On Fri, Jan 14, 2011 at 09:39:59AM -0500, Ralph Palmer wrote:
I've tried the Learning Manual and the Snippets List. The closest I can
come would be something like :
3A A 3A A 2
A +A A +
8A A 8A A 8
Can anyone help me out?
I wrote some nice functions which do this a
Hello
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of
Ralph Palmer
Sent: 14 January 2011 14:40
To: lilypond-user Mailinglist
Subject: Complex time signature
Greetings -
I'm running Ly 2.12.3 under Ubuntu
Well I have used such tricks someone told me to use.
For instance :
#(define ((double-time-signature glyph a b) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 2.5) #:number
(#:line ((markup (#:fontsize 4
On Fri, Jan 14, 2011 at 04:23:23PM +0100, Éditions IN NOMINE wrote:
Well I have used such tricks someone told me to use.
For instance :
#(define ((double-time-signature glyph a b) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 2.5) #:number
January 2011 14:40
*To:* lilypond-user Mailinglist
*Subject:* Complex time signature
Greetings -
I'm running Ly 2.12.3 under Ubuntu.
I'm trying to engrave a complex time signature, as used by Bartok :
3+3+2/8
That is :
3+3+2
8
I've tried the Learning Manual and the Snippets List
I'm trying to engrave a complex time signature, as used by Bartok :
3+3+2/8
That is :
3+3+2
8
I have implemented such signatures for the MusicXML import, but not yet
included in the main lilypond distribution. (Carl wanted to fix the automatic
beaming structure induced
Ralph, look here:
http://www.fam.tuwien.ac.at/~reinhold/temp/time_sigs.ly
I've used this, with some adjustment in the 2.13 development versions, and I
think it works unaltered in 2.12. It should do exactly what you want. In some
of the later 2.13 versions you have to manually control beaming
Even if that is perfect for your needs, you might want to take a look at
Reinhold’s code anyway. It provides the proper Bartókian output (3+3+2/8),
while the LSR code can only produce 3/8 + 3/8 + 2/8 type output. I prefer the
former as cleaner and easier to read.
-Arle
Thank you, James -
On 14 Jan 2011, at 18:28, Arle Lommel wrote:
Even if that is perfect for your needs, you might want to take a
look at Reinhold’s code anyway. It provides the proper Bartókian
output (3+3+2/8), while the LSR code can only produce 3/8 + 3/8 +
2/8 type output. I prefer the former as cleaner
of result.
EXAMPLE:
\version 2.13.38
\header {
title = Táncolj kecske! (Dance, Goat, Dance!)
composer = Trad. Moldavian
(Magyar Dudazenekar)
}
% Compound time signature display taken from
% http://www.fam.tuwien.ac.at/~reinhold/temp/time_sigs.ly
On 14 Jan 2011, at 19:18, Arle Lommel wrote:
Both formats are used. It's really a matter of which tradition you
are working in.
Yes, that was my point, too.
For Hungarian stuff this is the normal representation:
PastedGraphic-2.png
I'm guessing in Bulgaria the other notation is the norm
)
%
% The music function to set the complex time signature
%
compoundMeter =
#(define-music-function (parser location args) (pair?)
Create compound time signatures. The argument is a Scheme list of
lists. Each list
Am Freitag, 14. Januar 2011, um 20:43:39 schrieb Reinhold Kainhofer:
I have now added the beat structure to the \compoundMeter command, too, so
you can also get rid of the \set beatStructure = #'(3 3 4) override, as it
will be automatically created. Attached is the latest version, which I'll
Somebody in this list used the notation of writing just the number in the
staff, and the '+' decomposition above it and the staff within parenthesis in
smaller size. That seems me to be a good idea. The '+' is not needed if the
decomposition can be seen from the beaming.
Seems like a good
Reinhold,
Thanks for the changes. I wasn't aware of the new version and I'm glad to see
it in LSR.
-Arle
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How to properly print a whole rest for a staff with time signature as:
\time 3/4?
If I try r1, the rest occupies 4 beats. So it consumes 1 bar (3 beats)
and a 1/3rd (1 beat) of the next bar as well. As I understand it, a
whole rest should occupy 1 bar only irrespective of the time
signature
On Fri, Dec 24, 2010 at 3:37 PM, Disc Magnet discmag...@gmail.com wrote:
How to properly print a whole rest for a staff with time signature as:
\time 3/4?
R2.
see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Writing-rests#Full-measure-rests
On Dec 24, 2010, at 16:41, Jay Anderson horndud...@gmail.com wrote:
On Fri, Dec 24, 2010 at 3:37 PM, Disc Magnet discmag...@gmail.com wrote:
How to properly print a whole rest for a staff with time signature as:
\time 3/4?
R2.
see
http://lilypond.org/doc/v2.12/Documentation/user
Subject: Re: How to parenthesize a time signature
To: Mark Polesky markpole...@yahoo.com, lilypond-user@gnu.org
lilypond-user@gnu.org, Jonathan Wilkes jancs...@yahoo.com
Date: Friday, December 10, 2010, 1:06 AM
On 12/9/10 8:28 AM, Mark Polesky markpole...@yahoo.com
wrote:
Jonathan
Jonathan,
On 10/12/2010 03:41, Jonathan Wilkes wrote:
But \parenthesize seems only to work for notes, rests, and chords.
Yes this feature was introduced in 2.13.x.
You are using 2.12.x I see?
So you have the option of using what is in the LSR or using the
'unstable' to 2.13.41 or 42 and
Hi !
This coould be seen as a special time signature.
I've been recently told (forgive me, you who told me : I can't remmeber
who you were, anyway some great person :-D ) how to mix a glyph and a
time,signature : you could probably adapt this trick (I couldn't ! :'( ).
\version 2.13
Greetings Lilypouncers,
Is there a quick way to parenthesize a simple time signature?
I'm not sure whether this is standard or not, but I used it once or
twice at the beginning of a score that shows an excerpt from, say, the
middle of a piece, to make it clear that the time signature also
Jonathan Wilkes wrote:
Is there a quick way to parenthesize a simple time
signature?
There's a quick way to bracketify a time signature:
http://lsr.dsi.unimi.it/LSR/Item?id=169
To get real parentheses requires a little more tweaking.
Maybe someone who has already done this will chime
On 12/9/10 8:28 AM, Mark Polesky markpole...@yahoo.com wrote:
Jonathan Wilkes wrote:
Is there a quick way to parenthesize a simple time
signature?
There's a quick way to bracketify a time signature:
http://lsr.dsi.unimi.it/LSR/Item?id=169
To get real parentheses requires a little
On Thu, 09 Dec 2010 01:36:23 +0100, Jonathan Wilkes jancs...@yahoo.com
wrote:
Greetings Lilypouncers,
Is there a quick way to parenthesize a simple time signature?
I'm not sure whether this is standard or not, but I used it once or
twice at the beginning of a score that shows an excerpt
Carl,
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Carl
Sorensen
Sent: Fri 12/10/2010 0:06
To: Mark Polesky; lilypond-user@gnu.org; Jonathan Wilkes
Subject: Re: How to parenthesize a time signature
On 12/9/10 8:28 AM, Mark Polesky markpole
Hi all !
Thanks to Kieren, I've managed to set a double time signature. Here's
the trick :
\version 2.13.29
*deuxTimeSignature =
%% Define a function to display custom time signatures
#(define ((custom-time-signature a b) grob)
(grob-interpret-markup grob
(markup #:override
And thanks to Valentin too ! ;-)
JMarc
Le 25/10/2010 10:54, Éditions IN NOMINE a écrit :
Hi all !
Thanks to Kieren, I've managed to set a double time signature. Here's
the trick :
\version 2.13.29
*deuxTimeSignature =
%% Define a function to display custom time signatures
#(define ((custom
\override Staff.TimeSignature #'style = #'default \time 6/4
\set Staff.timeSignatureFraction = #'(3 . 2) %typesets a 3/2 instead of
a 6/4
\override NoteHead #'duration-log = #1 %for white notation (thanks the
LSR !)
This doesn't work (no double time signature). I've also tried :
\override
On Fri, Oct 22, 2010 at 5:19 PM, Éditions IN NOMINE
cont...@editionsinnomine.com wrote:
Many thanks to those who are going to find THE trick !
Did you read my mail on -user-fr?
Yours Pondly,
Valentin.
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I have a strange issue with time signatures in alternatives:
\time 9/8
\repeat volta 2
{ e8[ e b' e,] c'[ c b g g] a[ a d a] f'[ f e c c] }
\alternative {
{ \time 7/8 a[ a] bes a[ a] f[ f] }
{ \time 7/8 g[ a] g[ g] f g[ g] }
}
This results in the proper 7/8
{\time 9/8
\repeat volta 2
{ e8[ e b' e,] c'[ c b g g] a[ a d a] f'[ f e c c] }
\alternative {
{ \time 7/8 a[ a] bes a[ a] f[ f] }
{ \time 7/8 g[ a] g[ g] f g[ g] }
}
}
--
oiram/bin/selom
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2010/2/19 Philippe Hezaine philippe.heza...@free.fr
Hi all,
I want to come back on this amazing thread dated of November 2007:
http://lists.gnu.org/archive/html/lilypond-user/2007-11/msg00436.html
Perhaps I don't understand very well the purpose and I need some
enlightenment.
I attach a
Trevor Bača a écrit :
Hi Philippe,
Nice rhythms :)
What is confusing about the previous thread?
Trevor.
Hi,
As I said perhaps I don't understand very well the purpose and I need
some enlightenment.
Why to write a 4/5 time signature if you find the resulting audio are
the same with a 4/4
Hi all,
I want to come back on this amazing thread dated of November 2007:
http://lists.gnu.org/archive/html/lilypond-user/2007-11/msg00436.html
Perhaps I don't understand very well the purpose and I need some
enlightenment.
I attach a file where you could see and hear a comparison between 4/4
As I don't know Scheme very well I need assistance with this problem
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On 17.01.2010, at 20:30, M. E. wrote:
As I don't know Scheme very well I need assistance with this problem
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This is a wonderful example of a
Apologies for the earlier errant message; most of the original
message disappeared in transit it seems.
As I don't know Scheme very well, I need assistance with the
following problem. I would like to create a compound time signature,
but with one of the columns consisting only of a time
On 19 Nov 2009, at 19:00, James E. Bailey wrote:
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
The easiest way is probably to create a hidden 7/8 time signature,
and override the displayed time signature with markup showing what
you want
of examples in the LSR:
http://lsr.dsi.unimi.it/LSR/Search?q=time+signature
Hope this helps!
Kieren.
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Hi Stefan,
Now the problem is that the slash is slightly too big
so the 4 is placed a bit too low. How could I solve this?
Maybe something like
\version 2.13.7
tsa = \markup {
\override #'(baseline-skip . 0)
\center-column {
\concat {
\number 3
\raise #0.5 +
\raise
Thank you very much. This really solved it!
Cheers,
Stefan
Am Freitag, den 20.11.2009, 09:03 -0500 schrieb Kieren MacMillan:
Hi Stefan,
Now the problem is that the slash is slightly too big
so the 4 is placed a bit too low. How could I solve this?
Maybe something like
\version
Hi Stefan,
Thank you very much. This really solved it!
Well... =\
My OCD won't let you use that version — at least this one fits in the
staff, like a good time signature should:
\version 2.13.7
tsa = \markup {
\override #'(baseline-skip . 0)
\center-column {
\concat
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Donnerstag, 19. November 2009 18:27:16 schrieb stefankaegi:
Hi
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
How about 7/8?
If you want special beam grouping, you'll need some tweaks.
Also
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
Thank you for your advice
Best wishes
The easiest way is probably to create a hidden 7/8 time signature,
and override the displayed time
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
Thank you for your advice
Best wishes
The easiest way is probably to create a hidden 7/8 time signature,
and override the displayed time
Do you have any idea how to do this override stuff? Sorry, I have no
clue. Will check out the forum.
Cheers, Stefan
Am Donnerstag, den 19.11.2009, 19:00 +0100 schrieb James E. Bailey:
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature 3+1/2 / 4
no
clue. Will check out the forum.
Cheers, Stefan
Am Donnerstag, den 19.11.2009, 19:00 +0100 schrieb James E. Bailey:
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
Thank you for your advice
Hi Stefan,
Do you have any idea how to do this override stuff?
Lots of examples in the LSR:
http://lsr.dsi.unimi.it/LSR/Search?q=time+signature
Hope this helps!
Kieren.
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and time signature squeezed together,
barlines thinner
\version 2.12.2
\paper {
indent = 0.0
ragged-right = ##t
ragged-last = ##t
}
\score { \new Staff \relative c'
{ \key f \minor
f2 a4 c2 a4 bes2 g'4 f8 e e4 d c f e d c b a \bar
2009/10/23 Frank Steinmetzger war...@gmx.de:
Hi there,
I've entered a Distler piece with lots of different time signatures. Now that
I'm finished and doublechecked with the original, I was about to commit it to
my choir, when I noticed that there were no visible bar numbers.
I'm guessing
Am Sonntag, 25. Oktober 2009 schrieb Neil Puttock:
2009/10/23 Frank Steinmetzger war...@gmx.de:
Hi there,
I've entered a Distler piece with lots of different time signatures. Now
that I'm finished and doublechecked with the original, I was about to
commit it to my choir, when I noticed
2009/10/25 Frank Steinmetzger war...@gmx.de:
I believe it should be prudent to add this information to the snippet, because
everyone who finds and uses it will run into this (unless (s)he knows it
already).
I've made some changes to `Printing music with different time
signatures', which will
Hi there,
I've entered a Distler piece with lots of different time signatures. Now that
I'm finished and doublechecked with the original, I was about to commit it to
my choir, when I noticed that there were no visible bar numbers.
At both line breaks I have signature changes in two or three of
Hello,
In the following, the tie is drawn through the time signature.
\relative c'' {
b b b b~
\time 5/4
b2. b2
}
Is there any way to get the tie to be transparent where it collides with
the time signature?
Thanks,
Jonathan
On 02.08.2009, at 05:04, Jonathan Wilkes wrote:
Hello,
In the following, the tie is drawn through the time signature.
\relative c'' {
b b b b~
\time 5/4
b2. b2
}
Is there any way to get the tie to be transparent where it collides
with
the time signature
Hi Jonathan,
In the following, the tie is drawn through the time signature.
\relative c'' {
b b b b~
\time 5/4
b2. b2
}
Is there any way to get the tie to be transparent where it collides with
the time signature?
Yes: search the archives for Mark P’s “whiteoutTimeSignatures” macro(s
James E. Bailey wrote:
Is there any way to get the tie to be transparent where it
collides with the time signature?
this is addressed in the Learning Manual under Real music
example
Sort of. The Real music example is here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Real
--- On Sun, 8/2/09, James E. Bailey derhindem...@googlemail.com wrote:
From: James E. Bailey derhindem...@googlemail.com
Subject: Re: tie over time signature
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Sunday, August 2, 2009, 5:26 AM
On 02.08.2009, at 05:04
--- On Sun, 8/2/09, Mark Polesky markpole...@yahoo.com wrote:
From: Mark Polesky markpole...@yahoo.com
Subject: Re: tie over time signature
To: James E. Bailey derhindem...@googlemail.com, Jonathan Wilkes
jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Sunday, August 2, 2009, 6:11 AM
No one offered a workaround, so here is what I came up with myself. Maybe
some more savvy people on the forum can have a look and tell me how it could
be improved upon.
I simply put a white filled box in place of the time signature stencil. But
it took a lot of fiddling to get something
where a choir
and instruments play together, and the instruments then repeat without the
choir. In the simplified snippet here, the first line shows basically what
I want. The second line differs only in that the time signature changes
right at the volta, and though I am able to hide the new time
. In the
simplified snippet here, the first line shows basically what I want. The
second line differs only in that the time signature changes right at the
volta, and though I am able to hide the new time signature in the choir
part, the staff lines around it still get drawn before \stopStaff takes
effect
Kieren MacMillan wrote:
Hi Reinhold,
This is essentially what
\once \override Staff.TimeSignature #'style = #'single-digit
does, except that with the single-digit style the number is
automatically
extracted from the time signature...
Wow... never seen that in the docs before!?
Very cool
2009/6/27 Reinhold Kainhofer reinh...@kainhofer.com:
Since I haven't found anything in the documentation and in the LSR, I created
a sample snippet and posted it to the LSR:
http://lsr.dsi.unimi.it/LSR/Item?u=1id=609
Can this snippet be added to the documentation about time signatures
, \time 6/4 (4
bars), \time 7/4, \time 6/4. No problems so far.
Trying to mimic the layout of the manuscript as far as possible in the
pdf I have come across a small problem:
Only the very first time signature shows the ordinary 6/4. All
subsequent time signatures are shown with a large number
:
Only the very first time signature shows the ordinary 6/4. All
subsequent time signatures are shown with a large number only, spanning
the whole system (no /4).
The solution I am sure is shown or at at least hinted at somewhere in
the new (2.13.2 at Kainhofer) documentation, the Snippets List
. If really needed I might get permission from the now
80-year old composer to show it, but I don't think it is.
It is the visual output in the staff of the time setting commands I
wish to tweak to numbers around double size, in the same place as the
ordinary time signature, spanning the whole system
Am Samstag, 27. Juni 2009 12:56:28 schrieb Villum Sejersen:
Sorry if my phrasing the question has been unsatisfactory.
You have already seen the only relevant parts of my input-code:
\time 6/4 ... \time 7/4 ... \time 3/4 ... \time 6/4 ... \time 7/4 ...
\time 6/4 ...
What David actually
= #'single-digit
does, except that with the single-digit style the number is automatically
extracted from the time signature...
Cheers,
Reinhold
--
--
Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial
Hi Reinhold,
This is essentially what
\once \override Staff.TimeSignature #'style = #'single-digit
does, except that with the single-digit style the number is
automatically
extracted from the time signature...
Wow... never seen that in the docs before!?
Very cool.
Thanks,
Kieren
on and off the \remove function within the music?
On Jun 18, 2009, at 12:12 AM, James E. Bailey
derhindem...@googlemail.com wrote:
On 18.06.2009, at 03:30, Kalen Mercer wrote:
I am working on a piece with no time signature or bar engraver.
However, I do want to
have a few bars here
On 18.06.2009, at 03:30, Kalen Mercer wrote:
I am working on a piece with no time signature or bar engraver.
However, I do want to
have a few bars here and there, and a bar to end the piece. I am
using the SATB vocal
score on this page: http://lilypond.org/doc/v2.12/Documentation/
user
On 5/26/09 4:03 PM, Trevor Bača trevorb...@gmail.com wrote:
Snip some good comments about this code
%%% BEGIN #3 PROPORTIONAL SPACING WITHOUT STRICT NOTE SPACING AND WITH EOL
ADJUSTMENT %%%
adjustEOLMeterBarlineExtraOffset = #(define-music-function (parser location)
()
#{
#})
%%% END %%%
Next I thought hm, I sure wish I could move the end-of-line barline over by
the same distance, just like I'm already doing with the end-of-line time
signature. And it turns out that a very literal-minded extension of your
solution works great:
%%% BEGIN
this message in context:
http://www.nabble.com/Tweaking-end-of-line-time-signature--tp23712497p23726892.html
Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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On Tue, 2009-05-26 at 11:13 -0500, Trevor Bača wrote:
Is there a way to set two grob properties at once (in a function with
no arguments)?
(if (ly:foo something)
(begin
(ly:set! ...)
(ly:set! ...)))
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and
applies without complaint from Lily makes me think the guess may not be too
far off.)
OK, so I'm going to go whittle down a minimal example of this sort of EOL
time signature shifting with proportional notation turned on to find out
with certainty whether the terminal parts of the measure
barline at the
dead end of the compass of the staff ... with the time signature trailing
afterwards in the whitespace beyond the staff?
You can switch the ordering of the barline and time signature using
'break-align-orders, which means you'll only need to move the time
signature using 'extra
Hi,
Is there a way to tweak the visual appearance and position of an end-of-line
time signature *without* affecting the following beginning-of-line time
signature?
Here's what I've got so far:
%%% BEGIN %%
#(set-global-staff-size 14)
\layout {
ragged-right = ##t
}
\new Staff {
\set
and not in the middle (e.g. if the \breaks are not
explicit), change the = to .
I welcome any refinements!
David
Hi,
Is there a way to tweak the visual appearance and position of an end-of-line
time signature *without* affecting the following beginning-of-line time
signature?
--
View
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Thank you ;)
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
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Alberto Simões wrote:
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Google is my friend.
\once \override Staff.TimeSignature #'stencil = ##f
Probably adding this to the documentation (Time Signature section) would
be great.
Thanks
Alberto
Am 16.05.2009 um 16:27 schrieb Alberto Simões:
Alberto Simões wrote:
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Google is my friend.
\once \override Staff.TimeSignature #'stencil = ##f
Probably adding this to the documentation (Time
Hello.
I am transcribing a music that defines the time signature as
(2-3)/4
That is, some bars are 2/4, some others are 3/4.
While I can change time signature from time to time accordingly with the
composer changes, that polutes a lot the music score.
Any suggestion on a solution?
Thank you
Alberto Simões wrote:
Hello.
I am transcribing a music that defines the time signature as
(2-3)/4
That is, some bars are 2/4, some others are 3/4.
While I can change time signature from time to time accordingly with the
composer changes, that polutes a lot the music score.
Any suggestion
Hello, Jonathan
Jonathan Kulp wrote:
Alberto Simões wrote:
Hello.
I am transcribing a music that defines the time signature as
(2-3)/4
That is, some bars are 2/4, some others are 3/4.
While I can change time signature from time to time accordingly with the
composer changes
You need to define-markup-command,
not define-music-function.
#(define-markup-command (timesig layout props numerator denominator)
(number? number?)
(interpret-markup layout props
(markup
[...]
\markup \timesig #3 #4
Regards,
Neil
--
Dmytro O. Redchuk
2009/4/14 Wei-Wei Guo wwgu...@gmail.com:
I want to define a new command \timesig instead of a new \markup, because I
need to use it in \markup with other texts, such as
\markup { \timesig #3 #4 blur blur }
You can include markups in markups.
I did such a commands int this way,
not sure if
2009/4/14 Dmytro O. Redchuk brownian@gmail.com:
2009/4/14 Wei-Wei Guo wwgu...@gmail.com:
I want to define a new command \timesig instead of a new \markup, because I
need to use it in \markup with other texts, such as
\markup { \timesig #3 #4 blur blur }
You can include markups in
I tried the following expr with the new command defined by
'define-markup-command'
\markup { \timesig #3 #4 }
\markup { \markup \timesig #3 #4 }
I don't know why.
Wei-Wei
Dmytro O. Redchuk 写道:
2009/4/14 Dmytro O. Redchuk brownian@gmail.com:
2009/4/14 Wei-Wei Guo wwgu...@gmail.com:
I
2009/4/14 Wei-Wei Guo wwgu...@gmail.com:
I tried the following expr with the new command defined by
'define-markup-command'
\markup { \timesig #3 #4 }
\markup { \markup \timesig #3 #4 }
I don't know why.
Try to define markup command as Neil suggested
#(define-markup-command (timesig
Sorry for wasting your time. It works now. I didn't notice in my test
file the command is
\markup { \timesig #3 #4}
instead of
\markup { \timesig #3 #4 }
Why is a white space so important?
Wei-Wei
Dmytro O. Redchuk 写道:
2009/4/14 Wei-Wei Guo wwgu...@gmail.com:
I tried the
hi,
On 14 Apr 2009, at 18:15, Wei-Wei Guo wrote:
Sorry for wasting your time. It works now. I didn't notice in my test
file the command is
\markup { \timesig #3 #4}
instead of
\markup { \timesig #3 #4 }
Why is a white space so important?
i assume that the whitespace is required to
Hi Simon,
Thanks!
Best wishes,
Wei-Wei
Simon Bailey 写道:
hi,
On 14 Apr 2009, at 18:15, Wei-Wei Guo wrote:
Sorry for wasting your time. It works now. I didn't notice in my test
file the command is
\markup { \timesig #3 #4}
instead of
\markup { \timesig #3 #4 }
Why is a white space
Dear all,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
which can show a time signature, but the vertical space between
2009/4/13 Wei-Wei Guo wwgu...@gmail.com:
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
This (just stacking two markups):
\relative c'' { c4 -\markup {\number 4} -\markup{\number 2} c c c }
shows numbers closer to each other in my case.
No sure this is a good way.
--
Hi Wei-Wei,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
which can show a time signature, but the vertical space between
On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
Combining your solutions, the following way is the better, but still
to long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
\number 4}}}
define this as a variable, then you only have to type it once:
ttf =
only have to type it once:
If you need to produce several different time signature markups, you
could create a new markup command:
#(define-markup-command (timesig layout props numerator denominator)
(number? number?)
(interpret-markup layout props
(markup
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