cues overlapping compressed multi measure rest

I am trying to replicate an odd structure, which places cue notes over top of the conclusion of a compressed multi measure rest. Normally when I make cues I use the << {} \\ {} >> structure such that I might have code like the following, but it breaks up the multi measure rest, any

problem with accent placement

I’m using the Script.priority-order to place an accidental above a trill ornament, but when combining with a note accent it creates an ordering property as per the documentation example. However with the following snippet: \version "2.18.0" \relative c''' { a2-> \trill \once \override

Re: problem with accent placement

This was successful, thank you! I did not try the more involved solution. -akj > On Dec 27, 2015, at 1:12 PM, Thomas Morley <thomasmorle...@gmail.com> wrote: > > 2015-12-27 18:18 GMT+01:00 Alex Jones <akjonesjeff...@gmail.com>: >> I’m using the Script.priority-o

Re: questions about chord ties to null and Ped. glyph

Thank you!!! -akj > On Sep 13, 2015, at 11:15 AM, David Kastrup wrote: > > \musicglyph #"pedal.Ped" ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

questions about chord ties to null and Ped. glyph

Two questions, I’m trying to write a chord with a tie to null space (see pic below). I tried 1 (<>) and only get one slur then I tried << {e1 (<>)} \\ {g! (<>)} \\ {b (<>)} \\ {e (<>)} >> and the notes are not vertically aligned suggestions? Second question: I’m trying to write a dynamic

staff manipulation question

I’m working with a score that has multiple staves that appear and disappear at various points. I ran into a curious behavior: I have two staves fro a while, the second has two notes that complete mid-measure so I encoded like this: \score { \new StaffGroup \relative c' { \new Staff \key f

Re: time signature magic

-in-parentheses-_002d-method-3 -akj On May 23, 2015, at 6:09 PM, ole m...@oleschmidt.info wrote: maybe this helps? http://lsr.di.unimi.it/LSR/Item?id=782 ole Am 23.05.2015 um 23:44 schrieb Alex Jones akjonesjeff...@gmail.com: Does anyone have a suggestion for a good way to accomplish

time signature magic

Does anyone have a suggestion for a good way to accomplish this in lilypond? time signature with a second time signature in parentheses? Thanks in advance! -akj ___ lilypond-user mailing list lilypond-user@gnu.org

Re: time signature magic

This worked like a charm, thanks to everyone! -akj On May 23, 2015, at 7:05 PM, David Nalesnik david.nales...@gmail.com wrote: #(define ((time-parenthesized-time up down upp downp) grob) (ly:stencil-combine-at-edge (grob-interpret-markup grob (markup #:override '(baseline-skip

overlapping articulations with slurs

Apologies if others have solved this in the past, but I wasn’t able to find a solution on the list quickly. Has anyone seen something like the following: I’m trying to write both a stopped and accented note, that is slurred to an open note. I’m having trouble with the stopped and accented

Re: overlapping articulations with slurs

to your previous request. -- Phil Holmes - Original Message - From: Alex Jones akjonesjeff...@gmail.com To: lilypond-user@gnu.org Sent: Friday, January 09, 2015 7:06 PM Subject: overlapping articulations with slurs Apologies if others have solved this in the past, but I

overlapping articulations with slurs

Apologies if others have solved this in the past, but I wasn’t able to find a solution on the list quickly. I’m trying to write both a stopped and accented note, that is slurred to an open note. I’m having trouble with the stopped and accented articulation occurring overtop of each other.

Re: help with pitchedtrill

Thanks very much, this worked well. Best, Alex On Jun 29, 2011, at 1:46 PM, Kieren MacMillan wrote: Hi Alex (and Mike), What I really want is the trill with a flat sign, but I didn't figure that one out. This is what I do: trillWithFlat = { \once \override TrillSpanner

help with pitchedtrill

Couple of questions: I'm trying to use pitchedTrill, but its creating a problem when I have a tie coming off the note: score.ly:125:88: warning: unterminated tie \pitchedTrill d4~ \startTrillSpan \! ees d16 \stopTrillSpan b (g ees \pitchedTrill d4~)

transposition question

I am using lilypond for a transposition solution. Unfortunately, when doing the transposition, the shift is to keys where it would make sense to write the notation in the enharmonic key. E.g. the new key is c-sharp major and it would be nicer to actually write it in d-flat major, is there a

tuplet number

I am using the expression to not display the tuplet number \override TupletNumber #'stencil = ##f but at some point later in the score I want that number to be displayed again and when I use what I figured was the appropriate reactivation expression \override TupletNumber #'stencil = ##t it

nested crescendos?

I need to include nested crescendos and decrescendos within a document (e.g. an overarching crescendo with phrasing decrescendos). Is this possible? For example the idea would be something like the following: fis, \ \ (ees') \! f,! \ (d') \! \! Any suggestions? Thanks! -akj

question about bar lines

I am having a problem with bar lines, if I put the following around a staff break \bar || \break \bar |: I get the repeat sign on the start of the staff, but not the double bar on the end of the previous staff. I am using partial bars before and after the break, but through

Re: question about bar lines

Thanks a lot!!! -akj On Sep 19, 2010, at 10:11 AM, Alexander Kobel wrote: On 2010-09-19 15:38, Alex Jones wrote: I am having a problem with bar lines, if I put the following around a staff break \bar || \break \bar |: I get the repeat sign on the start of the staff