Just my opinion, but I think it is usually a good idea to use an original
source such as Purcell's mentioned in the original post, rather than rely on
a secondary source such as Dolmetsch.
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gt;
> *Cc:* Michael Rivers <michaeljriv...@gmail.com>; lilypond-user <
> lilypond-user@gnu.org>
> *Subject:* Re: 17th century English kbd ornaments
>
>
>
> BTW, I found this : http://home.insightbb.com/~cratonkiwi/music/orn3.jpg
>
> Are these glyphs and explanat
: Tuesday, July 19, 2016 1:06 AM
To: Andrew Bernard <andrew.bern...@gmail.com>
Cc: Michael Rivers <michaeljriv...@gmail.com>; lilypond-user
<lilypond-user@gnu.org>
Subject: Re: 17th century English kbd ornaments
BTW, I found this : http://home.insightbb.com/~cratonkiwi/music/orn3.jpg
On Tue, 2016-07-19 at 12:08 +0200, Simon Albrecht wrote:
> On 19.07.2016 09:56, Richard Shann wrote:
> >> If we did them as
> >> ornaments the possibility would arise of being able to use them to set
> >> English Virginal Music which uses the slash and double slash,
> > those behave rather
On 19.07.2016 09:56, Richard Shann wrote:
If we did them as
ornaments the possibility would arise of being able to use them to set
English Virginal Music which uses the slash and double slash,
those behave rather differently from ornaments, being as you say,
through the stem.
through the stem,
On Tue, 2016-07-19 at 05:34 +0500, Andrew Bernard wrote:
> Hi Pierre,
>
>
> Wouldn’t it be better to do these are actual ornaments instead of just
> markup? I say this because there is a page on the lilyond blog
> regarding this, but it is only partially complete. If we did them as
> ornaments
BTW, I found this : http://home.insightbb.com/~cratonkiwi/music/orn3.jpg
Are these glyphs and explanation accurate?
(Actually, the example taken to draw my glyph was:
http://imslp.nl/imglnks/usimg/c/c7/IMSLP351896-PMLP568401-Purcell_CorantZ644.pdf
)
Cheers,
Pierre
2016-07-19 9:49 GMT+02:00
Hi Andrew,
Interesting question.
I'm not familiar with Purcell's work but what I found on IMSLP was that
this shake is used as (e.g.) a trill.
So how about :
\version "2.19.45"
purcell-shake-glyph =
\markup\stencil
#(make-path-stencil
'(M -0.20 0.05 L 1.55 0.51 M -0.31 0.43 L 1.45
Or even:
shake =
-\tweak stencil #(lambda (grob)(grob-interpret-markup grob
purcell-shake-glyph))
\trill
Cheers,
Pierre
2016-07-19 9:44 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Hi Andrew,
>
> Interesting question.
> I'm not familiar with Purcell's work but what I
Hi Pierre,
Wouldn’t it be better to do these are actual ornaments instead of just
markup? I say this because there is a page on the lilyond blog regarding
this, but it is only partially complete. If we did them as ornaments the
possibility would arise of being able to use them to set English
context:
> http://lilypond.1069038.n5.nabble.com/17th-century-English-kbd-ornaments-tp148407p192792.html
> Sent from the User mailing list archive at Nabble.com.
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http
That looks great. Thanks so much!
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lilypond-user mailing list
book cited in the top
> post, and my skills are not up to the task.
>
>
>
> --
> View this message in context:
> http://lilypond.1069038.n5.nabble.com/17th-century-English-kbd-ornaments-tp148407p192771.html
> Sent fr
Did anybody ever come up with a way to draw the shake from Purcell in
Lilypond? I'm trying to typeset something from the book cited in the top
post, and my skills are not up to the task.
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- Original Message -
From: DavidGriffel david.grif...@gmail.com
To: lilypond-user@gnu.org
Sent: Thursday, July 25, 2013 10:40 AM
Subject: 17th century English kbd ornaments
I've looked in the lilypond documentation for ornaments like these
http://lilypond.1069038.n5.nabble.com/file
email]http://user/SendEmail.jtp?type=nodenode=148474i=0
To: [hidden email] http://user/SendEmail.jtp?type=nodenode=148474i=1
Sent: Thursday, July 25, 2013 10:40 AM
Subject: 17th century English kbd ornaments
I've looked in the lilypond documentation for ornaments like these
http
sponsor them if the sponsorship system is
still in place.
David
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