{ in
Scheme.
Paul
#(define-markup-command (mm layout props notetype beats) (string?
string?)
(interpret-markup layout props
(markup
#:tiny #:line (( #:raise 0.4 #:note notetype 1 = beats ) ))
))
/Mats
___
lilypond-user mailing list
lilypond
How would I get text *under* the staff equivalent to using \mark and
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup ...
TIA,
Paul Scott
Trevor Daniels wrote:
Paul
\override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
...
\break % (if needed)
\once \override Score.RehearsalMark #'self-alignment-X =
#RIGHT
\once \override Score.RehearsalMark #'direction = #DOWN
\mark \markup Hi
Thanks much. (I
Trevor Daniels wrote:
Paul Scott wrote:
...
Thanks much. (I don't how I looked right past direction in the
RehearsalMark standard settings). :)
I see it's not mentioned in the Notation Reference (I've
made a note to add it to section 1.8.1 Text marks),
Good idea!!
Paul
What is the parent spanner referred to in:
Spanner `Hairpin' is not fully contained in parent spanner
?
Knowing that might make the error message easier to use.
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http
)) )
b1\startTrillSpan b\stopTrillSpan
\override TrillSpanner #'edge-text =
#(cons (markup #:line (#:halign -0.5 #:musicglyph scripts.trill #:teeny #:raise 0.5 #:flat)) )
c\startTrillSpan c\stopTrillSpan
}
Paul Scott
the part.
Thanks,
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
the part.
Thanks,
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Can someone tell me how to fix this?
TIA,
Paul
Paul Scott wrote:
This example from the current LSR doesn't seem to work for 2.11.38.
No sharp appears.
Adding accidentals to a trillspanner
\relative c'' {
\override TrillSpanner #'edge-text = #(cons (markup #:line
(#:halign -0.5
Graham Percival wrote:
On Sun, 03 Feb 2008 22:05:31 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Graham Percival wrote:
- run the example through convert-ly. It will probably warn you
about the text spanners.
The LSR code didn't have a version that I could see. I tried
Valentin Villenave wrote:
2008/2/3, Paul Scott [EMAIL PROTECTED]:
Sorry! I don't know enough to know what is broken/changed. I was
hoping for a fix so I didn't have to hand mark the part.
This is actually one of the snippets that I had to tag as
version-specific. So, we're aware
Dear sirs,
For a presentation in PowerPoint I want to create a musicsheet with bars and
and even text witch i can make transparant and copy/paste to ppt.
Is that and option within Lilypond ?
Thank you
Paul
___
lilypond-user mailing list
lilypond
and
dynamicspartb might or might not be the same.
etc., etc.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
is part of the problem and that the
problem might be with unmatched
And I did a visual check to make sure all of the {} and are
matching throughout the document. Any thoughts?
Editors like emacs will help you with symbol matching.
Paul Scott
in amazinggraceGa.ly.
Paul Scott
amazinggracenotesa.ly
Description: Binary data
amazinggraceGa.ly
Description: Binary data
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
(without breve's but easily modifiable to include them) is
in the attachment since I am on my Mac at the moment and I dcn't know
how to cut and paste from XDarwin to the Mac GUI.
mm.ly
Description: Binary data
I'll see if I can make the breve mod and create a snippet.
Paul Scott
On May 3, 2008, at 7:35 PM, Paul Scott wrote:
On Apr 29, 2008, at 4:35 AM, Risto Vääräniemi wrote:
2008/4/29 Nicolas Sceaux :
I think it's because there is no \concat markup command in 2.10.
Untested:
Looks nice. :-)
It seems to work with .11 .10. In fact, the results look better
On May 3, 2008, at 7:35 PM, Paul Scott wrote:
On Apr 29, 2008, at 4:35 AM, Risto Vääräniemi wrote:
2008/4/29 Nicolas Sceaux :
I think it's because there is no \concat markup command in 2.10.
Untested:
Looks nice. :-)
It seems to work with .11 .10. In fact, the results look better
was perusing the template(s) for piano and voice.
I wonder how that looks when done?
Try it and see.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
On May 4, 2008, at 12:38 AM, James E. Bailey wrote:
Am 04.05.2008 um 05:59 schrieb Paul Scott:
On May 3, 2008, at 6:44 PM, plasmacarwash wrote:
Dear James,
Actually I was wondering, once we set the time signature and
choose which
value our notes will be (half, quart, eighth) -does
this? Thanks.
With parallel music and skips
{ \someMusic } { s1*33 \pageBreak }
I have one parallel global part for time and tempo indications, etc.,
one for notes and one for dynamics and I do as above when necessary.
HTH,
Paul Scott
___
lilypond
to stderr I don't see how if you do the following:
lilypond test1.ly 2 err.txt
you get the error messages on the command line.
I'd be glad to follow this farther if you want.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http
to the file.
2 (without a space) redirects stderr to a file.
The error above is that you have a 2. duration with no associated pitch.
HTH
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
... :-)
But that analysis software would be programmed by humans. :)
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user
luis jure wrote:
El Wed, 11 Jun 2008 11:26:30 -0700
Paul Scott [EMAIL PROTECTED] escribió:
But that analysis software would be programmed by humans. :)
( the joke was supposed to lie there... :-) )
That's what I thought. :)
Paul
the solution presented by Mats as an option.
Paul Scott
Cheers,
Valentin
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user
you what you want. I didn't test this but some enharmonic
combination giving a half step should work.
HTH
Paul
BTW you broke the thread somehow. Did you use the Reply button?
___
lilypond-user mailing list
lilypond-user@gnu.org
http
instrumentation as the original composition.
(Thanks for reminding me to use \transposition for midi output).
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Kieren MacMillan wrote:
Hi Paul,
I always do this manually even if I put the concert key in a global
block.
I'm not sure what you mean here... what do you always do manually?
Change the key in the music when the player changes to an instrument in
another key. I do have shortcut macros
Kieren MacMillan wrote:
Hi Paul,
Change the key in the music when the player
changes to an instrument in another key.
But when this happens at the same time as the \global key change,
don't you get an error?
For what I've done which includes transcribing pieces for different
than
to me here is just temporarily turning off all of the
intelligent collision avoidance options.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
correctly
\new Staff {
\clef bass
\key d \major
\relative c {
d e d g a}
\chordmode {
d e:m d g a:sus}
}
Maybe you want the chords parallel to the roots. Something like this:
chords1.ly
Description: Binary data
Paul Scott
___
lilypond-user
commands like cueOn (and Off) and
caesuraOn, etc.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
are trivial to install on any LInux system:
http://lilypond.org/web/install/#2.11
I run them on Debian which as you know is the base for Ubuntu.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo
via synaptic?
Yes, there is an Ubuntu package available in synaptic but, if I
remember correctly, it is quite old
It's most likely what he already has which is what's available in Debian.
Paul
___
lilypond-user mailing list
lilypond-user
or pointers to documentation to make more sense of this?
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Trevor Daniels wrote:
Paul Scott wrote Sunday, July 27, 2008 4:01 AM
Hi,
When I use { } \\ { } without voice naming to show note variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the relevant 2.11 docs without finding a way to
name
Kieren MacMillan wrote:
Hi Paul,
When I use { } \\ { } without voice naming to show note variations
in different verses of a song the parallel music gets skipped by the
lyrics. I have read all the relevant 2.11 docs without finding a way to
name the voices so that the lyrics get attached
[EMAIL PROTECTED] wrote:
Hello, Paul,
I'm copying this back to the LilyPond User list where someone else might
help also. The convention on this list is to Reply All since not
everyone is subscribed to the list.
I normally run LilyPond from XDarwin and the command line. I also am
using
not be completely intuitive. The
lyrics just go along straight following the notes ignoring any other
structural commands like \volta and \alternative. You have to put skips
in your music to skip endings, etc. where you don't want lyrics. I
usually do this with _ (underscore).
HTH,
Paul Scott
of the learning
of the Linux command.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
needed \skip for a long time since s works so well.
Could not the above also be
\repeat unfold _
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dominic Neumann wrote:
It can be, but this only works in \lyricmode:
Which is the only way I do lyrics. :)
Paul
OKAY: \repeat unfold 4 \skip 1
NOT OKAY: \repeat unfold 4 _
OKAY: \lyricmode { \repeat unfold 4 _ }
ALSO OKAY: \repeat unfold 4 \lyricmode { _ }
Instead of what Kieren said
{ \refrain \verseOne }
\addlyrics { \refrSkip \verseTwo }
\addlyrics { \refrSkip \verseThree }
I use macros whenever I have duplicate music or words. As I said I
always use \lyricmode so I would do
refrSkip = \lyricmode( \repeat unfold 42 { _ } }
That should work.
Paul
files, or you create one stylesheet containing all your
customizations, which you then include into all your .ly files).
I just usually use the \header fields piece or poet for the
instrument. These fields are both on the left already.
Paul Scott
)
HTH
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
)
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I am unable to get the attachment (I get http error 404). What am I missing?
Your browser is probably the default application for perl scripts. Try
right-clicking and doing a Save As
Paul Scott
___
lilypond-user mailing list
lilypond-user
compile to PS (--ps).
I do the same thing on my Linus box.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
} following a note.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
From here lilypond.org seems to be down. I can't even ping it.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Reinhold Kainhofer wrote:
Am Freitag, 26. September 2008 schrieb Patrick Horgan:
Paul Scott wrote:
Hi,
From here lilypond.org seems to be down. I can't even ping it.
From here too
I can get to the homepage without problems.
The homepage is now back here
stable version of
Lily is released.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
BUT, how do I do this:
subsubtitle = { version + \date}
I cannot find an example, and haven't been able to figure it out
empirically.
Just add \markup.
subsubtitle = \markup{ version \date }
Paul Scott
___
lilypond-user mailing list
}
and linking the arpeggio across the voices (putting the lower note first
made the visible beam go the right way without being forced; also
\inprovisationOn was already set previously, but needed to be repeated
inside the brackets)
This has solved my problem, but is there a less contrived way?
Paul
?
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--On 04 November 2008 21:30 -0800 abqconlon [EMAIL PROTECTED] wrote:
when I generate the PDF file all of my special characters are spaces
and I lose the rest of the syllable.
You need to save your .ly file in UDF-8 format - the characters will
then be recognised and handled correctly.
Paul
This is a confirmation of my email for the lilypond mailing list.
Thanks,
Paul Grepps
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
in it's \score block.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
to eliminate the bar
numbers.
More later,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Mark Polesky wrote:
Mats Bengtsson wrote:
If you replace it by \once \override
Score.BarNumber #'transparent = ##t,
it should work. Sorry!
Paul,
alternatively you could use this solution:
barNumberMark = {
\once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
\mark
not load until I used the Plugin Manager to install
Common Controls, which wasn't required for the previous version I was
running.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
/Bachmetev
}
}
Paul
Madison, AL
-Original Message-
From: Dmytro O. Redchuk
Sent: Thursday, January 15, 2009 5:21 AM
Subject: Re: Writing psalms
I use for this smth like[1]:
% in melody:
\cadenzaOn
a8 a\breve a8
\cadenzaOff
% and in lyrics:
%
la la la la li lo lo li la la
for many many versions
since 's' became functional enough.
2. I usually use _ (underscore) to skip applying a lyric syllable to a
note. ( \repeat unfold nn _ )
3. Are the quotes on unfold necessary? I don't put quotes on volta,
unfold or percent and haven't for qui9tes a while.
Paul Scott
numbers is moved to the right which looks ugly. Is there
another way to move the bar numbers without moving the music?
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
.
Paul
\version 2.12.1
numberEveryBar = {
\override Score.BarNumber #'break-visibility = #end-of-line-invisible
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
\override Score.BarNumber #'outside-staff-priority = #1
\override Score.BarNumber #'font-size = #-2
\override
Paul Scott wrote:
Mats Bengtsson wrote:
I don't understand what you mean, can you provide an example?
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number does
Kieren MacMillan wrote:
Hi Paul,
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number does not displace any music.
\layout
{
\context
{
\Score
Kieren MacMillan wrote:
Hi Paul,
I just searched through the docs and I don't find the meaning of
X-extent.
What does it mean? What does the above do?
Google
X-extent site:lilypond.org/doc/v2.12
[Hint to everyone: using the 'site' Google-keyword is a great method
of searching
Trevor Daniels wrote:
Paul Scott wrote Saturday, January 31, 2009 8:47 PM
Kieren MacMillan wrote:
The first property description on that page is:
X-extent (pair of numbers) Hard coded extent in X direction.
I had no trouble finding X-extent in the docs. Reading that did not
tell me
if it is all rests?
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Kieren,
Oops!
Thanks!
Paul
Kieren MacMillan wrote:
Hi Paul,
Is there currently a way to cause the first staff of every system to
exist even if it is all rests?
There are several hints/suggestions in the list archive and/or LSR.
Kieren
not... I
realize this is a relatively obscure usage.
(Ultimately, I would like for the notes in harmonic intervals of 3
semitones or smaller to always appear on opposite sides of the stem.
But I would not know how to do that automatically, if it is even possible.)
Thanks!
-Paul
http
Thomas Morley wrote:
Am 9. April 2012 03:25 schrieb Paul Morrisp...@paulwmorris.com:
Hello, Is there a way to manually move some of the notes in a chord to the
opposite side of the stem, overriding the default placement?
I have looked through the docs and did not find a simple way to do
Thanks David and Nick! More below...
David Nalesnik wrote:
Hi Paul,
On Mon, Apr 9, 2012 at 4:47 PM, Nick Payne
nick.pa...@internode.on.net mailto:nick.pa...@internode.on.net wrote:
On 10/04/12 06:56, Paul Morris wrote:
Thank you! This works, but unfortunately (like the Hydra's
Hi David,
David Nalesnik wrote:
Hi Paul,
On Mon, Apr 9, 2012 at 9:50 PM, Paul Morris p...@paulwmorris.com
mailto:p...@paulwmorris.com wrote:
Thanks David and Nick! More below...
David Nalesnik wrote:
Hi Paul,
On Mon, Apr 9, 2012 at 4:47 PM, Nick Payne
nick.pa
= #'text
b4^\_\mf cis d2 fis4 g2 fis4 d a2.\!
}
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Apologies for the noise! I didn't find textSpanner the first time I looked.
Paul
On Mon, Jul 09, 2012 at 09:20:27PM -0700, Paul Scott wrote:
Is it possible to get a TextSpanner separate from the dynamics? In this
example I
would like the string ( tutti unison ) to start in the same
d |
}
}
See above.
HTH
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
numbers as well. In that case Attacca at the end of a
movement makes sense.
Paul Scott
--
Librarian
Southern Arizona Symphony Orchestra
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
the sn and bd notes are not on
the default lines.
TIA for any help,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Oops! The code would help.
On Thu, Sep 13, 2012 at 01:58:35PM -0700, Paul Scott wrote:
Is it possible for drummode and notes to occupy the same staff
in a score? Like a single percussion line where the player moves
between mallet instruments and various drums, etc.
Here is an example
On Thu, Sep 13, 2012 at 11:50:01PM +0200, Thomas Morley wrote:
2012/9/13 Paul Scott waterho...@ultrasw.com:
Oops! The code would help.
On Thu, Sep 13, 2012 at 01:58:35PM -0700, Paul Scott wrote:
Is it possible for drummode and notes to occupy the same staff
in a score? Like a single
. The
following code is close but says Solo where I would want it to say
a2 in the score. I would want Solo or 1. where the 2nd voice has rests.
Can this be done? This should be a common need.
TIA for any ideas,
Paul Scott
\version 2.17.3
timing = { \time 4/4 s1*2 }
instOne = \relative c'' { a1
stuff, but LilyPond has been
amazing at handling whatever I've thrown at it, making it possible to
experiment. A simplified version of my code is below.
Thanks!
-Paul
[1] http://www.lilypond.org/doc/v2.15/Documentation/learning/size-of-objects
[2] http://lists.gnu.org/archive/html/lilypond-user
On Oct 31, 2012, at 4:52 PM, Thomas Morley thomasmorle...@googlemail.com
wrote:
Hi Paul,
postscript is scaled with global-staff-size only.
To work around you could use:
TwinNoteNoteHeads =
#(lambda (grob)
(let* ((sz (ly:grob-property grob 'font-size 0.0))
(mult (magstep sz
On Oct 31, 2012, at 7:11 PM, Paul Morris p...@paulwmorris.com wrote:
On Mike's suggestion I also switched to using internal path stencils instead
of embedded PS. The only problem I ran into was using fill to get a filled
triangle. I used:
upTriangle =
#(ly:make-stencil
'(path 0.09
On Nov 2, 2012, at 4:45 PM, David Kastrup d...@gnu.org wrote:
Paul Morris p...@paulwmorris.com writes:
On Oct 31, 2012, at 7:11 PM, Paul Morris p...@paulwmorris.com wrote:
That worked to avoid the error, but didn't seem quite right (since it
didn't seem to matter what values you fed
in the documentation?
If this is a good and legitimate approach, it might be nice to include it on
that documentation page, along with the custom Voice-type context definition
that's already there -- even as just a snippet or extra example. I'm happy to
add it to the LSR in any case.
Cheers,
-Paul
) which seems like it might help, but if so,
I'm not sure how to go about using it for this.
I searched the LSR and the user list archives but did not find anything on this
particular topic.
Thanks in advance for any help or advice on this!
-Paul
[1]
http://lilypond.org/doc/v2.16/Documentation
this or do
it better.
Cheers,
-Paul
%%% Begin snippet
\version 2.16.0
#(define Custom_key_sig_engraver
(make-engraver
(acknowledgers
((key-signature-interface engraver grob source-engraver)
(let* (
(context (ly:translator-context engraver
On Nov 11, 2012, at 7:38 AM, MING TSANG tsan...@rogers.com wrote:
Hi, Paul: Thank you for the custom key signature. I have been dreaming this
for sometime, but hesitate to ask lilypond user community. I have been using
circle of fifths to identify the key signature.
Hi Ming, I'm glad
Here is an improved version. It works the same as the last,
but with much more streamlined and concise code.
-Paul
\version 2.16.0
#(define Custom_key_sig_engraver
(make-engraver
(acknowledgers
((key-signature-interface engraver grob source-engraver)
(let
is the same in both keys, like a switch from G major to G
minor. (This is a glitch I haven't been able to work around. It always gives
the correct key name now at least. I tried checking for natural signs as the
type of accidental used in key cancellations, but this does not work.)
Cheers,
-Paul
[1
2.17.6
I found several threads about this but the discussion doesn't give me any ideas
as to what to change.
../common22.ily:83:12: error: bad grob property path
\override
Staff #'fontSize = #-2
TIA for an answer,
Paul Scott
On Mon, Nov 12, 2012 at 08:19:51PM +0100, Janek Warchoł wrote:
On Mon, Nov 12, 2012 at 7:43 PM, Paul Scott waterho...@ultrasw.com wrote:
2.17.6
../common22.ily:83:12: error: bad grob property path
\override
Staff #'fontSize = #-2
You need to use \set, not override (read
On Nov 12, 2012, at 2:42 PM, MING TSANG tsan...@rogers.com wrote:
Hi, Paul:
I try to use custon-key-signature in my lilypond score and I did not get the
alternative key printed above the traditional key signature. What is missing
in the code below? I have \Staff \consists
On Nov 13, 2012, at 7:26 AM, MING TSANG tsan...@rogers.com wrote:
Hi, Paul: I apply the change, it pushes the display above the staff. However
I notice (1) that the distance is not constant from system to system - it
diminishes;
That is expected. It sets the padding (distance) between
of the accidental signs in the key names is better in this version
as well.
Cheers,
-Paul
\version 2.16.0
% tonic-semi: semitone of tonic note, 0-11, 0=C, 2=D, etc
% psn: vertical staff position of the last accidental sign in key signature
% accsign: the accidental sign type, 1/2=sharp, -1/2=flat
% Knowing
On Nov 16, 2012, at 7:50 PM, Thomas Morley thomasmorle...@googlemail.com
wrote:
2012/11/14 Paul Morris p...@paulwmorris.com:
Hi Ming, I took another look at this and since there's only one key
signature where the accidentals do not extend above the staff (F major / D
minor) I just added
501 - 600 of 2159 matches
Mail list logo
