Re: Paralellizing Lilypond [was: Re: Sibelius Software UK office shutsdown]

I know this topic changed from Sibelius going belly up to parallelization, but I don't know where else to put it... I'm a current Sibelius user who found Lilypond after panicking a little and a doing quick web search for open source notation software. I don't know how many other users may check

Hiding staff without hiding bar lines

I'm a relatively new LilyPond user, so I apologize if this is something I should have found in the manual. I'm trying to use LilyPond to make worksheets and theory tests, so I need to hide elements for students to fill in themselves. I also need to notate rhythms without a staff. I know that

Re: Hiding staff without hiding bar lines

\override Staff.StaffSymbol #'stencil = ##f That works perfectly. I don't even need to worry about the ledger lines because it's all one one pitch on the staff -- purely a rhythm exercise. It makes sense that stopping the staff entirely would make the bar lines infinitely short; if I wanted a

Re: ANN: Frescobaldi 2.0.8

Thank you for all your work on Frescobaldi. I really like the automatic formatting and .pdf preview. It saves me a lot of time. -- View this message in context: http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-8-tp132939p133404.html Sent from the User mailing list archive at

Centering lyrics in piano music for children

Most beginning children's piano music uses a format with a single-line melody broken between the treble and bass clefs and lyrics written in between. I'm assuming LilyPond doesn't have a way to automatically attach some lyrics to the treble and some to the bass as needed, so I'm trying to do this

Re: Centering lyrics in piano music for children

Thank you Daniel, Matthew and James. I'll give them all a try. Matthew's method could save me time entering the notes too. In this type of music is doesn't matter which hand plays the middle C -- I'd be happy to let LillyPond make the decision. -- View this message in context:

Cross-staff slur with irregular shape

begins with one shape in the bottom staff and switches to another shape as the notes move to the upper staff.) I apologize if this is in the manual, but I am unable to track it down. -- Michael Rivers -- View this message in context: http://lilypond.1069038.n5.nabble.com/Cross-staff-slur

Re: Cross-staff slur with irregular shape

Thank you David. I especially appreciate the example code. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Cross-staff-slur-with-irregular-shape-tp135374p135383.html Sent from the User mailing list archive at Nabble.com. ___

Re: One staff, two voices

Also, the Mutopia project (www.mutopiaproject.org/) hosts most of the WTC in lilypond format. You're probably going to need to move that second voice down to the bass clef at some point and then back. Taking a look at the samples at Mutopia helped me quite a bit. -- View this message in

Re: uncentered rests

Use R1 instead of r1. -- View this message in context: http://lilypond.1069038.n5.nabble.com/uncentered-rests-tp135995p135996.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: roman numerals

As far as I know, Lilypond doesn't support Roman numeral analysis. I can't find it anywhere in the documentation, at least. Somebody please correct me if I'm wrong, because I would love to be able to do it. The snippet posted in the original post doesn't work for me. I don't think \rN is a real

Re: roman numerals

Sweet! Thank you so much for that code, and thank you to whoever wrote it. Open source is amazing. -- View this message in context: http://lilypond.1069038.n5.nabble.com/roman-numerals-tp136585p136635.html Sent from the User mailing list archive at Nabble.com.

Re: roman numerals

It would be very nice if Roman numeral analysis were integrated with figured bass in Lilypond. David's code works very well for chorale textures. However, because durations aren't specified, if the left hand of a piano part, for instance, has 16th note arpeggios but only one harmony, one needs to

Requesting an addition

, Michael Rivers michaeljriv...@gmail.com -- View this message in context: http://lilypond.1069038.n5.nabble.com/Requesting-an-addition-tp139819.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Requesting an addition

I'll insert a scan of the Haydn ornament from the preface that Alfred includes in its editions of Haydn keyboard works. It looks pretty good to me. http://lilypond.1069038.n5.nabble.com/file/n139974/Haydn_ornament.jpg -- View this message in context:

Removing Rest_engraver or another solution

I'm making theory tests for students, and I'm trying to print a blank staff (except for a clef and bar lines) divided into two, three or four equal measures in which students will draw scales, triads or key signatures. Below each measure will be centered text telling the students what to draw. I

Re: Removing Rest_engraver or another solution

Ah ha, that does the trick! Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Removing-Rest-engraver-or-another-solution-tp140687p140691.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user

Centering text between keyboard staves along with dynamics

Often, rather than just dynamics (pp) centered between staves, piano music adds a modifier (pp dolce). If I try to add the modifier as a text markup in a dynamic context, the text isn't centered or aligned with the other dynamics. Is there a better way to do this? \version 2.16.1 right =

Half and whole rests with no staff lines

I'm making some rhythm exercises for my piano students with no staff lines (which is the way it is usually done in piano methods). Everything looks fine except for the half and whole rests which don't have the traditional little extra lines above and below them to make them distinguishable. Can

Hiding one empty staff of three-staff piano score but not two

I'm typesetting a piano score that is mostly in two staves, but occasionally in three. I have filled the third staff with spacers rests when it's not needed and used \RemoveEmptyStaves and Keep_alive_together_engraver to hide it when its empty. The problem is that the first line of the score uses

Re: Hiding staff lines without barlines hiding

I use \override Staff.Clef #'stencil = ##f \override Staff.StaffSymbol #'stencil = ##f -- View this message in context: http://lilypond.1069038.n5.nabble.com/Hiding-staff-lines-without-barlines-hiding-tp143606p143625.html Sent from the User mailing list archive at Nabble.com.

Re: repeated time signatures

I make lots of worksheets in which I need a time signature repeated for the student's answer. I like the current behavior. -- View this message in context: http://lilypond.1069038.n5.nabble.com/repeated-time-signatures-tp145185p145262.html Sent from the User mailing list archive at Nabble.com.

Re: ANN: Frescobaldi 2.0.10

Excellent! Thank you so much for all your work. Using Frescobaldi is always a pleasure. -- View this message in context: http://lilypond.1069038.n5.nabble.com/ANN-Frescobaldi-2-0-10-tp145815p145829.html Sent from the User mailing list archive at Nabble.com.

Cross staff/cross voice arpeggio colliding with previous note

In this excerpt from a piece I'm typesetting, the first two arpeggios are fine, but the third collides with the previous note in the right hand's upper voice. Is there a way to avoid the collision? \version 2.16.2 global = { \key as \major \time 6/8 } rightOne = \relative c'' { \global

Re: Bravura - new font...

I saw that too. It's bolder and more engraved looking than the other commercial music fonts, at least. I don't know what to think about the new music font format. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Bravura-new-font-tp146234p146235.html Sent from the User

Re: Making space for markup with cross-staff beams

That looks great! Fitting dynamics and markups in piano music without the staves getting ridiculously far apart is my biggest challenge in using Lilypond. It's amazing the nooks and crannies hand engravers find to put markups. -- View this message in context:

Re: Tie Crusade

As long as we're at it, how about fixing the bug where ties don't work with enharmonic notes? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Tie-Crusade-tp147937p147970.html Sent from the User mailing list archive at Nabble.com.

Re: Tie Crusade

I'd like to join the effort, but I don't have the skills -- the last programming I did was 12 years ago in college, and it was it C, not C++ (I don't even know what the difference is). However, I'd be willing to make a small financial contribution if someone could tell me where to send it -- this

Finale bug from Lilypond Essay found in commercial score

I'm typesetting Earl Wild's piano transcription of Rachmaninoff's In the Silent Night in Lilypond for my own use. The original is set using Finale from around 1990 (the copyright date). In bar 31, there's a B sharp in the second voice in the right hand, and later in the bar, an octave B natural in

RE: tablet

Anything that runs on Windows will run on a Surface tablet (but not a Surface RT tablet). They're really expensive, though. -- View this message in context: http://lilypond.1069038.n5.nabble.com/RE-tablet-tp148599p148615.html Sent from the User mailing list archive at Nabble.com.

Re: Tie placement in voiceTwo

I believe it was Couperin who distinguished between ties and slurs in his manuscripts by using slightly different shapes for each. I don't have my copy of L'art de toucher le clavecin nearby, but I believe the slurs had more squared-off ends and ties had more rounded ends. Too bad Couperin's

Re: Problem with temporary polyphony

There's a nice article on the Lilypond blog about temporary polyphony: http://lilypondblog.org/2013/07/voice-contexts-in-temporary-polyphonic-sections/ -- View this message in context: http://lilypond.1069038.n5.nabble.com/Problem-with-temporary-polyphony-tp151904p151945.html Sent from the

What's the best way to fix these beams and staff spacing?

Here is the 28th bar of an etude by Rachmaninoff: \version 2.16.2 global = { \key g \minor \time 4/4 } goUp = { \change Staff = right \stemDown } goDown = { \change Staff = left \stemUp } right = \relative c'' { \global r32 as,( c fis c'8) \goDown d,,32( es fis \goUp g c es g, es)

Re: What's the best way to fix these beams and staff spacing?

Thanks for the reply. My scanner's broken, but there are two scans of the Rachmaninoff prelude at IMSLP: http://imslp.org/wiki/Etudes-tableaux,_Op.33_%28Rachmaninoff,_Sergei%29 The first edition at IMSLP lists the G minor prelude as the 8th prelude; the second one lists it as the 7th prelude. In

Re: What's the best way to fix these beams and staff spacing?

Thanks for the solutions. Mark -- that's the kind of solution I used the last time this came up in a score, but this time I'd like to show which hand Rachmaninoff wants the notes played with. Keith -- I do have a dynamic context, so I'll try putting in some blank space that way. -- View this

Re: What's the best way to fix these beams and staff spacing?

Adding the additional space via markup worked. Is this an issue I should create a bug tracker for? -- View this message in context: http://lilypond.1069038.n5.nabble.com/What-s-the-best-way-to-fix-these-beams-and-staff-spacing-tp153566p153678.html Sent from the User mailing list archive at

Re: Learn from Finale 2014 (seriously)?

I've always used Phil's solution (manually placing one rest and using s for the other), but, come to think of it, it would be nice for this to be done automatically. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Learn-from-Finale-2014-seriously-tp153908p153952.html

Re: How to structure piano music?

In my experience, { } \\ {} will sometimes for for a short section with multiple voices, but if there was a slur already under way before the voices split or a slur that continues after the voices merge, it won't work. In that case, { \voiceOne } \new Voice { \voiceTwo } \oneVoice works much

Two voices, two clefs, one staff

I'm typesetting the song La Flûte enchantée by Ravel. There's a bit in the piano part with notes from both bass and treble clefs displayed simultaneously (see jpgs). I thought I'd seen everything, but this has me stumped. Can anybody help? Here's what I've got so far: \version 2.16.2 global = {

Re: Two voices, two clefs, one staff

Thanks so much, Nathan. I'm glad I'm not the only one who finds it tricky! I'm not concerned with MIDI output at all, so your solution works perfectly. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Two-voices-two-clefs-one-staff-tp156263p156396.html Sent from the User

RE: grace notes and ledger lines

I checked the 8va and 8vb sections in Music Notation by Gardner Read, and 8va is only to be used above the treble clef and 8vb below the bass, and no woodwinds use the 8vb sign. He's obviously only one authority, but he's a good one. -- View this message in context:

Re: Experiences from voice handling wanted

I think you just have to remember to use \oneVoice or \stemNeutral when the 2nd voice isn't playing. If the 2nd voice is coming and going frequently, you are much better off using { \voiceOne Music goes here } \new Voice { { \voiceTwo Music goes here } }

Re: ANN: Frescobaldi 2.0.14

As always, thank you for your work on Frescobaldi. It makes life so much better for me. I think we are the same age; 43 has been good to me so far, and I hope it is good to you too. -- View this message in context:

Re: Palestrina: Missa Brevis

Wonderful! Downloaded and printing now. I'm going to play through it on the piano and follow along with a recording. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Palestrina-Missa-Brevis-tp160656p160664.html Sent from the User mailing list archive at Nabble.com.

Re: Piano scoring with centered dynamics

It would be good to update to the latest version (2.18.2). Also, if you post your file as a minimal example (make you file as short as possible) we can help you better. Thanks for posting. This board is a great resource to help you get started. -- View this message in context:

Re: See the new music fonts in action

Fantastic work! It's going to be difficult waiting to use these. -- View this message in context: http://lilypond.1069038.n5.nabble.com/See-the-new-music-fonts-in-action-tp164898p164925.html Sent from the User mailing list archive at Nabble.com. ___

Re: Ottava overlapping fermata

The spacing between staves when cross staff beams are used is also a big problem in Lilypond (it doesn't provide enough and then throws errors). In general, if you are using cross staff beams, get used to having lots of issues. -- View this message in context:

Re: Opposite hand indicator

Thank you! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Opposite-hand-indicator-tp167641p167664.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Pianostaff 4-part writing and rests

Thanks to everyone in the thread who has given code and tips. I agree that it would be very nice if something were included in Lily herself to solve this. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Pianostaff-4-part-writing-and-rests-tp170926p171718.html Sent from

Re: Pianostaff 4-part writing and rests

I just engraved a piece for which the standard solutions given in this thread worked especially badly. There were many 8th notes alternating with 8th rests (which should be merged by Lilypond, but can't be automatically), so switching back and forth between a polyphonic structure and \oneVoice was

Re: Adding lunga text above rehearsal mark fermata

Yes, exactly. Thank you! I have run into another problem in the meantime: fermatas over barlines appear at the end of lines, but the rehearsal marks appear at the beginning. Do you know a way to force them back to the end of the previous line? -- View this message in context:

Adding lunga text above rehearsal mark fermata

I'm setting a piece that has fermatas over bar lines with the text lunga printed above the fermata. Any ideas about how that can be achieved? \version 2.19.18 { c'1 | c' | \mark \markup { \musicglyph #scripts.ufermata } } -- View this message in context:

Re: Sibelius 8

Avid firing the Sibelius development team is what sent me scouring the internet in a panic to find a replacement, and to me finding Lilypond. I can't thank Avid enough. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Sibelius-8-tp178154p178165.html Sent from the User

Re: vertical spacing of rests

It would be nice if this were just newbie question, but all of us old-bies and have to deal with it all the time. It would be really nice if Lilypond just combined the rests as it should. -- View this message in context:

Re: How write cross-staff slur (in combination with lyrics)

This isn't meant to be sung by a singer. This is from a beginner's piano method (I'm a piano teacher). The words are to give a sense of the stress in the meter, to give the player an idea of the mood of the piece, and possibly for the player to sing along. The slurs, though, are entirely for the

Re: lilypond teaching material

Yes, that was my first thought too. Those video tutorials are quite nice. -- View this message in context: http://lilypond.1069038.n5.nabble.com/lilypond-teaching-material-tp181185p181226.html Sent from the User mailing list archive at Nabble.com.

Re: Changing default fingering location for lower staff in a grand staff

Thanks, that's perfect. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Changing-default-fingering-location-for-lower-staff-in-a-grand-staff-tp191855p191861.html Sent from the User mailing list archive at Nabble.com. ___

Changing default fingering location for lower staff in a grand staff

Is there a way to set the default location for fingering in the lower staff of a grand staff to be below the staff rather than above? I realize that I can write, e.g., "c_1" instead of "c-1" every time. However, after a few years of using Lilypond, I have wasted so much time fixing my errors (both

Re: Henle app

I downloaded the Henle library app on my iPad. It's pretty bare-bones, especially from what I'm used to in forScore, but I'm sure over time they'll add features over time. Very few scores are available. For example, for piano, there are only the Beethoven and Mozart sonatas, Bach Well-Tempered,

Re: How do I adjust organ pedal marks vertically?

Look out -- here come the urtext police! -- View this message in context: http://lilypond.1069038.n5.nabble.com/How-do-I-adjust-organ-pedal-marks-vertically-tp187454p187466.html Sent from the User mailing list archive at Nabble.com. ___

Re: I'm not smart enough to figure out the math for this.

Thanks for the solutions. I'm OK with an error message! -- View this message in context: http://lilypond.1069038.n5.nabble.com/I-m-not-smart-enough-to-figure-out-the-math-for-this-tp188290p188297.html Sent from the User mailing list archive at Nabble.com.

I'm not smart enough to figure out the math for this.

I'm trying to make a snippet for students with intentional mistakes for them to correct. I want the time signature to say 4/3, but for the music to actually be in 3/4. Should I use "scaleDurations", and what should the ratio be? Or is there a better way to do this? \version "2.19.24" \relative

Re: Google Summer of Code projects 2016

That is just such wonderful news for everyone. Thank you so much to the students, mentors and everybody involved in organizing this. >From a personal standpoint, being able to have slurs and ties cross voices in all the piano music I engrave would increase my quality of life significantly. --

Re: Dorico announced

Hmm...not a fan of the name Dorico. It sounds a little too close to Dorito to me. Does it come in nacho cheese and cool ranch? If the quality of the output is better than Lilypond (and 349 pounds sterling fall out of the sky into my lap), I might consider it. After all those years of making

Re: Dorico announced

I don't think consumers first looking at a name will go to a blog on the internet to find out how to pronounce it. Dorico is going to be pronounced like Dorito a lot in the beginning. At least everyone knows what a lily pond is and how to say it. In any case, the name is probably not very

Re: 17th century English kbd ornaments

That looks great. Thanks so much! -- View this message in context: http://lilypond.1069038.n5.nabble.com/17th-century-English-kbd-ornaments-tp148407p192792.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list

Re: 17th century English kbd ornaments

Did anybody ever come up with a way to draw the shake from Purcell in Lilypond? I'm trying to typeset something from the book cited in the top post, and my skills are not up to the task. -- View this message in context:

Re: 17th century English kbd ornaments

Just my opinion, but I think it is usually a good idea to use an original source such as Purcell's mentioned in the original post, rather than rely on a secondary source such as Dolmetsch. -- View this message in context:

Re: appoggiatura problem

Encountering this bug for the first time is a right of passage. It will probably not be fixed in our lifetimes. Congratulations, you are now a Lilyponder! -- View this message in context: http://lilypond.1069038.n5.nabble.com/appoggiatura-problem-tp192328p192353.html Sent from the User

Re: Double time signature when there are grace notes

"This looks like it should be the standard behaviour of Lilypond. Can anybody tell how the chances are of integrating this into off-the-shelf Lilypond? Would be really convenient." Finding out about this bug and how to work around it is almost a rite of passage for Lilypond users. I know

Re: Version 2.18 vs.2.19 speed and W10

Same problem here. I didn't save any compile times before the update for comparison, but Lilypond just crawls now. I was compiling a one-page piece last night, which used to go by in a flash, and now it takes a good 10 seconds. -- View this message in context:

Re: Version 2.18 vs.2.19 speed and W10

Anders Eriksson wrote > On 2016-09-14 12:07, Phil Holmes wrote: >> - Original Message - From: "Anders Eriksson" >> > lilypond@ > >> To: "Knut Petersen" > Knut_Petersen@ > ; "lilypond-user" >> > lilypond-user@ > >> Sent: Sunday, September 11, 2016 10:55 AM >> Subject: Re:

Re: changing staff-size throughout a score

I was hoping to be able to change staff sizes within a score without the bizarre kludge of creating an entirely new score everytime the staff size changes. Many apologies for being unclear. -- View this message in context:

Re: changing staff-size throughout a score

Well, having staves of different sizes run in parallel is certainly helpful in some cases. Thanks for showing me how to do that. In other cases, I want to be able to, say, print an example of a scale in normal sized print, followed by an arbitrary number of larger staves for students to draw their

Re: Version 2.18 vs.2.19 speed and W10

I'm not sure it's due to a change between v2.19.46 and 47. For most of the summer, I had been running an older development version and an older version of Frescobaldi for a while, and they were running fine. I hadn't run Lilypond in a few weeks, and in the meantime Windows 10 updated to the

Re: changing staff-size throughout a score

If this is possible, it would be very nice to know how to do. When making worksheets, I want to make the examples in regular sized staves and make the lines for the student responses with larger staves. Sibelius is stuck with one staff size throughout the whole document. As far as I know, Finale

Re: Dorico release and tutorials

Yikes -- $559! Even if the output were better than Lilypond's, that's way out of my reach. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Dorico-release-and-tutorials-tp195437p195490.html Sent from the User mailing list archive at Nabble.com.

Re: vertically aligning text/marks/tempo

Really? Hi Urs, > Overriding #'padding or #'outside-staff-padding doesn't have any useful > effect either. Really? No need to be sarcastic in a reply to an honest question. -- View this message in context:

Error code -1073741819 with tie and tenuto

I was setting a song by Lior Novak and got an error message 1073741819 with these chords: \version "2.19.47" \relative c { 1~-- | | } If I remove either the tie or the tenuto on the first chord, it compiles fine. I got around the problem by tying the notes individually ( ),

Re: Hello / a 1st question

I was just about to post that solution (print-all-headers, no book or book part). I also do short children's piano pieces. The solution also works for variations. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Hello-a-1st-question-tp204966p204990.html Sent from the User

Re: MsLily - LilyPond Add-In for Word

That's fantastic! I'm installing it now. Thank you so much. -- View this message in context: http://lilypond.1069038.n5.nabble.com/MsLily-LilyPond-Add-In-for-Word-tp204473p204478.html Sent from the User mailing list archive at Nabble.com. ___

Re: Increasing spacing between staves

When I run into this problem, I just print an invisible note somewhere that forces more space between the staves. I believe I read about that solution somewhere on this forum years ago. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: frescobaldi print music

I have always had formatting problems printing from Frescobaldi too. The built-in PDF printer in Windows 10 works just fine for me. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Fingering orientation question

Are you looking for this? \override Staff.Fingering.direction = #DOWN -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: ANN: Frescobaldi 3.1 has been released!

The Score Wizard is fixed for Windows 10 in the latest version, 3.1.1. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: ANN: Frescobaldi 3.1 has been released!

The score wizard does nothing for me in Frescobaldi 3.1 (Windows version). I uninstalled it and reinstalled the old version, whose score wizard works fine. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Fingering collision with tempo when using cross-staff beams

The fingering here collides with the tempo. If the cross-staff beams are commented out (all notes on the upper staff), the fingering displays fine. Is there a workaround? Am I doing something wrong? \version "2.23.5" global = { \time 6/8 \tempo "Allegro" } goUp = { \change Staff = "right"

Re: fonts on windows

the > system knows about, even when they are not installed in c:\windows\fonts. > > If lilypond is looking at the fonts directory, it will see only those > fonts in that directory, and not those installed elsewhere in the system, > > On Sun, 16 Jan 2022, at 12:14, Michael Rivers wrote

Re: fonts on windows

I'm pretty sure text fonts on Windows are kaput. Some work, some don't. The fonts I'd like to use show up as installed properly in Settings and work in all other apps I've tried, but not Lilypond. I'm on Windows 11, but I've also tried on Windows 10.

Re: fonts on windows

That sounds exactly like the case. Would anyone happen to know how to install the fonts system-wide? Thank you so much, Aaron. On Sat, Jan 15, 2022 at 7:40 PM Aaron Hill wrote: > On 2022-01-15 5:14 pm, Michael Rivers wrote: > > I'm pretty sure text fonts on Windows are kaput. Some w

Re: mixed piano bracket style

Does anyone know if there was ever an answer to this? I’m re-engraving a score that has a piano pedal style with “Ped”, then a solid line, then a “*” at the end. It’s close to “mixed” style but with an added “*” at the end.  Thanks in advance,Michael 

Re: mixed piano bracket style

code 1. On Thu, Jan 27, 2022 at 5:37 PM Valentin Petzel wrote: > Hello Michael, > Could something like this work? > > Cheers, > Valentin > > Am Donnerstag, 27. Jänner 2022, 23:13:49 CET schrieb Michael Rivers: > > Does anyone know if there was ever an answer to th

Re: fonts on windows

Done. Thanks for the tip, Werner. On Sun, Jan 16, 2022 at 12:40 AM Werner LEMBERG wrote: > > >> Yes, I managed to figure that out. It would be nice if Lilypond > >> could find fonts for the current user too. > > > > Definitely. Looks to be an issue with fontconfig [1] and not > > LilyPond. > >

Re: fonts on windows

aham Lee wrote: > > > On Sat, Jan 15, 2022 at 6:47 PM Michael Rivers > wrote: > >> That sounds exactly like the case. Would anyone happen to know how to >> install the fonts system-wide? >> > > I'm not Aaron, but this is very easy to do. However, Windows treat