this one centers it
Long =
#(define-music-function
(parser location str dyn)
(number? string?)
#{
-\markup
{
\halign #-1
\rotate #180
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
\vcenter
\dynamic $dyn
}
#}
)
{
c''4_\Long #-15.5 f
}
{
Thanks to all for your consideration of the problem I have been having
in placing a dynamic at the end of a bar.
Stephen's 2 solutions are quite effective in some cases, but so far as I
can see cannot be made to work when there is a single note (e.g. a
semibreve) which has to carry the hairpin.
it works on one note and an none - i added dynamic markup for you
Long =
#(define-music-function
(parser location str dyn)
(number? string?)
#{
-\markup
{
\halign #-1
\rotate #180
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
\dynamic $dyn
}
#}
)
{
Hi David,
On Tue, Jun 2, 2015 at 10:47 AM, David Sumbler da...@aeolia.co.uk wrote:
Thanks to all for your consideration of the problem I have been having
in placing a dynamic at the end of a bar.
Stephen's 2 solutions are quite effective in some cases, but so far as I
can see cannot be made
Hi david
Can you tell me where this is located in the lilypond directory. what file
etc. or where one could get the information on line ie where you got it!
Thanks
Stephen
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Hello Stephen,
Changing :
\once \override NoteHead.extra-spacing-width = #`(,len . 1)
to :
\once \override NoteHead.extra-spacing-width = #`(,(- len) . 1)
allows a positive number instead.
JM
Le 31 mai 2015 à 02:47, Stephen MacNeil classicalja...@gmail.com a écrit :
the
Thank you for that
Stephen
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I used the first snippet posted by Simon for an Arrastres function. Then I
noticed Davids post for afterGrace so I tried my hand at that.
Both work but I have a few questions.
In the first posted by simon I did it my typical way. And it works like all
my other functions. Typically I use modified
the second didn't work correctly so i changed it
\version 2.18.2
Fraction = #(cons 6 8)
Arrastres =
#(define-music-function (parser location len main grace) (number? ly:music?
ly:music?)
(_i Create @var{grace} note(s) after a @var{main} music _expression_.)
(let ((main-length
Hi Simon,
On Thu, May 28, 2015 at 2:28 AM, Simon Albrecht simon.albre...@mail.de
wrote:
This sounds like a usecase for \afterGrace. I cooked up a music function
for that, which works quite fine. Does that help you?
This is nice. I should point out that \afterGrace places the grace notes
Am 28.05.2015 um 22:45 schrieb David Nalesnik:
Hi Simon,
On Thu, May 28, 2015 at 2:28 AM, Simon Albrecht
simon.albre...@mail.de mailto:simon.albre...@mail.de wrote:
This sounds like a usecase for \afterGrace. I cooked up a music
function for that, which works quite fine. Does that
I like that! I would add
\once \override DynamicText.X-offset = #'1
looks nicer to my eyes
afterDynamic =
#(define-music-function
(parser location mus dyn)
(ly:music? ly:music?)
#{
\afterGrace
$mus
{ \once \override DynamicText.X-offset = #'1 s4 $dyn }
#})
mus = {
c'1
Hello David,
Am 28.05.2015 um 00:17 schrieb David Sumbler:
On Wed, 2015-05-27 at 16:52 -0500, David Nalesnik wrote:
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler da...@aeolia.co.uk
wrote:
But both of these are work-arounds for something which is
actually
On Tue, 2015-05-26 at 12:47 -0500, David Nalesnik wrote:
Hi David,
On Tue, May 26, 2015 at 10:32 AM, David Sumbler da...@aeolia.co.uk
wrote:
I often use 's1*0\!' to end a hairpin just before a barline.
But how can a get a dynamic mark (e.g. 'ff') to appear at the
- Original Message -
From: David Sumbler da...@aeolia.co.uk
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other
Hi david
I think the hairpin alignment is with the DynamicText which aligns under
the note. So by moving the text the hairpin follows.
\once \override DynamicText.X-offset = #'x
So you could do
{
c''4\ \once \override DynamicText.X-offset = #'1.1 c''2.\ff |
R1 |
}
However in the first
On Wed, May 27, 2015 at 5:19 PM, Mats Bengtsson mats.bengts...@ee.kth.se
wrote:
As has already been discussed, the question is what the musical meaning of
such a notation would be. Certainly, I can think of printed music, not to
mention hand-written manuscripts, where dynamic marks are placed
Am 27.05.2015 um 22:03 schrieb David Sumbler:
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other method implies that the
On Wed, 2015-05-27 at 16:52 -0500, David Nalesnik wrote:
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler da...@aeolia.co.uk
wrote:
But both of these are work-arounds for something which is
actually
fairly normal musical notation. They are
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler da...@aeolia.co.uk wrote:
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
On Wed, 2015-05-27 at 22:14 +0100, Phil Holmes wrote:
- Original Message -
From: David Sumbler da...@aeolia.co.uk
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is
David Sumbler david at aeolia.co.uk writes:
I often use 's1*0\!' to end a hairpin just before a barline.
Is that needed? If you end it on the first note of the next bar, it should
be typeset to end just before the barline, see
Hi David,
On Tue, May 26, 2015 at 10:32 AM, David Sumbler da...@aeolia.co.uk wrote:
I often use 's1*0\!' to end a hairpin just before a barline.
But how can a get a dynamic mark (e.g. 'ff') to appear at the end of a
bar? In the following example, the first hairpin behaves as I want.
The
I often use 's1*0\!' to end a hairpin just before a barline.
But how can a get a dynamic mark (e.g. 'ff') to appear at the end of a
bar? In the following example, the first hairpin behaves as I want.
The second one ends with a dynamic, but the new dynamic appears at the
start of the following
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