How to retain string numbers when using `q` chord repeater?

I've got this score: \version "2.19.82" \new TabStaff { q } It results in the following tab, which is not what I want: q4.pdf Description: weird tab :--- :To- :A--4--- :B--4-4- :---2-2- :--- Is there any way to retain the fingering from the full chord when using the

Re: Dispositioned notehead in chord when staffsize=14 and clef=bass

On Sun, 24 Mar 2019, Martin Tarenskeen wrote: See attached example "staffsize14.ly" and "staffsize14.pdf" output. Using lilypond 2.19.82 on Linux Fedora. What's happening here? I tried some more staffsizes. I'm seeing dispositioned noteheads when staffsize is 13, 14, or 19. No problems

Re: Dispositioned notehead in chord when staffsize=14 and clef=bass

> > What's happening here? Looks like #5303 layout-set-staff-space confuses chord note head placement in a certain situation https://sourceforge.net/p/testlilyissues/issues/5303/ Some discussion here: http://lists.gnu.org/archive/html/lilypond-user/2016-10/m

Re: Dispositioned notehead in chord when staffsize=14 and clef=bass

- Original Message - From: "Federico Bruni" To: "Martin Tarenskeen" Cc: "bug-lilypond mailinglist" ; "lilypond-user mailinglist" Sent: Sunday, March 24, 2019 5:14 PM Subject: Re: Dispositioned notehead in chord when staffsize=14 and clef=bas

Re: Dispositioned notehead in chord when staffsize=14 and clef=bass

Il giorno dom 24 mar 2019 alle 14:22, Martin Tarenskeen ha scritto: Hi, A bumped into a strange bug with a dispositioned notehead. See attached example "staffsize14.ly" and "staffsize14.pdf" output. Using lilypond 2.19.82 on Linux Fedora. What's happening here? I confirm it. Same

Dispositioned notehead in chord when staffsize=14 and clef=bass

Hi, A bumped into a strange bug with a dispositioned notehead. See attached example "staffsize14.ly" and "staffsize14.pdf" output. Using lilypond 2.19.82 on Linux Fedora. What's happening here? -- MT\version "2.19.82" \pointAndClickOff mymusic = \relative c{ \clef bass 4| | }

Re: select a note in a chord

On 2/2/19, David Kastrup wrote: > What you flatteringly call "my" thought would additionally maintain > "circular" order of the pitches, basically rotating pitches and then > octavating as needed to make sure that later pitches don't end up before > earlier pitches. Yep. That would be a great

Re: select a note in a chord

ite worthwhile thought, my concern in the review rather was that with the c'' ending up in the middle of the result chord, it will come up earlier for another octavation in higher-numbered inversions than the f'' would. So my idea rather was to not use repeatedly a 2nd inversion for the sake of g

Re: select a note in a chord

On 1/29/19, Davide Bonetti wrote: > Ok, now it works well! Greetings everybody, David K. raised an interesting question with regard to the \invertChords function: https://codereview.appspot.com/365840043/#msg18 Basically (IIUC), he’s thinking that \invertChords 1 should ideally result in

Re: select a note in a chord

updated function, now it sort of works! #(define-public (move-chord-note n direction) (_i "Transpose a note (numbered as @var{n}) by one octave in @var{direction}.") (lambda (music) (let* ((elts (ly:music-property music 'elements)) (l (l

Re: select a note in a chord

ctavation property of some notes… then not taking that into account when sorting the pitches. (And, as David noted, I was displacing the pitches onto the notes without moving any articulations they might have attached.) Here’s the new updated function, now it sort of works! #(define-public (move-cho

Re: select a note in a chord

Hi Valentin and everybody. So, now the chord name is preserved when \dropNote or \raiseNote is applied once, but not when is applied twice or more. It reminds me something that happens when a variable in lilypond is called with $ instead of # , but in scheme I don't see this difference

Re: select a note in a chord

On 1/19/19, Davide Bonetti wrote: > For the sake of the discussion, I copy there the code as it now is: Greetings Davide and everybody, although these chord-transform functions were only intended for written voicings (i.e. not ChordNames), David K. had a brilliant idea: by sett

Re: select a note in a chord

On 2019-01-19 9:32 am, Davide Bonetti wrote: %% rise a note of a chord, in num position from below riseNote = If a little pedantry is permitted, the verb should be "raise" not "rise". The subtlety involves that we are *causing* a note to rise, therefore we are raising t

Re: select a note in a chord

For the sake of the discussion, I copy there the code as it now is: (thanks to Valentin and David) D. %% #(define-public (move-chord-note n direction)    (_i "Transpose a note (numbered as @var{n}) by one octave in @var{direction}." )    (lambda (music)

Re: select a note in a chord

Il 19/01/2019 08:36, Valentin Villenave ha scritto: On 1/18/19, David Kastrup wrote: Music functions share the same namespace as all other Scheme functions and variables OK, perhaps a better name would be \dropNote then (much like \hideNotes etc.). Good choice. Anyway, I like these

Re: select a note in a chord

On 1/18/19, David Kastrup wrote: > Music functions share the same namespace as all other Scheme functions > and variables OK, perhaps a better name would be \dropNote then (much like \hideNotes etc.). Anyway, I like these functions (thanks to both of you guys) and I wonder if they could be made

Power chord display name

Hi, Is there any way in lilypond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Power chord symbols

Hi, Is there any way in lily pond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lis

Power chord chord symbol

Hi, Is there any way in lilypond to display a chord name of the form "C5", which commonly denotes a power chord without the 3rd? Would be much appreciated! Thanks Ollie ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Re: select a note in a chord

Davide Bonetti writes: > Great! > Everything very interesting. > In this case, drop is a lilypond music function, so I assume it will > not interfere with slri (but I don't know what slri is) (srfi srfi-1), not slri, sorry for messing this up. It is a standard module of Scheme for list

Re: select a note in a chord

Great! Everything very interesting. In this case, drop is a lilypond music function, so I assume it will not interfere with slri (but I don't know what slri is) Cheers D. Il 18 gennaio 2019 01:21:31 CET, David Kastrup ha scritto: >David Kastrup writes: > >> Valentin Villenave writes: >>

Re: select a note in a chord

David Kastrup writes: > Valentin Villenave writes: > >> On 1/18/19, David Kastrup wrote: >>> This is not really an issue for string-manipulation. >> >> Agreed. Nevertheless, I was pleasantly surprised to see that >> ly:parser-include-string could accept an incomplete expression. >>

Re: select a note in a chord

Valentin Villenave writes: > On 1/18/19, David Kastrup wrote: >> This is not really an issue for string-manipulation. > > Agreed. Nevertheless, I was pleasantly surprised to see that > ly:parser-include-string could accept an incomplete expression. > (Previously, ly:parser-parse-string would

Re: select a note in a chord

On 1/18/19, David Kastrup wrote: > This is not really an issue for string-manipulation. Agreed. Nevertheless, I was pleasantly surprised to see that ly:parser-include-string could accept an incomplete expression. (Previously, ly:parser-parse-string would have been much less flexible here.) >

Re: select a note in a chord

Valentin Villenave writes: > On 1/17/19, Davide Bonetti wrote: >> I worked on your example, and here is the result. > > Nice! > >> I'm sure there is a better way to write the inversion function, but I >> haven't find a way to program the repetition of a function in scheme. > > This is certainly

Re: select a note in a chord

On 1/17/19, Davide Bonetti wrote: > I worked on your example, and here is the result. Nice! > I'm sure there is a better way to write the inversion function, but I > haven't find a way to program the repetition of a function in scheme. This is certainly not the most elegant way, but it seems

Re: select a note in a chord

I worked on your example, and here is the result. The "\drop n" function drop the nth note from above, an can be nested (to do drop 2 drop 4) The funcion "\rise n" function rise the nth note from below, an can be nested too The "\inversion n" function do the

Re: select a note in a chord

Valentin Villenave writes: > On 1/15/19, Davide Bonetti wrote: >> I modified >> (if (and (music-is-of-type? music 'event-chord) >> (> l n)) >> with >> (if (and (music-is-of-type? music 'event-chord) >>

Re: select a note in a chord

On 1/15/19, Davide Bonetti wrote: > I modified > (if (and (music-is-of-type? music 'event-chord) > (> l n)) > with > (if (and (music-is-of-type? music 'event-chord) > (>= l n)) Nice catch! I’ve updated the snippet as wel

Re: select a note in a chord

Hello! Il 15/01/2019 11:46, Davide Bonetti ha scritto: But I noticed that it doesn't work on the lowest pitch of a chord (drop 4 on a four note chord, drop 3 on a three note chord) I modified    (if (and (music-is-of-type? music 'event-chord)     (>

Re: select a note in a chord

Now it sorts the pitches too! It can be easily converted to transpose a pitch an octave up changing (ly:make-pitch -1 0) to (ly:make-pitch +1 0) But I noticed that it doesn't work on the lowest pitch of a chord (drop 4 on a four note chord, drop 3 on a three note chord) Cheers Davide Il

Re: select a note in a chord

On 1/15/19, Valentin Villenave wrote: > (It would be possible to first re-order the notes > automatically and then apply the transformation, but I’m too lazy to > add it right now :-) OK, here’s an improved version: http://lsr.di.unimi.it/LSR/Item?id=1082 Cheers, V.

Re: select a note in a chord

On 1/14/19, Davide Bonetti wrote: > I'm looking for a function to select a note in a chord. > This can be useful for automatic inversions, or to change the voicing > (like the drop 2 in a four note chord). Hello Davide, Here’s how I would do it (using list-ref and list-set!), but thi

Re: select a note in a chord

Am 14.01.19 um 09:54 schrieb Davide Bonetti: Hello everyone. I'm looking for a function to select a note in a chord. This can be useful for automatic inversions, or to change the voicing (like the drop 2 in a four note chord). Hi Davide, what exactly are you looking for? A music function

select a note in a chord

Hello everyone. I'm looking for a function to select a note in a chord. This can be useful for automatic inversions, or to change the voicing (like the drop 2 in a four note chord). Cheers. Davide --- Questa e-mail è stata controllata per individuare virus con Avast antivirus. https

Re: note collision when in a chord there is a second above or below an unison

Il 13/01/2019 00:46, Carl Sorensen ha scritto: I think that Lilypond does the right thing. Thank you for your opinion, but I think a collision is not a right thing. There should never be a unison and a second in a chord. I know that is not a very common situation. I'll show you two

Re: note collision when in a chord there is a second above or below an unison

Hi Paolo, your solution works but generates collision between the sharp and the time signature :) I tried this: \score {   {     1   } } and there is no collision with time signature. However, if the chord is my code doesn't work well again. I think that there is not an easy solution

Re: note collision when in a chord there is a second above or below an unison

From: Davide Bonetti Date: Saturday, January 12, 2019 at 2:00 PM To: Paolo Cantamessa Cc: Malte Meyn , Subject: Re: note collision when in a chord there is a second above or below an unison Do you (or someone else) know where in the source code is handled the position of the notes

Re: note collision when in a chord there is a second above or below an unison

e without alteration. > > If the note is altered, however, there is a collision with the alteration, > as you can see with this code: > \score { >1 > } > > Do you (or someone else) know where in the source code is handled the > position of the notes in a chord? > >

Re: note collision when in a chord there is a second above or below an unison

Thank you Paolo, it works well for whole note without alteration. If the note is altered, however, there is a collision with the alteration, as you can see with this code: \score {    1 } Do you (or someone else) know where in the source code is handled the position of the notes in a chord

Re: note collision when in a chord there is a second above or below an unison

Hi Davide, try this: \score { 1 } Bye. Paolo [image: Mailtrack] Sender notified by Mailtrack 09/01/19, 13:18:35 Il

Re: note collision when in a chord there is a second above or below an unison

Hi Malte, The output could be like in the attached image. I obtained it in Musescore, manually moving the notes. Cheers. Davide Il 08/01/2019 08:15, Malte Meyn ha scritto: Hi Davide, please tell us what output you expected. Am 06.01.19 um 18:41 schrieb Malte Meyn: Long answer: You can do

Re: note collision when in a chord there is a second above or below an unison

Hi Davide, please tell us what output you expected. Am 06.01.19 um 18:41 schrieb Malte Meyn: Long answer: You can do almost anything in LilyPond. In your case you could try changing the output (f. e. extra-offset) or the inpult (f. e. use multiple voices). But you have to know what the output

Re: note collision when in a chord there is a second above or below an unison

Am 06.01.19 um 16:08 schrieb Davide Bonetti: Hello everyone! Is there a way to avoid the note collision that appears in this example? \score {   1 } Short answer: yes. Long answer: You can do almost anything in LilyPond. In your case you could try changing the output (f. e.

note collision when in a chord there is a second above or below an unison

Hello everyone! Is there a way to avoid the note collision that appears in this example? \score {   1 } thanks. Davide --- Questa e-mail è stata controllata per individuare virus con Avast antivirus. https://www.avast.com/antivirus ___

Re: Engraving chord names in Linux

Il giorno dom 23 dic 2018 alle 11:57, Thomas Morley ha scritto: how comes you're using 2.18.2 with Ghostscript 9.26? This ly-version is released with Ghostscript 8.70. He's probably using a package installed from the repository instead of lilypond.org installer. Linux packagers try to

Re: Engraving chord names in Linux

Am Fr., 21. Dez. 2018 um 17:54 Uhr schrieb Jogchum Reitsma : > > Hi list, > > I use lilypond 2.18 on OpenSuse Tumbleweed (the rolling distro from Suse). On > that combination, displaying chord names in .pdf-form gives error messages > grom ghostscript (gs) in the transiti

Engraving chord names in Linux

Hi list, I use lilypond 2.18 on OpenSuse Tumbleweed (the rolling distro from Suse). On that combination, displaying chord names in .pdf-form gives error messages grom ghostscript (gs) in the transition from a .ps-file to a .pdf-file. When for example the snippet from http://lilypond.org/doc

Re: Generate staff-less chord and lyrics sheet

at the last eigth of a measure and continues into the next measure. In a chord sheet you would want to place the chord symbol right on top of that syllable, not between it and the next one, which will make the sheet harder to read. I guess, one might give directions to Lilypond in some way

Re: Generate staff-less chord and lyrics sheet

Am Sa., 8. Dez. 2018 um 10:08 Uhr schrieb Johan Vromans : > > On Thu, 6 Dec 2018 21:15:43 +0100, Annette Kusma > wrote: > > > The output should look something like this: > > > > C F C > > Mary had a little lamb > > F G C > > Its fleece was white as

Re: Generate staff-less chord and lyrics sheet

On Thu, 6 Dec 2018 21:15:43 +0100, Annette Kusma wrote: > The output should look something like this: > > C F C > Mary had a little lamb > F G C > Its fleece was white as snow > > I could simply write my sheet in some office programme, Instead of

Re: Generate staff-less chord and lyrics sheet

Hi Carl (et al.), > I really find Kieren's solution to be interesting. I’m glad! Below, I’ve done a little custom-context-building, in the hopes we might crowd-source a real solution to this problem (which crops up on the list fairly often). I’ve added a way (using tags) to break lyrics at

Re: Generate staff-less chord and lyrics sheet

On 12/6/18, 6:41 PM, "Carl Sorensen" wrote: What I've been using is Chordii/ChordPro. It's not as powerful as LilyPond, but also not as complicated. Oops -- that's my mistake. I haven't been using Chordii, I've been using the gchords package in LaTeX, which is similar.

Re: Generate staff-less chord and lyrics sheet

no staves. The output should look something like this: C F C Mary had a little lamb F G C Its fleece was white as snow with the chord names printed nicely above the corresponding syllable (the .ly-file could

Re: Generate staff-less chord and lyrics sheet

Hi Annette, Here’s a simpler version that seems to work. Kieren. \version "2.19.80" theMelody = { e'4 d' c' d' e'4 4 4 4 d'4 4 e' d' c'2. r4 } theChords = \chordmode { c2 f c1 f2 g c1 } theWords = \lyricmode { Mar -- y had a lit -- tle lamb, Its fleece was white as snow.

Re: Generate staff-less chord and lyrics sheet

Hi Annette, > I wonder if there is any command to generate a sheet with only chords > and lyrics, no staves. Here’s one attempt. You should be able to take it from here. Hope this helps! Kieren. %%% SNIPPET BEGINS \version "2.19.80" theMelody = { e'4 d' c' d' e'4 4 4 4 d'4 4 e' d'

Re: Generate staff-less chord and lyrics sheet

Hi Annette, A minimal working example would be good (MWE). But can't you simply hide the staff? See NR for 2.19.82 Section 1.6.2, subsection Hiding Staves. [Works in earlier lilypond versions as well.] "Staff lines can be hidden by removing the Staff_symbol_engraver from the Staff context. As

Generate staff-less chord and lyrics sheet

a little lamb F G C Its fleece was white as snow with the chord names printed nicely above the corresponding syllable (the .ly-file could calculate the alignment from combining the given lyrics- and notes-information), but hyphens removed, and linebreaks at, say every given

Re: parenthesized chord symbols

Here is something I have used for years with good results. Someone on the list created this off the cuff. I have not tried it with 2.19.x. No doubt it could be improved, but it is short and simple. \version "2.18.0" #(define (left-parenthesis-ignatzek-chord-names in-pitches bass

Re: parenthesized chord symbols

Sandro Santilli wrote: How do I put chord symbols in parenthesis, across two measures ? Look at http://lists.gnu.org/archive/html/lilypond-user/2016-10/msg00565.html for some suggestions re turnaround brackets. Cheers, Robin ___ lilypond-user

parenthesized chord symbols

How do I put chord symbols in parenthesis, across two measures ? Like in (fixed-width fonts needed): Em7 ( D7 A A7 ) || || --strk; ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: chord duration

Gianmaria Lari wrote > Ciao Torsten, > > I'm sorry, I don't understand. Why I would like to display twice a chord > if > I write c4~4 ? Maybe could you write a simple example (if possible!). Ah, yes, right, Gianmaria! I only was thinking of chord changes in general, but now

Re: chord duration

view. > In this simple example, it is totally clear that we only want to see > changes. > But just imagine the beginning of a new section (rehearsal mark, repeat > volta bracket, Coda, etc.) where we definitely *want* to clearly re-instate > the Chord name for several reasons. &g

Re: chord duration

magine the beginning of a new section (rehearsal mark, repeat volta bracket, Coda, etc.) where we definitely *want* to clearly re-instate the Chord name for several reasons. I think it is necessary to deliberately set chordChanges to ##t or ##f in many cases. Besides, I'll opt for ##t as the default s

Re: chord duration

On Wed, 31 Oct 2018 at 09:21, David Kastrup wrote: > Gianmaria Lari writes: > > > The following code... > > > > \version "2.19.82" > > \new ChordNames \chordmode { c8~c2 } > > > > > > displays C C. How can I make it display a single

Re: chord duration

Gianmaria Lari writes: > The following code... > > \version "2.19.82" > \new ChordNames \chordmode { c8~c2 } > > > displays C C. How can I make it display a single C chord that last 8~2? You got a number of workarounds in different answers. There may

Re: chord duration

Am 31.10.18 um 09:00 schrieb Gianmaria Lari: The following code... \version "2.19.82" \new ChordNames \chordmode { c8~c2 } displays C C. How can I make it display a single C chord that last 8~2? Durations may be modified using factors: since 2 is 4x 8 (hehe), you

Re: chord duration

On 2018-10-31 1:00 am, Gianmaria Lari wrote: The following code... \version "2.19.82" \new ChordNames \chordmode { c8~c2 } displays C C. How can I make it display a single C chord that last 8~2? Would either "c8 s2" or "c8*5" work for you? (I think the second

Re: chord duration

Am 31.10.18 um 09:00 schrieb Gianmaria Lari: The following code... \version "2.19.82" \new ChordNames \chordmode { c8~c2 } displays C C. How can I make it display a single C chord that last 8~2? There are several possibilities: %%% \version "

Re: chord duration

Try C8*5. Best, Robert > On 31 Oct 2018, at 09:00, Gianmaria Lari wrote: > > The following code... > > \version "2.19.82" > \new ChordNames \chordmode { c8~c2 } > > displays C C. How can I make it display a single C chor

chord duration

The following code... \version "2.19.82" \new ChordNames \chordmode { c8~c2 } displays C C. How can I make it display a single C chord that last 8~2? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Re: Function or command to omit only certain accidentals of a chord?

Hello Jan! I'm just testing out EE and I've come across the need to adress a noteHead tweak in a note inside a chord. Looking for a solution, I came to this post. Is this implemented? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: How to parenthesise bass note in chord symbol?

On Sun, 7 Oct 2018 at 21:12, Thomas Morley wrote: > Am So., 7. Okt. 2018 um 19:53 Uhr schrieb Peter Crighton > : > > > How would I go about either shifting the parentheses vertically or > making them smaller? They probably make sense how they are now with regard > to sharps/flats and possible

Re: How to parenthesise bass note in chord symbol?

Am So., 7. Okt. 2018 um 19:53 Uhr schrieb Peter Crighton : > How would I go about either shifting the parentheses vertically or making > them smaller? They probably make sense how they are now with regard to > sharps/flats and possible lowercase letters, but they still look off, > especially

Re: How to parenthesise bass note in chord symbol?

On Sun, 7 Oct 2018 at 00:27, Thomas Morley wrote: > Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton > : > > > > Hello all, > > > > I need the bass note of a chord symbol to be in parentheses, like so: > > C(/G) > > > > How could I achie

Re: How to parenthesise bass note in chord symbol?

Am So., 7. Okt. 2018 um 00:55 Uhr schrieb David Kastrup : > > Thomas Morley writes: > > > Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton > > : > >> > >> Hello all, > >> > >> I need the bass note of a chord symbol to be in paren

Re: How to parenthesise bass note in chord symbol?

Thomas Morley writes: > Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton > : >> >> Hello all, >> >> I need the bass note of a chord symbol to be in parentheses, like so: >> C(/G) >> >> How could I achieve this? I am, sadly, cluel

Re: How to parenthesise bass note in chord symbol?

Am Sa., 6. Okt. 2018 um 23:48 Uhr schrieb Peter Crighton : > > Hello all, > > I need the bass note of a chord symbol to be in parentheses, like so: > C(/G) > > How could I achieve this? I am, sadly, clueless. > > \version "2.19.82" > \new Ch

How to parenthesise bass note in chord symbol?

Hello all, I need the bass note of a chord symbol to be in parentheses, like so: C(/G) How could I achieve this? I am, sadly, clueless. \version "2.19.82" \new ChordNames { \chordmode { % like this, but with only the /G in parentheses -> C(/G) \parenthesize c1/g } }

Re: slash to indicate repeated chord?

Robin Bannister-2 wrote > Well there was a suggestion in 2012 > http://lists.gnu.org/archive/html/lilypond-user/2012-02/msg00417.html > I don't know if anything came of this. Thanks. It took me a while to get around to it, but I tried the Scheme solution from Francisco Vila(?) and it worked.

Re: Intervalic Chord Names

On 2018-08-29 10:25, Tom Swan wrote: continued reply... Re: accidentals, yes that will be necessary. Do you have an idea about how to go about that? Hi Tom, Building upon the code from scm/chord-name.scm (and related files) as well as (LSR #750)[1], here is a more complete version

Re: Intervalic Chord Names

continued reply... Re: accidentals, yes that will be necessary. Do you have an idea about how to go about that? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Intervalic Chord Names

but I am curious how you would select lowercase ii, vi, etc.? If the chord is c:m7 would that choose lowercase somehow? That would be pretty cool. Now I'm thinking of expanding this to respect the key (e.g. if the key is changed to F, would the intervalic chords remain unchanged in the output?

Re: Intervalic Chord Names

Am 28.08.18 um 18:57 schrieb Jacques Menu Muzhic: Do I guess it right that you’d like tonality-relative numbers, i.e. V7 for A7 in D major? That’s indeed probable. There are two possibilities what to do about that: 1. Get the tonic from the key signature as it is done in these snippets:

Re: Intervalic Chord Names

hrough.) > > It came through; it just seems like it was overlooked by many. > >> I need some help figuring out how to change chord names (C, F, G) into >> intervals such as (I, IV, V). The short example below displays a timing >> diagram for a melodic line, but I would also

Re: Intervalic Chord Names

Am 28.08.18 um 15:29 schrieb Tom Swan: Sorry for duplication but my previous try didn't seem to go through.) It came through; it just seems like it was overlooked by many. I need some help figuring out how to change chord names (C, F, G) into intervals such as (I, IV, V). The short

Intervalic Chord Names

Hello. (Trying this again in plain text. Sorry for duplication but my previous try didn't seem to go through.) I need some help figuring out how to change chord names (C, F, G) into intervals such as (I, IV, V). The short example below displays a timing diagram for a melodic line, but I would

Intervalic Chord Names

Hello. I need some help figuring out how to change chord names (C, F, G) into intervals such as (I, IV, V). The short example below displays a timing diagram for a melodic line, but I would also like to display the chords C7, F7 as generic intervals I7 IV7. Manually setting the text would okay

Re: Chord \crossStaff question

On 11.07.2018 10:05, Menu Jacques wrote: The cross staff chord can actually be obtained with the code below, in which the upper part of the last two chords has been moved to the first staff ‘by hand' and rests set up accordingly, The two actual voices are still independent from each other

Re: Chord \crossStaff question

On 11.07.2018 10:05, Menu Jacques wrote: Is one among the three scores above clearly preferable for a keyboard player? And what if moving notes to the first staff conflicts with other music already present there? Cross-staff chords are very rarely used in keyboard music and are definitely

Re: Chord \crossStaff question

nces+carsonmark=ca.rr@gnu.org>]*On Behalf >>> Of*Menu Jacques >>> *Sent:*Tuesday, July 10, 2018 12:49 PM >>> *To:*Lilypond-User Mailing List >> <mailto:lilypond-user@gnu.org> <mailto:lilypond-user@gnu.org >>> <mailto:lilypond-user@gnu.or

Re: Chord \crossStaff question

notation-for-keyboards#cross_002dstaff-stems Mark *From:*lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]*On Behalf Of*Menu Jacques *Sent:*Tuesday, July 10, 2018 12:49 PM *To:*Lilypond-User Mailing List <mailto:lilypond-user@gnu.org>> *Cc:*Menu Jacques mailto:imj-...@bl

RE: Chord \crossStaff question

Menu Jacques, Trying to compile your code. Not successful for the moment. Shall try later tonight. Mark From: Menu Jacques [mailto:imj-...@bluewin.ch] Sent: Tuesday, July 10, 2018 2:17 PM To: Mark Stephen Mrotek Cc: Menu Jacques ; Lilypond-User Mailing List Subject: Re: Chord

Re: Chord \crossStaff question

On 10.07.2018 23:16, Menu Jacques wrote: But in the image from Finale 2014, all pitched notes occur in the second staff, and I tried to achieve the same. What do you mean? They are cross-staff chords, so some of the note heads are on the upper staff. LilyPond doesn’t currently have any notion

Re: Chord \crossStaff question

mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org > <mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org>] On Behalf Of > Menu Jacques > Sent: Tuesday, July 10, 2018 12:49 PM > To: Lilypond-User Mailing List <mailto:lilypond-user@gnu.org>> > Cc: Menu Jacques ma

re: chord names - C Delta 7 chord, \chords and markup text

> > -- Forwarded message -- > From: Reilly Farrell > To: lilypond-user > Date: Fri, 29 Jun 2018 23:37:20 -0700 > Subject: chord names - C Delta 7 chord? > Hi All, > > I'm looking for a solution for printing a C Delta 7 chord name (so that 7 > prints

Re: Discern single note-event from one in a chord

pply the wrapping to single music events too. For example > when having a single note I'd like to override a number of grobs' > color property while within a chord it's only the notehead, so \tweak > is good. >>> Is there maybe a way to get to a music's "parent" in order

Re: Discern single note-event from one in a chord

Am 01.07.2018 um 10:04 schrieb David Kastrup: Urs Liska writes: Hi, is there a way to discern whether the ly:music? passed into a music function is a single note-event or a note within a chord? \version "2.19.80" testType = #(define-music-function (music)(ly:music?) (

Re: Discern single note-event from one in a chord

Am 01.07.2018 um 10:04 schrieb David Kastrup: Urs Liska writes: Hi, is there a way to discern whether the ly:music? passed into a music function is a single note-event or a note within a chord? \version "2.19.80" testType = #(define-music-function (music)(ly:music?) (

<    1   2   3   4   5   6   7   8   9   10   >