Hi all,
I know you can access to the manual page inside a terminal with "info
lilypond", but I was wondering if there was also a similar option available
to access the "internal documentation", without having an access to the
internet and without having to download the pdf page? It would be so
Aaron Hill wrote
>
> \version "2.20.0"
>
> #(define-markup-command (subUp layout props f1 f2) (markup? markup?)
>(interpret-markup layout props
> #{ \markup \overtie \concat { #f1 \hspace #0.15 #f2 } #}))
>
> subst = #(define-music-function (f1 f2) (markup? markup?)
>#{ \finger
But I don't understand, why is that shortcut also not working then?
#(define-markup-command (subUp layout props f1 f2)
(string? string?)
(interpret-markup layout props
#{
\markup {
\overtie \line { \concat { #f1 \hspace #0.15 #f2 } }
}
#}))
Of course, thanks!
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Hi all,
Quick question, I made the following shortcut which draw an arrow of custom
lenght:
#(define-markup-command (arrow layout props size) (number?)
(interpret-markup layout props
(markup
#:line
(#:fontsize 3
(#:general-align 0 -1
(#:override (cons (quote
Stefano Troncaro wrote
> Hi Kieren, I was not aware of that function. Thank you for sharing it and
> thank you Harm for coding it!
Very interesting function! But I think there is a bug when using a separate
Dynamics line. See the following example:
\version "2.20.0"
<<
\new Staff \relative
Aaron Hill wrote
> No worries. Does this help?
That's perfect! Thank you very much :)
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Aaron Hill wrote
> span-type and span-text are for dynamic text spanners (e.g.
> CrescendoEvent). You can set these music properties for a
> TextSpanEvent, but Text_spanner_engraver will just ignore them.
>
> Instead, you should \override or \tweak the bound-details of TextSpanner
> to attach
Hi all,
Could anyone could tell me what's wrong with my shortcut?
It's printing the spanner correctly but not the text:
rit =
#(make-music 'TextSpanEvent
'span-direction -1
'span-type 'text
'span-text "rit.")
\score {
\new Staff \relative c'' {
Hi all,
I'm currently learning the use of Makefile and how to automate the creation
of lilypond files. In the process, it's important to keep a clean repertory
structure, as suggested in the documentation
http://lilypond.org/doc/v2.18/Documentation/usage/make-and-makefiles.html
I didn't see that post back in time. Thank you, I'll look into that!
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Hi all,
I am trying to make a shortcut which could easily create dynamic texts
without having the necessity to create a specific variable each time. Here
is my attempt :
---
\version "2.19.82"
dynI =
#(make-dynamic-script
(markup #:line (#:left-align
#:normal-text "this is a long
foxfanfare wrote
> Thanks for the idea. I will look into that, but if I understand correctly,
> I
> have to launch the command separately from the Makefile? The idea was to
> include everything in it... But since I obviously have to change the
> beginning of my Makefile and get ri
Karl Hammar wrote
> Where have you found that?
In the LilyPond documentation:
http://lilypond.org/doc/v2.19/Documentation/usage/make-and-makefiles
I think I found the problem and it is related to that part. I copied the
beginning of the example you can see in the documentation, for instance:
Karl Hammar wrote
> piano-solo.%.pdf: piano-solo.%.ly \
> $(general) \
> dialogs.%.ily \
> global.%.ily \
> notes.piano-solo.%.ily \
> pedals.%.ily
> ...
Little update for those interested by that problem, actually, that solution
doesn't work properly. In that
Aaron Hill wrote
> Would using a function help?
Thanks Aaron for your answer. I tried your solution but it crashes in my
situation. I think I understood where the problem is, it seems to be because
of the use of a variable, for instance:
main.ly
\version "2.19.83"
fetch =
Hi all,
Another question... In the documentation page, about Make, there is that
rule which will make the PDF and the MIDI and move them in their own
directory.
%.pdf %.midi: %.ly
$(LILY_CMD) $<; \
if test -f "$*.pdf"; then \
mv "$*.pdf" PDF/; \
fi; \
David Kastrup wrote
> I don't get your point. If you say that the assignment is not placed
> somewhere separate from the \include statement, it's a bit hard to see
> why you don't just roll the string in question into the \include
> statement in the first place. The usual use case for an
David Kastrup wrote
> So you need to
> put basically anything after the assignment to "num" before calling the
> \include statement.
Thanks for your answer David, but I'm sorry I'm not following you here. What
should I call before the include statement exactly? Because the whole point
is that
Aaron Hill wrote
> I would suggest using \bookOutputSuffix, but you can certainly use a
> little Scheme to concatenate the strings:
Is it also possible to use that kind of code with \include ? I tried
something like:
num = "01"
%\include "../../ily/global/global.01.ily"
\include #(string-join
foxfanfare wrote
> I can now choose which piece I want to generate, but do you know how I can
> also generate all the 35 pieces with the same command? (if possible)
I just understood how to achieve that, sorry for the noise!
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Karl Hammar wrote
> Try something like:
>
> piano-solo.%.pdf: piano-solo.%.ly \
> $(general) \
> dialogs.%.ily \
> global.%.ily \
> notes.piano-solo.%.ily \
> pedals.%.ily
> ...
>
> Have a look at "Syntax of Static Pattern Rules" in make documentation
> $ info make
Hi all,
I'm currently working on a big project and learning how to use a makefile
for convenience. I'd like to know if some guys here knows how to write a
proper loop? I have the following example which can generate the PDF for
every single movement of a large set of pieces (there is 35 pieces in
David Kastrup wrote
> Naming a variable X will likely crash LilyPond since X is already used
> to designate the X axis and quite a bit of Scheme code depends on it.
> Try using longer variable names.
That's what I thought. Thank you David.
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Hi all,
I wanted to customize the default appearance of the MetronomeMark. I wrote
some little functions to achieve that and I used them a lot in my recent
works.
But now, I have in mind to prepare a new style sheet for which I would like
to avoid as much as possible my customized function, but
N. Andrew Walsh wrote
> As I used to understand it, that first bar, with nothing but a rest, would
> count as bar 1. But in my score, it's getting counted as "measure 0". Is
> that expected behavior?
Hi,
The traditional behavior is to not count a partial measure in the total, so
yes it should be
Hi all,
In my piano scores, I use a lot a music function which can draw little hook
to indicate the hand separation. We discussed this in this post :
http://lilypond.1069038.n5.nabble.com/Layout-of-a-piano-hand-indicator-tp184061p212748.html
I currently use the code that Harm wrote last year.
Aaron Hill wrote
> Well, I was commenting more on the use of syntactic elements and emoji
> within the name.
>
> I use letters (e.g. ChorusA, ChorusB) and Roman numerals (e.g. StanzaI,
> StanzaII) when naming variables, to avoid the need to use actual numbers
> that could be confused for
Aaron Hill wrote
> Whether it is prudent to do such a thing is another matter. (:
That's interesting, because I find very complicated to deal with variables
without any digits... especially when composing multiple pieces works. But
why would for instance \"01" not be safe?
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Hi all,
This isn't a topic I was able to find in the archive. It may be not a very
interesting subject for most of you, but I hope to learn a bit more about
your own practices for making your files more readable and maybe improve
mine. By that, I mean, how do you use the comments lines to make
Jacques Menu Muzhic wrote
> What is the logic behind that being rejected, and the need to use a \paper
> block instead, which does what I want actually?
I Jacques. I think the page-count should be in a \paper block instead, and
at the end. Ex:
\bookpart {
\new Staff = "HautboisDeux"
I think the problem is that you're trying to engrave an a\minor chord in the
root position from a c\major in second inversion.
Lilypond won't guess how to adjust that with the transpose tool.
But it should work smoothly if you use the same chord position for each
tonality.
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Thank you very much Aaron and David!
I didn't really understand your conversation which is above my competences
but I was able to adapt your example with my situation. This will save me a
lot of time... !
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Hi all,
I have a piano book to write with several individual pieces. I'm currently
setting my environments and I have decided to devide in several files all
the configuration (one for the meters of all pieces, one for the dynamics,
etc.). I am working on a file which will set the layout of the
Kieren MacMillan wrote
> The documentation explicitly says “the autobeamer will not put beams over
> rests or bar lines”
> (http://lilypond.org/doc/v2.19/Documentation/notation/beams#manual-beams;).
> I hope someone [with real Scheme-fu] offers you a function/callback/hack
> that will do it
Hi all,
I have a score to write with a lot of beaming upon rests. Here is a short
example:
\relative c' {
c8 c c c c c c c
c r c r c r c r
c[ r c] r c[ r c] r
}
By default LP make the beam duration of a half note in 4/4.
But is there a way to make the second line of my example to look
Valentin Villenave-3 wrote
> You could try something like:
>
> \layout {
> \context {
> \Staff
> \override DynamicLineSpanner.outside-staff-padding = #1.5
> }
> }
Thanks for the tip Valentin, unfortunately, it doesn't work as expected...
(I just realized that for some reasons, the
Kieren MacMillan wrote
> Also, please post examples that compile without errors. =)
Oups, yes, here it is:
\version "2.19.82"
\relative c {
\time 3/4
\clef bass
| r4..^"too closed" fis'16~\> 4
| f(\! e) --
| (\< 2)\!
| 4( )
| g4.( fis8) 4
}
\relative c {
\time 3/4
\clef
Hi all,
I wonder if there is an option to set a staff-padding value for hairpins? I
cannot find it, I would like to change the default distance of the hairpins
which I find a bit to close to the staves.
Here is an example:
\relative c {
\time 3/4
\clef bass
| r4..^"too closed" fis'16~\> 4
I personally don't see that as a bug, since avoiding the collision would make
the slur too tiny...
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Павел Буданов wrote
> Or is there any command for automatic scaling notes with all elements
> including beams?
> ___
> lilypond-user mailing list
> lilypond-user@
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
> example.png (9K)
>
Federico Bruni-2 wrote
> The main part about point and click in general and the configuration in
> Linux is basically ready. I just have to make a final review.
> I'll split the Windows part in a new post and probably pass the Mac
> post to Davide, if he has time to finalize a draft he sent to
I tend to agree with Andrew on that, it may be impossible to set-up a guide
that could work in all cases, due to the variety of environments. Maybe it
is the reason the original guide is lacking so much of information...
>From my perspective in trying to figure out how to make a set-up with VIM,
Yes, and don't forget to add the page numbers to the right or left with:
\on-the-fly #print-page-number-check-first \number \fromproperty
#'page:page-number-string
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Andrew Bernard wrote
> I am beginning to think a more extensive section on setting up point and
> click is needed in the manual. Perhaps when I comprehend it and deal with
> all the matters like 'press ENTER ...' appearing every time I click the
> PDF
> and so on I could draft something. I'd still
Hey David,
There were some lags on the nabble forum some days ago, and I didn't saw
your answer before posting my solution using "nohup". I just tried yours and
I think it's better (at least the code is shorter!). And I learnt a new
command at the same time:)
For those interested, the mapping
foxfanfare wrote
> That is the reason why I call zathura from within vim. But I understand
> your
> point and where the problem is. As zathura and vim are sharing the same
> terminal, lilypond-invoke-editor message from zathura will appear in my
> vim
> file...
>
> So it
edes wrote
> it's fairly easy to have basic completion, you just need to define a
> dictionary for lilypond.
Thanks, I'll look into that!
David Wright wrote
> Had you told us why vim is essential, as opposed to gvim?
Because as far as I know, just configure in .bashrc export EDITOR="gvim" is
Hi everybody,
I didn't take the time to update the thread earlier because of intense
working, but I wanted to write a little more about the issue and the
solution that worked. I hope this could help some people who wants to make a
working environment for LP between VIM and zathura. BTW everything
Okay, I think I solved the issue. I'll update this post with the correct
solution and some of my configuration when I'd be sure it's working properly
(for those interested!).
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Hey David,
David Wright wrote
> I'd be interested to know what configuration command you're using in
> zathura to handle the clicks.
Actually I didn't change anything in my zathura config file yet. I use
Zathura + zathura-pdf-poppler as it allows me to update the pdf
automatically when it is
Andrew Bernard wrote
> I am doing a long string quartet. The full score sits nicely in the middle
> of an A4 landscape page with a generous top margin. But there's a solo
> viola part that's very dense and the staves fill out the whole page very
> tightly right to the bottom, and it looks clumsy
foxfanfare wrote
> And again, what is strange is that I have to launch zathura through vim if
> I
> want it to react to the link. If I launch the PDF alone in Zathura and
> click
> on the link, for instance
> textedit:///home/remy/Documents/test/test.ly:5:4:5
> goes directly
David Wright wrote
> What PDF? Please show the actual commands you used.
>
> You need to start the server *before* you try to connect to it with a
> client:
>
> $ vim --servername foo
>
> and then, at a different location, type:
>
> $ vim --servername foo --remote test.ly
>
> and that should
OK, I tried
$ vim --servername foo --remote test.ly
(which gives me the output E247: no registered server named "VIM": Send
failed. Trying to execute locally)
and also
$ vim --servername foo test.ly
But when opening the PDF file in vim, I still get the same error messages...
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Thank you both for you help.
Federico Bruni-2 wrote
> How did you install lilypond? From Arch repository? Or from
> lilypond.org installer (the .sh file)?
Yes I did install Lilypond directly through arch repository via pacman. cat
`which lilypond-invoke-editor` returns
#!/usr/bin/guile1.8 -s
David Wright wrote
> That doesn't tell me whether you run a DE or just a WM.
Sorry I thought it was clear as i3 is a WM. I haven't install a desktop
environment, the $DESKTOP_SESSION command returns a blank line.
I have spent several hours yesterday trying to figure out where the problem
is but
foxfanfare wrote
> Still I cannot understand how to mange the URI links. About my
> environment,
> I'm not using gnome but a minimalist tilling window manager (i3) on a
> clean
> install of arch. I may have forgotten to install some packages? I checked,
> I
> have the xdg-ut
Federico Bruni-2 wrote
> I have a blog post draft (since some months...) for lilypondblog.org on
> this subject. It's not released yet because I had some troubles
> configuring Windows and especially Mac. Hopefully I'll finalize it next
> week (the last famous words...).
Funny you mention it,
Hi Federico, thank you very much for your answer.
I managed now to see the exact position with your correct LYEDITOR synthax.
One problem solved :-) BTW, I thought I had to make the export variables in
my .bash_profile, is there any difference in setting them in the .bashrc
file?
Still I cannot
Hi fellow lilyponders!
I would have need some of your help understanding how the Point & Click
option works. I switched from Windows to Linux some weeks ago (please be
gentle with me, I'm still a noob in this world!) and I'm trying to set-up a
minimalist desktop. I've installed ArchLinux and
Lukas-Fabian Moser wrote
> I disagree that LP does not follow the standard engraving rules. It just
> seems to me that \new GrandStaff etc. imply a certain semantics which is
> perfectly alright for, e.g., an orchestral Piano part, but just does not
> apply for the braces connecting Violin 1
Lukas-Fabian Moser wrote
> Hi,
>
>> The StartDelimiterHierarchy gives the possibility to change the first
>> bracket by anything you want, for instance:
> [...]
>> It would be interesting if your function can manage also that!
> I guess this is what happens when you start coding before agreeing
Lukas-Fabian Moser wrote
> Hi,
>
>> Thank you for this little function Lukas! It is very good and useful.
>> Would
>> it be possible to add to the list the choice for "square" or "bracket"?
>> Some
>> editions are using squares for grouping Violins 1-2.
>>
> Ah, do you mean an extra bracket? No
Lukas-Fabian Moser wrote
>> With a little bit of scheme, it should even be easy to make this into
>> a function accepting to parameters, indicating that k staves starting
>> with the n'th staff should be braced.
>
> Here is an implementation of that. Unfortunately I do not know if/how it
> is
foxfanfare wrote
> This works better for most of the
> cases, but in this example, I was unable to group the celli and double
> bass
> staves...
Answering my own problem here. I don't know how I got it, but after some
experimentations, I found:
\set StaffGroup.systemStartDelimi
Thanks for your reply SoundsFromSound, unfortunately, this doesn't solve my
problem. I may have been unclear of what the problem is.
I tried to understand how it was possible to configure in LP a full score
layout. I searched for some templates and read how family groups works
Aaron Hill wrote
> On 2018-10-09 7:15 am, foxfanfare wrote:
>> Hi all,
>>
>> I'm trying to configure a template for my orchestral works but I have a
>> problem with the GrandStaff vertical distance. You can take the
>> template
>> proposed in the manual to
Hi all,
I'm trying to configure a template for my orchestral works but I have a
problem with the GrandStaff vertical distance. You can take the template
proposed in the manual to see the problem:
http://lilypond.org/doc/v2.19/Documentation/learning/orchestra-choir-and-piano
You can see in the
For the last exemple, I have two little bugs which I couldn't success to
solve and would require your help:
- 1st and 3rd measure, I'd like to shorten the ossia staff
- 4th measure, the ppp dynamic makes the tuplet space a bit weird
Aaron Hill wrote
> On 2018-09-20 1:26 am, foxfanfare
Thomas Morley-2 wrote
> Isn't
> http://lilypond.org/doc/v2.19/Documentation/notation-big-page#using-the-line_002dspanner_002dinterface
> sufficient?
>
> Cheers,
> Harm
Yes you may be right. There is also this:
Bernhard Kleine wrote
> I have now packed the magnifyStaff with the individual organ=Piano
> staffs; that worked. Thanks you to make me aware of the error with the
> pianostaff.
>
> organPart = <<
> \new PianoStaff \with {
> instrumentName = "Orgel"
> } <<
> \new Staff = "right"
foxfanfare wrote
> Scriabin.JPG
> http://lilypond.1069038.n5.nabble.com/file/t5604/Scriabin.JPG;
> Scriabin_-_Piano_Sonata_No.ly
> http://lilypond.1069038.n5.nabble.com/file/t5604/Scriabin_-_Piano_Sonata_No.ly;
>
Little mistake, could you please correct line 16 with:
\finge
Urs Liska-3 wrote
> I would say generally it should include one system because it should
> require as little compiling time as possible and that would most likely
> fit in the window without (much) scrolling. If it feels useful or
> necessary to show more then it's ok, too. The window will cope
Urs Liska-3 wrote
> Now all I need is a bunch of (self-contained) sample files without paper
> blocks which I can then add to the ComboBox's list.
> Looking forward to contributions.
>
> Urs
Great! How long should the excerpt be? 1 line? 1 page? more?
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James Harkins-4 wrote
> That's exactly it. Thanks!
>
> Would be useful as a snippet perhaps... this totally eluded me in the
> manual. I tried to find info about bound-details but missed it somehow.
>
> hjh
I agree, I learnt more about bound-details in this forum. The internal
references page
Urs Liska-3 wrote
> Now that there seems to be a certain common understanding of my initial
> idea, may I repeat my request for someone to provide a suitable default
> sample document?
> Coming up with a score that provides representative details with as
> little content as possible does
Urs Liska-3 wrote
> In a nutshell (would take too long to explain in detail)
>
> * Significantly improve the "Show available fonts" dialog that so far
> only shows the pretty uncomprehensible LilyPond log:
> o Display real family names, grouped and sorted, with actual-font
>
James Harkins-4 wrote
> Apologies if this is a basic question. I've searched but I didn't find the
> answer.
>
> I have many text spanners with text for both the left and right bounds.
>
> If a spanner crosses a system break, I would like the right-hand text to
> be hidden at the end of the
tisimst wrote
> My 2 cents...
>
> A font preview is a font preview and the best, in my opinion, are those
> that show something in a practical context. In this case, an image of a
> single or grand staff showing 2-3 bars of a marginally interesting looking
> passage would be much more
tripleamia wrote
> I know you have the note-fingering but when i do this it goes inside the
> staff and it looks crowded and ugly. Is there any way I can make it go
> outside?
>
>
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> lilypond-user@
>
foxfanfare wrote
> Do you know how to add this
> command in TeXworks if I want to compile with it?
Don't bother, I found it!
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R. Padraic Springuel wrote
> Well, LuaTeX is still having trouble finding the executable, just in this
> case it’s looking for C:\Program. That, of course, is not a complete path
> to the lilypond executable. The space in the path is clearly not being
> escaped correctly. Try adding quotes
Urs Liska-3 wrote
> Did you correctly quote that here? I see -shell-escape instead of
> --shell-escape.
Hi Urs,
Actually, I just copied what was written in the GitHub documentation:
https://github.com/jperon/lyluatex
I tried with the -- and also with
\usepackage[program={C:/Program Files
Hi all,
I'm beginning my first steps in the world of LaTeX and I'm currently trying
to figure out how Lyluatex works. I'm using TeX Live (and TeXworks for
editing) on Windows.
I made this simple document:
\documentclass{article}
\usepackage{lyluatex}
\begin{document}
Bonjour, j'\'edite en
Thomas Morley-2 wrote
> 2018-09-17 12:40 GMT+02:00 Bernhard Kleine
> bernhard.kleine@
> :
>> I found it.
>> However without the -"legato" the \f is centered , with the -"legato" it
>> is
>> not. How to draw them on the same line?
>>
>> dynOrgel = {
>> {
>>s2\f s4-"legato"
>> }
>> }
H. S. Teoh wrote
> For the printed score, this would produce tons of redundant dynamic
> markings, so I always use a separate score just for layout, and stick
> \dynPart into a Dynamics context between the upper and lower parts of
> the piano score for nicer layout.
>
> Hope this helps.
Yes,
Thanks for all your useful thoughts.
I think I'll try to make this with LateX for a start and see if I can manage
it!
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Vaughan McAlley wrote
> Hmmm...
>
> Has anyone tried
>
> \midi {
> \context {
> \Staff
> \remove "Staff_performer"
> }
> \context {
> \PianoStaff
> \consists "Staff_performer"
> }
> }
>
> % ??
> (I haven't, but who knows?)
> Vaughan
I just tried. It
Mr Tim wrote
> A friend of mine uses Anvil Studio for midi on Windows. I think they have
> a free version, but even the premium is not much.
Thanks for the tip. Unfortunately Anvil Studio isn't cross-platform. I
should have been more specific, but I'm looking for something which could
also work
Simon Albrecht-2 wrote
> Maybe. LaTeX becomes less of a good choice the more you actually want to
> design the visuals. In a scientific paper, looks don’t matter at all,
> it’s only about the content; that’s where LaTeX is perfect, no doubt. If
> you’re going to design a poster, LaTeX is most
Aaron Hill wrote
> In fact, that is
> probably a good strategy for any application you are using that is not
> currently cross-platform. Seek out an alternative and start getting
> used to it now while you can still use your current setup.
>
> (Side note: Bear in mind you can start playing
David Wright wrote
> Judging from your posts here, I'm kind of surprised that you aren't
> already using it, as you would seem to have the aptitude for it.
Thanks David. But it is not as easy as it seems :) It is quite difficult to
change all your habits, to learn everything again, even if I'm
Kieren MacMillan wrote
> A decade ago, I tried to use Lilypond for the whole deal… but soon found
> out it was not powerful or flexible enough.
That's interesting! That's also what I fear, but I didn't try yet...
Kieren MacMillan wrote
> 2. Edit the "wrapper" in LaTeX, with the PDF score
Karlin High wrote
> On 9/11/2018 11:05 AM, foxfanfare wrote:
>> 2. What do you do with the default midi file?
>
> I often convert MIDI to audio formats via VLC Media Player and the
> GeneralUser GS soundfonts by S. Christian Collins. Full details here:
>
> http://li
Malte Meyn-3 wrote
> What do you mean by “manager”? What OS are you using?
Thanks David & Malte for your first comments. What I meant by manager is a
bit like Frescobaldi is to LilyPond to me! I'm still using Windows but
probably going to change for Linux soon...
--
Sent from:
Hi all,
I'd like to know a bit more about your use of the midi file. First, I use
LilyPond for its engraving qualities, nothing else. But still, a good audio
output is sometimes very handy. I wonder if the average usage of LP is
making PDF only and nothing else, or if I'm missing something big
Hi all,
I've ended the process of re-engraving several of my scores to LilyPond (and
I'm still astounded by it, the more I use it, the less I see myself using
again Sibelius or buying Dorico...). But I'd like now to go a bit further
and create the "whole" score, with all the front and back pages,
Ralph Palmer wrote
> Greetings -
>
> I've been using LilyPond for a long time now, and *really* like it. I
> transcribe and transpose classical music and fiddle tunes for myself and
> friends.
>
> I'm running LilyPond 2.19.81 with Frescobaldi 3.0.0 under Linux/Ubuntu
> 18.04.1.
>
> I'm putting
Mark Stephen Mrotek wrote
> FoxFanFare,
>
> Why not place the slut above the notes?
> To me that would be more conventional.
>
> Mark
Actually, the exemple above was just for demonstration. The problem is in
another context: pedal.JPG
<http://lilypond.1069038.n5.nabble.com
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