Re: Is there a way to circle around tab numbers?

, Devin Ulibarri <devin@ulibarri.website> wrote: > Stephen MacNeil: > > you could just change it to tab > > Thanks, this is helpful. > > If possible, I would like some more information about how to tweak the > output. > > * Is it possible to make the space w

Re: Is there a way to circle around tab numbers?

you could just change it to tab circle = \once \override TabNoteHead.stencil = #(lambda (grob) (let* ((note (tab-note-head::print grob)) (combo-stencil (ly:stencil-add note (circle-stencil note 0.1 0.8 (ly:make-stencil (ly:stencil-expr combo-stencil) (ly:stencil-extent note X)

Re:Consecutive slurs with differing dash patterns

{ \once \phrasingSlurDashed c''4^\( c'' c''\) ^\( c'' c''\) } HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Multiple slurs between chords

Ok thanks for the clarification Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Multiple slurs between chords

Hi David I notice both ^(_(d) and ^(_(d)) work. The last with )) is one way "more" correct? Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:Multiple slurs between chords

\set doubleSlurs = ##t (d) other part \set doubleSlurs = ##t 4.(4) HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slurs and repeats

Hi Martin not sure if there is a better way but . Do you mean like \relative { \partial 4 c'8( d | % this slur is OK \repeat volta 2 { e4) g g4. a8 | g4 e c4. d8 | } \alternative { { e4 e d c | d2. c8 d -\tweak control-points #'((-2 . -3.8) (-1 . -4.5) (0 . -4.5) (1 . -4)) ( <> ) | }

Re: Tuplet bracket and cross staff

can you share? Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Tuplet bracket and cross staff

good to know Thanks Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re:Tuplet bracket and cross staff

Not the best way I am sure .. but it works. I am sure someone has a less aggressive way. rotation seems to work when offset or extent does not. RH_VIII = \relative do'' { r2 \tupletUp %\once \override Score.TupletBracket.staff-padding = #19 \once \override TupletBracket.rotation = #'(0.1

RE:Multiple rhythms in same score

Hi Don I see this a lot, (in guitar music -- typically vocals are added) the two typical ways are 1. use small notes eg 2. use the same size notes. I can post examples if you need. >>I'm guessing that the answer is "no" since publishers like >>to reduce the page count really? it's been my

Re:Decaying squiggle

You could also use the short predefined short cuts \relative c' { \vib #'(4 .2 0) c1\sVib c\eVib } Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:Decaying squiggle

Hi Andrew This is common in guitar. Modern scores. Mark Witmer wrote code for this it's old but I still use it. %%% \version "2.16.0" % vibrato.ly % Author: Mark Witmer % Sets the next trill spanner to draw a waveform with the provided wevelength % and

Re: bending: microtone TabNoteHeaded printed if in a chord

Thanks Harm :) just a note on your comment >>It's not hard to get and use a devel-version ;) >>I can't recommend to grab the code and patch v2.18.2 with it... Well it depends on your operating system! I would say that for me it is extremely hard. I compile my box from source using LFS as a

Re:bending and line breaks [WAS:Re: Guitar bend error]

HI Federico I looked through some scores and I would say about 90% had them. The ones that didn't, it was do to the fact that such an occurrence in a score/song is rare and even more so that it may be at that particular part of the score. So the ones I didn't find it in I assume it's because it

Re:bending and line breaks [WAS:Re: Guitar bend error]

Hi Federico After teaching guitar for 20 years I will say it does happen, although very rarely as it makes it hard to read. I avoid it at all costs in my own typesetting. I grabbed a couple books from my studio library and the second book I looked at had it on pg 22 so, ya it happens. HTH

Re:bending: microtone TabNoteHeaded printed if in a chord

Nice work to those that got the "microtones" working. Not a tab user but curious anyway, also part of my question applies to the standard notation. Questions: 1. when did this happen? I notice it works on lilybin 2.19.38 but not on 2.18.2, would it be hard to get that to work? 2. there are many

RE:Fingering font

Hi Andrew Those are not fingerings. Those are string numbers { \override Fingering.font-name = "Noto Sans" c-1 \override StringNumber.font-name = "Noto Sans" c\1 } HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org

Re: RE:Programming error - cross fingers

Hi Graham I do use %{ comments blocks, but typically only when testing new code. It's much .. much faster to highlight a block and delete it. The alternative is sectioning out a block... and then another etc... etc... etc... Granted the time difference is minimal, but can add up in a large score

RE:Programming error - cross fingers

HI Andrew The way I approach an error like this may or may not help. But I can tell you what I do. I start deleting large sections of the source. Bottom up. Make sure you create a backup. Once the error is gone and I know the general area. I add the previous section removed and start with

Re: hairpin length

This was discussed a while ago... more doing with the hairpin in relation to the dynamic. But it may help http://lilypond.1069038.n5.nabble.com/Dynamic-mark-at-the-end-of-a-bar-td177090.html or https://lists.gnu.org/archive/html/lilypond-user/2015-05/msg00717.html HTH Stephen

Re: invisible note for expressive marks

I see Thanks Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: invisible note for expressive marks

sorry forgot to sent to list Hi David so based on that I would assume \addlyrics { \repeat unfold 3 { c4 d e f } } would work? and it does, so It seems that with s1*0 you need c4 added to \addlyrics as well? Stephen ___ lilypond-user mailing

Fwd: Re: Placing a section name at the start of a staff

like this { \set Staff.instrumentName = \markup \bold {\larger INTRO \halign #-1 \bold .} \repeat unfold 4 { s1 }\break \repeat unfold 4 { s1 }\break \repeat unfold 4 { s1 }\break } { \set Staff.instrumentName = \markup { \concat {\larger \bold N \raise #1 \center-column\number {

Fwd: Re: Placing a section name at the start of a staff

hey I do those all the time :) your scan was hard to read but it looks like it as separate scores %%% { \set Staff.instrumentName = \markup { \concat {\larger \bold N \raise #1 \center-column\number { \fontsize #-7 \raise #.8 \sub o \vspace #-.35 \fontsize #-8 \raise #.4 \super

Re: Placing a section name at the start of a staff

>>Thank you very much. It's close, but will need a little tweaking. Your example is right-justified against the left margin, whereas I want it >>starting at the left margin, and pushing the staff to the right remove indent \paper { %indent = 0 %left-margin = 15 } does that work? >>The

RE: Placing a section name at the start of a staff

Actually I just noticed \halign -- that's not needed I copied it from another one where it was needed so those examples should just read \set Staff.instrumentName = \markup { \box \fontsize #5 \pad-around #.5 \bold "B"} etc. Stephen ___

RE: Placing a section name at the start of a staff

There are several ways I do this, I use this for students a lot here are a few ways to achieve this % \version "2.18.2" \paper { indent = 0 left-margin = 15 } A = \relative c' { \set Staff.instrumentName = \markup {\halign #-2 \box \fontsize #5 \pad-around #.5 \bold "A"}

Re: Guitar bend error

>I’ll see if I can get the openlilylib files to work first. they should be the same file, unless the openlilylib has been updated. I never modified the file I think >how come the graceBend slurs are always facing down in the output when it says “up” in the definitions file? do you mean

Re: Guitar bend error

>The code Stephan hosts is a nightmare, because all indentation has >gone. This is true :) but I actually read it better... not sure why. and not being able to type fast it just works for me cheers Stephen ___ lilypond-user mailing list

Guitar bend error

Add a line break before bar 25 r4 r8 e' g2 | \break % gradual bend on g2 towards a | % BAR 25 \bendGrace g8( a2) g2( | % gradual bend on g2 towards a | \bendGrace g8 a4 g8) e g2( | % gradual bend on g2 towards a | HTH Stephen It was written by Marc Hohl I just adapted it to have no tab

Re: score as footnote/footer

You could also do something like this \version "2.18.2" \header { title = "FootNote" tagline = "FootNote" } %%% footOne = \markup { %% space \vspace #2 % \hspace #1 \dir-column { %% \vspace #0 \concat { "*" \hspace #1.5 \score {

How to get swing feel from dotted notation?

Hi Colin Sometime ago I came across a file on the net... not sure where. It was written by Johannes Rohrer I believe. Anyway all you do is \include "../SwingMarks.ly" % location of file #(load "../swing.scm") % location of file and it will play the midi in swing and example is on my

Re: Orientation of notes in chords

Hi Andrew as I said it was a long time ago. bit i just played with it a few seconds. to see if I could remember. first take the following code top = \relative c' { e,16 \displaceHeads #'(-.8 1 0) \adjustStem #'(2 . -2) g, \displaceHeads #'(-.05 .8 0) \adjustStem #'(1.5 . -2)

Re: Orientation of notes in chords

This is common in guitar music (upper note left). So I asked this same question some time ago found here https://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00010.html I did look at http://lsr.di.unimi.it/LSR/Item?id=861 But it didn't work as I needed so I ended up with

Re: Fonts from the former fonts.openlilylib.org

I don't think I read any where that Abraham was making the fonts "proprietary" .. I do believe he said "Some fonts are becoming commercial". And proprietary doesn't necessarily mean closed source. Although in most cases it does, because proprietary software if modified holds ownership "usually"

Piano_Tab notation; how to disable clef and key engraver?

\omit Accidental \omit Clef HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:I'm not smart enough to figure out the math for this.

\relative c' { \time 4/3 \cadenzaOn c4 c c \bar "|" c c c \bar "|" } HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Help with fonts from a blind user

that said i don't even have icons so. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Help with fonts from a blind user

This assumes one has a file manager that is a GUI (it's hard to do this in say midnight commander or xterm) for those without you can cd to your lilypond directory and put the fonts there. I use cd /usr/local/lilypond-current/lilypond/usr/share/lilypond/current/fonts/ ls otf svg HTH

Re: Fingerings get crushed if key is removed. Bug?

or add \override Fingering.add-stem-support = ##t HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

OT: Aligning upbows and downbows

Hi David I would just like to point out that in guitar music, the capo now acts as the open position. Therefore we write as if there was no capo at all. This makes it easy for sight reading. As a professional guitarist I have only came across a few scores written in what I would say an incorrect

RE:Bar number moves down inexplicably

as a workaround you can add \override Score.BarNumber.Y-offset = #3 \score { \new ChoirStaff << \new Staff << %% add \override Score.BarNumber.Y-offset = #3 %% \clef treble \global \new Voice { \ss } >> \new Staff << \clef treble \global \new Voice { \aa } >> \new Staff << \clef

RE: Reversing order of colliding noteheads?

How about %% \version "2.18.2" timeKey = { \key c \major \time 4/4 } tenorPart = { \voiceOne r2 e'8 \shape #'((0 . 0) (0 . 0.8) (0 . 0.8) (0 . 0.1)) Tie c'4. ~ | \once \override Voice.NoteColumn.force-hshift = #.6 c'4. r8 f'2 | } leadPart = { \voiceTwo

RE:outside-staff-priority?

\override Score.MetronomeMark.padding = #5 \tempo "Mod. fast Bulgar" 4 = 110-115 HTH Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:guitar scale diagram - change root

using the snippet given you would change the order and add the correct position number eg ((5 3) (5 5) becomes ((5 3) (5 2 5) and the 5 is the new scale position -- so the root on 3rd fret (c) is before the second (b) % cpenta= \markup\scale-diagramm #'((5 3) (5 5) (4 3) (4 5) (3 2) % (3

Re: left pointing note heads

or %% % Stem Ri = { \once \override Stem.extra-offset = #(lambda (grob) (if (eq? (ly:grob-property grob 'direction) right) '(0 . 0) '(1.168 . -.05))) % rotate head \once \override NoteHead.rotation = #'(-58 0 0) } % Done %%% { c'' \Ri c'' } Stephen

RE:TuxGuitar Export

any should work if use convert-ly I use 2.18.2 actually what i do is get guitar pro files (he writes in it) from a friend. Use tuxguitar to convert to lily then update with convert-ly in 2.18.2 HTH Stephen ___ lilypond-user mailing list

Re: Getting an override into a markup function

Hi Harm you can still d/l acroread up to 9.5.5 ftp://ftp.adobe.com/pub/adobe/reader/unix/9.x/9.5.5/enu/ also Foxit Reader Goes upto 6400% Stephen ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Centering markup between staves

or \override TextScript.Y-offset = #0 Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: stacking whole notes of different size

\with { fontSize = #-3 } { > \override NoteColumn.force-hshift = #0.15 > \voiceOne b'1 | h! | cis | d~ | 1~ | 1~ | 2 > } > >> > see attached picture. >Marc Stephen On Tue, Sep 1, 2015 at 1:21 AM, Marc Hohl <m...@hohlart.de> wrote: > Am 31.08.2015 um 19:

Re: stacking whole notes of different size

wow Harm that looks really nice. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: stacking whole notes of different size

\override NoteColumn.force-hshift = #.65 works but you would have to create a new voice i believe. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:LilyPond crashes on \musicglyph #space

Starting lilypond 2.18.2 [Untitled]... Processing `/tmp/frescobaldi-t71lRI/tmpBr7KhM/document.ly' Parsing... Interpreting music... Preprocessing graphical objects... Finding the ideal number of pages... Fitting music on 1 page... Drawing systems... Layout output to `document.ps'...

Print Double Percent Repeat inside a markup

how is % inspired by: http://lsr.di.unimi.it/LSR/Item?id=908 \version 2.18.2 percentRepeat = \markup { \combine \translate #'(0.2 . 1.5) \draw-circle #0.22 #0 ##t \combine \translate #'(1.8 . 0.5) \draw-circle #0.22 #0 ##t \rotate #90

RE: Tablature - Hiding Tied Notes

hi mike1951 As i said i only used tab for setting up certain functions - and only looked at full-notation once - i think. So I have absolutely no idea what you are after or what it should look like. My knowledge on tab is limited to perhaps only a few days of experimentation. Perhaps someone

Re: Tablature - Hiding Tied Notes

I have used (forced) tab only a few times when typesetting for people that are slow or can't read. So i don't understand. Isn't the tied-to note always hidden? in fact I had to do a nasty trick just to get it to print. something like. \version 2.18.2 \new Staff { \relative c' {c2~c4 d~d e~e

RE: Tablature - Hiding Tied Notes

Sorry perhaps you mean on a line break. in that case you can do \version 2.18.2 \new Staff { \relative c' {c2~c4 d~d e~e f~\break f2 g} } \new TabStaff{ \new TabVoice{ c2~c4 d-4~| d e~e f~| \once \override TabStaff.TabNoteHead.transparent = ##t f2 g| } } Stephen

Re: Guitar Chord Chart - Align Fret Diagram with Chord Names and Notes

:41 AM, Stephen MacNeil classicalja...@gmail.com wrote: and % \halign #-13 it's to early Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Guitar Chord Chart - Align Fret Diagram with Chord Names and Notes

Hi tone I tested your code on 2.18.2 (doesn't compile) and on 2.19.24 (looks NOTHING like what you have) I think the first issue I would solve is - why? why does it not look correct on other versions. I only mention it because all your work could become useless once you upgrade. As a side note

Re: Guitar Chord Chart - Align Fret Diagram with Chord Names and Notes

and % \halign #-13 it's to early Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Guitar Chord Chart - Align Fret Diagram with Chord Names and Notes

Sorry you can comment out %\fill-line %\concat I used them as a markup with several chords. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: PDF portfolio of 2.19.25 docs

Hi paul You can convert the pdf and it will work in linux - I posted how a while back (convert it to ps then back to pdf) - without the indexing or you can d/l acroread 9.5.5 was the last linux version i think (not sure since I never use it) search acroread 9.5.5 linux download Stephen

Re: difficult question to ask about spacing

sorry forgot to post to list 1.) Use \stopStaff, spacer rests, and \startStaff, or 2.) Use a markup line with two scores and a horizontal space in between. Version 2 theoretically offers full flexibility, but all spacing (in particular, vertical spacing) is computed separately from the

Re: difficult question to ask about spacing

at 2:31 PM, Alexander Kobel n...@a-kobel.de wrote: Hi Stephen, hi everybody. On 07/24/2015 07:50 PM, Stephen MacNeil wrote: 1.) Use \stopStaff, spacer rests, and \startStaff, or 2.) Use a markup line with two scores and a horizontal space in between. Version 2 theoretically offers full

RE:Attachment size

Not sure if this will help but, I only run LFS so no bells and whistles. So to do this i wrote a few scripts that use ghostscript. modify what you need or use it as it is gsPdf - prints specified pages from a larger pdf gsJpg - creates jpg images from pdf files (all small in size) they assume

RE:Change color after a line break

actually this is better http://lsr.di.unimi.it/LSR/Item?id=700 stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \cueClefUnset problem

the problem is because of the change of clef, if you start with the bass clef there is no issue. Bug? i would say so. anyway a workaround is change the clef before then omit it. %% \relative { \time 5/4 r4 r4 % \once\omit Staff.Clef \clef bass % { s4

Re: \cueClefUnset problem

you can remove the second \clef bass as well, sorry I forgot to comment that out stephen On Sat, Jul 11, 2015 at 9:42 AM, Jacques Menu imj-muz...@bluewin.ch wrote: Hello Stephen, Now, that’s clever, a better work-around still, thanks! JM Le 11 juil. 2015 à 13:28, Stephen MacNeil

RE: using python snippets in Lilypond

do you mean like this? http://www.python-course.eu/python_scores.php Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

As I said i couldn't get your SpanBar to go. But your main brilliant function - sortClef - well that inspired me. here it is http://mglessons.com/lilypond/try-klaus-stephen.ly I think just roll all the functions into one and it's good? Stephen ___

Re: Creating cut-away or scrapbook scores in LilyPond

Hi Klaus glad you found it useful. I looked at your file nice job. We took the same approach (creating a new StaffGroup). This means that to continue you need to add 2 more -- another flute and another bassoon -- or else the grouping is wrong. I changed your file however i lost the SpanBar ...

Re:Creating cut-away or scrapbook scores in LilyPond

I won't bias your creativity by sharing what I tried. Let's see what you've got! - Abraham Can I see what you tried? Thanks Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

http://mglessons.com/lilypond/try-klaus-stephen2.ly Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

here are 4 and 5 of the ly files that I attempted final is the same as 5 using variables http://mglessons.com/lilypond/try-final.ly http://mglessons.com/lilypond/try5.ly confused how to keep the staff going I used 2 scores anyway http://mglessons.com/lilypond/try4.ly Stephen

Creating cut-away or scrapbook scores in LilyPond

ok did it :) One score no hacks really and ... ya works great! http://mglessons.com/lilypond/try5.pdf Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: combining simultaneous notes

, and if you’re publishing your code, it’s not a matter of your personal preference alone. :) Regards, Simon Stephen On Wed, Jun 3, 2015 at 3:36 PM, Simon Albrecht simon.albre...@mail.de wrote: Am 03.06.2015 um 21:19 schrieb Stephen MacNeil: The example works on What do you mean by ‘works

Re: Creating cut-away or scrapbook scores in LilyPond

-in-LilyPond-td177436.html . ~ Simon Am 03.06.2015 um 21:41 schrieb Stephen MacNeil: No i doesn't show Stephen On Wed, Jun 3, 2015 at 3:27 PM, Simon Albrecht simon.albre...@mail.de wrote: Am 03.06.2015 um 21:26 schrieb Stephen MacNeil: have a sample of what it should look like

RE:Creating cut-away or scrapbook scores in LilyPond

have a sample of what it should look like? Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

No i doesn't show Stephen On Wed, Jun 3, 2015 at 3:27 PM, Simon Albrecht simon.albre...@mail.de wrote: Am 03.06.2015 um 21:26 schrieb Stephen MacNeil: have a sample of what it should look like? There was one inline, didn’t you receive it? ~ Simon

Re: Creating cut-away or scrapbook scores in LilyPond

What one first or second? http://mglessons.com/lilypond/try.pdf http://mglessons.com/lilypond/try2.pdf Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

sorry missed sending here This is what I got a bit different but as they say close enough for rock and roll :) http://mglessons.com/lilypond/try.pdf On Wed, Jun 3, 2015 at 6:09 PM, Stephen MacNeil classicalja...@gmail.com wrote: This is what I got a bit different but as they say close enough

RE:Creating cut-away or scrapbook scores in LilyPond

well here are my goes at it first http://mglessons.com/lilypond/try.pdf second http://mglessons.com/lilypond/try2.pdf ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

RE:Accidentals in cadenzas after barlines

you can also do #(set-accidental-style 'forget 'Score) then #(set-accidental-style 'modern 'Score) to go back %%% \version 2.18.2 \language english \score { \new Staff \with { \remove Time_signature_engraver } \relative c { \key c \major \clef bass \set

Re: Accidentals in cadenzas after barlines

I agree \accidentalStyle is nice syntax. And i agree my example was over kill for the situation (But works). However I disagree, on Score vs Voice/Staff. If you need to change in and out of using accidentals for example in a book. Score works well. Take this example

Creating cut-away or scrapbook scores in LilyPond

Well I had fun at this game, so I wanted to see it in action. The first section requires a little tweak here and there but after that it's good. I modeled it after your example (spacing) http://mglessons.com/lilypond/try4-orig.pdf After i formatted it :) then i adjusted the spacing. and here

RE:Creating cut-away or scrapbook scores in LilyPond

actually I just thought of a way to avoid to scores -- then it would be perfect :) in my eyes. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Creating cut-away or scrapbook scores in LilyPond

Well as it's been pointed out in another thread from Simon. My work is sometimes a bit hacky! However I look at it this way if something needs to be done I do it the best I can with the knowledge I have at the time. If there is no solution then I think hacky works until one better comes along!

Creating cut-away or scrapbook scores in LilyPond

Here is my last (hope) attempt unless I get a better idea. but it seams good. http://mglessons.com/lilypond/try3.pdf cheers Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

tuplet beam

use [ ] eg %%% \version 2.18.0 \score { \new PianoStaff \new Staff = upper \relative c'' { \clef treble \key g \major \time 6/8 \tempo \markup {Variation 5} \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/8) \set Timing.beatStructure = #'(1 1

Re: tuplet beam

your welcome Stephen On Tue, Jun 2, 2015 at 12:05 PM, Mark Stephen Mrotek carsonm...@ca.rr.com wrote: Stephen, Thank you . Mark *From:* Stephen MacNeil [mailto:classicalja...@gmail.com] *Sent:* Tuesday, June 02, 2015 4:49 AM *To:* carsonm...@ca.rr.com; Lilypond-User Mailing List

Re: Dynamic mark at the end of a bar

''4_\Long #-15.5 p } { c''4_\Long #-15.5 } On Tue, Jun 2, 2015 at 12:20 PM, Stephen MacNeil classicalja...@gmail.com wrote: it works on one note and an none - i added dynamic markup for you Long = #(define-music-function (parser location str dyn) (number? string

Re: Dynamic mark at the end of a bar

it works on one note and an none - i added dynamic markup for you Long = #(define-music-function (parser location str dyn) (number? string?) #{ -\markup { \halign #-1 \rotate #180 \combine \draw-line #`(,str . 0.7) \draw-line #`(,str . -0.7) \dynamic $dyn } #} ) {

Re: Dynamic mark at the end of a bar

Hi david Can you tell me where this is located in the lilypond directory. what file etc. or where one could get the information on line ie where you got it! Thanks Stephen ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Arrastres: function scheme question - Built from ideas of Simon and David -- Dynamic mark at the end of a bar

Thank you for that Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Arrastres: function scheme question - Built from ideas of Simon and David -- Dynamic mark at the end of a bar

I used the first snippet posted by Simon for an Arrastres function. Then I noticed Davids post for afterGrace so I tried my hand at that. Both work but I have a few questions. In the first posted by simon I did it my typical way. And it works like all my other functions. Typically I use modified

RE:Arrastres: function scheme question - Built from ideas of Simon and David -- Dynamic mark at the end of a bar

the second didn't work correctly so i changed it \version 2.18.2 Fraction = #(cons 6 8) Arrastres = #(define-music-function (parser location len main grace) (number? ly:music? ly:music?) (_i Create @var{grace} note(s) after a @var{main} music _expression_.) (let ((main-length

beaming problem

Haipeng Lily isn't wrong as there is no indication on grouping. 5/4 and 6/4 can be grouped many ways is 5/4 2+3 3+2 1+4 etc. The same as 6/4 3+3 2+2+2 2+4 etc. Anyway I think sibelius just chose a default and you happened to want that. Or, your some how indicated to it that is what you wanted.

RE:Center note column bug

You would need to talk to david or harm, I have no idea. But a workaround is \once \override Staff.Dots.extra-offset = #'(-2.6 . 0) you would need to adjust it as the measures in the line increase/decrease with formatting HTH Stephen ___

Re: Is Sibelius really as bad as this?

In frescobaldi the tie was picked up as a slur Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

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