set Score.repeatCommands = #'((volta #f))
}
See: https://lilypond.org/doc/v2.23/Documentation/notation/long-repeats
HTH, Cheers,
Pierre
Le dim. 12 mars 2023 à 05:51, Paul Scott a
écrit :
The warning is:
warning: already have a volta spanner, ending that one prematurely
On
On 3/11/23 11:40 PM, Aaron Hill wrote:
On 2023-03-11 10:34 pm, Paul Scott wrote:
This still gives the warning and I don't want any repeats there.
As the warning is indicating, you are trying to start a new volta
bracket when one already exists.
You need to explicitly terminate the
On 3/12/23 12:25 AM, Aaron Hill wrote:
On 2023-03-11 11:04 pm, Paul Scott wrote:
On 3/11/23 11:40 PM, Aaron Hill wrote:
On 2023-03-11 10:34 pm, Paul Scott wrote:
This still gives the warning and I don't want any repeats there.
As the warning is indicating, you are trying to start
On 3/13/23 1:36 AM, Aaron Hill wrote:
On 2023-03-13 12:57 am, Jean Abou Samra wrote:
Le 13 mars 2023 à 06:24, Paul Scott a écrit :
What I'm not sure about is what volta does. A function but what are
its arguments and what does it do?
Nope, since it’s quoted, it doesn’t get evaluate
On 3/13/23 10:51 AM, Jean Abou Samra wrote:
Le lundi 13 mars 2023 à 10:47 -0700, Paul Scott a écrit :
It seems like I need to know where repeatCommands is documented.
Use the index, Luke!
https://lilypond.org/doc/v2.24/Documentation/notation/lilypond-index
That's exactly what I did
On 3/13/23 11:26 AM, Jean Abou Samra wrote:
Le lundi 13 mars 2023 à 11:05 -0700, Paul Scott a écrit :
On 3/13/23 10:51 AM, Jean Abou Samra wrote:
Le lundi 13 mars 2023 à 10:47 -0700, Paul Scott a écrit :
It seems like I need to know where repeatCommands is documented.
Use the index
On 3/13/23 1:25 PM, Jean Abou Samra wrote:
Le lundi 13 mars 2023 à 13:04 -0700, Paul Scott a écrit :
I've read your wonderful scheme documentation. I'm still struggling
to make sense of Aaron's simple code
\fixed c' {
c1
\set Score.repeatCommands = #|((volta ,volt
NR 1.4.1 Segno repeat appearance
How can I get only "D.S. al Coda" without a segno after the "D.S."?
Most music I see doesn't include a
segno sign. I think I have seen examples like the NR shows but more
often without the segno sign.
D.S. followed by a segno sign is actually redundant since
On 3/23/23 2:59 AM, Jean Abou Samra wrote:
Le mercredi 22 mars 2023 à 22:19 -0700, Paul Scott a écrit :
NR 1.4.1 Segno repeat appearance
How can I get only "D.S. al Coda" without a segno after the "D.S."?
This question seems similar to
https://lists.gnu.org/archive/htm
I asked about this 3 years and I don't remember getting a workable answer:
I would expect the two voices in the following MWE to have the same
simple percent signs. Is there a way get the expected result?
\version "2.25.4"
anotes = \fixed c' {
\time 2/4 \repeat percent 2 { a2 } \repeat per
Well known bug.
Add \grace s8 to upper in same position as acciaccatura c8
HTH,
Paul
On 8/15/23 11:30 AM, Jin Choi wrote:
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appear
This is probably simple but some parts of the wonderful Lilypond
documentation are not clear to me.
Rather than use a pitched trill I need the other version of a trill
where the "tr" is followed by an accidental.
Can someone direct to the documentation where I can change the "tr" to
either "
On 10/15/23 11:28 AM, Mats Bengtsson wrote:
Have you looked at
http://lilypond.org/doc/v2.25/Documentation/notation/trills ?
Many times.
Paul
On 2023-10-15 20:18, Paul Scott wrote:
This is probably simple but some parts of the wonderful Lilypond
documentation are not clear to me
On 10/15/23 11:41 AM, Werner LEMBERG wrote:
If you can't find something in the docs, you should try the LilyPond
Snippet Repository next:
https://lsr.di.unimi.it
Entering 'trill' into the search box you will soon find
https://lsr.di.unimi.it/LSR/Item?id=304
Thank you for the reminder.
How I change the font size of a segno in a \repeat segno structure?
(I've googled for a while without seeing the answer or a close snippet)
TIA,
Paul
Perfect! Thank you. I was easily able to apply other properties to the
SegnoMark and CodaMark with that information.
Paul
2.25.9
I know how to use fromproperty to put the page number in a header or
footer. Can I get the page number in a variable so I can use it in
another text string?
TIA,
Paul
On 11/3/23 12:42 AM, Jean Abou Samra wrote:
Le 3 nov. 2023 à 07:56, Paul Scott a écrit :
I know how to use fromproperty to put the page number in a header or
footer. Can I get the page number in a variable so I can use it in
another text string?
It depends on what kind of variable you
Thank you! I thought it was a type problem. The solution would have
been clear in C or Fortran or Pascal or Forth that I have programmed in.
Paul
On 11/3/23 2:43 AM, Jean Abou Samra wrote:
Le 3 nov. 2023 à 09:35, Paul Scott a écrit :
\markup\fill-line{ \firstPage }
59 is a number, but
On 11/3/23 2:43 AM, Jean Abou Samra wrote:
Le 3 nov. 2023 à 09:35, Paul Scott a écrit :
\markup\fill-line{ \firstPage }
59 is a number, but you're trying to use it as a string, so try
\markup \fill-line { #(markup->string firstPage) }
I tried:
\version "2.25.9"
firs
On 11/3/23 9:31 AM, Jean Abou Samra wrote:
Le vendredi 03 novembre 2023 à 09:13 -0700, Paul Scott a écrit :
Thank you! I thought it was a type problem. The solution would have
been clear in C or Fortran or Pascal or Forth that I have programmed in.
Except that it doesn't work /
What kind of errors generate a PDF with -1 added? i.e. file.ly
generates file-1.pdf .
No errors appear when Lily generates the PDF. Usually when I get
file-1.pdf there are error message(s) and I fix the problem and don't
get another file-1.pdf . Now I have a case where I continually get the
On 11/24/23 2:15 AM, Jean Abou Samra wrote:
This typically happens when you have several \book blocks,
which requests separate output files. For example
\book { { c' } } % => file.pdf
\book { { c' } } % => file-1.pdf
Jean, Thank you for your reply.
I only have one \book block in my case as I
On 11/24/23 10:49 AM, Jean Abou Samra wrote:
I only have one \book block in my case as I think I always do. As I
mentioned the file-1.pdf usually is accompanied by error messages
leading to a fix which eliminates the file-1.pdf but not in this case.
At this point it's just a nuisance not worth cr
How do I put text (molto) inside a hairpin? I didn't see it in snippets
or NR.
TIA,
Paul
On 12/13/23 9:22 AM, Michael Werner wrote:
Hi Paul,
On Wed, Dec 13, 2023 at 10:36 AM Paul Scott
wrote:
How do I put text (molto) inside a hairpin? I didn't see it in
snippets
or NR.
Found this in the Snippets:
http://lilypond.org/doc/v2.25/Documentation/snippets/expre
I should have changed my subject line to "text inside hairpin" before
sending the original post.
Paul
On 12/13/23 9:22 AM, Michael Werner wrote:
Hi Paul,
On Wed, Dec 13, 2023 at 10:36 AM Paul Scott
wrote:
How do I put text (molto) inside a hairpin? I didn't see it
On 12/13/23 10:28 AM, David Wright wrote:
On Wed 13 Dec 2023 at 09:54:41 (-0700), Paul Scott wrote:
I should have changed my subject line to "text inside hairpin" before
sending the original post.
Inside relative to what, though?
Between the two lines of the hairpin.
Paul
(T
On 1/9/24 11:29 AM, John Asmuth wrote:
Hi lilypond,
I have two users for a s0 (except it tells me 0 is not a duration).
<> does what I believe you want: <>_\<
HTH,
Paul
First, I have a "\repeat unfold N { ... }" and I want to surround the
whole thing with a crescendo.
I could unpack
Forgot to "Reply List"
Paul
On Tue, Jan 02, 2018 at 09:31:16AM +0100, Urs Liska wrote:
> Hi all,
>
> I've come across a situation where I need different barlines before and
> after a line break, and I don't know how to achieve that.
>
> The situation is that I have a time signature change and t
On Wed, Jan 03, 2018 at 12:19:04AM -0500, Joshua Netterfield wrote:
> Hi all,
>
> I've been working on an online LilyPond editor in my spare time, and would
> appreciate your feedback. You can use it as a scratchpad, or sign in with a
> GitHub account to save sheet music directly there.
>
> Try i
When I use \quoteDuring or \cueDuring I set Score.quotedCueEventTypes to
include all the choices in NR 1.6.3.
\set Score.quotedCueEventTypes = #'(note-event rest-event tie-event
beam-event tuplet-span-event
dynamic-event
I haven't been successful getting a pitchedTrill to end on a rest.
Has anyone got a working example of this, i.e.
\pitchedTrill g2.\startTrillSpan a r4\stopTrillSpan
TIA for any ideas,
Paul
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gt; From: lilypond-user
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Paul Scott
> Sent: Friday, March 30, 2018 3:54 PM
> To: LilyPond User List
> Subject: 2.19.81 pitchedTrill ending on rest
>
> I haven't been successful getting a pitchedT
On Tue, Apr 24, 2018 at 10:18:42AM -0700, Mark Stephen Mrotek wrote:
> Maurits,
>
>
>
> This is a known glitch. A “dummy” acciaccatura or appoggiatura must be
> added to all other voices. See below
\grace of the same value will do (it's easier to type).
Paul
>
>
>
> From: lilypond-user
On Mon, Apr 30, 2018 at 10:27:10PM +0200, Hans Åberg wrote:
>
> > On 30 Apr 2018, at 22:23, Torsten Hämmerle wrote:
> >
> > Hans Åberg-2 wrote
> >> I play the flute, and I checked with one of my teachers who sits on one of
> >> the operas here.
> >
> > Hi Hans,
> >
> > It's funny that you ment
On Fri, May 04, 2018 at 11:00:59AM +0100, Wols Lists wrote:
> On 30/04/18 22:46, Torsten Hämmerle wrote:
> > Hans Åberg-2 wrote
> >> I suspect the least pitch-flexible instrument is the oboe, as one
> >> typically uses that for a tuning reference pitch.
> >
> > Yep, and just to keep up tradition,
2.19.58
Does the logical reverse of \bar ".|:-||" ( "||-:|." ?) exist?
TIA,
Paul
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uot; "||" "||")
> { s1 \bar "||-:|." \break s1 }
> %%%
>
> HTH
> Jan-Peter
Perfect! Thank you!
Paul
>
> Am 03.04.2017 um 20:06 schrieb Paul Scott:
> > 2.19.58
> >
> > Does the logical reverse of \bar ".|:-||" ( "||-:|.&q
On Mon, Apr 17, 2017 at 05:49:36PM +0200, caag...@gmail.com wrote:
> It appears \transpose has no effect on \quoteDuring. \transposition can be
> abused to fix it, but that doesn't affect midi playback. How can I work
> around this?
>
Add another quote for each transposition. See additions below
On Wed, May 24, 2017 at 02:35:57PM +0200, Manuela Gößnitzer wrote:
> IMSLP hosts only free scores, the composer must have been deceased for more
> than 70 years.
It's not that simple at all. IMSLP has music that is copyrighted and relies
on the downloader to not break copyright laws.
For exampl
On Thu, Jun 01, 2017 at 07:50:28AM +0200, Jacques Menu Muzhic wrote:
> Hello folks,
>
> This subject comes from time to time : maybe \transposeMidi would be a better
> name?
No. It also set transpositions for quoteDuring and cueDuring irrelevant of
MIDI.
Paul
>
> JM
>
> > Le 31 mai 2017 à 1
On Thu, Jun 01, 2017 at 07:33:33AM -0400, Kieren MacMillan wrote:
> Hi all,
>
> > I don't really like \transposeMidi . \concertPitch might be better
>
> +1
>
> Kieren.
+1
Paul
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Why doesn't the following work like 2.19.64 Learning Manual 1.2.5,
Bar Numbers, Selected Snippets, Alternative bar numbering?
Shouldn't I get bars numbered 1, 2, 2a, 2b, 2c?
I've wanted this feature for some time and didn't realize it
existed.
If I get it to work (with someone's help) can I cause
On Sat, Jul 22, 2017 at 10:25:52PM +0200, Noeck wrote:
> Well, you would need an alternative for the letters to show up:
>
> \repeat volta 2 { c }
> \alternative { { c } { c } }
Thank you.
Unfortunately I was not expecting to use alternatives.
I often fix music for Broadway shows where bar
On Sat, Jul 22, 2017 at 05:25:30PM -0700, madMuze wrote:
> Simon Albrecht-2 wrote
> > {
> >c'1 \break
> >\once\override Score.BarNumber.text = "1A"
> >c'
> > }
> > does not work
>
> In 2.18, I use
>
> barNrSffx = #(define-music-function (parser location sffx lastNr) (string?
> number?
On Sun, Jul 23, 2017 at 12:22:27PM +0200, Thomas Morley wrote:
> 2017-07-23 6:49 GMT+02:00 Paul Scott :
> > On Sat, Jul 22, 2017 at 05:25:30PM -0700, madMuze wrote:
>
> Hi Paul,
>
> here my own approach (extending the default 'robust-bar-number-function')
This l
On Sun, Jul 23, 2017 at 12:13:08PM -0700, Paul Scott wrote:
> On Sun, Jul 23, 2017 at 12:22:27PM +0200, Thomas Morley wrote:
> > 2017-07-23 6:49 GMT+02:00 Paul Scott :
> > > On Sat, Jul 22, 2017 at 05:25:30PM -0700, madMuze wrote:
> >
> > Hi Paul,
> >
>
On Sun, Jul 23, 2017 at 09:28:25PM +0200, Thomas Morley wrote:
> 2017-07-23 21:13 GMT+02:00 Paul Scott :
> > On Sun, Jul 23, 2017 at 12:22:27PM +0200, Thomas Morley wrote:
> >> 2017-07-23 6:49 GMT+02:00 Paul Scott :
> >> > On Sat, Jul 22, 2017 at 05:25:30PM -0700, ma
On Sun, Jul 23, 2017 at 09:28:25PM +0200, Thomas Morley wrote:
> 2017-07-23 21:13 GMT+02:00 Paul Scott :
> > On Sun, Jul 23, 2017 at 12:22:27PM +0200, Thomas Morley wrote:
> >> 2017-07-23 6:49 GMT+02:00 Paul Scott :
> >> > On Sat, Jul 22, 2017 at 05:25:30PM -0700, ma
I may be downloading while changes are in progress.
I just downloaded and installed 2.19.80 (what happened to 2.19.66 through
2.19.79?)
2.19.80 doesn't seem to see my version statements:
plentyr3.ly:1: warning: no \version statement found, please add
\version "2.19.80"
for future compatibility
On Tue, Oct 17, 2017 at 04:54:47PM +0200, David Kastrup wrote:
> Paul Scott writes:
>
> > I may be downloading while changes are in progress.
> >
> > I just downloaded and installed 2.19.80 (what happened to 2.19.66 through
> > 2.19.79?)
> >
> > 2.19.80
On Tue, Oct 17, 2017 at 06:51:37PM +0200, David Kastrup wrote:
> Paul Scott writes:
>
> > \include brings the version warning as follows:
> >
> > To avoid changing the version on each of my many .ly files
>
> You aren't supposed to change the version on each o
On Tue, Oct 17, 2017 at 07:42:42PM +0200, David Kastrup wrote:
> Paul Scott writes:
>
> > On Tue, Oct 17, 2017 at 06:51:37PM +0200, David Kastrup wrote:
> >> Paul Scott writes:
> >>
> >> > \include brings the version warning as follows:
> >> &
On Tue, Oct 17, 2017 at 08:03:44PM +0200, David Kastrup wrote:
> Paul Scott writes:
>
> > On Tue, Oct 17, 2017 at 07:42:42PM +0200, David Kastrup wrote:
> >> Paul Scott writes:
> >>
> >> > On Tue, Oct 17, 2017 at 06:51:37PM +0200, David
On Tue, Oct 17, 2017 at 08:14:06PM +0200, David Kastrup wrote:
> Paul Scott writes:
>
> > On Tue, Oct 17, 2017 at 08:03:44PM +0200, David Kastrup wrote:
> >>
> >> That is the whole _point_ of a warning: LilyPond is able to complete
> >> the job which _m
On Tue, Oct 17, 2017 at 11:31:46AM -0700, Paul Scott wrote:
> On Tue, Oct 17, 2017 at 08:14:06PM +0200, David Kastrup wrote:
> > Paul Scott writes:
> >
> > > On Tue, Oct 17, 2017 at 08:03:44PM +0200, David Kastrup wrote:
> > >>
> > >> That is the
On Tue, Oct 17, 2017 at 01:58:16PM -0500, David Wright wrote:
> On Tue 17 Oct 2017 at 11:31:46 (-0700), Paul Scott wrote:
> > On Tue, Oct 17, 2017 at 08:14:06PM +0200, David Kastrup wrote:
> > > Paul Scott writes:
> > >
> > > > On Tue, Oct 17, 2017 a
For some time restNumberThreshold has not worked for me.
\version "2.19.80"
\relative{
c''1
\set Score.restNumberThreshold = #0 R
\set Score.restNumberThreshold = #1 R
}
This does not put a "1" over the 2nd bar. What have I missed?
TIA,
Paul
__
On Sat, Nov 04, 2017 at 04:22:42PM +0100, David Kastrup wrote:
> David Kastrup writes:
>
> > Paul Scott writes:
> >
> >> For some time restNumberThreshold has not worked for me.
> >>
> >> \version "2.19.80"
> >>
> >
How can I move the eighth rest to the level of the snare drum part?
sn8\rest doesn't seem to be allowed.
Any other feedback on my code would also be appreciated.
I'm successful with most of my percussion code.
\version "2.19.80"
\score{
\new DrumStaff
\drummode{
\clef percussion << { cymr
On Fri, Nov 10, 2017 at 01:56:56PM -0600, David Wright wrote:
> On Fri 10 Nov 2017 at 12:27:19 (-0700), Paul Scott wrote:
> > How can I move the eighth rest to the level of the snare drum part?
> > sn8\rest doesn't seem to be allowed.
> > Any other feedback on my code
On Fri, Nov 17, 2017 at 04:59:27PM -0600, Brett M. Gilio wrote:
> How many Linux users are out there in the Lilypond community? Do any of
> you use other type-setting software such as LaTeX or Csound rather than
> graphical tools?
I've been using Linux since 2002 and LilyPond almost as long on Deb
A quick comment, not the answer to your question:
You have given the correct fingering for Bb for the F major scale but you
have called it b4 which would be a B natural quarter note. In LilyPond,
unlike Finale, the key signature does not affect the note. You must
say bes or its equivalent in wha
On Fri, Apr 22, 2016 at 09:31:17AM -0400, Kieren MacMillan wrote:
> Hi Wol,
>
> > My usual bugbear ... :-(
> > I have a couple of instances where I have a rehearsal mark, a tempo mark,
> > […]
>
> Yeah… this causes me no end of grief, too.
> It probably represents a good 10% of my score/part twe
On Tue, Aug 23, 2016 at 05:51:26PM +0200, Jacques Menu Muzhic wrote:
> Hello,
>
> Would a CMS like WordPress be a good candidate for a complete rewrite? I
> don’t know what is needed behind the scenes to satisfy the needs of such a
> web site.
No.
Paul
> JM
>
> > Le 23 août 2016 à 16:18, Fed
On Tue, Aug 30, 2016 at 11:42:06PM -0500, bmg xc9 wrote:
> How does one show courtesy accidentals (specifically a natural sign),
An exclamation point between the pitch name and the time value gives
the appropriate flat, sharp or natural and a question mark puts that
accidental in parentheses.
Usi
Should I be able to quote a percent repeat?
xNotes = { \repeat percent 4 c''1 }
\addQuote qx \xNotes
yNotes = { \quoteDuring qx s1*4 }
\score{
\new StaffGroup << \new Staff \xNotes \new Staff \yNotes >>
}
TIA
Paul
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On Fri, Nov 04, 2016 at 07:21:05PM -0700, Christopher Heckman wrote:
> On Fri, Nov 4, 2016 at 9:36 AM, Simon Albrecht wrote:
> > On 04.11.2016 09:11, Christopher Heckman wrote:
> >>
> >> On Tue, Nov 1, 2016 at 3:08 PM, Simon Albrecht
> >> wrote:
> >>>
> >>> Hi Chris,
> >>> [...]
> >>> In that cas
Put
ragged-bottom = ##f and
ragged-last-bottom == ##f
in the paper block
HTH,
Paul
On Fri, Nov 25, 2016 at 12:02:54PM -0500, Rev. C. D. Trouten wrote:
> I am a new LilyPond user entering my first song. I have copied the file
> below. By reading the Learning Manual, I have learned how to do e
have slurs or ties go from the measure before endings go
into both endings.
TIA,
Paul Scott
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Mats Bengtsson wrote:
Paul Scott wrote:
1. How can I do an alternate ending which goes forward somewhere
rather than repeats?
I had to look up a copy of "An der Schönen Blauen Donau" at home
to see how this normally is notated. I have attached a file that
illustrates two possible
What objects can I attach text like:
^#'((bold "To B. Cl."))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
TIA,
Paul Scott
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Graham Percival wrote:
On Thu, 21 Nov 2002 15:36:20 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
What objects can I attach text like:
^#'((bold "To B. Cl."))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
R1*3
Ah! That r
Paul Scott wrote:
Graham Percival wrote:
On Thu, 21 Nov 2002 15:36:20 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
What objects can I attach text like:
^#'((bold "To B. Cl."))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
Mats Bengtsson wrote:
In the latest development version, it is possible to typeset
both text and articulation marks centered over the multi-measure rest,
see
http://lilypond.org/development/Documentation/user/out-www/lilypond/Multi-measure-rests.html
Thanks. I run Debian and this reminded me
Mats Bengtsson wrote:
Paul Scott wrote:
Mats Bengtsson wrote:
In the latest development version, it is possible to typeset
both text and articulation marks centered over the multi-measure rest,
see
http://lilypond.org/development/Documentation/user/out-www/lilypond/Multi-measure-rests.html
#x27;padding = #0
\global
\clef bass
\addlyrics
\bass
\context Lyrics { \basswords }
>
If this is not enough information I will provide more.
TIA,
Paul Scott
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David Boersma wrote:
On Fri, 29 Nov 2002, Paul Scott wrote:
Can anyone tell me why this code places all of the lyrics under the
highvoice staff instead of each set of lyrics under its own staff?
Hello,
You should treat a Lyrics context just like a Staff context: if there are
more of them
he Mutopia header
for the title (an "a" with some accent mark in Standchen).
^M are end of line characters in dos.
^M (carriage return) is Macintosh, MSDOS is ^M ^J (carriage return,
line feed)
Paul Scott
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ce).
Do you have any clues for me about who else might be working
on this? I really don't want to build notation note-by-note
in OpenOffice Draw!
How about using GIMP to capture the images and create any efficient
image file you want to insert in
Ray Peck wrote:
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
I'm using GIMP for some things, but I want to avoid using pixmaps
as much as possible, and I want to be able to edit the pasted-in
image afterward
Paul Scott wrote:
Ray Peck wrote:
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
Here is an OpenOffice Writer document doing what you described with a
JPEG which I believe is not proprietary. It was
there
are multiple measure rests broken up by these unmusical divisions.
IMNSHO the bar numbers or letters should match the phrases and logical
musical subdivisions.
My three cents worth!
Paul Scott
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David Raleigh Arnold wrote:
On Fri, 13 Dec 2002 01:18:57 Paul Scott wrote:
Heikki Johannes Junes wrote:
Instead, what one typically wants is bar numbering at 1, 5, 9, 13, ...
Even more accurately, at 5, 9, 13, 17, ...
*If* it matches the phrases. I absolutely
sn't enough information I will try a complete example.
TIA,
Paul Scott
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sn't enough information I will try a complete example.
TIA,
Paul Scott
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HTH,
Paul Scott
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Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
and I don't yet understand why commands like \note and \context seem to
be sometimes used redundantly.
Because we're lazy :) , you can send in a bug report if you like.
I'm not concerned about redundancy just understanding the structure
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I'm not concerned about redundancy just understanding the structure.
I've been programming for over 35 years and I really appreciate the
concept of laziness - why do something the computer can be taught to do.
Agreed, but now I still do
How does one create a caesura? Or is there another name used in the
documentation?
TIA,
Paul Scott
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Mats Bengtsson wrote:
Do you mean something like
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Breath-marks.html
All I see there is a breath mark. A caesura is two parallel diagonal
lines (similar to repeat slashes but placed higher) indicating a short
noticeable pause in the
t "percent" 2 { g2 a g a }
}
>
}
TIA,
Paul Scott
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der adding some reference to interscoreline under "Vertical spacing".
Thanks again for all the great work.
Paul Scott
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Amelie Zapf wrote:
Am Montag, 10. Februar 2003 09:39 schrieben Sie:
Does it make sense that the following example (using GNU LilyPond 1.6.6)
creates one set of notes and omits the double percent repeat but works
correctly when skipBars = ##f ?
It doesn't and it's an age-old problem that
editing with emacs. emacs in tex mode wants to change
this to `` .
Can anyone tell me how to get the " without using a second editor?
TIA,
Paul Scott
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Ferenc Wagner wrote:
Paul Scott <[EMAIL PROTECTED]> writes:
Can anyone tell me how to get the " without using a second editor?
Any of the following may do what you want (got from
info emacs --i quote RET ,)
C-q "
""
(local-unset-key "\"")
Th
s a volunteer project I am
surprised that no one has needed this common (to me at least) musical
notation.
Thanks,
Paul
Paul Scott wrote:
Mats Bengtsson wrote:
Do you mean something like
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Breath-marks.html
All I see there is a br
Graham Percival wrote:
On Sat, 22 Feb 2003 01:05:41 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
Mats Bengtsson wrote:
2. This symbol needs to be in the staff. It usually cuts the top two
lines of the staff. I don't know enough about placing markup or other
marks anywhere I want
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Am Montag, 10. Februar 2003 09:39 schrieben Sie:
Does it make sense that the following example (using GNU LilyPond 1.6.6)
creates one set of notes and omits the double percent repeat but works
correctly when skipBars = ##f ?
It does
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