--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
One problem of your file is that you have too many staves to
fit into a MIDI file. By default, a new MIDI channel is
used for each Staff, Lyrics or ChordNames context.
Since the maximum number of channels is 16 and channel number 10
is devoted to percussion, there are only 15 available and it
Don't doubt, see the possibilities!
Daniel Berjón Díez wrote:
Hello, everybody,
I'm trying to typeset the Sonata in A for violin and piano by César Franck, but I'm kind of new to Lilypond, and I would like to ask you if is it possible to do some things I would like to do. As I don't know if it's
can solve the problem otherwise? Thanks a
lot.
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790
The problem is that we don't have any smaller version of the Feta fonts,
but the easiest solution is to add two lines to the file
/usr/share/lilypond/*/scm/fonts.scm as described in the following patch:
--- /usr/share/lilypond/2.1.0/scm/font.scm.orig Wed Oct 29 18:23:04 2003
+++
Grøtting wrote:
Mats Bengtsson [EMAIL PROTECTED] writes:
When you have a score line with empty lyrics, it is removed completely
meaning that it doesn't occupy any space.
Alas, this seems (to me) not to work when the lyrics aren't empty as
much as they are _s or s (using \addlyrics) in a voice
Kieren Richard MacMillan wrote:
As you can see, not only do I now have to adjust the stem direction --
to be natural, and not a la \voiceOne -- but the spacing engine has
not properly dealt with the time and key signature announcements.
Perhaps this is a bug? For regression testing, here's
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100
On Fri, Nov 14, 2003 at 01:25:15PM +0100, Mats Bengtsson wrote:
When you have a score line with empty lyrics, it is removed completely
meaning that it doesn't occupy any space.
If you want empty lyrics lines to still occupy some space, try
\score{
...
\paper{
...
\translator
.
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax
, but these frustrations
are real for me.
Walter Hofmeister
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
the other problem i'm running in to is that i'm getting lots of warnings
regarding bar-check failures at -3/4 and -1/4 ... (you can check this with the
file http://homepage.uibk.ac.at/~c703284/chorals.ly). the bars are all ok, and
if i generate the parts 1 by 1 (not in score) then the bar-check
PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790
LilyPond will only consider breaking lines where you have bar lines.
If you don't want any bar lines in the output, you could indicate
positions that are good candidates for line breaks by inserting
invisible bar lines with \bar . If you want to force a line
break, combine it with the command
I hope you know that the latest stable version of LilyPond is 2.0.
Did you have some older version of LilyPond installed previously?
This is the most common reason to get the wrong fonts, but it's easy
to fix. Just run the command 'kpsewhich feta20.pk' which probably will
give you a full path to a
Simple, just say something like
startBarre = \notes{
\property blabla.blabla \override #'blalba = #blablabla
...
\startTextSpan
}
/Mats
Guy Shaviv wrote:
I'm trying to typeset music for classical guitar for which I need to be able to produce the barre
symbol. I've managed to acheive the
\rhStandardMajorBrokenChord
}
}
\paper {
raggedright = ##t
papersize = a4
linewidth = 17\cm
}
}
\include paper16.ly
On Fri, Nov 21, 2003 at 04:56:01PM +0100, Mats Bengtsson wrote:
LilyPond will only consider breaking lines where you have bar lines.
Yes. Oddly though, in my example I have barlines
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED
overwritten?
2) Is there a way to put the fingerings on a separate ``line'', ie not tied
to note heads?
I suspect that 1) is possible, but 2) not.
Thanks for any help. (Using 1.4.6, BTW)
Alan
--
=
Mats Bengtsson
Signal Processing
PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
something weird: many objects are doubled, apparently for no reason.
Please provide a small example.
Jan.
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44
/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
breaks, and the fragment tag but
to no avail.
Any ideas? I sure would like to help my daughter learn alto cleff as she
transitions from the violin to the viola.
Many thanks.
--
=
Mats Bengtsson
Signal Processing
Signals
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED
://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-use
r
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone
/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
}
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
a bar too much to the right
* I'd like to be able control the vertical and horizontal placement of
the mark
If someone could help me out or point me to a place in the docu I'd be
most happy. Thanks in advance.
--
=
Mats Bengtsson
mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Kieren Richard MacMillan wrote:
Hello, Mats:
Just use simultaneous notes in the same voice:
r4 g4 d'2 g,4 es'2 d'2 }
or, with the upper voice as well:
r4 {b4 ( c ) } \\ g,4 d'2 g,4 es'2 d'2
You will get some warnings, but the desired output.
Excellent!
One question and one
I will simple make the adjustment during final tweaking
(in Illustrator) before outputting the printer's file.
I definitely recommend to do it in LilyPond using
the extra-offset property instead of doing it by hand
afterwards (one thing less to remember if you have to
reprocess the score).
now EXCEPT... =)
The PianoStaff only maintains its forced-distance on the first line --
after that, the upper and lower staves are cramped. [See example,
attached.]
Any reason why?
Thanks,
Kieren.
--
=
Mats Bengtsson
Signal Processing
Just some wild guesses: Do you have sufficient space on your hard disk?
Have you tried to rerun setup.exe, maybe against some other
mirror site? Finally, you could try to choose Reinstall for the
texmf-* packages in the package selection view of setup.exe.
/Mats
Jan van Dijk (Planet) wrote:
to adjust (make higher...) the height of the arpeggio
sign (\arpeggio), and if so, how?
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
it useful for orientation.
LilyPond 2.0, 2.1
Thanks,
Feri.
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Alan
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW
=lowerOne {
\repeat unfold 4 { \firstEight }
}
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone
Richard Lyons wrote:
This is quite a learning curve! I have to use two voices in some bars,
so I end up needing to carry the two voices to wherever phrasing slurs
lead. Sometimes I have to put the same note in both voices and make
one stem transparent, so as to include all ties and slurs.
Please see the section on Fine tuning layout in the Tutorial and
the Tuning objects section in the Reference Manual.
See also the archived email
http://mail.gnu.org/archive/html/lilypond-user/2003-10/msg00195.html
/Mats
Richard Lyons wrote:
On Monday 15 December 2003 16:00, Mats Bengtsson wrote
Since this document is a nice illustration of the capabilities of the
LilyPond typesetter, both in terms of the layout of the actual music and
in the support for mixing music and text, I hope you want to keep it
within the LilyPond distribution, at least for the moment.
grin/ By which I guess
Richard Lyons wrote:
Sorry to become a pest here: I've missed my deadline but still in a
panic to finish and I cannot find how to do this
|O
| |O |O where this is in the treble clef
| | |
+---+---+---+
|
|
O|and this in the bass.
Yes, thanks. I've more or less worked out by trial and error that the
cross-staff knees only work in \context PianoStaff. Trying to do it in
anything else zaps the whole of the rest of the file!
Yes, this is described in the section on Piano music in the reference
manual.
[...]
angle type
I prefer the 'padding' property in these situations. When you move
extra-offset,
the object is moved after all the layout has been determined. The
padding property
is taken into account much earlier in the layout calculations so
LilyPond can use
the information that the object was moved to
You need some extra flags to the dvips command, see the lilypond-book
manual:
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Invoking-lilypond-book.html#Invoking%20lilypond-book
/Mats
Tim Walters wrote:
First of all, let me say how much I love Lilypond. I downloaded it a
In the section on Durations in the reference manual,
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Durations.html#Durations
you'll find a link to the Dots graphical object. You can also find a
complete list of
all graphical objects at the documentation web page if you click at
Why do you want to move everything like this, it seems that you would
introduce collisions with the bar lines. I guess there are better
ways to
obtain what you really want to do.
Ok, I'd like to hear how! Take a look at the attached gif. My client
prefers this semi-uncorrect notation since
Austin W wrote:
I got a little 32nd note run, and its got some fingering numbers and a
slur. The slur is cutting through some of the numbers. How do I move
these numbers? Up preferably, so they ride the arc.
The magic property to change is called 'padding'. Search the mailing
list archives
for
Just say
c4:16
/Mats
Aaron wrote:
HI all,
I am try to enter a measure with tremolo beams but I can't figure out
how, as follows
a quarter note with a 16th tremelo on the beam:
\repeat tremolo 4 c16 (from the documents)
gives me this:
--snip--
I realize that Mats enjoys searching up links, so maybe it isn't such a
great suggestion after all.
Not at all! My main intention is to reduce my own work by pointing
to the mailing list archives as a great source of information
(together with my other favourites, the Tips and Tricks and
.
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
of
the staff stay empty so I can start the Coda on the next full staff?
thanks
Chip
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW
Nicolas Sceaux wrote:
Indeed that would be great if \with could be used inside a existing
context:
\context Staff {
BLI
\with { Stem \set #'thickness = #4 }
{ BLA }
BLU
}
I'm not convinced! Since the curly braces are used for so many
different purposes, I think it's much
I have often clicked a link to find more about a subject instead of
infact finding more about that subject I find scheme stuff.
These issues are not exactly bugs but style issues and matters of
opinion, ie a programmer will think that more information about tremolos
should be the scheme stuff,
Jan Nieuwenhuizen wrote:
Han-Wen Nienhuys writes:
Come to think of it, this form of \with is superfluous. It is possible
to write it with something like
\apply #(nest-props '((Stem thickness 4) (Slur transparent #t)))
{ .. }
Very nice.
Well, yes except for the syntax. Definitely something
Carl Youngblood wrote:
How can I make the quarter note for the tempo indication smaller? I'm
not sure what object property to modify.
I don't think you can change the size of the note without changing
the size of the letters using a single property setting. If you want
to make the full
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44
mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal
, in 2.0, does one tell Lily to
make a second clef be full-sized, and not smaller than the first
clef? I need this for anything that's going to indicate the original
clef in an incipit.
--
=
Mats Bengtsson
Signal Processing
Signals
-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email
to oposite? (a flag if you
do not want to unfold at all?)
Just my five cents.
Alberto
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats
Project!
==--- www.SongBirdofSwing.com ---==
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats
://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute
the Net You Need.
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE
files
(and \include the music file itself).
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
An alternative to the answer you have already received is to run setup.exe
again and select the tetex-base package (you already have the tetex-tiny
package wich is an (unfortunately too) tiny version of tetex-base).
I think I have sent a bug report on tetex-tiny several months ago.
/Mats
[EMAIL
Joerg Anders wrote:
On Fri, 16 Jan 2004, Suzanne E. Blatt wrote:
I found an even easier solution. In NoteEdit when I export to Lilypond,
I don't click on the 'save beams' option. That put all my lyrics where
they belonged and saved my slurs so my lyrics do what they should.
Perhaps I
-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46
I love it. And I just wonder how to put cresc. on my music :'(
Have you seen the \cresc and \endcresc commands described in
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Dynamics.html#Dynamics
I have two ready to contribute to mutopia, but without that I have a
very large
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute
Please send (to the list) a small example illustrating the problem and
tell use what LilyPond version you use.
/Mats
Alberto Manuel Brandão Simões wrote:
basicall, I have
\cresc s1 s1 s1 \endcresc s1\ s1\!
and cresc is being typeset exactly as it were \ \! :(
Thanks,
Alb
Mats Bengtsson wrote
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED
By mistake, I sent the answer only to Ray. Since we had a
copule of misleading answers to the list, it's best to add
my attempt to the list archives as well.
/Mats
Mats Bengtsson wrote:
Since the g is the only common note between the two chords, LilyPond
will automatically give you the desired
in advance
NANCHO
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal
In v1.6.10, Lily set rehearsal marks at the beginning of a line in a
nice big, bold face, after the key signature. However, in v2.0.0, it was
much more insignificant and slap bang on top of the bar number.
It seems that the rehearsal marks in 2.0.x are not typeset in boldface,
just one step
~ c2~ c8 c4.
}
}
\paper {}
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
versions made available by Pedro or
Feri.
Thanks,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal
PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46
PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790
)
I will post them shortly.
Aaron
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals
Thomas Scharkowski wrote:
Thank you for the link:
http://www.ctan.org/tex-archive/info/lshort/english/lshort.pdf
I did not have the time to spend 131 minutes :-) to study the whole
introduction, but in only one minute I was able to change the
appearance of title to sans serif etc. by
:
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal
profile or login script adds the location of the lilypond TeX tree to
this variable. Both must be present, another Mac users can probably
tell you what the variable must look like.
Jan.
--
=
Mats Bengtsson
Signal Processing
Signals
Jan Nieuwenhuizen wrote:
Mats Bengtsson writes:
I think Jan's answer is slightly misleading. The message about TEXMF
being an undefined variable is perfectly fine (at least if you use
csh or tcsh as your shell) and just shows that you don't set it as
an environmental variable anywhere else
601 - 700 of 4912 matches
Mail list logo
