Re: Forcing some horizontal space between two notes

On 03-01-17 13:45, Urs Liska wrote: Hi all, it seems to me this should be easily doable, but I don't find the right incantation. I would like to force some space between the first group in the right hand and the following grace notes. This is necessary in order to squeeze a slur between them,

Re: Problems engraving some unbeautiful music

And using Urs' suggestion for voiceFour, and some force-hshift and forcing of beam positions, I get the following (attached). Rutger \version "2.19.0" \score { \new PianoStaff \with { \consists #Span_stem_engraver } << \new Staff = "up" << \relative c'' {

Re: Repeat slur?

On 03/30/2017 09:40 AM, Richard Shann wrote: On Thu, 2017-03-30 at 07:38 +, Hendrik Fuß wrote: Dear Jan-Peter and Andrew, thanks for your feedback. \laissezVibrer comes close, but in the case of a chord, I get a tie for every note of the chord. So it does not look like a slur. { }

Re: new to this list - converting from Noteworthy Composer

On 03/22/2017 11:08 AM, David Kastrup wrote: Guido van Harten writes: Hi, I think I am new to this list. A few years ago I tried Lilypond to create my music files. It failed, but I do not remember why. As of today I will give it a new try. Now I am starting of my

Re: [Spam] Re: Multiple instruments in score and parts

On 04/13/2017 03:37 PM, David Sumbler wrote: On Thu, 2017-04-13 at 09:19 -0400, Kieren MacMillan wrote: Hi David, At the moment I cannot really see how to deal with this sort of problem, other than having completely separate input for the score and the part at these points, controlled by

Re: [Spam] Re: Crescendo in the first beat misaligned to the others

if you want. Rutger Hofman Amsterdam P.S. In a minimal example, why not discard the lyrics? and the skipBars? And the instrument names? Etc? On 03/08/2017 05:15 PM, Son_V wrote: Well, I know it's not a good example of a minimum example, but it's the closest thing I am able to do... Now

Re: [Spam] Change beam grouping

On 03/03/2017 09:10 AM, Sven Axelsson wrote: Hi list. I asked this very question way back in 2011. Time to raise it again, maybe there is a way to do it now. The original thread is here: https://lists.gnu.org/archive/html/lilypond-user/2011-09/msg00208.html This is probably in the manual, but

Re: partcombine and quote don't play well together

Judicious use of \partcombineUnisono and \undo of same might help with quoting combined with \partcombine. E.g. where you start quoting, you can try to specify \partcombineUnisono etc. Rutger On 06/06/2017 05:22 PM, Kieren MacMillan wrote: Hello all, The snippet below contains a [M]WE

How to make vertical arrow between staves

line? Or should I try to abuse glissando, for instance? Obviously, an arrow can be drawn in markup, but that is not really portable. Its length would be fixed, and need to be retuned for each different situation, or score/parts, or whatever. I would love to stay away from that. Rutger Hofman

Re: How to make vertical arrow between staves

On 06/14/2017 12:47 PM, Marc Hohl wrote: Am 14.06.2017 um 12:34 schrieb Rutger Hofman: Good morning list, [...] Does http://lsr.di.unimi.it/LSR/Item?id=962 what you want? Marc This LSR snippet uses VoiceFollower and Glissando. I cannot make it draw *vertical* lines/arrows

Re: [Spam] Re: How to move a note just a little

of curiosity, what did you do to get lilypond running on Android? Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \mark and slur

But isn't the start time of this <> the start time of the c4 in the second line, so that <>( c4) is equivalent to c4(); which causes the warnings 'cannot end slur' for ')' and 'unterminated slur' for '('? My guess is that this insertion of <> makes things more complicated for us, unenlightened

Re: \mark and slur

On 14-09-17 15:57, David Kastrup wrote: David Kastrup <d...@gnu.org> writes: Rutger Hofman <rut...@cs.vu.nl> writes: My preference would be to clearly explain that '(' is an attribute of the note that directly precedes it. That's what the "loose post-event" bit i

Re: Convert from Personal Composer to Lilypond?

On 12/11/2017 12:08 PM, Rutger Hofman wrote: Hello list, Joshua, If Personal Composer exports NIFF, then you can give my converter niff2ly a try: it reads NIFF and generates. Nowadays, it is in a public I mean: reads NIFF and generates lilypond. git repo: https://github.com/rfhh/lily

Re: Convert from Personal Composer to Lilypond?

Hello list, Joshua, If Personal Composer exports NIFF, then you can give my converter niff2ly a try: it reads NIFF and generates. Nowadays, it is in a public git repo: https://github.com/rfhh/lily-contribs subdirectory niff2ly. In niff2ly/, there is a README that explains how to build. If

'divisi engraver' ignores \Remove(All)EmptyStaves

are displayed. What can I do to achieve what I want? Rutger Hofman Amsterdam Minimal example (sorry, involves multiple staves/voices so not really small): \version "2.19.80" targetstaff = #(define-scheme-function (ctx) (string?) #{ \set Staff.keepAlive

Re: [Spam] partcombine bug when using quoteDuring?

On 02/19/2018 08:09 PM, Nathan Sprangers wrote: When both voices in \partcombine finish a \quoteDuring at the same time, only one voice is rendered for subsequent notes. \version "2.18.2" \addQuote "melody" \relative c'' {   a4 a a a   d d d d } \addQuote "alto" \relative c'{   f2 f   g2

Re: [Spam] Re: Partcombine not working for orchestral parts?

On 16-07-18 17:29, Ben wrote: On 7/13/2018 2:25 PM, Kieren MacMillan wrote: Hi Ben, I probably confused you with my wording, sorry! I just meant it's above the staff when it's supposed to be (in rare situations where dynamics are technically different between the same instrument

Re: Chord \crossStaff question

Hi Jacques, if you follow the instructions on cross-staff stems, you will arrive at something like this: \version "2.19.0" \score { \new PianoStaff \with { \consists #Span_stem_engraver } << \new Staff = RH << { \clef treble

Re: Cross-staff chords question

Did you (following the manual http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems ): \layout { \context { \PianoStaff \consists #Span_stem_engraver } } to enable cross-staff stems? And did you (following the manual) specify

Re: [Spam] Partcombine with rests

On 20-04-18 08:46, Lukas-Fabian Moser wrote: Folks, in the following example \version "2.19.80" One = \relative d'' {   R1   r8 d4 e8 f4 } Two = \relative g' {   R1   r4 e4 d2 } \new Staff \partcombine \One \Two As the docs state, the decision about which partcombiner mode to choose

Re: [Spam] Re: Status and future of abc2ly

On 10-12-18 10:40, Andrew Bernard wrote: Hi Johan, Having recently become interested in Irish Traditional Music where there are countless tens of thousands of tunes in ABC, the de facto standard for the tradition, I'd be keen to see abc2ly brought up to date. My tests with it on a sample of

Re: Cross-"fertilization" between Dynamics w/ Lyrics and Keep_alive_together_engraver

Thanks, your first solution works, and I will give your second solution a try! Rutger On 8/30/19 4:20 PM, Kieren MacMillan wrote: Hi Rutger, What setting can I apply to get correct horizontal spacing in the second case? One possibility: \new GrandStaff \with {

Cross-"fertilization" between Dynamics w/ Lyrics and Keep_alive_together_engraver

Dear list, I ran into a situation where using the Keep_alive_together_engraver, with VerticalAxisGroup.remove-layer settings, gives unexpected results in horizontal spacing for a Dynamics context with \accept-ed Lyrics. I very much want to use this configuration, and have correct horizontal

Re: Alternating text and music

If you have issues with lengthening the laissez-vibrer tie: I got this from the list in some misted past. Sorry that I didn't write down the author or the message in which it occurred! % Control length of laissezVibrer ties % Usage: % \extendLV #3.0 extendLV = #(define-music-function

Re: Alternating text and music

Isn't it an option to use \lassezVibrer and \repeatTie? Rutger On 7/25/19 8:14 PM, Peter Toye wrote: Hi Muzhic, Something like this but with the tie between the staves. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Thursday,

Re: [Spam] Notes or chords sustained with a pedal

Hi Robert, I use trickery: 1) with a shortened first note duration to stop the first tie 2) with hidden notes to get ties to start/stop at a time I want \version "2.21.0" % By Nick Payne. Hide notes etc but also avoid (invisible) collisions. transOn = { \override NoteColumn.ignore-collision

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

lude the message from Valentin Villenave that this responds to:) Valentin Villenave writes: On 6/7/20, Rutger Hofman wrote: My first attempt is here: https://www.rutgerhofman.nl/lilypond/divisi-doc/divisi-doc.html Very nice! I have a few minor remarks: - The writing style differs a bit from our r

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

I am thinking of sharing my experiences as a user in this field by contributing a tutorial or a practical experiences story (or whatever) on this topic. It would make a distinction between: 1) temporary staves 2) divisi allocation over groups of staves since these are different concepts, and

IMSLP upload policy (was: Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.)

On 6/1/20 10:45 PM, Valentin Villenave wrote: On 6/1/20, Rutger Hofman wrote: [snip] On that note: One elaborate example of my experiences is found in the score and parts of "3 Bruchstücke aus Wozzeck" by Alban Berg, see https://imslp.org/wiki/Wozzeck%2C_Op.7_(Berg%2C_

Re: "Ghost" trills

I mean (sorry for the typo): if a spanner stops at the start of a new partCombine mode. Rutger On 8/6/20 10:11 PM, Rutger Hofman wrote: I think you have stumbled into one of the (many) limitations of partCombine; it routinely messes up if a spanner stops at the end of a new partCombine mode

Re: "Ghost" trills

I think you have stumbled into one of the (many) limitations of partCombine; it routinely messes up if a spanner stops at the end of a new partCombine mode. The problem is that these mode changes (partCombine "Chords" mode to partCombine "Apart" mode at bar 3, and back to partCombine "Chords"

Re: "Ghost" trills

Well, if you change partCombine... (back) to partcombine... (as 2.20. warns about), the problem persists. Rutger On 8/6/20 8:15 PM, Mark Stephen Mrotek wrote: David, It compiled correctly under 2.20. Mark -Original Message- From: lilypond-user

Re: Quick question re pmp.ily

I think I once tried something along these lines: \quoteDuring instA { ... time 1 ... } \PMPChords #'( "instA" "instB" ) { ... time 2 ... } \partCombine \quoteDuring instA { ... time 3 ... } \quoteDuring instB { ... time 3 ... } \PMPApart #'( "instA" "instB" ) { ... time 4 ... } and I

Re: Humdrum **kern and LilyPond

Would the trajectory hum2abc http://extras.humdrum.org/man/hum2abc/ (to abc) -> abc2xml (written by my earstwhile supervisor Wim Vree!) https://wim.vree.org/svgParse/abc2xml.html (to xml) -> xml2ly or musicxml2ly be an option? Rutger On 6/30/20 8:09 PM, Jacques Menu wrote: Hello Frauke,

Re: Odd \time bar check behaviour

Did you have a look at the Notation Reference -- displaying rhythms - polymetric notation -- Different time signatures with unequal-length measures? See http://lilypond.org/doc/v2.21/Documentation/notation/displaying-rhythms#polymetric-notation then travel down to :Different time signatures

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

turned out to keep -> turned out hard to keep Sorry. Rutger On 6/7/20 9:26 AM, Rutger Hofman wrote: Well, it turned out to keep that tutorial short. Still, I think it will have its use, since questions about temp staves/divisi turn up at regular intervals. My first attempt is here: ht

Re: IMSLP upload policy

On 6/2/20 8:24 PM, Valentin Villenave wrote: [snip] I would of course never urge anybody to get an IMSLP membership :-), but the fee is (un)reasonably small (a few collaboration actions for IMSLP would already suffice). Are you spared the waiting time as an IMSLP contributor? I know I’m

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

) like. I still debate in my head what the best venue for this would be. Rutger On 6/2/20 11:33 AM, Lib Lists wrote: On Mon, 1 Jun 2020 at 22:16, Rutger Hofman wrote: I am thinking of sharing my experiences as a user in this field by contributing a tutorial or a practical experiences story

Re: [Spam] RE: Clef change placement

I would also welcome this feature. How difficult is it to write a [Scheme] engraver? Rutger On 2/2/20 6:55 PM, Daniel Rosen wrote: -Original Message- From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca] Sent: Saturday, February 01, 2020 11:15 AM To: Daniel Rosen Cc:

Re: HorizontalBracket's stencil

Cannot you fake it using a TupletBracket (\tuplet 1/1) and override the TupletNumber.text? Rutger On 1/22/20 8:14 PM, Paolo Prete wrote: Hello, is it possible to obtain a stencil, for a HorizontalBracket, similar to the TupletBracket one? Something like:   some-text  |   

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