Hi Brian, Torsten,
thanks, that's doing the trick!
--
Orm
Am Montag, den 30. April 2018 um 06:36:06 Uhr (-0700) schrieb Torsten Hämmerle:
> A *very* simple example, but that should give you an idea:
>
> %
> \version "2.19"
>
> \layout { indent = 0 \context { \Staff \remove
Hi,
for a preface I need a grid layout of single bars with barlines on
the left and right hand side, a clef for each bar and some music
within.
Below is a first attempt which should demonstrate the basic idea. My
problems with this example:
1. The systemStartDelimiter of the bars of the first
Hi David,
good you figured it out. As I'm doing this stuff frequently, here are
some remarks, maybe it's useful for you:
Am Freitag, den 06. Juli 2018 um 01:49:09 Uhr (-0400) schrieb dfro:
> I figured out why copying and pasting the postscript code did not
> work. The 'lineto, moveto, curveto'
Hi Pierre,
Am Samstag, den 07. Juli 2018 um 15:54:41 Uhr (+0200) schrieb Pierre
Perol-Schneider:
> Plus : any idea why 'testTwo does not work ?
because the argument type of "arg" was string?. Below is the updated
version:
--
Orm
%circled-pattern
#(define-markup-command
(circled-pattern
Hi Pierre,
I corrected your example (see below). It should work now.
--
Orm
Am Samstag, den 07. Juli 2018 um 13:11:25 Uhr (+0200) schrieb Pierre
Perol-Schneider:
> Hi All,
>
> I'm not sure that a poscript would be ideal.
> I'm thinking about a pattern markup command that would do :
>
>
Hi List,
for conciseness the example should be reduced even more (if someone
wants to post it to LSR I'd recommend this version).
%circled-pattern
#(define-markup-command
(circled-pattern layout props radius angle num arg)
(number? number? number? string?)
(interpret-markup layout props
8 Uhr (+0200) schrieb sylvius:
> This is brilliant!
>
> Thanks to all for the various solutions!
>
> > On 7. Jul 2018, at 16:18, Pierre Perol-Schneider
> > wrote:
> >
> > But of course !! Thanks very much Orm !
> > Cheers,
> > Pierre
> >
> >
Hi Francesco
try this:
\version "2.19.80"
\score {
\new Staff {
\clef treble
\key c \major
\time 12/8
% excerpt from Grieg Piano sonata op. 7
\relative c'' {
% 16
4.->\ff -> -> ->\> |
% 17
s1.*0\! | % I had to add this measure to get the hairpin printed
}
Hi,
is there a straightforward way to remove a cautionary clef at the end
of a line when the clef changes between the current and the next line
while keeping it at the beginning of the next line?
I tried different settings for break-visibility and \omit but that
either removes the Clefs
Hi Mark,
thanks for sharing. It's always good to know about people using CL.
I'm an avid CL user for many years and maintain some packages. If
you're interested, drop me a note off-list and we can share ideas.
In case this is unintentional: Rather than "Eine Kleine Waltzer" you'd
say "Ein
Am Samstag, 30 Nov 2019 10:24:30 - schrieb Phil Holmes:
> What on earth does a gradual piano pedal release achieve? Either the
> dampers are touching the strings or they're not, so it's in effect a
> binary choice. So a gradual release simply makes the time the sustain
> ends somewhat
Hi,
in the following snippet the whole measure rest in the upper voice
collides with the des in the lower voice an needs to be moved up:
8<---
\version "2.19"
<<
{ R1 }
\\
{ aes'2 bes'4 c''4 | %40
bes'4 des'4 ges'4 f'4 | %41
Hi,
I found it, sorry for the noise!
8<---
\version "2.19"
<<
\override MultiMeasureRest.staff-position = #8
{ R1 } \\ { aes'2 des''4 c''4 }
>>
8<---
Using a note name with \rest
Hi,
the example in the previous mail was inconsistent with the mail text,
so here again:
In the following snippet the whole measure rest in the upper voice
collides with the des in the lower voice an needs to be moved up:
8<---
\version
Hi Lukas,
thanks, looks excellent, will adopt to that style!
Best,
Orm
--
Prof. Orm Finnendahl
Komposition
Hochschule für Musik und Darstellende Kunst
Eschersheimer Landstr. 29-39
60322 Frankfurt am Main
https
Hi Lukas,
thanks, that's perfect! I'll provide a working example to share as
soon as I've finished the code.
Best,
Orm
Am Mittwoch, den 08. September 2021 um 10:32:35 Uhr (+0200) schrieb
Lukas-Fabian Moser:
> Hi Orm,
>
> > for flute pizzicato in contemporary music, it is quite common to
Hi,
for flute pizzicato in contemporary music, it is quite common to use
a ">" as a notehead. With a stem down, the ">" should be changed to a
"<" as visible in the attached png.
I know how to change the notehead by overriding the NoteHead stencil
with an eps file, but can't find any
Hi all,
below is a working example for the record. You can tweak the
linewidth changing "setlinewidth 1" in flpizzleft and flpizzright or
the angles/proportions of the lines in the line containing the moveto,
lineto and stroke. Even if you don't know Postscript it should be
fairly obvious. When
understanding the notation.
Best,
Orm
--
Prof. Orm Finnendahl
Komposition
Hochschule für Musik und Darstellende Kunst
Eschersheimer Landstr. 29-39
60322 Frankfurt am Main
https://www.youtube.com/watch?v=2rWha1HTfFE
Hi,
I'm working on a piece for Pat Waing, a traditional instrument from
Myanmar consisting of 20 tuned drums. Musicians from Myanmar use a
special form of notation, using numbers for the pitches with dots
underneath or above indicating the octave.
I would like to find a generic way to notate
\damp c'32
\damp c''32
c''32
}
8<---
Am Freitag, den 08. Juli 2022 um 16:22:22 Uhr (+0200) schrieb Orm Finnendahl:
> Hi,
>
> trying to define an overwrite to draw a circle around a stem I came
> up with t
Hi,
trying to define an overwrite to draw a circle around a stem I came
up with the code below. Unfortunately it doesn't automagically work
for all use cases as can be seen in the attached image: The code
doesn't take the number of flags into account. I know that the stem
length can be altered
Hi,
Am Mittwoch, den 20. Juli 2022 um 13:14:25 Uhr (-0600) schrieb Carl Sorensen:
> The way to do this is to write the plain scheme code files as lilypond
> files.
>
> Put the functions in a .ly file.
>
> Preface each function with # (to put the parser into scheme mode).
Thanks, I'm aware of
Hi,
for a new piece I need to display Oboe woodwind fingering diagrams
according to the book "The Techniques of Oboe Playing" by Peter
Veale. Lilypond's standard woodwind fingerings for oboe in non graphic
mode are similar, but have some significant differences to the method
used in the book
Am Mittwoch, den 20. Juli 2022 um 22:00:53 Uhr (+0200) schrieb David Kastrup:
> Well, that's more or less what
>
> #(begin
>
> ...
>
> )
>
> does.
Wow, cool! I assume #'defines than work in the top-level, right?
Should've thougt of that but admittedly my scheme is a bit rusty...
--
Orm
Hi,
below is a snippet and attached a pdf which shows the f sharp
accidental in the lower voice on the downbeat of bar 2 too far away
from the notehead. The distance seems to be related to the tied note
in the upper voice. Although the accidental is not repeated there, it
is taken into account
Hi,
after upgrading from lilpond 2.19 to 2.23, lilypond-invoke-editor and
convert-ly stopped working.
In both cases I get
Traceback (most recent call last):
File "~/bin/../libexec/convert-ly", line 24, in
import gettext
ModuleNotFoundError: No module named 'gettext'
I installed
rname $0)"
to
root="$(dirname "$(readlink -f "$0")")/.."
That should be backwards compatible and work in any circumstance.
--
Orm
Am Mittwoch, den 17. August 2022 um 13:13:44 Uhr (+0200) schrieb Orm Finnendahl:
> Hi,
>
> after upgrading from lilpond 2
igns from
SMUFL in lilypond as well and I'd be willing to sponsor or participate
in sponsoring it (would 50,- Euros be ok as a starting point?).
Best,
Orm
----------
Prof. Orm Finnendahl
Komposition
Hochschule für Musik und Darstellende Kunst
Esche
Hi,
I'd like to make a sign for circular bowing like in the attached
png. The example was done using an epsfile, but unfortunately that
doesn't export to svg, which I need. So it should be done using
lilypond's builtin markup commands (or scheme code). Can someone point
me to examples to do
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