Thanks Aaron. That worked very well.
Of course, the minute I get a solid solution, the desired result gets changed
on me: now we’re looking at only numbering the first line. Fortunately that’s
an easy enough change to make. Well, I’ll keep this solution in my back pocket
for the inevitable
Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c) 202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
> On May 4, 2024, at 1:31 PM, David Kastrup wrote:
>
> "Fr. Samuel Springuel" writes:
>
>> Okay, so then I need to break up the string to create
Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c) 202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
> On May 4, 2024, at 1:13 PM, David Kastrup wrote:
>
> "Fr. Samuel Springuel" writes:
>
>> Word wrapping does not appear to be functioning in this solution:
>>
>> \version
☧ ΧΡΙΣΤΟΣ
> On May 4, 2024, at 11:30 AM, Jean Brefort wrote:
>
> Try this:
> \markuplist \wordwrap-lines {\concat { "test test test "\italic { "italic
> text" }", test test test" }}
>
> Le samedi 04 mai 2024 à 11:18 -0400, Fr. Samuel Springu
How do I get the comma (which is not italicized) attached to the italics text
just before it?
\version "2.24.3"
\markuplist \wordwrap-lines { test test test \italic { italic text }, test test
test }
✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501
I’m using the vocalName and shortVocalName context properties in Lyrics and for
a particular project, I always set them to be the same thing (i.e. so that the
verse numbers appear on every line). Right now, that means putting two “\set”
commands in each Lyrics context in order to set both
I just discovered that in English, there’s a shorter way to name notes that
would normally be specified with “-sharp” or “-flat”: “s” and “f”. E.g.
“f-sharp” can be written as “fs” and “b-flat” can be written as “bf”.
However, I noticed that this is not documented in the Music Glossary:
The attached file compiles differently under 2.22 and 2.24: 2.24 introduces a
page break that isn’t present in 2.22. This is causing some havoc in my
lyluatex tool chain. Any idea what’s causing the problem and how to fix it?
convert-ly doesn’t change anything in the file when upgrading the
> On Feb 20, 2023, at 7:33 AM, Jean Abou Samra wrote:
>
> (Adding back the list)
Sorry about losing the list.
>
> Le dimanche 19 février 2023 à 12:46 -0500, R. Padraic Springuel a écrit :
>
>> It’s part of my system for having make automatically figure out dependencies
>> when running
I have the following scheme function which I used on versions 2.22 and earlier
which determined the requested output files for a lilypond run:
#(define target-extensions (cond ((equal? (ly:get-option 'backend) 'svg) (list
"svg"))
((equal? (ly:get-option
> On Feb 15, 2023, at 2:54 PM, Fr. Samuel Springuel
> wrote:
>
> I recently upgraded from 2.22 to 2.24 and have run into some problems with
> one of my tools. The tool is set up to define some some stuff (in the
> example attached below I’ve narrowed it down to be just
I recently upgraded from 2.22 to 2.24 and have run into some problems with one
of my tools. The tool is set up to define some some stuff (in the example
attached below I’ve narrowed it down to be just a color), but only if that
thing is not already defined. The reason for this is because the
My mostly automated solution for recited notes is attached.
✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c) 202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
recite.ily
Description: Binary data
> On Oct 28, 2022, at
> On Aug 7, 2021, at 3:54 PM, Aaron Hill wrote:
>
> Perhaps something like this:
>
>
> \version "2.22.0"
>
> ifCompiledDirectly =
> #(define-scheme-function (scm) (scheme?)
> (let ((file (car (ly:input-file-line-char-column (*location*)
> (if (member file (command-line)) scm)))
>
I’ve done some work to clean up my code and also modified the interface to be
fairly intuitive and non-intrusive. Hopefully I’ll have some time this week to
integrate this into my project, but if anyone sees anything that could be
improved, I’d love to hear about it.
On Nov 2, 2021, at 11:26 PM, Aaron Hill wrote:
>
> Okay, would text replacement be viable as opposed to writing a bunch of
> individual functions?
That does sound nice. There would need to be some helper functions to handle
the formatting issue that Jean pointed out, but I can get that
> On 15 May, 2021, at 7:39 PM, Kenneth Wolcott wrote:
>
> Hello;
>
> I have an interesting engraving problem I haven't seen before
> (example png file attached).
>
> I understand how to handle the tuplet, the crescendo, the
> decrescendo and the general polyphony, even the arpeggio.
>
>
> On 5 Jan, 2021, at 5:22 PM, Davide Liessi wrote:
>
> If you are running macOS 11, I would be grateful if you could test the
> application and report the results.
I can confirm that basic operations seem to work. Will report back as I use
further.
✝✝
Fr. Samuel, OSB
Is there a way to set the horizontal dimensions of a markup to 0 while leaving
the vertical dimensions alone?
I’ve got the following as a start, but it zeros both X and Y dimensions.
Ideally I’d like the second argument to be computed automatically:
Cantor = \markup \with-dimensions #'(0 . 0)
On 17 Dec, 2020, at 4:27 PM, David Menéndez Hurtado
wrote:
> pip install python-ly
> ly "reformat" input.ly > output.ly
>
> That runs exactly the same that Frescobaldi does. More documentation:
> https://pypi.org/project/python-ly/
>
I should probably smack my forehead over this. I already
I’ve developed a large collection of music files over several years have
recently noticed that there are some stylistic formatting deviations in some of
them and so I’m looking for a tool that will check all my files for these
problems (and ideally fix them). I can do this in Frescobaldi using
> On 6 Dec, 2020, at 3:55 PM, Matthew Fong wrote:
>
> Hello Fr Samuel,
>
> It sounds like we are solving almost the same issue with note entry, and
> Aaron Hill created a function which basically scales note values so that they
> group together nicely. And the clutter from manual scaling is
> On 6 Dec, 2020, at 1:47 PM, Thomas Morley wrote:
>
> Ok, then my initial understanding
>> Iiuc, you want to change thick-thickness and font-size for barlines
>> containing "[" or "]".
> was wrong. You rather want a different thick-thickness for the thick
> line in bracket-barlines and for the
> On 6 Dec, 2020, at 12:00 PM, Kieren MacMillan
> wrote:
>
> I’m hoping to avoid the Slur_spacing_engraver entirely. ;)
> What does it do exactly?
>
It tightens the spacing between notes which are inside a slur so that the
musical sense is clear without the usual bow (though, it’s a
> On 6 Dec, 2020, at 6:39 AM, Thomas Morley wrote:
>
> \layout {
> \context {
>\Staff
>\override BarLine.before-line-breaking =
>#(lambda (grob)
> (let ((glyph (ly:grob-property grob 'glyph)))
>(if (and (string? glyph)
> (or (string-contains glyph "[")
>
> On 6 Dec, 2020, at 10:37 AM, Kieren MacMillan
> wrote:
>
> Where is the asterisk supposed to sit?
>
> Horizontal: Just to the right of the last cantor-only word? Just to the left
> of the first choir word? Centred between those words?
Closer to just left of the first choir word. There can
> On 5 Dec, 2020, at 1:46 PM, Kieren MacMillan
> wrote:
>
> Hi there,
>
>> I’m still working on getting my modified slur spacing issues worked out and
>> have yet to come up with a solution for the collision between \set stanza =
>> "*"
>
> I honestly can’t understand what you’re trying to
I have a couple of customized bar lines defined and have come across an
instance where I want to combine them with a standard bar line element.
However, my naive attempts aren’t working as expected. My first attempt
resulted in the bar line simple disappearing; in the second the customization
I’m still working on getting my modified slur spacing issues worked out and
have yet to come up with a solution for the collision between \set stanza = "*"
and the words when a slur occurs on either side of the asterisk. (You’ll note
that the first asterisk in the MWE doesn’t have any problems
How can I apply italics to part of a syllable in the lyrics context? When I
use the method I usually use to apply italics, it automatically creates a new
syllable:
#(ly:set-option 'relative-includes #t)
\version "2.20.0"
\new Staff
<<
\new Voice = "mel" { c' c' }
\new Lyrics \lyricsto
> On 25 Aug, 2020, at 3:20 PM, Jacques Menu wrote:
>
> Hello,
>
> I’m using Mac TexLive 2020 with all updates.
> TeXShop proposes only Lilypond and Lilypond-LaTeX as reasonable-looking
> engines.
>
Neither of these are correct for use with lyluatex.
>
>
> On 17 Aug, 2020, at 5:27 PM, Jon Arnold wrote:
>
> Hi all-
>
> I was trying to find if it was possible to do lyric extensions automatically,
> and found this thread:
> http://lilypond.1069038.n5.nabble.com/Automatic-Lyric-Extenders-td198194.html
>
> Did anything ever come of this project?
> On 19 Jul, 2020, at 4:32 PM, David Kastrup wrote:
>
> I don't see that you can fix this with a music function,
That’s what I thought, I just wanted to make sure.
> but of course
> you can process the complete music expression and then modify any note
> before a \bar "|".
I hadn’t thought of
Is there a way for a music function to operate on the note that precedes it?
I’m transcribing chant and have lots of music where I transcribed the note just
before the bar as a quarter note (the same as other non-reciting notes in the
measure):
{ \cadenzaOn g'1 c'4 f' \bar "|" }
I’ve been
Reply received off-list. Copying to list for record:
> On 13 Jul, 2020, at 10:58 AM, Urs Liska wrote:
>
> Hi Samuel,
>
> Am Montag, den 13.07.2020, 10:00 -0400 schrieb Fr. Samuel Springuel:
>> So, if I've taken in the whole conversation, then the situation you
>> h
So, if I've taken in the whole conversation, then the situation you have is as
follows:
1) property sets define a list of properties and give them default values (so
that you never have a valid property without a current value)
2) a “preset” can change the values of properties in a property
> On 12 Jul, 2020, at 9:38 AM, Urs Liska wrote:
>
>
> \definePreset \with {
> thickness = 3
> Y-position = 2
> } my-function.appearance default
>
> \definePreset \with {
> parent = default
> color = #green
> } my-function.appearance style-one
>
> \definePreset \with {
> parent = default
Thank you both.
✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c) 202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
Is there a tweak/override that can be applied which will force a particular
lyric hyphenEvent to always appear show its hyphen (moving lyrics/notes around
if needed)? I’m trying to deal with hyphenated words (“loving-kindness” in
this particular example) and the hyphenEvent hyphen disappears
I’m trying to sign-up for the LSR in order to contribute a snippet. However,
even though I apparently successfully complete the “New element” form, I remain
unable to login. Is there some sort of lag in when registrations become active
or is there some other problem going on?
Right now we have ly:source-files which contains a list of all input files
which have been opened up to the point of it’s call, but there is, so far as I
can tell, no equivalent for output files. How difficult would it be to add
such a scheme function/list?
As I see it, LilyPond obviously
> On 9 Jun, 2020, at 5:54 AM, Matt Wallis wrote:
>
> I found
> https://lists.gnu.org/archive/html/lilypond-user/2020-05/msg00148.html very
> interesting.
> It describes how to get lilypond to print out dependencies. Have you looked
> into this?
That’s from the start of this thread and I’m
I have now updated the repository I posted earlier
(https://github.com/rpspringuel/lilypond_make) to contain two additional
branches:
GNUmake_dependencies: Implements dependency generation as described in the
GNUmake manual
mad-scientist_dependencies: Implements dependency generation as
> On 26 May, 2020, at 6:13 PM, David Wright wrote:
>
> Because of the inability to collate multiple MIDI files, I've always
> renamed them. I tee the log into a nonce file, which I grep for their
> names in a postprocessing script. (I then trash the log unless there
> was an error code, in which
> On 26 May, 2020, at 12:09 PM, Timothy Lanfear wrote:
>
> Maybe this code can give some hints on how to decide if midi is being
> produced.
That’s the first code I’ve seen that’s been able to definitively show when a
midi file is being produced. Thank you.
Now, there is the issue of it
> On 26 May, 2020, at 6:18 AM, Matt Wallis wrote:
>
> For C/C++, there is an excellent discussion of the issues about automatically
> producing dependencies and dealing with them in make:
>
> http://make.mad-scientist.net/papers/advanced-auto-dependency-generation/
>
> I think much of this is
> On 25 May, 2020, at 3:12 PM, Wols Lists wrote:
>
> So. Am I correct in thinking that, if you change one .ily file, you need
> to rebuild the entire makefile? WHY?
> And it means if put a new include into
> dynamics.ily, I just need to create/update the line for dynamics.ily,
> and everything
> On 25 May, 2020, at 1:01 PM, Shane Brandes wrote:
>
> Increase the spacing-increment on line twenty. I tried a value of 2 and it
> worked fine.
>
> regards,
>
> Shane
Yep, playing with that parameter allowed me to tweak the note spacing to
prevent the collisions. I also found that by
On 25 May, 2020, at 12:46 PM, David Wright wrote:
> But it seems to me that your OP had the makings of an A/B problem.
> You originally asked for a script that worked in the forward
> direction: a list of top-level file's dependencies, for constructing
> DEP. Having got LP to perform that with
I’ve come back to this after a bit and have found a deal breaker of a problem:
when the slur spans over notes which go both up and down, the note heads after
the turn around collide. See attached example.
✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501
> On 23 May, 2020, at 7:34 PM, David Wright wrote:
>
> If you follow some simple rules in your source layout, constructing
> such a list might be most straightforward to do in the shell, using
> grep.
It’s not quite as straight-forward as you seem to think:
1) You haven’t accounted for the
> On 21 May, 2020, at 9:08 PM, David Wright wrote:
>
> Look¹, I'm not the one making this analogy. I'm trying to make any
> sense of it, and why this "dependency file" is being built.
Well, perhaps it’s time to drop the analogy then and work with an example. For
reference sake, let’s use the
> On 21 May, 2020, at 9:36 AM, David Kastrup wrote:
>
> antlists writes:
>
>> On 21/05/2020 01:49, David Wright wrote:
>>> I don't understand your equivalence between .ily and .h files. The
>>> .ily file(s) can contain just as much code as the .ly file(s), whereas
>>> .h files don't contain
> On 20 May, 2020, at 10:22 AM, David Kastrup wrote:
>
> myNames = \language-pitch-names.english
> myNames.do = c
> myNames.re = d
> myNames.mi = e
> myNames.fa = f
> myNames.sol = g
> myNames.la = a
> myNames.ta = bes
> myNames.ti = b
> language-pitch-names.solfegenglish = \myNames
>
> On 20 May, 2020, at 12:05 PM, Fr. Samuel Springuel
> wrote:
>
> Use of the -dbackend=eps (or setting the backend to eps in the file) also
> causes the production of several other files (*-systems.tex, *-systems.texi,
> *-systems.count, and the eps and pdf files for eac
As an exercise in Scheme programming (and because I’m something of a
perfectionist), I’m working on improving the output when using parse-only.ly by
having it account for `--format` flags and the various backends when
constructing the target portion of the make rule (the version I previously
> On 20 May, 2020, at 9:43 AM, Paul McKay wrote:
>
> Todays thoughts are: when you specify \language, then part of what you are
> doing is setting up the parser to understand which character sequence should
> indicate an f-sharp. I would like to be able to temporarily reconfigure this
> so
> On 20 May, 2020, at 2:41 AM, Witold Uchman wrote:
>
> Hello!
>
> I am looking for a way to simplify input in a book of psalms, namely to be
> able to simply put an * in lyrics and make the character in red.
>
I define a special function for this:
#(define aster #{ \set stanza = \markup
> On 18 May, 2020, at 11:30 AM, David Wright wrote:
>
> If you were compiling a C program foo.c into an executable, what you
> would be trying to avoid is recompiling fnbar.c into fnbar.o over
> and over again (and all of its similar companions).
>
> Can you explain which of your files are the
> On 18 May, 2020, at 9:37 AM, antlists wrote:
>
> define trombone-notes.ly as a target, define it as changed if its
> dependencies change, and say "it doesn't exist as a file that can be created
> with a command".
Right, that’s the step I’m trying to automate. Make itself cannot determine
> On 16 May, 2020, at 5:31 PM, David Kastrup wrote:
>
> The problem is that there are quite a few things in there that make no
> overwhelming sense for the task you want to solve. In order to allow
> for "snappy" init files doing specific tasks like this version of
> parse-only.ly does, one
> On 15 May, 2020, at 5:04 PM, David Kastrup wrote:
>
> "Fr. Samuel Springuel" writes:
>
>> Before I start writing a script to do this, is there an existing tool
>> which will identify all the `\include` files that a LilyPond file
>> depends on? Even b
> On 15 May, 2020, at 12:03 PM, Fr. Samuel Springuel
> wrote:
>
>> On 15 May, 2020, at 3:43 AM, Valentin Villenave
>> wrote:
>>
>> On 5/15/20, Fr. Samuel Springuel wrote:
>>> Before I start writing a script to do this, is there an existing tool
> On 15 May, 2020, at 3:43 AM, Valentin Villenave
> wrote:
>
> On 5/15/20, Fr. Samuel Springuel wrote:
>> Before I start writing a script to do this, is there an existing tool which
>> will identify all the `\include` files that a LilyPond file depends on?
>> E
Before I start writing a script to do this, is there an existing tool which
will identify all the `\include` files that a LilyPond file depends on? Even
better, one that will work in a recursive fashion?
✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501
> On 30 Apr, 2020, at 4:24 AM, Lukas-Fabian Moser wrote:
>
> Hi Fr. Samuel,
>
>> So far I’ve determined that the articulations property is a music-list, but
>> I can’t seem to figure out how to look inside the music-list to see if it
>> contains a HyphenEvent. I tried using (member
> On 4 May, 2020, at 3:20 PM, Fr. Samuel Springuel
> wrote:
>
> Now, I’m almost certain the answer is yes (at least in principle), but before
> I start trying to write a music function that does [concatenates a variable
> consisting of pairs of keys and music expressions i
> On 4 May, 2020, at 12:45 PM, David Wright wrote:
>
> Of course, you can break up the music into several variables
> from which you assemble the different versions, in order to
> localise the variation and make it easier to maintain.
So, attached is my first go at that sort of
> On 4 May, 2020, at 12:45 PM, David Wright wrote:
>
> Well, in a sense, you haven't managed to localise the complications
> because the lyrics are stuffed with redundant associatedVoices when
> reused elsewhere.
Very true. Getting the separation I want is still very much a work in progress.
> On 3 May, 2020, at 3:57 PM, Caio Barros wrote:
>
> Personally I tend to use explicit durations (no \lyricsto) in complex cases
> like this, but a workaround would be simply:
I’m avoiding explicit durations in this project because each set of words can
be set to multiple possible tunes.
I’m trying to apply the techniques for switching to an alternative melody for a
stanza from here:
http://lilypond.org/doc/v2.20/Documentation/notation/stanzas#stanzas-with-different-rhythms
So far the switch to the alternative melody is working alright, but the switch
back is giving me
> On 1 May, 2020, at 6:28 AM, Thomas Morley wrote:
>
> Below a hackish and probably fragile method to get the desired output anyway.
> Please test thoroughly before using it for serious work!
Well, after applying this version to my project, it doesn’t seem to break any
scores. So it appears
> On 1 May, 2020, at 6:28 AM, Thomas Morley wrote:
>
> sorry for coming back to this that late. Because of Corona the
> workload for my regular job exploded ...
Totally understandable. I’ve got plenty of things to work on and am not on a
deadline for this so I’m not concerned with the delay.
> On 29 Apr, 2020, at 12:26 AM, David Wright wrote:
>
> That's probably all very similar to what you suggested above,
> but expressed in slightly different terms. It scales to many
> voices, and deals with missing syllables more simply.
It is very similar, but also relies on being able to
> On 28 Apr, 2020, at 3:47 PM, Fr. Samuel Springuel
> wrote:
>
>> On 25 Apr, 2020, at 2:02 PM, David Wright wrote:
>>
>> So you need a NullLyric which contains your "controlling" lyrics, but
>> which is not printed (and occupies no space).
>
>
> On 25 Apr, 2020, at 2:02 PM, David Wright wrote:
>
> So you need a NullLyric which contains your "controlling" lyrics, but
> which is not printed (and occupies no space).
My attempt to create such a context is attached. Unfortunately, the “occupies
no space” thing still has me scratching my
Okay, I’ve been applying this to my project and came across a problem with the
version I posted earlier: ledger lines are visible for the invisible notes.
Now, I’ve tried applying the line-position function to
LedgerLineSpanner.transparent, but that doesn’t have any effect. There is
> On 26 Apr, 2020, at 1:01 PM, David Kastrup wrote:
>
> Predicates used in argument parsing have to be "primary" in that they
> have to deliver a result for anything thrown at them.
>
Can that be noted in the docs
> On 26 Apr, 2020, at 4:30 AM, Thomas Morley wrote:
>
> I've no clue why positive? fails here.
> Though, for integers >= 0 we have the index? predicate, which works in
> your function.
Well, I’m glad I’m not the only one baffled. And the index? predicate does
seem to work.
> On 26 Apr,
> On 23 Apr, 2020, at 3:42 PM, Thomas Morley wrote:
>
> Using Custos for it sounds very strange.
I don’t disagree. I picked it because of the objects that obey
break-visibility
(http://lilypond.org/doc/v2.19/Documentation/notation/visibility-of-objects#using-break_002dvisibility)
it was the
I’m trying to write a music function in scheme in which the first argument is
optional and have run into something that confuses me:
The following works:
\version "2.19.84"
recite = #(define-music-function (times note) ((integer? 1) ly:music?)
#{ \repeat unfold #times {
Nevermind, I figured it out:
\version "2.19.84"
recite-note = #(define-music-function (note) (ly:music?)
(define dur 1)
(withMusicProperty 'duration (ly:make-duration dur 0 (/ (expt 2
dur) 4)) note))
\new Staff {
\new Voice { g' \recite-note g' g' }
}
Within a scheme music function, how can I tie the value of the third argument
of ly:make-duration to the value of the first argument so that the note takes
up the space of a 1/4 note? I’m trying to set things up so that I only have to
change one thing to change the appearance of the note
> On 25 Apr, 2020, at 11:44 AM, Fr. Samuel Springuel
> wrote:
>
>> On 23 Apr, 2020, at 4:23 PM, Aaron Hill wrote:
>>
>> Ooh, I didn't think of that. Since \bar just sets the whichBar property, it
>> is a case of whichever \bar command is last that wins. S
> On 23 Apr, 2020, at 4:23 PM, Aaron Hill wrote:
>
> Ooh, I didn't think of that. Since \bar just sets the whichBar property, it
> is a case of whichever \bar command is last that wins. So the code just
> needs to have a variation that checks whether whichBar is already set and
> only
> On 22 Apr, 2020, at 4:34 PM, Fr. Samuel Springuel
> wrote:
>
> Is there a way to specify that a note should only appear if it’s the first
> note on the line? I tried using the break-visibility property but this
> doesn’t seem to be working (the notes simply
> On 14 Apr, 2020, at 3:02 PM, Aaron Hill wrote:
>
> On 2020-04-14 9:14 am, Benjamin Bloomfield wrote:
>> However, I am still trying to figure out how engravers and contexts work to
>> be able to know exactly what's going on.
>> Thanks for any help or ideas,
>
> Here is my take that works from
> On 22 Apr, 2020, at 6:09 PM, Aaron Hill wrote:
>
> A pattern I could recommend is defining a named procedure as opposed to using
> a lambda with \applyContext:
>
>
> foo = #(define-music-function () ()
>(define (proc context)
> (do-something-here))
>#{ \applyContext #proc
Is there a way to specify that a note should only appear if it’s the first note
on the line? I tried using the break-visibility property but this doesn’t seem
to be working (the notes simply disappear entirely.
\version "2.19.84"
mystart = \override Voice.NoteHead.break-visibility =
After some more work I came up with the attached redefinition of the bar which
does what I originally asked for. I’d appreciate any scheme experts critique
on what I have as I’m not entirely comfortable with the way I’m switching in
and out of scheme. It works, I’m just not sure it’s
I’ve been playing with this further and have come up with the attached. Now,
can someone tell me how I might combine \test and \bar into a redefined \bar
(so that I don’t have to have both \test and \bar in all bar locations)? My
naive expectation would have been `bar = \test \bar \etc` but
> On 26 Mar, 2020, at 7:50 PM, Mark Stephen Mrotek wrote:
>
> Fr. Samuel.
>
> 1) The bar instructions are in printer's (curly) double quotes.
Sorry about that, my email client must have mangled them as they aren’t that
way in the original document. I’ve attached the original below.
> 2) The
The lilypond port for MacPorts (i.e. the stable version) doesn’t have a mactex
variant like lilypond-devel and thus will end up installing several the
MacPorts texlive packages which are redundant on systems which already have
MacTex installed. Should I be reporting this to the MacPorts bug
When constructing scores where the timing is turned off, how do I get
accidentals to behave with respect to the manually inserted bar lines? I’m
just looking for the default accidental style (accidentals “last” until a bar
line), it’s just that all bar lines are inserted manually using \bar.
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