Re: cadenza when having multiple staffs

Actually, it didn't take me long to test it. It's spot on. Thanks! Will let you know when I upload it into its repo. On Wed, Sep 5, 2018 at 4:18 PM Edmundo Carmona Antoranz wrote: > > Thanks for your feedback. Let me give it a try and will let you know > how it went. > On Wed, Sep 5

Re: cadenza when having multiple staffs

Thanks for your feedback. Let me give it a try and will let you know how it went. On Wed, Sep 5, 2018 at 12:01 AM Andrew Bernard wrote: > > Hi Aaron, > > My thoughts exactly. > > Andrew > > > On Wed, 5 Sep 2018 at 15:55, Aaron Hill wrote: >> >> >> It is not a cadenza, per se, but rather an

cadenza when having multiple staffs

Hi! I'm translating Carmen Fantasy by Francois Borne into Lilypond. I'm writing the score with flute/piano parts and when reaching 2 bars before Moderato, the flute part has what I think is a cadenza while the piano part has perfect measures to complete it (rest with fermata). I tried writing

Re: How to write this note from chaconne?

On Wed, Mar 7, 2018 at 7:26 PM, Simon Albrecht wrote: > Rules that have evolved in the course of the 19th and 20th century and are > certainly alien to the 18th. I understand that the rules had changed over time and that back then it was fine to do it that way. > If

Re: How to write this note from chaconne?

On Wed, Mar 7, 2018 at 7:01 PM, Simon Albrecht wrote: > There is no reason whatsoever for any fancy words. It’s just a dotted note > with the dot written at the rhythmic position where it actually happens. > I’ve never seen any realisation of this in LilyPond – would be

How to write this note from chaconne?

Hi! You know the chaconne from BWV 1004, right? On the bar before last, there's an apparent dot written at the position of the f at the opening of the bar. I didn't know if it was a staccato mark or other kind of expressive mark for the violin or a mistake but I also found it on Anna Magdalena'

Re: How to organize a single piece of work with different versions?

V 1030 Flute Sonata B minor/1-andante-flute.ly @@ -1,4 +1,4 @@ -% Sonata for Flute and Harpsichord BWV 1030 in B minor I Andante +% Sonata for Flute and Haprsichord BWV 1030 in B minor I Andante %{ Copyright 2017 Edmundo Carmona Antoranz. Released under CC 4.0 by-sa @@ -47,23 +47,23 @@ %

Re: How to organize a single piece of work with different versions?

On Sun, Feb 11, 2018 at 12:03 PM, Mark Stephen Mrotek wrote: > Edmundo, > > Did the B minor for my senior recital! Bravo. > Note, I compile Andante, time and key signature should be moved to after > \relative c', i.e., within the {}. > Consider using R1 for the full

How to organize a single piece of work with different versions?

Hi! As you might have noticed from previous mails I have sent, I'm working on a project to process works from Bach on lilypond. I have already put up BWV 1013 and 1030 (I dare you to guess the instrument that I play). However, each one of them has many different editions. Right now I have set up

Re: Re: how to write a single note that covers two sounds

On Thu, Jan 25, 2018 at 5:08 PM, Simon Albrecht wrote: > Glad I could help. > > Please keep communication on-list whenever possible, so others may chime in > or see results or whether the question is sufficiently answered. > > Best, Simon > Oh, sorry you are right.

how to write a single note that covers two sounds

Hi! Suppose you were transcribing Bach's flute partita BWV 1013 from manuscript. On the Bourree, on bar 48 there's a note that was corrected on the manuscript but, if you ask me, it's kind of difficult to see what Bach's final intent was. Was it a F that got corrected to G or viceversa? So if