Re: lilypond-user Digest, Vol 204, Issue 61

Hello, All!   I've a snippet: \version "2.18.2" \new Staff { << \new Voice { \voiceOne s4 s8 \once \hideNotes \once \stemDown \once \override NoteColumn.force-hshift = #-0.7 g~ g g g4 } \new Voice { \voiceFour 4 q8 c2 } >> }   The goal is to have the tie between the two g's in with the stems

Re: Scordatura question

Today, i believe it is standard to include both a fingered score and a sounding score.  i did, anyway, when i wrote my scordatura piece.  It had a complex tonality, and i thought it fair to give the performer a sounding score so they could more easily spot errors.  It might not be as necessary

Re: tie behavior

David, Thank you for your kind and excellent suggestion! I've been able to use your suggestions all morning in a larger piano score. Some applications are best not universally applied, such as tieWaitForNote. It provides some added ties in unpredictable spots. I added a modification to your

Re: tie behavior

My apologies, but that's terrible! Thanks for pointing that out, David. Let me try, again: \version "2.18.2" \relative c'' { \new Staff << \new Voice { \voiceOne c8 e~ \once \hideNotes \once \override NoteColumn.force-hshift = #-1.2 e4 g8

tie behavior

Good Lilyponders,The code below achieves my goals.  I'm wondering if it could be done more simply.\version "2.18.2"\relative c'' {  \new Staff <<    \new Voice { \voiceOne c8 e~ \once \hideNotes \once \override    NoteColumn.force-hshift = #-1.2 e4 g8 d'~ \once \hideNotes d4

Re: lilypond-user Digest, Vol 148, Issue 144

Hi, Michael-- ive done a fair amount of meterless music for my Church. Over time, ive developed a little template, that ive attached. Any formatting is in the first variable, called, global. Since the key is not necessary, just pay attention to the three override commands. Another thing