> What I’d like is to have the chord names such Em7 in the lilyjazz font too,
> though.
Note that I use a very outdated Lilypond version because it works for me just
fine; the updates make for changes in input that I just don’t have the time or
energy to learn. I am a part time hobbyist
Interesting. This has not happened for me.
> On Jun 24, 2021, at 1:47 PM, darki...@jesusgod-pope666.info wrote:
>
> Why are so many contents being deleted on the email list, like it seems to
> grow wilder and wilder...
>
> What is going on? Are people getting censored or have it been hacked
Are you thinking of this as a polychord (one chord above another, rather than a
chord over a bass note as is usually with a “slash” chord)?
Here is a snippet intended to be used as an \include, if I recall correctly, to
denote poly chords in \chordmode I haven’t had occasion to use it in
> On Nov 21, 2020, at 9:14 AM, Kieren MacMillan
> wrote:
>
> I don’t think that solves the OP’s problem, as I understand it to be… I think
> the OP wants a compressed visual representation of a whole bunch of 4/4+3/4
> two-measure chunks, without actually seeing them written out.
As far
I do something like that with notes for arrangements on lead sheets; this is
the basic “skeleton” of my .ly file for these. Perhaps that might work for
you? I separate the \score block at the bottom from the musical statements
because that’s how I was shown to do it way back when. I don’t
On Sep 22, 2020, at 10:20 AM, Partitura Organum wrote:
>
> Karsten […] mentioned the lilypond-files: "OpenLilyLib is licensed under the
> GPL. Thus, the copyleft effect forces that all Lilypond files which include
> OpenLilyLib files, have also to be distributed under the terms of the GPL.".
On Sep 22, 2020, at 10:17 AM, Karsten Reincke wrote:
> On 22.09.20 14:58, Tim McNamara wrote:
>>> On Sep 22, 2020, at 4:30 AM, Karsten Reincke
>>> <mailto:k.rein...@fodina.de> wrote:
>>> Dear Carl;
>>>
>>> here is my explanation using the m
> On Sep 22, 2020, at 4:30 AM, Karsten Reincke wrote:
> Dear Carl;
>
> here is my explanation using the method of showing an analogy:
>
You are conflating the GPL as applied to functional software versus the rights
of the user for the content produced through the use of that functional
You know, the human race managed this pretty successfully for a few hundred
years before computers... seems like this might be overthinking it.
> On May 23, 2020, at 6:30 PM, David Wright wrote:
>
> On Sat 23 May 2020 at 23:35:10 (+0200), Hans Åberg wrote:
On 23 May 2020, at 23:00,
> On May 21, 2020, at 3:34 AM, Valentin Villenave
> wrote:
>
> On 5/21/20, Francesco Petrogalli wrote:
>> I have written it with lilypond, but it hasn't been performed yet. I
>> wanted to secure the copyright before performing it. Given that there
>> is no performing artist yet, there is
> On Dec 28, 2019, at 3:22 PM, Davide Liessi wrote:
>
> Il giorno sab 28 dic 2019 alle ore 20:01 Tim McNamara
> ha scritto:
>> I downloaded the .dmg and installed on Catalina 10.15.1. The app crashes on
>> launch each time. I have a log file for this wh
The default Catalina shell is zsh. You can use bash but you may have to set it
to that.
Thank you, Hans, for making this work!
> On Nov 16, 2019, at 11:21 AM, Hans Åberg wrote:
>
> Great! The other LilyPond programs are also in /opt/lilypond/bin/ would you
> need them.
>
>
>> On 16 Nov 2019, at 15:32, Mario Bolognani wrote:
>>
>> On a second attempt, following your very
Frescobaldi itself does not generate sheet music. You need to install Lilypond
also. In my experience with Catalina, Hans Aberg's .mkpg installs with a double
click and works fine(except for convert-ly, apparently).
Frescobaldi 3 does not work out of the box on the Mac; there are a half a
> On Nov 13, 2019, at 9:34 AM, Carl Sorensen wrote:
>
> You can get an installable LilyPond package created by Hans Aberg here:
>
> https://www.et.byu.edu/~sorensen/lilypond-devel-2.19.83_2.mpkg
>
> There is a 64-bit Frescobaldi installer for Version 2.20:
>
>
Read up on \transpose which should do what you want, combined with octaves.
> On Sep 26, 2019, at 7:33 PM, Francesco Petrogalli
> wrote:
>
> Hi,
>
> I have written a part using the orchestral pitch (real note) of an
> instrument, the baritone sax (and other instruments, like trumpets,
> alto,
> On Jun 9, 2019, at 6:32 PM, John Helly wrote:
>
> Aloha.
>
> With various suggestions that I'm very grateful for, I've mostly gotten
> this guitar and vocal piece to score reasonably. However, I'm now stuck
> trying to get the guitar chords to appear over each measure of the
> verses and
That's what I was wondering. Might be helpful to make from source rather than
using the precompiled binary. The MacOS update to 14.2 might have broken
something- different version of some library or other- but building anew might
resolve it, at the risk of dependency hell.
> On Jan 9, 2019,
Here is something I have used for years with good results. Someone on the list
created this off the cuff. I have not tried it with 2.19.x. No doubt it could
be improved, but it is short and simple.
\version "2.18.0"
#(define (left-parenthesis-ignatzek-chord-names in-pitches bass inversion
There’ve been many discussions about how to manage funding and contributing
especially for those of us who cannot contribute to the coding. The Lilypond
project doesn’t have any administration or central organization to be
responsible for soliciting, collecting, accounting for and distributing
> On Apr 23, 2018, at 1:13 PM, David Wright wrote:
>
> On Mon 23 Apr 2018 at 11:40:46 (-0400), Arle Lommel wrote:
>> I’ve noticed on the Mac for some time that the first time I invoke Lilypond
>> from an external application after a reboot, it can take quite a while
> On Apr 23, 2018, at 10:40 AM, Arle Lommel wrote:
>
> I’ve noticed on the Mac for some time that the first time I invoke Lilypond
> from an external application after a reboot, it can take quite a while for it
> to respond. Normally this is something like a 40–60
> On Jan 23, 2018, at 9:23 AM, JH Austin wrote:
>
> I tried to modify the Lead Sheet example by using a variable:
> ---
> \version "2.19.40"
>
> \music = \relative c'' {
>a4 e c8 e r4
>b2 c4( d)
> }
> \score {
> <<
> \chords { c2 g:sus4 f e }
>
> On Jan 17, 2018, at 10:46 PM, Travis Weller wrote:
> I'm using the default editor which is included in the MacOS build of
> lilypond. I'm not using Frescobaldi.
>
> And yes, I've checked that I'm using preview mode. The links are there. I can
> see them when I mouse
> On Jan 12, 2018, at 12:03 PM, padovani wrote:
>
> Hello,
>
> it seems that I'm having the mentioned fondu issue while running LilyPond
> 2.19.80 on OSX 10.11.6 - El Capitan.
> [http://lilypond.1069038.n5.nabble.com/fondu-problems-on-El-Capitan-td189203.html]
>
On Dec 31, 2017, at 5:30 AM, bb wrote:
>
> I think you cannot install different versions of frescobaldi or parallel from
> different sources. You might simply remove the repository version, try again
> and see what happens.
>
> Concerning the description on
On Dec 25, 2017, at 5:41 PM, James Harkins wrote:
>> > I pasted this into Frescabaldi...
>>
>> you have to paste it to where lilypond can find it. That is not necessarily
>> the font directory of lilypond, but I think that is not a wrong place.
>> lilypond does not have
> On May 6, 2017, at 3:47 AM, David Kastrup wrote:
>
> Robert Schmaus writes:
>
>>> Please cool down and stop overreacting.
>>
>>
>> Well your statement, which - very possibly without any bad intention -
>> turned around the historical facts, so
Thank you for your good sense, Andrew.
> On May 2, 2017, at 8:30 PM, Andrew Bernard wrote:
>
> Come on guys. Lilypond is not named Lily, the app is not developed by Apple,
> Apple is not stealing anything, and it has nothing to do with music engraving.
>
> Lilypond
> On Dec 6, 2016, at 5:46 AM, Mojca Miklavec wrote:
>
>(b.2) I would actually like to know how to change the behaviour,
> so that my favourite text editor opens rather than LilyPond.app.
Wait, is all you want to do is to be able to assign *.ly files to open with a
> On Nov 29, 2016, at 3:57 AM, Andrew Bernard wrote:
> If however you are discussing expanding the mindshare of lilypond in the
> music publishing world, then I hardly think the cosmetic appearance of a
> website is the most influential factor. That's a very shallow
Bear in mind, though, that fairly few guitarists are used to seeing guitar
written as if for piano. Johnny Smith advocated that, because it allows the
guitar to be written as it sounds, but he was almost unique. 99% of the
relatively few guitarists who can sight read expect to see treble
> On Apr 29, 2016, at 12:22 PM, Henry Law wrote:
>
> I've searched the archives and the web generally; all that I have found on
> this subject leads me to believe that the facility I need is not there, which
> is perplexing since it's not particularly esoteric. Can
> On Apr 28, 2016, at 11:45 PM, Werner LEMBERG wrote:
>
>
>> Reading your admonition to "don't use top-posting," I tried to
>> locate the command in Outlook 2013 that sets this option as default.
>
> What about this?
>
> http://home.in.tum.de/~jain/software/outlook-quotefix/
> On Apr 28, 2016, at 9:37 PM, Andrew Bernard wrote:
>
> The whole reason I began this thread was to ask if there may be some
> simple way we could post the code of conduct/guidelines/policy for the
> mailing list so that people could be made aware of it. Nobody has
>
> On Apr 25, 2016, at 8:11 AM, Michael Hendry <hendry.mich...@gmail.com> wrote:
>
>> On 25 Apr 2016, at 13:39, Tim McNamara <tim...@bitstream.net> wrote:
>>
>> On Apr 25, 2016, at 5:00 AM, Andrew Bernard <andrew.bern...@gmail.com> wrote:
>>
&g
On Apr 25, 2016, at 5:00 AM, Andrew Bernard wrote:
>
> Greetings All,
>
> In a recent post David Wright asks of a user:
>
> > Please configure your client to post a text equivalent of your HTML code.
>
> He also asked me to do that.
The reality is that the world,
> On Apr 17, 2016, at 3:16 PM, David Kastrup wrote:
>
> Noeck writes:
>
>> These two are often similar but not always.
>> IMHO, it would make sense to consider both and have 3 categories:
>> - warning: user, please look at this
>> - error: this is severe,
Sent from my iPad
> On Apr 10, 2016, at 5:21 PM, Ryan Michael wrote:
>
> Hello . I have a score that I would the entirety of to be transposed down a
> perfect fifth.
> I tried
>
> \Transpose c f,{
>
> E4 e f g g f e d c c d e e4. D8 d2 r2
> }
Out of curiosity,
On Mar 12, 2016, at 11:24 AM, Eby Mani <eby...@yahoo.com> wrote:
>
> Here it is.
>
>> On Sat, 12/3/16, Tim McNamara <tim...@bitstream.net> wrote:
>>
>> If you could point to an
>> existing example ou
On Mar 12, 2016, at 8:25 AM, Eby Mani wrote:
>
> How do i create chords like - B flat(G) or F/A(D/F#) with \chordmode { } ?.
It would help if you would explain what you are trying to do a bit more fully.
What is the chord "B flat(G)"? Or "F/A(D/F#)"? If I saw that on a
> On Jan 17, 2016, at 3:28 PM, Carl-Henrik Buschmann
> wrote:
>
> A properly formatet complex chord stacks alterations in parenthesis.
Hemmm, that is a matter of individual preferences. As a jazz musician I find
parentheses in chords add to the visual clutter and add no
Oh, don't give me credit for that! It was sent to me by another list member a
few years back as the pop-chords.ly file.
> On Nov 29, 2015, at 3:42 PM, Kieren MacMillan <kieren_macmil...@sympatico.ca>
> wrote:
>
> p.s. Thanks to Tim McNamara for the root-namer Scheme
> On Nov 26, 2015, at 10:10 AM, Kieren MacMillan
> wrote:
>
> Hi all,
>
>>> LilyPond's chord-naming names actually played chord notes,
>>> not anticipated chords.
>
> I, for one, am grateful there are overrides, so I can easily label chords
> with a chord name
> On Sep 30, 2015, at 8:22 AM, s.p.korzil...@gmail.com wrote:
>
> Dear Sir / Madam,
>
> I’m trying to write a piece that has repeats with alternatives. It seems that
> “\repeat volta 2” is the way to go with supplying the alternatives in
> “\alternative”. However, this seems to work only for
> On Sep 20, 2015, at 2:58 AM, BB wrote:
>
> On 20.09.2015 03:30, Flaming Hakama by Elaine wrote:
>> ...
>>
>> > I suppose that this is because some people (and Lilypond) think that
>> > C:sus2 is equally as valid or usual interpretation of "sus", and
>>
>> May
On Aug 23, 2015, at 6:56 AM, BB bb-543...@telecolumbus.net wrote:
snip
Does anybody sucessful use LilyJAZZ?
Yes, I have been using it for over a year with excellent results, although
there are some quirks. For example, it kills bar numbering. It also
interferes with \improvisationOn and
On Aug 23, 2015, at 1:37 PM, Tim McNamara tim...@bitstream.net wrote:
On Aug 23, 2015, at 6:56 AM, BB bb-543...@telecolumbus.net wrote:
snip
Does anybody sucessful use LilyJAZZ?
Yes, I have been using it for over a year with excellent results, although
there are some quirks
Thank you, Davide!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Mar 10, 2015, at 8:35 PM, Peter Teeson peter.tee...@icloud.com wrote:
Hi Tim:
On 2015-03-09, at 2:53 PM, Tim McNamara tim...@bitstream.net
mailto:tim...@bitstream.net wrote:
There is also the pop-chords.ly http://pop-chords.ly/ file that can be
used for chord names and I am working
There is also the pop-chords.ly file that can be used for chord names and I am
working on modifying the same file to follow the Roemer chord name conventions
which I will make available when done. It appears that the OP would like Real
Book style chord names; the pop-chords.ly file is easily
Iteration mode?
On Jan 31, 2015, at 5:41 PM, Urs Liska u...@openlilylib.org wrote:
Hi all,
for quite some time now I've been using a concept that is very useful, but
finally I'd like to give it an authoritative name to be used in different
places.
I'm talking about the working,
On Jan 26, 2015, at 1:32 AM, Johan Vromans jvrom...@squirrel.nl wrote:
On Sun, 25 Jan 2015 19:18:52 -0600
Tim McNamara tim...@bitstream.net wrote:
I have repeatedly run into difficulties getting Lilypond to properly
render sus7 chord names in \chordmode. It comes up with silly things
This has perhaps become off-topic and I don’t wish to prolong that; however, I
have to take issue with the idea that “sus” could somehow apply to the 7th. It
can’t. Suspensions specifically apply to replacing the 3rd with either the 4th
or the 2nd (the latter being rare except in folk music
I have repeatedly run into difficulties getting Lilypond to properly render
sus7 chord names in \chordmode. It comes up with silly things like G7sus4 3”
and the like. What is the correct syntax to get a simple “Gsus7” to print?
I’ve tried every combination I can think of.
(By the way, I
On Jan 25, 2015, at 7:44 PM, Thomas Morley thomasmorle...@gmail.com wrote:
2015-01-26 2:18 GMT+01:00 Tim McNamara tim...@bitstream.net:
I have repeatedly run into difficulties getting Lilypond to properly render
sus7 chord names in \chordmode. It comes up with silly things like G7sus4
3
Why not install the Frescobaldi.app bundle instead, which is installed like any
Mac app?
On Nov 18, 2014, at 5:18 AM, signorpantofola signorpantof...@gmail.com
wrote:
Hi Philippe, thanks for your post. Hopefully I can finally install
frescobaldi on my computer (10.10.1).
Unfortunately,
On Sep 17, 2014, at 10:12 PM, Éric waf...@gmail.com wrote:
Dears,
In order to install and use LiliJazz on my Mac, I try to locate these files,
but I cannot find them.
INSTALLDIR/LilyPond.app/Contents/Resources/share/lilypond
/current/scm
b1:min7.5-
On Jul 25, 2014, at 7:12 AM, Guptila de Silva gupt...@gmail.com wrote:
Hi, How do I write Bm7b5 in Lilypond notation? I can get the fretboard
diagram show up but cannot work out how to get the chord name in this format.
Many thanks.
Guptila
--
On Jun 17, 2014, at 10:17 AM, Davide Liessi davide.lie...@gmail.com wrote:
Dear FrescobaldiLilyPondMac users,
some months ago I published a DMG disk image containing an
experimental Frescobaldi.app bundle.
Some packaging problems were reported ([1]):
- lack of MIDI support (PortMIDI was
Since updating to 2.18.2 and using JazzLILY I notice that when I compile scores
with \bar “|:” or \bar “:|” the repeat signs are not printed. The opening
repeat is omitted and the closing repeat is omitted and the end barline is also
missing (if the repeat happens at the end of a line,
On Jun 1, 2014, at 11:59 AM, Malte Meyn lilyp...@maltemeyn.de wrote:
It’s not a bug, it’s a feature (see documentation; Changes for 2.18 and
Notation Reference). \bar .|: and \bar :|. should do what you want.
Huh! Thanks, it took me a couple minutes to see the logic to that change.
On May 19, 2014, at 8:24 AM, Marnen Laibow-Koser mar...@marnen.org wrote:
Hear, hear! Is the standalone Mac app ready for real use yet? I thought it
wasn’t.
So far so good for me, I use it for all my Lilypond editing these days. The
only problem I have run into is that running convert-ly
On May 16, 2014, at 1:54 PM, David Kastrup d...@gnu.org wrote:
Tim McNamara tim...@bitstream.net writes:
Is there a syntax for running convert-ly on a directory without having
to cd into the directory and invoking
convert-ly -e *.ly
There doesn’t seem to be a recursive option
On May 17, 2014, at 11:41 AM, Malte Meyn lilyp...@maltemeyn.de wrote:
On 17.05.2014 18:20, Tim McNamara wrote:
On May 16, 2014, at 1:54 PM, David Kastrup d...@gnu.org wrote:
Tim McNamara tim...@bitstream.net writes:
Is there a syntax for running convert-ly on a directory without having
Is there a syntax for running convert-ly on a directory without having to cd
into the directory and invoking
convert-ly -e *.ly
There doesn’t seem to be a recursive option. Since I’ve got .ly files in 158
different directories it’d be really nice to be able to batch update them with
On May 13, 2014, at 12:55 PM, Marnen Laibow-Koser mar...@marnen.org wrote:
On Tue, May 13, 2014 at 1:25 PM, Davide Liessi davide.lie...@gmail.com
wrote:
@Marnen: can you confirm that `brew install frescobaldi` asks the user
to manually install XQuartz and MacTeX? Maybe we should clarify
On May 14, 2014, at 12:56 PM, David Kastrup d...@gnu.org wrote:
Tim McNamara tim...@bitstream.net writes:
On May 13, 2014, at 12:55 PM, Marnen Laibow-Koser mar...@marnen.org wrote:
On Tue, May 13, 2014 at 1:25 PM, Davide Liessi davide.lie...@gmail.com
wrote:
@Marnen: can you confirm
An interesting thing is that I already am using David’s .app bundle- from which
my error message was generated- but it is trying to use the Python installed
via MacPorts instead of the Python that’s part of the default Mac OS
installation.
On May 13, 2014, at 8:52 AM, MarcM m...@mouries.net
Also interesting is that I can run convert-ly from Terminal using the command
line and successfully update .ly files to 2.18.0. The issue lies within
Frescobaldi rather than Lilypond, as far as I can tell.
On May 13, 2014, at 8:52 AM, MarcM m...@mouries.net wrote:
you may want to try this
Running convert-ly results in:
Traceback (most recent call last):
File
/opt/local/Library/Frameworks/Python.framework/Versions/2.7/lib/python2.7/site-packages/py2app/apptemplate/lib/site.py,
line 22, in module
import os
zipimport.ZipImportError: can't decompress data; zlib not available
On May 10, 2014, at 9:11 AM, rif r...@mit.edu wrote:
Apparently I can get just say f:7.9- to get an F7b9. Hooray! Still
wondering if there's a canonical place for pop-chords.
On Sat, May 10, 2014 at 7:06 AM, rif r...@mit.edu wrote:
I see many references to this on the mailing list,
the elisp
files are in the precompiled tarball and just to point at them? That make
install is a red herring.
On Fri, May 9, 2014 at 12:15 PM, R. Mattes r...@mh-freiburg.de wrote:
On Fri, 9 May 2014 13:44:31 -0500, Tim McNamara wrote
[...snip...]
(setq path
/bin:/usr/bin:/sbin:/usr
On May 9, 2014, at 12:43 PM, rif r...@mit.edu wrote:
The documentation seems spotty and inadequate compared to when I tried this a
few years ago. I feel hopelessly lost.
I found
http://www.lilypond.org/doc/v2.19/Documentation/usage/text-editor-support.
This tells me I need to do a
I’ve been hunting around (without success) for a method to transpose a melody
up or down an interval diatonically. It’s easy to transpose into a new key to
deal with transposing instruments, but I want to shift a melody up a third
within the original key to create a harmony line. Does
On Apr 28, 2014, at 6:38 PM, David Kastrup d...@gnu.org wrote:
Tim McNamara tim...@bitstream.net writes:
I’ve been hunting around (without success) for a method to transpose a
melody up or down an interval diatonically. It’s easy to transpose
into a new key to deal with transposing
On Apr 28, 2014, at 7:26 PM, David Kastrup d...@gnu.org wrote:
Tim McNamara tim...@bitstream.net writes:
Can I put \modalTranspose inside the existing \transpose? Or should
it go outside? Or will the two hopelessly disagree? My head hurts
trying to figure this sort of thing out
On Apr 23, 2014, at 2:05 AM, Thomas Scharkowski t.scharkow...@t-online.de
wrote:
Original-Nachricht
The application bundle works fine for me on 10.9.2 running it from the disk
image.
I notice the same behavior with this bundle and my regular installation:
After
On Mar 20, 2014, at 5:31 PM, Martin Tarenskeen m.tarensk...@zonnet.nl wrote:
Hi,
Trying to (re-)typeset some Real Book leadsheets is a good learning
experience for me :-)
I have another question now:
How can I make something like:
\chords { c1:m | c:m | c:m | cm }
look
On Feb 15, 2014, at 3:14 AM, Davide Liessi davide.lie...@gmail.com wrote:
2014-02-15 5:52 GMT+01:00 Tim McNamara tim...@bitstream.net:
That produces a new full-screen window with the music in it, floating over
the window with the .ly file in it.
If you drag the Music View window over
Updating proceeded normally and double-clicking a .ly file in the Finder
launches Frescobaldi and loads the file, so that bug seems squashed.
Unfortunately now I no longer have the side-by-side view of the .ly file and
the .pdf file. I can’t for the life of me figure out how that happened or
On Feb 14, 2014, at 5:36 PM, Davide Liessi davide.lie...@gmail.com wrote:
Dear Tim,
2014-02-14 23:35 GMT+01:00 Tim McNamara tim...@bitstream.net:
Unfortunately now I no longer have the side-by-side view of the .ly file and
the .pdf file. I can’t for the life of me figure out how
On Jan 25, 2014, at 12:54 AM, Philippe Massart phili...@philmassart.net wrote:
Davide Liessi-2 wrote
Frescobaldi/MacPorts users: can you please report how does Frescobaldi
behave on your system?
Here is what should happen (and happens on my 10.6 machine and on a
10.8 machine I can access
On Jan 11, 2014, at 1:06 PM, Carl Sorensen c_soren...@byu.edu wrote:
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2)
On Jan 7, 2014, at 10:00 AM, Francois Planiol alicuota...@gmail.com wrote:
Own the future engraving music... who will believe this crap?
:-o
Lots of people. It’s not a conscious belief, more of an unconscious one.
That’s the goal of marketing. It’s too bad that Finale output tends to look
The MacPorts installation includes Cairo +quartz +x11, the +quartz of which is
incompatible with Pango. Apparently the +quartz backend for Cairo is broken.
Pango is a dependency for xpn, which I would like to install, but Pango refuses
to install with Cairo +quartz. Is the +quartz necessary
The easiest thing is using the pop-chords.ly alternatives to the default
chordname style, using \include. I think it is available in the snippet
repository. Or you can write your own chordname exceptions, the procedure for
which should be in the Notation reference.
On Dec 21, 2013, at
On Dec 4, 2013, at 6:18 PM, Phil Burfitt phil.burf...@talktalk.net wrote:
From: Janek Warchol janek.lilyp...@gmail.com
Sent: Wednesday, December 04, 2013 11:55 PM
Hi,
a couple of thoughts:
2013/12/4 Francisco Vila paconet@gmail.com:
I find this path tortuous. People double-click
On Oct 30, 2013, at 4:54 AM, Jean-Alexis Montignies j...@montignies.info
wrote:
Warning!
Don’t try to do update on Mavericks (MacOS 10.9) as QT is currently not
compiling.
If installed before upgrading to 10.9, Frescobaldi continues to work.
Thanks for the heads-up.
It may be
On Oct 9, 2013, at 6:40 PM, Thomas Morley thomasmorle...@gmail.com wrote:
2013/10/9 Jim Long lilyp...@umpquanet.com:
On Wed, Oct 09, 2013 at 12:53:35AM +0200, Thomas Morley wrote:
2013/10/9 Jim Long lilyp...@umpquanet.com:
\override ChordName #'font-name = #lilyjazzchord
Hi Jim,
On Sep 27, 2013, at 7:23 PM, Steve Noland st...@thenolands.us wrote:
I am trying to typeset a score for jazz orchestra. I am having problems with
some of the jazz chordnames engraving correctly. Specifically, a Dm7(b5)
chord (D minor 7, flat 5) engraves as a Dº, or D diminished. What
On Sep 11, 2013, at 7:50 AM, Jacques Menu jacques.m...@tvtmail.ch wrote:
Building python-poppler-qt4-0.16.3 fails on Mac OS X 10.8.4, though, you'll
find the trace below.
The choice of Poppler is highly problematic on the Mac for some reason. I
wonder if it is possible to rejigger this to
On Sep 10, 2013, at 11:14 PM, David Kastrup d...@gnu.org wrote:
Patrick or Cynthia Karl pck...@mac.com writes:
From: Thomas Morley thomasmorle...@gmail.com
To: Patrick or Cynthia Karl pck...@mac.com
[deleting billions of lines]
From: James Harkins jamshar...@gmail.com
Patrick or
I think posting announcements to some of the rec.music.makers.* Usenet groups
would make sense, as well as other fora for musicians (especially jazz
musicians since they are likely to be interested in the chord-scale
relationship more than a lot of other musical styles). I'll scatter a few
On Aug 21, 2013, at 5:40 PM, Derek Klinge schilke...@gmail.com wrote:
For the life of me I cannot figure this out.
I would like the following example to explicitly include the 7. Is there a
way to change the way it handles half diminished 7ths?
EXAMPLE
\chords {
c4:7.9- c:7.9-/g
On Aug 16, 2013, at 3:22 AM, Christian Andersson
christian.ld.anders...@gmail.com wrote:
This issue with running Frescobaldi on MacOS X must be one of the most
long-running among threads of this list. Why can't some of you Mac users
please take your responsibility for the community, and see
On Aug 16, 2013, at 3:40 AM, Davide Liessi davide.lie...@gmail.com wrote:
2013/8/16 Christian Andersson christian.ld.anders...@gmail.com:
This issue with running Frescobaldi on MacOS X must be one of the most
long-running among threads of this list. Why can't some of you Mac users
please take
On Aug 8, 2013, at 5:06 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
I'm not that surprised.
During the last few years I became something nerd-like. After beeing a
Mac-User for a long time, I now only use Ubuntu or Debian and all its related
tools for my everyday work.
So for me using
I use my iPad with unRealBook to organize lead sheets produced by LilyPond for
all my gigs. With the Retina display it works fine for lead sheets but might
be too small for orchestral or even piano music. Rumor has it that Apple is
planning a 13 iPad, but then rumor has all sorts of things
On Jun 27, 2013, at 6:51 AM, luis jure l...@internet.com.uy wrote:
on 2013-06-27 at 11:56 Alexander Deubelbeiss wrote:
From: Philippe de Rochambeau phi...@free.fr
could someone please explain how to run Lilypond from Fraise?
In my experience Lilypond does not interact usefully
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