Re: Advanced note column handling…

Am 01.09.2015 um 14:15 schrieb Michael Gerdau: Dear Simon, in a Mendelssohn score I encountered a problem on which I’m biting my teeth off. Have a look at the attachments – that’s easier than making many words. As you can imagine, the span stem should connect the two middle voices and the top

Re: Advanced note column handling…

Am 01.09.2015 um 19:17 schrieb Simon Albrecht: Am 01.09.2015 um 14:15 schrieb Michael Gerdau: Dear Simon, in a Mendelssohn score I encountered a problem on which I’m biting my teeth off. Have a look at the attachments – that’s easier than making many words. As you can imagine, the span stem

Re: Glossary index [was: how to get notes without tails?]

Am 31.08.2015 um 16:13 schrieb BB: Just to annoy again, some additional remarks concerning entry acciaccatura. I wonder that there is no English entry for acciaccatura? That’s because in English as well as in German the Italian term is used for lack of a proper consistent terminology with

Re: stacking whole notes of different size

Hello Marc, this is a known issue: see . Yours, Simon Am 31.08.2015 um 14:15 schrieb Marc Hohl: Hello list, I have songs for single voice and wanted to include an optional higher voice for those singers that are able to each the notes

Re: Help for \beamExceptions

Hello Richard, if you want to use \beamExceptions, it seems like the only way to do this is %% \version "2.19.25" { \time 4/4 \set Timing.beamExceptions = \beamExceptions { 8[] 8[ 8] 8[] 8[] 8[ 8 8] } e'8 f' g' a' b' a' g' f' } %% – that’s a bit cumbersome and IMO it

Re: Lyric in popular score

Hello Marcos, first: welcome to the list! Second: It almost always helps if you add a compilable, possibly tiny example to your post – thus it will be easier a) to understand the problem and b) to give you a solution. Third general remark: Are you

Re: Lyric in popular score

I’m working on an answer… Am 01.09.2015 um 22:34 schrieb Marcos Press: Dear list, Iḿ trying to add the lyric of a folk song to a score. How do I tell the lyric in wich measure to start? All the things I found in google, the manuals and snippets always deals lyrics starting at the same

Re: Gallery of Interesting Music Notation

Am 01.09.2015 um 09:08 schrieb Trevor Daniels: Simon Albrecht wrote Tuesday, September 01, 2015 1:58 AM ... especially with the complex situation often seen with Chopin). By this I actually meant the situation of textual critique, which with autograph(s) and different first editions

Re: Lyric in popular score

Am 02.09.2015 um 18:59 schrieb tisimst: 1. Create two music expressions, one for the intro and one for the vocal part, and insert them in serial fashion in the same Staff context. 2. Put the Lyrics context in parallel with the staff, but assigned specifically to the vocal part

Re: Lyric in popular score

Am 02.09.2015 um 16:07 schrieb David Kastrup: Well, you can just jump in with the lyrics: the Lyrics context does not need to start with \lyricsto (though synchronization is a bit queer if it doesn't, but still easier than counting syllables). Brilliant, David! It’s good to have you for such

Re: \breathe too close to note

Am 05.09.2015 um 05:17 schrieb MarcM: The \breathe sign collides with the note. This seems like a bug. I've read on a post that offset does not have any effect on \breathe any workaround? \version "2.19.26" \language "english"

Re: Breath mark default size and position

Am 05.09.2015 um 13:11 schrieb MarcM: The default Lilypond breath mark is rather anaemic and is placed on the top staff line rather than where I normally see it in commercial scores, which is above the staff (see attached example). Like Nick i've always seen the breath mark as a comma and

Re: hide and omit behaviour

Am 07.09.2015 um 11:00 schrieb Noeck: Hi Andrew, thanks, but I wonder why do you use a #point-stencil instead of ##f – which would be equivalent to my \omit version (if I understand things correctly), wouldn't it? Sometimes, e.g. with NoteHeads IIRC, it causes problems if you have no stencil

Re: shapeII (openlilylib) with v2.19.25

Am 07.09.2015 um 22:52 schrieb Urs Liska: Simon, please create an issue on GitHub with this information. Should be updated with a version switch. Done. I included the new file in the issue. Yours, Simon

Re: shapeII (openlilylib) with v2.19.25

Am 07.09.2015 um 22:48 schrieb David Kastrup: Simon Albrecht <simon.albre...@mail.de> writes: Hello, I have a problem with \shapeII (from openlilylib; in the override-like form) using v2.19.25. The following snippet: \version "2.19.25" \include "nota

Re: Help with Auto-beaming rules

Hello Richard, Am 08.09.2015 um 13:43 schrieb Richard Shann: The attached bit of 18th century typesetting shows an 8.[ 32 32] beamed group and a series of 32[ 32 32 32] beamed groups in a 2/4 time signature. This is quite typical of the period and is IMHO more legible than if the 1/32 notes

Re: Voice split across staves?

Am 08.09.2015 um 22:47 schrieb Joel C. Salomon: I’m trying to re-create John Crook’s original score to Peter Pan (yes, it’s in the public domain) Just a sidenote: I tried to find this John Crook or any detail about his life on the web and he seems to be famously obscure – there’s no

Re: Voice split across staves?

Hello Joel, Am 08.09.2015 um 22:47 schrieb Joel C. Salomon: I’m trying to re-create John Crook’s original score to Peter Pan (yes, it’s in the public domain) for the Mutopia project, and I’m finding that my lack of musical education is getting in the way. I’m trying to set “Pipe with the

Re: Help for \beamExceptions

Am 02.09.2015 um 21:35 schrieb Richard Shann: On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: And there is a comment somewhere about using | to separate something, I guess bars with the same \time signature (or, indeed different ones). No, it's always for exactly one time signature,

Re: Help for \beamExceptions

Am 02.09.2015 um 21:35 schrieb Richard Shann: I guess I would know the answer to this if I could find out what the alist holds initially, but my feeble attempt to elicit this via \void \displayScheme #beamExceptions gave me #> You can display the list of beam exceptions currently in effect by

Advanced note column handling…

Hello, in a Mendelssohn score I encountered a problem on which I’m biting my teeth off. Have a look at the attachments – that’s easier than making many words. As you can imagine, the span stem should connect the two middle voices and the top two voices not collide (no matter in which

Re: Equal spacing of notes in a bar

\paper { system-count = 10 }. HTH, Simon On 15-08-24 03:56 PM, Simon Albrecht wrote: Hi Bill, ‘proportional notation’ is the magic word: http://lilypond.org/doc/v2.18/Documentation/notation/proportional-notation. HTH, Simon Am 24.08.2015 um 20:54 schrieb William Marchant: I have looked though

shapeII (openlilylib) with v2.19.25

Hello, I have a problem with \shapeII (from openlilylib; in the override-like form) using v2.19.25. The following snippet: \version "2.19.25" \include "notation-snippets/shaping-bezier-curves/shapeII.ily" { \shapeII #'((0 . 2)) #'(Slur) c''( b) } has

Re: shapeII (openlilylib) with v2.19.25

Am 07.09.2015 um 21:31 schrieb Noeck: Hi Simon, I have no 2.19.25 installed (so perhaps it produces the same error), but how about \shapeII #'((0 . 2)) Slur ? This is understood by older Ly versions, too. Both are exactly equivalent. I only accidentally pasted the #'(Slur) version which I had

Re: Mid-piece NullVoice creating?

Am 10.09.2015 um 13:30 schrieb David Kastrup: Here is a clue what is really happening. Issue 4579, committed rather recently, tries explaining this phenomenon somewhat more accurately than before and describes a remedy. Sorry, but did I correctly figure out the remedy you describe?

Re: Mid-piece NullVoice creating?

Am 10.09.2015 um 14:02 schrieb David Kastrup: Simon Albrecht <simon.albre...@mail.de> writes: Am 10.09.2015 um 13:30 schrieb David Kastrup: Here is a clue what is really happening. Issue 4579, committed rather recently, tries explaining this phenomenon somewhat more accurately than

Mid-piece NullVoice creating?

Hello, am I doing anything wrong here? % music = { 1 } \score { \displayMusic { \new Staff << \new NullVoice \music \new Voice \music >> \break \new GrandStaff << \new Staff << \new NullVoice \music \new Voice \music >>

Re: Fauré requiem

Am 09.09.2015 um 12:51 schrieb k...@aspodata.se: Hello list, I'm trying to make Fauré's requiem, 1893 version: http://turkos.aspodata.se/git/musik/GabrielFaur%C3%A9/Op48_Requiem/ but I haven't any source for that version, only found the 1900 version. Anyone got a link or something ? As

Re: Hidding Staff Lines at the start of a line

Hi Zoran, Am 09.09.2015 um 12:14 schrieb zzk: Hi ponders, I was wondering if it is possible to hide staff lines between the very start of the line and the point where the notation starts. In other words, no lines over the clef, key signature and time signature. Hopefully the attached image

Re: midi channel

Hello Ralf, funnily enough, someone (or is roblemming an alias of yours?) posted exactly the same question three quarter hours later. Yours was unfortunately delayed somewhere in the mailing engine. See :-) HTH, Simon

Re: OT: Beauty of programming languages

Am 10.09.2015 um 15:00 schrieb Peter Bjuhr: On 2015-08-26 22:10, Urs Liska wrote: This thread makes me wonder: what's the average age of LilyPond users >and >developers? Remind me in two weeks and I'll start a poll on Scores of Beauty ... I send in this reminder not because I'm especially

Re: Text centralized above a TextSpan

David, This is tremendous! Thank you very much. This should definitely make it’s way into the official installation once it’s reasonably finished. Yours, Simon Am 14.09.2015 um 14:22 schrieb David Nalesnik: On Sun, Sep 6, 2015 at 12:17 PM, David Nalesnik

Re: Text centralized above a TextSpan

Am 14.09.2015 um 14:34 schrieb BB: Tried to compile with version 2.19.25 .../tmp/frescobaldi-6V3LoT/tmpI8U_qS/text-spanner-centered-text.ly:152:20 <0>: In expression (ly:line-interface::line grob (caar exts) ...): /tmp/frescobaldi-6V3LoT/tmpI8U_qS/text-spanner-centered-text.ly:152:20 <1>:

Re: Rendering cropped SVG

Only just did I see this e-mail has been rejected because the svg is too large. So – once more with only .ly… Am 14.09.2015 um 20:35 schrieb Simon Albrecht: Am 14.09.2015 um 18:28 schrieb poto...@posteo.de: Hello, I'd like to render my scores (only short exercises that don't fill a page

Re: Ties and repeats

On 16.09.2015 12:03, Frank Wuest wrote: I'd like to get something like \repeatTie with parentheses akin to cautionary accidentals. Is there a way to accomplish this? Have a look at . HTH, Simon

Re: superimposing different lengths and ties across triplets

On 16.09.2015 12:43, Erich Neuwirth wrote: %% I need a tie between the second note of the first triplet and the first note of the second triplet, %% and I need the notehead of the d (upper note at first position) to be a half note. %% superimposing the half note and the triplet note gives the

Re: Rendering cropped SVG

Am 15.09.2015 um 20:59 schrieb poto...@posteo.de: My test file ist: \version "2.18.2" \pointAndClickOff \relative { c' d e f g f e d c' d e f g f e d c' d e f g f e d } \header { tagline = ##f } \paper { line-width=120\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f

Re: Rendering cropped SVG

Am 15.09.2015 um 20:22 schrieb poto...@posteo.de: Thanks, that works. I set up a build system for Sublime (which has Lilypond syntax highlighting with the SubLilyPond package). { "shell_cmd": "lilypond -dno-point-and-click '$file_base_name.ly'; pdfcrop --margins 1

Re: Rendering cropped SVG

/lilypond-s634Nb'... Success: compilation successfully completed at the end – the middle of these lines is the deletion of the intermediate .ps file. Yours, Simon Am 15.09.2015 um 20:25 schrieb Simon Albrecht <simon.albre...@mail.de>: Am 15.09.2015 um 20:22 schrieb poto...@pos

Re: Suppressing numbers on tupelos

On 16.09.2015 14:13, David Kastrup wrote: Erich Neuwirth writes: I am using only triplets in a score, and I would like to suppress all the 3s next to the beams. I probably should do somrething like \once \override TupletNumber.text = #() but that does not

Re: Line numbers in editor window

On 16.09.2015 18:05, David Kastrup wrote: Urs Liska writes: Am 16.09.2015 um 17:39 schrieb Erich Neuwirth: When compiling, error messages come with line numbers. Is there a way of displaying the line numbers in the editor window? of which editor? The, debugging would

Re: Ties and repeats

On 16.09.2015 12:45, David Kastrup wrote: Frank Wuest writes: Hi everyone, I'm currently transforming the bass part of a big band arrangement (8 pages, boo!) into a more usable form. That means using a bunch of repeats with alternatives, plus ties across these

Re: Chords and what they mean

On 17.09.2015 13:30, lilyp...@andis59.se wrote: On 2015-09-17 13:14, Brett Duncan wrote: @Kaj, Lilypond's format for /inputting/ chords is described at http://www.lilypond.org/doc/v2.18/Documentation/notation/chord-mode/ and I would suggest reading through this carefully to get a clearer

Access grob name?

Hello, I’ve written a music function which applies some tweaks on dynamics to offset them. Unfortunately, it’s not possible to use the offset music function on X-offset, because it is a mutable property. Thus I have to add a displacement for DynamicText so that it is not aligned to its

Re: Chords and what they mean

Hello Kaj, On 17.09.2015 09:27, 70147pers...@telia.com wrote: First I will declare, that I am not 100 percent sure this is a bug, but friends of mine, musicians, say it probably is. Also, as I am not an expert, I have tried to learn by searching on among others Wikipedia. It is about chords,

Re: Access grob name?

On 17.09.2015 14:20, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: Hello, I’ve written a music function which applies some tweaks on dynamics to offset them. Unfortunately, it’s not possible to use the offset music function on X-offset, because it is a mutable pr

Re: Access grob name?

On 17.09.2015 14:51, David Nalesnik wrote: Hi Simon, On Thu, Sep 17, 2015 at 7:20 AM, David Kastrup <d...@gnu.org <mailto:d...@gnu.org>> wrote: Simon Albrecht <simon.albre...@mail.de <mailto:simon.albre...@mail.de>> writes: > Hello, > &

Re: Minimum possible duration

Am 10.09.2015 um 21:22 schrieb David Kastrup: Simon Albrecht <simon.albre...@mail.de> writes: Hello, <https://en.wikipedia.org/wiki/Two_hundred_fifty-sixth_note> states (in the last sentence) that ‘the shortest notated duration supported by any scorewriter program is the

Re: Rendering cropped SVG

Am 14.09.2015 um 18:28 schrieb poto...@posteo.de: short exercises that don't fill a page Forgot to add: You can easily choose another paper format \paper { #(set-paper-size "a5" 'landscape) } or set the paper width and height directly: \paper { paper-width = 10\cm paper-height = 270\mm }

Re: Rendering cropped SVG

Please always use ‘Reply all’, including the list. That way others can chime in, follow the thread, and answers will be available from the archive. Am 14.09.2015 um 21:06 schrieb poto...@posteo.de: I'm aware that I can set the paper size manually. But I want the sheet to be cropped exactly

Re: Part of Key signature in bracket

als. I modified this such that it doesn’t do coloring, but parenthesizing. Yours, Simon \version "2.19.23" % courtesy of David Nalesnik % http://lists.gnu.org/archive/html/lilypond-user/2015-08/msg00414.html % % adapted for parenthesizing by Simon Albrecht #(define key-signature-parenthesize `(

Re: Bar numbers seem to be one off

On 26.09.2015 12:36, Wols Lists wrote: On 26/09/15 08:31, Andrew Bernard wrote: However, you don’t often see scores with every barline numbered, and generally publishers only print the bar number at the start of each line, and normally leaving out 1. Actually, printing bar numbers at the

Polymetric setup and volta repeat with alternatives

Hello, these two don’t seem to go well together: If Timing_translator and Default_bar_line_engraver are moved to Staff context, no repeat bar lines are printed and the gap between the Volta brackets disappears. Moving the Repeat_acknowledge_engraver along fixes the bar lines, but prints no

Re: Stacked letters in markup

On 01.10.2015 15:33, Urs Liska wrote: Sorry, I have to ask this *without* looking for a solution before. Just don't have any time left this time: How can I overlay letters in lyrics? I want to print two "D"s that overlap, one left-top, the other bottom-right. The default symbol for a double

Re: Scheme function to output \bookpart {} ?

On 30.09.2015 01:28, Thomas Morley wrote: Could you post a fully compilable example for follow readers? Here’s a demo file showing the entire framework in action (since you seemed to be interested in more detail, I included all of it (except for style-sheet information), resulting in quite a

Re: Question re title formatting

On 02.10.2015 18:29, Karen Billings wrote: Lilypond incorporates the "meter" but ignores the "arranger"... Can’t confirm that either on 2.18. If you’re still having the problem, then please post a complete compilable file as attachment for further checking. One more point: I think I can

Re: Aw: Re: PDF Links in Windows

On 05.10.2015 08:30, Blöchl Bernhard wrote: Am 05.10.2015 08:27, schrieb msk...@ansuz.sooke.bc.ca: On Mon, 5 Oct 2015, Blöchl Bernhard wrote: > Does anyone know if it would be possible to make the links in the regular > PDF reader go to Frescobaldi? What is a regular PDF reader? Is it a

Re: left offsetting dotted note leaves dot unmoved

Hi Marten, On 05.10.2015 03:09, Marten wrote: Hi all, I'm trying to left offset a dotted note in a CueVoice, but although the note is shifted left as expected, the dot is not moved left. How can I make the dot go left as well? I’d have liked to suggest %%% \version "2.18.2"

Re: Slur under beam

On 02.10.2015 07:27, Andrew Bernard wrote: Simon Albrecht has made a fine fix That’s very kind to say, but I only did some updating; there remain bugs as I already posted on this list (search for "Debugging shapeII"). Yours, Simon __

Re: Best Practices for file structures, score and parts

On 02.10.2015 12:03, Malte Meyn wrote: I remember an issue with note names in german (and perhaps other languages) when you have several names (asas and ases) for the same pitch (a flat). I’m not sure whether this has been fixed. You might check at the issue tracker:

Re: Whiteout on hairpins?

On 01.10.2015 20:07, Connor Harris wrote: Is there any way to print hairpins while whiting out parts of anything (specifically, in this case, note stems and beams) that they cross, analogous to what the \whiteout command does for text markup? I’d suggest to either use a \tweak command: {

Re: Bar numbers seem to be one off

On 26.09.2015 16:14, Brian Barker wrote: At 11:36 26/09/2015 +0100, Ant Youngman wrote: Actually, printing bar numbers at the start of each line is NOT general practice. Yes I think it's great, and leave it there when I'm redoing parts, but I've almost never seen it in any music I've been

Re: PDF Links in Windows

On 28.09.2015 00:21, Thomas WillNot wrote: There are lots of Windows users out there in the world! (Though I'd be interested to know which percentage of LilyPonders are!) A small one, I’d estimate below 20%. As for myself, my LilyPond experience actually formed a major part of the motivation

Re: Bar numbers seem to be one off

On 26.09.2015 19:18, Werner LEMBERG wrote: I just said that because often Elaine Gould is used as kind of a bible and as normative reference, whereas a notable part of her statements are personal suggestions and a matter of style or preference. She’s just the only one who has made a

Re: Bar numbers seem to be one off

On 26.09.2015 16:22, Brian Barker wrote: At 16:15 26/09/2015 +0200, Simon Albrecht wrote: On 26.09.2015 16:14, Brian Barker wrote: Just to add another statistic: ... Which is only one opinion. Isn't that what "another statistic" means? (Mind you, the unqualified suggestion of

Re: Scheme function to output \bookpart {} ?

On 24.09.2015 00:22, Simon Albrecht wrote: On 23.09.2015 22:45, Thomas Morley wrote: 2015-09-23 17:50 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>: Hello, is it possible to have a Scheme function output a bookpart? In the attached example and my real-world setup, I get ‘erro

Can a music function see an active DynamicLineSpanner?

Hello, is it possible to know within a music function whether a DynamicLineSpanner is currently playing in the particular voice? Test file: \version "2.19.27" dummy = #(define-music-function (dyn) (ly:music?) (format #t "Is there an active DynamicLineSpanner already?") dyn)

Re: Fauré requiem

Am 09.09.2015 um 16:55 schrieb k...@aspodata.se: The score is as is, but if anyone have tips on how to make it look better, please advise me. Can’t do so without PDF :-) Sorry, it's here: http://turkos.aspodata.se/choir/osthammar/faur%C3%A9/requiem.pdf Some remarks: – In choral music by

Re: How write cross-staff slur (in combination with lyrics)

On 05.10.2015 22:01, Urs Liska wrote: Am 05.10.2015 um 21:07 schrieb Simon Albrecht: On 05.10.2015 13:33, Urs Liska wrote: Remove the slurs in the first two measures completely Hear, hear! The musicologist deviates from the original notation :-) You definitely need to make an editorial

Re: How does one change the font for one set of lyrics?

Hello Connor, On 21.09.2015 00:58, Connor Harris wrote: not top-posting I'm writing a choral piece with a French text for SATB divisi choir, two parts per staff. I'd like to have two sets of lyrics per part: one with the original text in French orthography, and one in IPA phonetic

Re: Text centralized above a TextSpan

On 19.09.2015 22:48, David Kastrup wrote: However, (re-)using engravers for the "picking apart" bit in a context without its own vertical axis group might be an interesting option. Want several text spanners? Use several contexts. This reminds me: the ‘standard’ use case for this kind of text

Re: Text centralized above a TextSpan

On 23.09.2015 01:20, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: I made an essay on a simpler input interface, which redefines \startTextSpan as a music function. That would be much preferable at least in my eyes. What do you think? (I hope there wouldn’t be any

‘new text-spanner’ development

this with any degree of efficiency. Any hints are welcome! :-) Yours, Simon \version "2.19.27" %%% Main author: David Nalesnik %%% modifications by Simon Albrecht %%% version: 0.2.1 %% CUSTOM GROB PROPERTIES % Taken from http://www.mail-archive.com/lilypond-user%40gnu.org/msg97663.html % (P

Compiling Nenuvar Editions (was: Re: lilypond-user Digest, Vol 154, Issue 123)

Hi Michael, please always edit the subject line when replying to e-mail digests. Or just turn off digest mode – I find (using Thunderbird’s filtering and displaying by thread) that this is much more convenient to read also. On 23.09.2015 17:17, Michael Dykes wrote: When I type the code:

Re: Compiling Nenuvar Editions

Hello, I begin with another general policy: always reply on-list, unless information is really private. It may help others too. On 23.09.2015 17:59, Michael Dykes wrote: Ok, I just downloaded his entire zip directory. So, from within what folder should I type the make

Scheme function to output \bookpart {} ?

Hello, is it possible to have a Scheme function output a bookpart? In the attached example and my real-world setup, I get ‘error: bad expression type’. TIA, Simon \version "2.19.27" test = #(define-scheme-function (mus) (ly:music?) #{ \bookpart { \score { $mus } } #})

Re: double time signature with single-digit

On 23.09.2015 18:28, Andreas Stenberg wrote: Hi! I need a way to modify the double time signature snippet in LSR Which one? It’s hard to help without a starting point… Yours, Simon ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Multiple scores in a single document

On 22.09.2015 19:53, T. Michael Sommers wrote: Is it possible to have multiple independent scores in a single document, Of course it’s possible: just use more than one \score {} block. with each score having its own title, composer, arranger, and so forth? From what I can see, if a score

Re: Text centralized above a TextSpan

On 21.09.2015 18:13, David Nalesnik wrote: On Mon, Sep 21, 2015 at 8:41 AM, David Kastrup > wrote: David Nalesnik > writes: > Here's a preliminary experiment with using \lyricmode as

Re: Text centralized above a TextSpan

On 22.09.2015 22:03, Trevor Daniels wrote: David Nalesnik wrote Monday, September 21, 2015 5:13 PM I'm attaching a rewrite of the code which allows an easy mix of markups/strings and interprets hyphens as connectors. Now there's no need for a TextSpanner.connectors property. ... and hardly

Re: Multiple scores in a single document

On 25.09.2015 03:15, Thomas Morley wrote: Though there is something strange with the snippet you linked to. Per default LilyPond does not support header-fields like: metre texidoc enteredby source ‘Does not support’ isn’t quite the right way to think about it: it doesn’t _print_ these. But

Re: Getting an override into a markup function

On 25.09.2015 23:10, Thomas Morley wrote: 2015-09-25 12:28 GMT+02:00 Malte Meyn : Am 25.09.2015 um 10:58 schrieb Urs Liska: { \override TextScript.self-alignment-X = #LEFT c'2 ^\markup \rotate #90 "This is a long markup" c } You could use an event function:

Re: Getting an override into a markup function

On 26.09.2015 01:05, Michael Gerdau wrote: While following this thread I've copied the various solutions into a growing file. Interstingly with all three proposed solution one after another the final resulting PDF is roted by 90 degree as well. Commenting out any of the 4 \markup (or note)

Re: Polyphonic repeats with lyrics (and rests)

Hi David, On 19.09.2015 06:18, David Wright wrote: I noticed some erroneous alto lyrics invading recent CPDL editions of Farmer's Fair Phyllis. I think the cause was some overenthusiastic factoring of the lyrics using tagging. So I thought I'd run up a copy myself, producing folded/unfolded

Re: Text centralized above a TextSpan

On 21.09.2015 15:04, David Nalesnik wrote: Hi, On Sat, Sep 19, 2015 at 7:09 PM, David Nalesnik > wrote: OK, I see. Using \lyricmode would be a user-friendly way to specify markups/strings, connectors/no connectors, and

Re: proportional notation problem

On 22.09.2015 00:51, Neil Thornock wrote: See the two attached images for my problem spot. I'd like something more like the Finale output, but no matter what combination of proportional notation options I try, it won't budge. It seems like the ledger lines are too greedy. Also, I have no

Re: proportional notation problem

On 22.09.2015 01:12, Neil Thornock wrote: Thanks Simon. Sample code: \transpose c c' { << { 16 q q q q q q q q q q q \times 2/3 { q8 q q } } \\ { \times 2/3 { des'4 des'8 } \times 2/3 { b8\rest 8 q } \times 2/3 { q q q } q q } >> } Simple solution: Use two

Re: How to correctly compile the Messiah from Neuvar's Site.

On 22.09.2015 08:26, Martin Tarenskeen wrote: On Tue, 22 Sep 2015, Martin Tarenskeen wrote: The Messiah score is compiled using a Makefile. If you have GNU make installed on your system, just go inside the "Messiah" directory and type make on the commandline and then everything should be

Re: Polyphonic repeats with lyrics (and rests)

On 21.09.2015 19:04, David Wright wrote: Quoting Simon Albrecht (simon.albre...@mail.de): On 19.09.2015 06:18, David Wright wrote: I noticed some erroneous alto lyrics invading recent CPDL editions of Farmer's Fair Phyllis. I think the cause was some overenthusiastic factoring of the lyrics

Re: Ancient tab, letters alignment.

On 21.09.2015 17:52, David Kastrup wrote: Pierre Perol-Schneider writes: Hi List, I need to get an ancient tab with a standard markup alignment instead of the default vertical one. Unfortunately, this code has no effect: \version "2.18.2" #(define-public

Re: Scheme function to output \bookpart {} ?

On 23.09.2015 22:45, Thomas Morley wrote: 2015-09-23 17:50 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>: Hello, is it possible to have a Scheme function output a bookpart? In the attached example and my real-world setup, I get ‘error: bad expression type’. TIA, Simon Hi Simon, th

Re: Scheme function to output \bookpart {} ?

On 23.09.2015 23:43, David Kastrup wrote: Thomas Morley <thomasmorle...@gmail.com> writes: 2015-09-23 17:50 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>: Hello, is it possible to have a Scheme function output a bookpart? In the attached example and my real-world setup, I get

Re: Scheme function to output \bookpart {} ?

On 23.09.2015 22:45, Thomas Morley wrote: 2015-09-23 17:50 GMT+02:00 Simon Albrecht <simon.albre...@mail.de>: Hello, is it possible to have a Scheme function output a bookpart? In the attached example and my real-world setup, I get ‘error: bad expression type’. TIA, Simon Hi Simon, th

Re: Centering markup between staves

On 25.09.2015 13:21, Kieren MacMillan wrote: Hi Simon (et al.), I hope this also work in more complicated situations. This (admittedly extreme) example shows that it doesn’t: \version "2.19.27" regR = \markup \general-align #Y #0 { \normal-text { R } \override #'(font-encoding .

Re: Centering markup between staves

On 25.09.2015 14:29, Robert Clausecker wrote: Here’s a really nice version which uses the Stanza_number_engraver (normally used in Lyrics contexts) to place the clavier indication before the moment for which it applies. Besides, this fortunately ensures perfect alignment with the dynamic

Re: Centering markup between staves

Hello Robert, On 25.09.2015 01:17, Robert Clausecker wrote: Hello all! I'm currently trying to transcribe an organ score [1] which notes register changes between the two staves for the left and right hand. For æsthetic reasons, these annotations should be vertically centred precisely between

Re: A problem with the svg backend

On 07.12.2015 16:15, Richard Shann wrote: If I use markup and include a \with-url that contains embedded quotes the svg generated is invalid. Here is a simple example. \version "2.19.25" \score { << { c d -\markup { \with-url #'"\"some quotes\"" hello} e f } >>

Re: Rehearsal mark/tempo collision

On 27.11.2015 21:10, Craig Dabelstein wrote: Any idea how I can prevent the rehearsal marks from being pushed upwards by the tempo indication, and get the tempo marks to be moved a little to the right. Another way: \once\override MetronomeMark.self-alignment-X = #-0.2 or the like. Yours,

Re: Gounod - Le Rendez Vous

On 29.11.2015 22:45, Alberto Simões wrote: Hell, Simon On 23/11/15 00:03, Simon Albrecht wrote: The last measure of the Introduction actually has only two quarters (the half note isn’t dotted), to be complemented by the immediately following upbeat for Valse 1. I need your help

Re: Is there a similar command to LaTeX's \vfill?

On 29.11.2015 03:07, Joshua Nichols wrote: I'm looking to force a \markup{} after a score block to the bottom of the page for a project I am in. In LaTeX, this looks like \vfill, which forces the next bit of text/content to the bottom of the page. Is there something like it in LilyPond? No,

<    2   3   4   5   6   7   8   9   10   11   >