam in bar 5?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of ming tsa
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