ive an example, so this is not tested.
Toine Schreurs
eptions
}
It is easy to expand and will be used by every timesignature change.
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connectArpeggios connects arpeggios. The first voice does not contain
an arpeggio so there is nothing to connect. Change:
\grace { s16 s s } cis'''2 | % 1
into:
\grace { s16 s s } cis'''2\arpeggio | % 1
Toine Schreurs
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n both rows of bars"
\repeat unfold 20 { 4 \glissando \glissando }
4 \glissando
}
}
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y = ##(#f #t #f)
or
\once \override Staff.BarLine.break-visibility = #center-visible
If a \startStaff occurs at the end of a line, no barline will be drawn.
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Try
\version "2.21.0"
\fixed c'' {
\override Glissando.style = #'zigzag
c4*1/2 \glissando \hideNotes c,4*1/2 \unHideNotes d4 e f
}
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ge clearly
suggests a programmming error.
greetings,
Toine Schreurs
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a better way of doing what I'm trying to do (i.e.,
> one that won't cause the error in the first place)?
What about:
\layout {
\context {
\Score
\remove Staff_collecting_engraver
}
}
This apparently removes the errors/warnings. I have no idea about other
implications.
Toine S
> >Try:
> >
> >A = {
> > \mark #3 a'4 a' |
> > \set Staff.rehearsalMark = #6
> > \mark \default a' a'
> >} %etc
> >
> Yes, it does in fact work. I had seen this variable setting in the
> Internal Reference manual, but it was noted "(read)" so i did not test it.
> However, this must
ot; \consists "Staff_collecting_engraver" } {
> \time 2/4 \new Voice { \A } } >> \layout { indent = #0 \context { \Score
> \remove "Mark_engraver" \remove "Staff_collecting_engraver" } } }|
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k can determine if there
> will be at least one system of music coming on the same page?
What about:
\markup { "Title of second movement" }
\noPageBreak
\score {
% second movement
}
Then at least one system of music follows the title.
Toine Schreurs
there any way to write the previous code using a repeat? Something
> like this (that of course does not work):
>
> \p \< \repeat unfold 3 {a'-4 g'-3 e'-2 c''-5} \!
>
<<
\repeat unfold 3 { a'-4 g'-3 e'-2 c''-5 }
{ s1\p\< | s1 | s2. s4\! }
>>
Toine Schreurs
Thank you, tried it, but the space is still visible.
{
\repeat unfold 4 { a4 a a a } \bar ||
}
\layout {
\context {
\Score
defaultBarType =
}
}
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)
\removeWithTag #'trills \music
\midi{ }
}
or even:
score {
\new StaffGroup \keepWithTag #'(score trills)
\music
layout { }
}
\score {
\new StaffGroup \keepWithTag #'(score expand)
\music
\midi{ }
}
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-priority
specifies a number, which will be added to 'something else'.
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' {
\repeat unfold 12 {c d e f}
\\
\repeat unfold 4 \barlines
}
I would leave out the \\ in this case. The music will otherwise
appear in voiceOne.
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Perhaps?:
\context {
\RhythmicStaff
\RemoveEmptyStaves
}
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Lyrics { \lyricsto sop {
gu.
Mun --
Mun --
gu.
}
}
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make it dependent on the font-size?
Toine Schreurs
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is there a bar line that spans only the upper half of the staff?
I'd like to use it (according to common notation in hymn books) to
indicate that the original notation did not have bar lines.
What I am looking for is not: \divisioMaxima/Minima/Maior and not \bar
'. (At least not untweaked
using version 2.14.1 this is only place I can put the remove
bar_number that will allow the piece to compile however I still have bar
numbers. So what am I doing wrong?
score {
new Staff melody
layout
{
context {
Staff
remove Time_signature_engraver
remove
Bar_engraver
remove
using version 2.14.1 this is only place I can put the remove
bar_number that will allow the piece to compile however I still have bar
numbers. So what am I doing wrong?
score {
new Staff melody
layout
{
context {
Staff
remove Time_signature_engraver
remove
This is how I've defined it in the past:
attacca =
{
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'direction = #DOWN
\once \override Score.RehearsalMark #'font-size = 1
\once \override Score.RehearsalMark
}
the default beaming in 2.14.2 gives an impression of a 2-beat, which should
be avoided.
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On Sat, Mar 03, 2012 at 08:31:54AM +0100, Stjepan Horvat wrote:
Yes..i do it also as that.. \repeat unfold 8 {s1} in marks and R1*8 in
voices but when i want to print a separate voice instead of a full
score the bars wont compress..so instead of a bar with number 8 i get
8 bars..and if i use
marks = {
\set Score.markFormatter = #format-mark-box-barnumbers
\compressFullBarRests
\hideNotes
\partial 8 s8
R1*8 \mark \default \bar || %9
R1*8 \mark \default %17
R1*8 \mark \default %25
R1*8 \mark \default %33
.
R1*12
It's just that barline that appears between the percussion parts
(not between the two staves that comprise their parts) I want to
make invisible.
1 Change the first '\new StaffGroup' into '\new ChoirStaff'
2 Remove all '\override Staff.BarLine #'transparent = ##t'
Toine Schreurs
The trick, as you can see, is to put invisible acciaccaturas in voices
that do not start with one, and make \global a part of a sequence
rather than a simultaneous voice.
If you append the silent grace note to global, and leave \global as a
simultaneous voice (for all staffs) , you don't need
before the \score it works.
\include global.ily
\score {
\new DrumStaff \drummode {
% drags
\include three-stroke-ruff.ily
%\include single-drag.ily
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https
the default behaviour if eighth rests are
involved?
\version 2.13.61
music = \relative c' {
f8 f f f f f |
r f f r f f |
}
\score {
\new Staff {
\time 3/4
\music
\set Timing.beamExceptions = #'()
\music
}
}
Toine Schreurs
http://lsr.dsi.unimi.it/LSR/Item?id=681
If you use \override Stem #'(details beamed-lengths) = #'(3 4 5)
the 8th notes remain unchanged, the 16th will be extended, and the 32th even
more.
Toine Schreurs
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to set a different install directory
sh --prefix= lilypond-2xx.sh
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). Can someone point me in the right
direction?
Just create and use a new variable:
th=\drummode { tomh^3 }
\drums {
sn4 \th sn sn
}
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Please (group) reply to the list.
On Sat, Nov 20, 2010 at 08:45:22AM -0500, Mike J. Bell wrote:
Thanks, that seems to do the trick.
What if I need to specify the note duration though?
\th8 doesn't work. Tried \th8 too...no go. Sorry, I'm a newbie...not
very comfortable with lilypond
I looked into the internals and tried
\key b \major
\override Voice.AccidentalSuggestion #'font-size = #-5
fis ais cis!4
but this didn't work as expected and I don't know why.
What about making cautinary accidentals fis ais cis? and:
\override Voice.AccidentalCautionary #'font-size = #-5
Ok, I see. But why do values as 1.4, -1.2 and -3.8 result in 0?
Toine
The values following the dots are ignored, so it's equivalent to this:
#(define fourtoms '((hightom default #t 4)
(himidtom default #t 1)
(lowmidtom default #t -1)
then scaling down
the staff-space to compensate (untested).
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See (the first part) of
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00797.html
This was an answer for RemoveEmptyDrumStaffContext, but you will be
able to adapt it to RemoveEmptyTabStaffContext.
Toine Schreurs
My problem is about the TabStaff. In my scores, I always use
{
\flt
}
\layout { \indent = 0.0 }
}
}
Toine Schreurs
1) Despite RemoveEmptyStaffContext being used (line 298), the congas
part still persists in each system (from page 5 to the end), even
though it contains only rests. \RemoveEmptyRhythmicStaffContext doesn't
work either. If I can get
STRING
\acciaccatura {
sn8}
C:/Users/Master/Desktop/Drum Scores/test.ly:16:0: error: syntax error,
unexpected STRING
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unfold 4 { \repeat unfold 3 c d fis8 }
}
}
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Sorry, cut off. How does this apply \times 2/3 { c8 c c} \times 2/3
{c c c} \times 2/3 {c c c} is 9 repetitions of the note c, expressed
as a tremolo, this should be \repeat tremolo 9 \times 2/3 {c8}
As I understand it, there is no way to make a single tremolo note
with a duration of 9/8,
different locations.
The adagium Single Point Of Information is much more important than
Redundancy, especially for rapid-changing programs like Lilypond.
Toine Schreurs
On a completely unrelated note, I disagree completely with you that
the solution to people aren't reading the documentation
The page-turn-breaking does a marvellous job. If necessary, the output
starts at page 2.
Is it possible to insert a blanc first page in that case?
I want to print the results with a duplex printer, and without
the first blanc page, all page turns turn out to be wrong.
Toine Schreurs
section, I combined them into a StaffGroup.
Now it is clear to which staff the ossia belongs. But, all barlines are
(wrongly) extended also.
This behaviour started with version 2.11.35
Any hints?
Toine Schreurs
%=== start =
\version 2.11.38
musicOne = \relative c' {
\time 2/4
d4 d
I tried it in 2.11.37, but alas.
Toine
I tried your example in 2.11.34 and it -does- reduce to
a single page with RemoveEmptyStaffContext enabled in
that release. This may be related to the reintroduction
of minimum-Y-extent in 2.1.35 (see comment to bug 496).
If so, the workaround
Thanks, I will wait.
(and I'm sorry, I should have checked the open issues first)
Toine
This is most likely related to bug #562, which will be fixed very soon
now.
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, triangle,
Bells, Tamtam With lots and lots of rests, this results in a
60 page score, where every page is only half filled.
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\stopTrillSpan
\pitchedTrill c\startTrillSpan d c\stopTrillSpan
\pitchedTrill c\startTrillSpan d c\stopTrillSpan
\pitchedTrill c\startTrillSpan dis c\stopTrillSpan
\pitchedTrill c\startTrillSpan dis c\stopTrillSpan
}
Toine Schreurs
'' {
c4( d^\trill d^\trill e)
c( d\startTrillSpan d\stopTrillSpan e)
\override Script #'avoid-slur = #'inside
\override TrillSpanner #'avoid-slur = #'inside
c( d^\trill d^\trill e)
c( d\startTrillSpan d\stopTrillSpan e)
}
Toine Schreurs
Before, I tried
\override TrillSpanner #'outside-staff-priority = #20
without success, but I did not set
\override Slur #'outside-staff-priority = #50
because there is no mention of outside-staff-priority in the program
reference for Slur.
But specifying both overrides does the trick.
Thanks,
-major implies an A-sharp saxophone.
Toine Schreurs
I've been writing out a part for B-flat sax. I've written out the music in
concert pitch and so am using \transpose to display it in the right key for
the
B-flat sax. The part I'm writing is in E-major when in concert pitch, so
}
\alternative { { R1 } { R1*4 | r2 c } } \bar || \break
%^^
\repeat volta 2
..
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be to disable breaks at rehearsalmarks with simultaneous
slurs, but that's something you want to avoid in a more complex score.
Is there another solution for this problem, or is it a bug?
Greetings,
Toine Schreurs
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You don't have to split the parts if you \tranpose direct from es to g
hornpartInG = \relative c' {
notes in G
\transpose g ees \relative c' {
notes in Es
}
}
\score {
\new Staff \transpose f g {
\hornpartInG
}
}
Or even bring the notes to C first (no more
\RemoveEmptyRhythmicStaffContext for a drums, but it
doesn't work(disappear).
can anybody tell me what i'm doing wrong?
i'm using lilyond 2.8.4.
Toine Schreurs
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See (the thread of)
http://lists.gnu.org/archive/html/lilypond-user/2006-04/msg00141.html
and
http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00272.html
Toine Schreurs
I would like to print the date and time in the footer of the score so I can
tell which of two printed copies
(localtime mt))
See:
http://www.gnu.org/software/guile/docs/docs-1.8/guile-ref/File-System.html#File-System
But I don't know how to get the current .ly file into filename.
Toine Schreurs
Also do you know of a way to get the last modified date of the current .ly
file from the file system
Try:
date = #(strftime %d-%m-%Y (localtime (current-time)))
Toine Schreurs
I'm using Lilypond 2.8.0 on windows XP. For versioning reasons, I
would like to automatically include the date the PDF is generated in
one of the title fields. I was thinking of a hack like this one:
#(string
line-width can be specified in the \layout block (controlling the
length of lines) but also in the \page block (controlling the page layout).
Toine Schreurs
I still don't know how to make the header items to be aligned with the staff
when I change its linewidth.
I have set the paper to a5
Perfect. Excellent trick.
Thanks,
Toine
One trick that should solve your problem is to include transparent
notes in one of the staves:
\score {
\new StaffGroup
\new Staff
\new Voice \partA
\new Voice {\hideNotes \repeat unfold 60 { c'1 } }
\mark \default
R1*10 \mark \default
c4 r r2
}
partB = \relative c' {
R1*60
d4 r r2
}
\score {
\new StaffGroup
\new Staff \partA
\new Staff \partB
}
--
Toine Schreurs
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Staff \partB
}
Greetings,
--
Toine Schreurs
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.
And all this information fills up more than one staff, but
no notes, no staff; no staves, no system
Actually, in my real score, I use \set Score.skipBars = ##t
Greetings
--
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http
Win 44 KB
2.7.23 Win 44 KB
2.7.27 Win 1.220 KB
--
Toine Schreurs
--
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