^\markup placed below score

2018-08-31 Thread Rachel Knight
Below is my score for a piece for a primer method. When the staff is showing, all the markups are in the right position, but as soon as I hide the staff lines, the last “R.H.” moves below the notes instead of above them, as I have specified. How do I fix this? Thanks, Rachel << \new Staff

Aligning voices

2018-08-31 Thread Rachel Knight
Hi, I’m having trouble having these two chords line up correctly. Whenever I change the stem direction of the top voice (either with /voiceOne or /stemUp), it shifts the notes to the right and is no longer in alignment with the notes in my second voice. Rachel << \new Voice { \relative

Re: space between text and the next system

2019-01-16 Thread Rachel Knight
score text. Rachel > On Jan 11, 2019, at 11:30 PM, Aaron Hill wrote: > > On 2019-01-11 9:12 pm, Rachel Knight wrote: >> There is a markup-system spacing, but I think it only applies to line >> markups, not ones attached to notes as in my score. It didn’t affect >> the

Harp glissandi

2018-11-20 Thread Rachel Knight
I can’t get the glissandi to look right in this passage. I followed the instructions for when the glissando does not end on a note. The problem is that the glissando is too steeply slanted downward. Rather than ending half way between the two quarter notes, it should end beneath the following

Re: Harp glissandi

2018-11-21 Thread Rachel Knight
I like this solution a lot as it is simple. The glissando now look right except that it starts below the note instead of touching it. How would I fix the vertical aspect after rotating it? The angle is right in the first screenshot, but the placement is only correct in the original (screenshot

space between text and the next system

2019-01-11 Thread Rachel Knight
How do I add space between markups that I place under a system and the following system? I am adding harp pedal notation underneath a grand staff and would like the same amount of space 1. between the bottom of the text and the following system 2. between systems when there is no text.

Re: space between text and the next system

2019-01-11 Thread Rachel Knight
That work-around does work. Thanks! Is there any way I could make that into a global setting - there are a lot of pedals in harp music. . . Rachel > On Jan 11, 2019, at 1:12 PM, Ben wrote: > > On 1/11/2019 11:32 AM, Rachel Knight wrote: >> How do I add space between marku

Re: space between text and the next system

2019-01-11 Thread Rachel Knight
. Rachel > On Jan 11, 2019, at 1:40 PM, Ralph Palmer wrote: > > > > On Fri, Jan 11, 2019, 12:13 PM Ben <mailto:soundsfromso...@gmail.com> wrote: > On 1/11/2019 11:32 AM, Rachel Knight wrote: >> How do I add space between markups that I place under a system and

Re: harp basic muffle

2019-01-24 Thread Rachel Knight
The second muffle is very close to what I am looking for! All the lines could be thicker and the straight parts should stick just a little further past the circle. Would there be a way to include it apart from having it in a dynamic context? Often in harp music, we need the muffle below the

Re: harp basic muffle

2019-01-24 Thread Rachel Knight
> \new Staff \with { \consists "Balloon_engraver" } > { > \clef bass > 2 > r > } >>> > >> 24 jan. 2019 kl. 23:36 skrev Rachel Knight : >> >> The second muffle is very close to what I am looking for! All the lines >> could be

Re: Slur connecting fingering numbers

2019-02-22 Thread Rachel Knight
One more question on this snippet - I encountered a place in my score with two thumb slides in a row. When that happens, it is nice to have the fingering numbers in a line. I figured out how to move the fingering number, but the slur did not go with it. r8 c'\p-3[ \acciaccatura {

Re: ties and cross staff beaming

2019-03-05 Thread Rachel Knight
That idea should have worked, but the ties don’t look quite right. Below is a compilable example. Rachel \version "2.19.81" down = { \change Staff = "bass" \stemUp } up = {\change Staff = "treble" \stemDown} \language "english" Treble = { << \relative c' { \set tieWaitForNote = ##t

ties and cross staff beaming

2019-03-04 Thread Rachel Knight
I am putting a score into Lilypond, and I can’t figure out how to replicate the tied notes in the screenshot below. I am using the command \change Staff = “bass” to move notes to the bass clef, but I am not sure how to keep the cross staff beaming and create ties to the quarter note. Is there

Re: ties and cross staff beaming

2019-03-13 Thread Rachel Knight
Thanks! This worked. I don’t have a good reason for stemUp, so I’ll switch to using voiceOne. (I’m still a pretty new Lilypond user.) Rachel > On Mar 5, 2019, at 12:01 PM, Lukas-Fabian Moser wrote: > > > Am 05.03.19 um 19:27 schrieb Rachel Knight: >> That idea should have wo

Re: Slur connecting fingering numbers

2019-02-05 Thread Rachel Knight
Hooray, it works and looks amazing! Rachel > On Feb 5, 2019, at 2:39 PM, Thomas Morley wrote: > > Am Di., 5. Feb. 2019 um 10:38 Uhr schrieb Thomas Morley > : > >> Though, my procedure printing the bows relies on a stencil being >> present. Thus nothing happens. >> This dependance bugs me

harp basic muffle

2019-01-23 Thread Rachel Knight
How would I create this harp muffle symbol and place it centered between the treble and bass clefs? Rachel ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: harp basic muffle

2019-01-25 Thread Rachel Knight
Hi all, In super old scores, an asterisk was used, but that is not true of scores today. The example below that says English Ballad is from 1942. The next one is from 2005 and seems to be what is standard. The final one is one I created last year with Finale so you could see what proportions

Re: harp basic muffle

2019-01-25 Thread Rachel Knight
My piece with the adjusted muffle: > On Jan 25, 2019, at 10:30 AM, Rachel Knight wrote: > > Hi all, > > In super old scores, an asterisk was used, but that is not true of scores > today. The example below that says English Ballad is from 1942. The next one > i

Re: Slur connecting fingering numbers

2019-02-04 Thread Rachel Knight
> Hi Rachel >>> >>> This snippet can draw straight lines and dash lines between fingerings: >>> <http://lsr.di.unimi.it/LSR/Item?id=999> >>> >>> Perhaps someone can adapt it to draw curved lines... >>> >>> >>> Il

Slur connecting fingering numbers

2019-02-04 Thread Rachel Knight
Is there a command to connect fingerings with a slur? The slur should not connect the notes, but the actual fingering numbers. (This indicates a thumb slide in harp music.) Best, Rachel ___ lilypond-user mailing list lilypond-user@gnu.org

hairpins collide with markup

2019-08-14 Thread Rachel Knight via lilypond-user
Hi,In a piece I am working on, the markups are colliding with crescendo and decrescendo markings. I finished a different piece that had both hairpins and markups where the markups were perfectly placed below the crescendo. Any idea what is wrong with this score?Best,Rachel\version

Re: hairpins collide with markup

2019-08-15 Thread Rachel Knight via lilypond-user
> Begin forwarded message: > > From: Rachel Knight > Subject: Re: hairpins collide with markup > Date: August 15, 2019 at 6:17:18 PM MST > To: Ben > > Hi Ben, > Thanks for replying. I’m still not sure how to fix the error. Aren’t “bass” > and “treble” th

Re: hairpins collide with markup

2019-08-16 Thread Rachel Knight via lilypond-user
Staff = "bass" { \Bass } > \new Dynamics \with { \revert TextScript.font-shape } { \dyn } > >> > } > > Cheers, > Pierre > > Le ven. 16 août 2019 à 04:25, Rachel Knight via lilypond-user > mailto:lilypond-user@gnu.org>> a écrit : > > &g

different staff-staff spacing throughout piece

2019-09-19 Thread Rachel Knight via lilypond-user
Hi, Is it possible to have different staff-staff spacing throughout a score? I found the command (listed below) and the documentation said to put it in a \with section or in the \layout block for global settings. My piece opens with a cadenza and I want the staffs to be further apart for