Re: Scheme question

Stefano, That works perfectly. The Cond conditional is even better. Thank you, Jay -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Scheme question

I have defined three pair lists nameCpitch, nameEpitch, nameGpitch and nameApitch. I want to assign nameold to one of the four depending on the value of pitch. I set pitch to G and have a set of if statements to define nameold. However it is not working. When I print one of the lists I

Re: Multiple context NoteNames

Wow! Fantastic! Thanks Aaron! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Multiple context NoteNames

I have defined alternate note names using the following method: newnames = #`(("c" . "S") ("d" . "R") ("e" . "G") ("f" . "M") ("g" . "P") ("a" . "D") ("b" . "N")) myNoteNames = #(lambda (grob) (let* ((default-name (ly:grob-property grob 'text)) (new-name (assoc-get

Scheme / Lilypond question

1) Is it possible to define a variable as a piece of music: jj = g16 \3 ( f e f) The idea is, in the music I am working on the note F is sometimes replaced by the above [and similarly other notes]. Perhaps a scheme function may be needed for this? 2) When I am specifying the guitar string the

Re: Music or Scheme function to Auto Generate glissandos

Wow! That works! Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Music-or-Scheme-function-to-Auto-Generate-glissandos-tp189566p189597.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user

Music or Scheme function to Auto Generate glissandos

I have some music where I have Glissandos between each note of a phrase. This happens often enough to warrant a Music of Scheme function that takes a piece of music and adds glissandos between the notes. In the example code below, for example, such a function would take music and convert it

Re: Left Hand Fingerings on Guitar Tab

Works perfectly. Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Left-Hand-Fingerings-on-Guitar-Tab-tp189370p189391.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list

Left Hand Fingerings on Guitar Tab

I am trying to add left hand fingerings to the Tablature without affecting the staff. Here is a sample code: \version "2.19.15" one = \markup { \finger 1 } two = \markup { \finger 2 } three = \markup { \finger 3 } four = \markup { \finger 4 } myMusic =

Re: Colouring guitar strings

Marc, that is perfect. Let me try and figure out how to adapt it to guitar tabs. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Colouring-guitar-strings-tp183220p183233.html Sent from the User mailing list archive at Nabble.com.

Colouring guitar strings

Is there a way to have the guitar staff lines colour-coded? That is, have each line in a different colour? There is a snippet that allows you to change the thickness of staff lines. Something along the same lines perhaps could be available. ___

Re: [OT] solfege to notes software?

All music in Carnatic Classical music is written in solfege. Not sure if this is an example of what you are talking about. Plus there is no specific standard, but rather a bunch of different conventions. And the ornamentations are left to the performer and not specifically written. Timing is

Problems with Completion_heads_engraver

For some reason the Completion heads engraver does not seem to be working in some situations. In some cases it swallows up a note (although timing wise it seems ok) and sometimes it produces some weird looking notes. Here is one example I was able to recreate in a small example: [image: Inline

Re: Programming question

could not get past the syntax / non-music expression issues. On Wed, Nov 26, 2014 at 12:41 AM, David Nalesnik david.nales...@gmail.com wrote: On Tue, Nov 25, 2014 at 8:49 AM, Jay Vara j...@diljun.com wrote: Trying to force the lyric in David's program to associate with the Staff/Voice, I

Re: Programming question

Trying to force the lyric in David's program to associate with the Staff/Voice, I added a name jun to the voice and see if that worked. noteNameToLyric = #(define-void-function (parser location lst) (list?) (let* ((str (t lst)) (str (string-append { str }))) (display str) (newline)

Re: Programming question

. On Tue, Nov 25, 2014 at 5:54 PM, Thomas Morley thomasmorle...@gmail.com wrote: 2014-11-25 15:49 GMT+01:00 Jay Vara j...@diljun.com: Trying to force the lyric in David's program to associate with the Staff/Voice, I added a name jun to the voice and see if that worked. noteNameToLyric

Programming question

Given that NoteNames are really a type of lyrics, is it possible to have a function that just takes music and returns a text string that is a lyric. For example: music = \relative c' { c4 d e f g a b c } notenameLyric = \NoteNameToLyric \music would make notenameLyric = c d e f g a b c so

Replace slur events with skip

I tried to change the tiedNoteToSkip procedure to also skip slurs. For some reason, it does not seem to work the same way. It skips the first note in a 3 note slur, but not the second. Here is the script: \version 2.19.15 #(define (name-of music) (ly:music-property music 'name)) tiedNoteToSkip

Re: how to get h instead of b in notenames

Apparently, in the NoteNames context it defaults to Dutch. You can use the following code to get what you want I think. b has been redefined to h in the definition of newnames and the myNoteNames override to NoteName.stencil makes this substitution. %%% \version

Re: Unicode Font Issues

Yes, you are right. The unicode fonts failed on 2.19.5. I even tried the new windows 10 and it failed. Now that I know it works on linux (thanks to Bric), I will try to get access to linux using virtual box and try it out. On Sat, Nov 1, 2014 at 2:08 PM, Werner LEMBERG w...@gnu.org wrote: If

Re: Unicode Font Issues

If it works on Linux, I may have a way to get Linux on the windows PC using Virtual Box. On the other hand I am using version 2.18.2 - perhaps I should try 2.19.5 first. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Unicode-Font-Issues-tp168122p168243.html Sent from

Re: Accidental Notes in different colour

Paul, Is there a similar way to get at the accidental grob from the NoteNames? I tried a similar method by overriding the NoteNames.stencil and giving the NoteName a colour there. When I do an (accidental (ly:grob-object grob 'accidental-grob)), it always comes up with null. Also, I have several

Re: Accidental Notes in different colour

Paul, Thanks. I modified the snippet and was able to get it half-way working. I say half-way because I was not able to get the Stem and the Accidental to change colour, just the NoteHead. Well, not quite. I tried this function on a long music and it changed the colour of the stem here and there -

Unicode Font Issues

I tried to use unicode fonts for the lyrics. While the fonts show perfectly well in the input file, the output is not correct. Is there a workaround? %% \version 2.18.2 \score { \new Staff \relative c' { {c2 d4e f2 g a b c} \new Lyrics

Re: Accidental Notes in different colour

Paul Thanks. I modified your snippet and was able to get it to work for the note heads. For some reason the stems and accidentals do not work. I even tried a separate function to set Stem.color - also did not work. The stem does not seem to see accidentals. When I tried the color-acci in my

Re: Accidental Notes in different colour

I am not top-posting Paul, Thanks. I was able to use the snippets you pointed out to get it almost working. Check out this snippet: Using ly:grob-object to access grobs with \tweak http://lsr.di.unimi.it/LSR/Item?id=621 This is the program I wrote. It does colour the note heads for

Re: Accidental Notes in different colour

Jay, Thanks. That works very well. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Accidental-Notes-in-different-colour-tp168088p168120.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing

How to force NoteNames to be printed before key change

I have a program which is roughly as below: \score { \new staff { \key c \major \new voice { musicA } \context NoteNames { \override NoteName.stencil = #myNoteNames

Accidental Notes in different colour

Is there a way to make the accidental notes in a different colour? I can make a particular note a different colour by: \tweak NoteHead.color #red \tweak Stem.color #red \tweak Accidental.color #red c4 However, I would like to have all the accidentals to be coloured. Perhaps, override NoteHead

How does map-some-music work?

I am trying to display all the names that appear in a piece of music (NoteEvent etc.) using map-some-music. It the function musShow is only printing the top level name. What am I missing here? \version 2.18.2 #(define (showMus music) (display-scheme-music (ly:music-property

Re: How does map-some-music work?

Paul Hi Jay, Did you see my reply here: http://lilypond.1069038.n5.nabble.com/map-some-music-question- tp167241p167250.html Thanks. I will try your suggestions. I was watching this site. http://news.gmane.org/gmane.comp.gnu.lilypond.general For some reason, there were no updates on the

Re: map-some-music question

I am trying to display all the names that appear in a piece of music (NoteEvent etc.) using map-some-music. It the function musNam is only printing the top level name. What am I missing here? %%% \version 2.18.2 #(define (name-of music) (display-scheme-music (ly:music-property

NoteName Engraver and Ties

Is there a way to tell the NoteName Engraver not to print the notes under ties? Or print a - when the note is tied to the previous note? In the following code, e and g are tied. The NoteName currently prints e e and g g. Instead I would like to see it print e - and g -. %%% \version

map-some-music question

I am trying to display all the names that appear in a piece of music (NoteEvent etc.) using map-some-music. It the function musNam is only printing the top level name. What am I missing here? %%% \version 2.18.2 #(define (name-of music) (display-scheme-music (ly:music-property

Transpose a lilypond file

I have a song.ly file which prints a song. Is it possible for someone to print the song with a transposition, say c to d, without editing the .ly file? Something like: \transpose c d {\include song.ly} ___ lilypond-user mailing list

The silent s

I have the letter s as a defined pitch abc = #`( (s . ,(ly:make-pitch -1 0 NATURAL) ) which I set as a note name. How do I set a different letter to the silent note s? Also for the rest r? ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Transpose a lilypond file

Marc #(define transposeTo (if (defined? 'transposeTo) transposeTo #{ c #})) melody = { ... } chords = {... } \score { \transpose c $transposeTo ...chords ... ...melody ... } Then you simply make a new file song-in-d.ly:

Re: The silent s

Marc A quick search in the sources shows that at least 's' seems to be hardcoded in lily/parser.yy, so there is no easy way to define another letter instead of 's'. Okay, thanks. I should be able to work around it. Jay ___ lilypond-user

Re: Transpose a lilypond file

Urs #(define transposeTo #{ d #}) \include song.ly Cool solution, I'll take this into my repertoire. You can then factor out the function into a library file. And you could pass the variable on the commandline instead of adding a new file. Being able to call from the command

Lyrics only

I saw some discussion of how to get lilypond to print only lyrics from a few years ago. I tried a few things suggested in those posts, but nothing worked well. Does anyone know if a good solution exists? Ideally, NoteNames and Lyrics contexts would print, but staff does not print or occupy

String as a command?

Is there a way to execute a string as a command? For example, tt = 45 #(display tt) #(newline) jj = tt = 65 #(display jj) #(newline) tt = #(eval-string jj) #(display tt) #(newline) would display the value 65 for tt, the result of evaluating the string jj. If I define lilyA, lilyB, lilyC to be

Re: String as a command?

Robin If I define lilyA, lilyB, lilyC to be strings containing lilypond commands, and I have set xyz = lilyA, is there a way to execute xyz? Does this work? #(ly:parser-include-string parser #'xyz) Maybe this thread is relevant:

Re: Thanks to David Nalesnik and Jan-Peter Voigt

David, I tried your snippet with a different meter and it gives some weird results. It seems to produce additional bars - I changed the bar after the compound meter to double bar so we can see the extraneous bars. And the notes are not placed properly. Am I doing something totally foolish here?

Special bar lines at end of a line

I have four bars per line, plus I have double bar lines at the beginning and end of a line as seen in the code below. I tried to get a special bar line at the end of the FirstPart (at the end of the first line) without success. I think I was able to get it in one of the trials, but that made the

Re: Special bar lines at end of a line

Thomas   I tried to get a special bar line at the end of the FirstPart (at the end of the first line) without success. What kind of special bar line? Does\defineBarLine || #'(|. || ||) do the job? Not quite. This definition makes all the lines end with the special barline |.. I

Alignment of markups

I am trying to get the text about the two staffs to align. \left-align or \right-align both seem to just give centre align. Here is the code and what it produces. %% \version 2.18.2 \new Voice {\mark \markup {\left-align Left-Align} \relative c' {c d e f g a b c} } \new Voice {\mark

Re: Alignment of markups

Jay Vara jay at diljun.com writes: I am trying to get the text about the two staffs to align. \left-align or \right-align both seem to just give centre align. I think I got it. I had to use \override Score.RehearsalMark.self-alignment-X = #LEFT

Line in lyrics to show half or full note

When a lyric syllable corresponds to several notes, it is easy to get a line extending under all the notes concerned. When a lyric syllable corresponds to a single full note (or dotted full or a half note) I would like to see a line the extends from the lyric till the completion of the current

Re: Thanks to David Nalesnik and Jan-Peter Voigt

Hi David, The problem is that the Completion_heads_engraver and the Completion_rests_engraver do not appear to respond to sub-bar patterning, as the following snippet demonstrates: I would need to spend more time with lily/completion-noteheads-engraver.cc to understand what goes on

Re: Line in lyrics to show half or full note

Trevor Doing this would not be standard notation, so LilyPond does not provide a straight-forward way to achieve it.   Yeah, I understand this is not standard notation. I am trying to match up two different notation systems. In some of the Canarese songs that I am working with, it is

Function not called in the NoteName context

I am not top-posting I have defined a function sspOn that just sets a variable SSP to 1. It is called from the music expression \music. \music is used in the Voice context as well as in the NoteNames context. However, the function call is made only once. How do I get the function to be

Re: Thanks to David Nalesnik and Jan-Peter Voigt

David Apparently, the context property completionUnit needs to be set for the engraver to recognize sub-bar groupings. This gets better results: Nice. I did try the completionUnit before, but I was trying to put it in the music section rather than the pattern section and there it would not

Re: Thanks to David Nalesnik and Jan-Peter Voigt

Hi David, Thank you very much. Now I know how to use the listeners! With your change it seems to work for the two-staff example with (7 4) (1 4) (2 4) meter. This is the only case of compound metre that I commonly use that has a (1 4) as one of the components. Just to be sure, I did check a

Re: LilyPond Enhancement Proposal (with Bounty)

Paul, Why not play with the paper size and margins to get lilypond to do the work for you? Then you may not need to worry about lyrics on top of bar lines etc. This should work for most tablet devices. Some development may be required to properly scale all the elements when working with very

Thanks to David Nalesnik and Jan-Peter Voigt

I wanted to get bar lines after each sub-meter of a compound meter, and to have Completion_heads_engraver recognize these bar lines and split and tie notes as needed. Thanks to David and Jan-Peter, I was able to change their doubleBarlinesAfterTimeSig engraver to achieve this effect. I still

Re: Thanks to David Nalesnik and Jan-Peter Voigt

I am not top-posting David, All I can say is I am amazed at your expertise. You have already saved me a few days of work! Thank you for the original idea for this engraver and many more thanks for this refinement. Jay Here's an idea to make the engraver more flexible:  \version 2.18.0

Re: Thanks to David Nalesnik and Jan-Peter Voigt

Completion_rest_engraver } } } On Sun, Sep 28, 2014 at 10:24 PM, David Nalesnik david.nales...@gmail.com wrote: Hi Jay, On Sun, Sep 28, 2014 at 3:29 PM, Jay Vara j...@diljun.com wrote: David, If I use the compound meter which has a (1 4) as one of the moments, it does not work

Re: Generating symbols from strings

Robin The following seems to read out the value of abc: xyz = #(eval (string-symbol abc) (interaction-environment)) Wow, that works! Thanks. Working with the idea from Robin, I was able to convert a string to a symbol and evaluate it. I tried to make this into a function.

Re: Generating symbols from strings

Robin This also seems to do what you want: xyz = #(eval-string abc) That makes it even easier to follow. Thanks, Jay ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Guile question

I am trying to define a function test that takes a string and returns the value of the variable the string represents. For example, if aaa = 25, then bbb = \test aaa would be the same as bbb = \aaa. If I use the eval-string command directly, it is working fine. When I try to put it in a

Re: Generating symbols from strings

Paul Hi Jay, You don't need to use string-symbol to do this. #abc will return the value of abc (the string IamJustAText), just like \abc does. I should have made my question clearer. The string in string-symbol is a generated string. I have changed the example program as below to make

Re: Generating symbols from strings

Robin The following seems to read out the value of abc: xyz = #(eval (string-symbol abc) (interaction-environment)) Wow, that works! Thanks. I had not noticed interaction-environment when I read the guile manual. I will read through that section this weekend to understand why this

How to get bar lines between measures programmatically

I am using Completion_heads_engraver that break long notes and automatically tie them into the next measure. I have a compound measure, say ((3 4) (2 4) (2 4)). I need the Completion_heads to work not only after 7 quarter notes (which it does), but also after 3 and 5 notes. I also need bar

Generating symbols from strings

In the following program, I set xyz to the variable abc using scheme string-symbol as well as the usual \abc. Instead of giving the same value for xyz, the first one sets it to string abc and the second sets it to value of abc. What do I need to modify in the assignment of string-symbol to get

Re: How to print measure position as each note prints

Paul Paul Morris wrote I'm not sure but what you're trying to do might best be done on the input side. Actually, nevermind since this is before measures/positions have been determined. My next thought is that you may need to create custom engraver, but I'm not even sure that that

Engraver Programming Question

I am not top-posting I tried to build in a way to get the measurePosition and measureLength in a user defined engraver (lines 13 and 14). The idea was to change them as needed. As a first step, I wanted to print the values - I tried putting in a format statement (line 23). The program runs

Re: Engraver Programming Question

Jan Hi Jay, to output something, you have to display it. The format function returns the formatted string. If you insert #t (true) prior the format string, it will output the result to stdout: (format #t length ~a position ~a note-names ~a ~% measure-len

How to print measure position as each note prints

I am not top-posting I am trying to figure out how measure position and measure length work so that I can change them to work properly with compound metres with appropriate bar lines, notes on bars split and tied etc. Two issues I have are: 1) Where to place the function that prints measure

Re: How to print measure position as each note prints

Neil Add this to your \layout block: \context { \Score \override PaperColumn.stencil = #ly:paper-column::print } Great! This works nicely. Now I understand better how this thing works internally! You don't set this to anything that the grob will read (see below).

Re: lilypond-user Digest, Vol 142, Issue 95

Bill, You might be able to write little function that sets the completionUnit to (2 4) once you've finished a (5 4).  It would then switch back to (5 4) after finishing the (2 4).  You could probably further expand that by having your function respond to a boolean input.  That way, you could

Re: lilypond-user Digest, Vol 142, Issue 83

bill at wolfcomposer.com bill at wolfcomposer.com writes: Hi, Jay-- Will this get you closer to what you want? \version 2.18.2 fooBar = { s1 s4 \bar | s2 \bar || } music = \relative c' { \compoundMeter #'((5 4) (2 4))              \set

Re: lilypond-user Digest, Vol 142, Issue 80

I am not top-posting Bill, Here is part of the code that shows how I am trying to use compound meter. Like you, I also had to get the in-between bar lines artificially using the silent voice fooBar. Only thing that is not working for me is the Completion_heads_engraver across the in-between

Re: Programming Question

David, Right. Thanks. I know my mistake now - from reading the guile page, I thought eqv? should work for characters. However I should have used string=? since the variable is a string. The display function is a real life saver. Not only is it easy to spot mistakes, it also makes it a good

Re: Programming Question

Paul, can read up on them in the Guile manual). Here's the section on equality (eq? eqv? and equal?): https://www.gnu.org/software/guile/manual/guile.html#Equality I've found the guile manual to be a helpful resource for learning to use Scheme. Yes, I

Re: Programming Question

David Definitely consider trying out the Scheme sandbox.  It's much more convenient for learning Scheme than embedding Scheme in ly files. I will try out the sandbox. Yes, it's a lifesaver.  I use format more often, because it makes constructing meaningful

Programming Question

I'm not top posting. I am using NoteNames context to print the note names automatically for scales of half notes, quarter notes and eighth notes. I have redefined the NoteNames using override NoteName.Stencil. I need different font sizes for the note names of half, quarter and eighth notes.

Re: Programming Question

Yay! I tried the cryptic version you suggested, and it works nicely. The syntax does take some time to get used to. When lilypond displays an error, is it possible to know which line of code the error is in? I am using Friscobaldi. ___

Re: Programming Question

David, Wow! The power of programming knowledge! Yeah, size can be set based on duration. In my particular case, this is giving some unwanted effects since the duration of all my notes are not the same (unlike in the small example I made up for this post). So I will be using your earlier

Re: Programming Question

David: Friscobaldi says: Starting lilypond-windows.exe 2.18.2 [Alam-Ata.ly]... Processing `c:/users/arjuna/appdata/local/temp/frescobaldi- pvt8zv/tmptpz4so/Alam-Ata.ly' Parsing... Interpreting music...[8][16][24][32][40][48][56][64] Preprocessing graphical objects... Interpreting music...

Automatic fixing of note between measures

Sometimes a note in my (generated) music falls on the bar lines. Is there a way to auto fix it by splitting the note as per the measure and joining the two parts with a tie? In the following, the first line shows that there are five quarter notes in the first measure rather than 4. The second

Re: Programming Question

I am not top-posting David, You are way too good! Is this the way I enter it? For some reason, does not seem to be working - it seems to be ignoring the suffix. If I wanted to display new-name as the program runs, is there a command for that? Thanks Jay \version 2.18.2 music = \relative

Re: Automatic fixing of note between measures

Nice, that works. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Automatic fixing of note between measures

David, That works. Malte also suggested something similar. Is there a reason not to use Completion_heads_engraver all the time or atleast as a default? I am also using a compound metre. Hopefully this will work with that. In one case I have repeating measures of 5/4 + 3/4 + 2/4. I have

compoundMeter - how to get lilypond to recognize the bar line in the middle

I am not top-posting I am using a compoundMeter - 5/4 + 2/4. I would like to see a bar line after 5 quarter notes (and after 7 quarter notes). Plus I would like Completion_heads_engraver to recognize the bar line after the 5 quarter notes. I was able to artificially achieve getting the bar

Re: Programming Question

David Fantastic! I can not claim to understand what you have done. The display command is helping - I can see that text has what I need, and why I need to replace the new-name with text in the set property line. Thanks, Jay ___ lilypond-user

Re: Programming Question

I am not top-posting David, I defined a second variable nsiz which is 1, 2 or 3 Tried (case duration-log ((nsiz) a ) (else ))) This condition was never succeeding although I printed out nsiz and duration-log and they were the same. Then I changed it into an if statement - that worked.

Re: Can NoteNames in higher octaves be changed?

I'm not top posting. David, How I wish I could understand how you do what you do! It all looks like magic to me. Is there a place that shows how to use all these functions? I tried to adapt what you showed to my system. So far, all attempts have resulted in syntax error or other error,

Re: Can NoteNames in higher octaves be changed?

David, That worked. I have now defined a 2.5 octave range that covers most of my music. I will try to learn the scm slowly - I should say it is a bit confusing with all the different levels of parenthesis. Thanks, Jay ___ lilypond-user mailing

How do you tell Lilypond not to jump strings when sliding?

I'm not top posting. When you give lilypond a piece of music, it automatically generates the music and guitar tabs for it. When there are glissandos in the music, lilypod does show the slides automatically. However, many times, it shows slides from one string to another, rather than choosing

Re: How do you tell Lilypond not to jump strings when sliding?

Frederico, Yay! I added \set TabStaff.minimumFret = #1 and now it works! Who would have thought that minimumFret is related to restrainOpenStrings! Thanks, Jay ___ lilypond-user mailing list lilypond-user@gnu.org

Re: How do you tell Lilypond not to jump strings when sliding?

I'm not top posting. I spoke too soon. Setting the minimumFret does fix the restrainOpenStrings issue, but not the jumping strings during slide issue as seen in the code below. There should be some way to tell lilypond not to jump strings during slides. \version 2.18.2 musica = \relative

Re: How do you tell Lilypond not to jump strings when sliding?

Phil Burfitt phil.burfitt at talktalk.net writes: Jay, You'll need to indicate string numbers. They can be hidden with \omit StringNumber if you do not want the circled numbers to appear. Btw, guitar music is usually written an octave higher than it sounds. You should use \clef

Can NoteNames in higher octaves be changed?

I'm not top posting. NoteNames will print the higher (and lower) octave names with printOctaveNames set to true. It prints them as c', d', c, d, etc. My question is: Is it possible to have the higher octaves print using a different character, say C D E F etc rather than c', d', e', f'. Here

How to get bar lines in lyrics

Here is the link to the not-working example: http://goo.gl/n54RZB -- the snippet is called bar-lines-lyric-only . The link to the source is: http://goo.gl/7kO7Gf ___ lilypond-user mailing list lilypond-user@gnu.org

Re: How to get bar lines in lyrics

Jay Vara Jay at DilJun.com writes: Here is the link to the not-working example: http://goo.gl/n54RZB -- the snippet is called bar-lines-lyric-only . The link to the source is: http://goo.gl/7kO7Gf This was a case of my not understanding how to use snippets found on the web. Like

Re: How to get bar lines in lyrics

Thanks Pierre, that works. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Can NoteNames in higher octaves be changed?

Hello Simon, I tried using the code you sent. The output is still the same. It appears that your code allows me to input capital names for higher octave notes. Is that right? What I wanted is for automatically printing capital names - using NoteNames context. With NoteNames, you just enter the

Re: How do I define an Lilypond/Scheme alist as cons of two a lists?

David, Sorry, I did not know that I was using the regression code. This is my first week with Lilypond. Hopefully, I will learn enough to produce some nice music. Jay ___ lilypond-user mailing list lilypond-user@gnu.org

How do I define an Lilypond/Scheme alist as cons of two a lists?

I have pitch names defined as a alist in Lilypond as below and it works fine. \version 2.18.2 pitchname = #`( (saa . , (ly:make-pitch -1 0 NATURAL)) (raa . , (ly:make-pitch -1 1 FLAT)) (sa . , (ly:make-pitch -1 0 NATURAL)) (ri .