Re: Extra Staff length
Hi Conor,
On Thu, Mar 27, 2014 at 10:14 PM, Conor Cook conor.p.c...@gmail.com wrote:
On Mar 27, 2014, at 10:15 AM, David Nalesnik david.nales...@gmail.com
wrote:
You might move the text to where you want it by first placing it where
the staff length is unaffected, then overriding TextScript.extra-offset.
This leaves the layout unchanged.
I’m not entirely sure I follow (I’ve only been using this since February,
which also explains the embarrassing file structure).
See attached. I took out the \halign and added
\once \override TextScript.extra-offset = #'(4 . 0)
The only drawback with this method is that extra-offset moves things
blindly without regard for collisions with other objects, so it could be an
annoyance using it before other details of the layout are fixed.
You can read more about it here:
http://www.lilypond.org/doc/v2.16/Documentation/learning/moving-objects
Hope this helps,
David
\version 2.18.2
roundP = \markup {
\halign #-0.25 \lower #4 \concat { \bold { \italic ( }
\dynamic p \bold { \italic ) } } }
mezzoP = \markup {
\halign #-0.3 \lower #4 \dynamic mp
}
mezzoF = \markup {
\halign #0 \lower #4 \dynamic mf
}
forte = \markup {
\halign #0 \lower #4 \dynamic f
}
tenuto = \markup { \italic ten. }
tenutoH = \markup { \raise #2.5 \italic ten. }
\score {
\midi {}
\layout {
indent = #0
%line-width = #120
ragged-right = ##f
}
\new PianoStaff \with {
\override StaffGrouper.staffgroup-staff-spacing.basic-distance = #20
} {
\new Staff \relative c' {
\key g \major
\set Score.currentBarNumber = #8
\bar
{c a'4-._\roundP c e-. c e a-.
{ b'8( a | g2) }
\\
{ c,4 | r4 b d }
d4_\mezzoF d | d d,^\(\arpeggio g, b g' d' b\ b d b'\arpeggio |
b d b'\arpeggio
\once \override TextScript.extra-offset = #'(4 . 0)
a d fis a\!\)_\markup { \lower #4 { \italic etc... } }\arpeggio
}
}
\new Staff \relative c {
\clef bass
\key g \major
{ r4 g'!2( fis4) | r d d d | r2 d4 r | r fis }
\\
{ a,2( d |
{ g,) r | g, g'\arpeggio g' | d d' }
\new PianoStaff {
\new Staff \with {
\remove Time_signature_engraver
}
\relative c' {
\key g \major
{ g'2 }
\\
{ r4 b, d }
b b'4^\tenuto(_\mezzoF\arpeggio cis b' |
\override TextScript.avoid-slur = #'inside
\override TextScript.outside-staff-priority = ##f
b' d, d, fis a\\arpeggio e a e'^\tenutoH\arpeggio fis e'\arpeggio |
g e'\! \once \override TextScript.extra-offset = #'(4 . 0) d d')_\markup { \lower #4 { \italic etc... } }
}
\new Staff \with {
\consists Span_arpeggio_engraver
\remove Time_signature_engraver
}
\relative c {
\clef bass
\key g \major
\set Staff.connectArpeggios = ##t
{ r4 d d\arpeggio e | r2 r4 fis a\arpeggio | r4 g b }
\\
{ g,2 g\arpeggio fis fis'(\arpeggio c c'\arpeggio | b b')\arpeggio }
}
}
}
}
}
}___
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Re: Extra Staff length
Try the effect of restoring your line-width and removing the etc. markup. -- Phil Holmes - Original Message - From: Conor Cook To: lilypond-user@gnu.org Sent: Wednesday, March 26, 2014 10:43 PM Subject: Extra Staff length Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor -- -- -- Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor -- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extra Staff length
That did it! I don’t need the etc., but is there any way to put that back in without adding the same effect? ~Conor Cook On Mar 27, 2014, at 4:28 AM, Phil Holmes m...@philholmes.net wrote: Try the effect of restoring your line-width and removing the etc. markup. -- Phil Holmes - Original Message - From: Conor Cook To: lilypond-user@gnu.org Sent: Wednesday, March 26, 2014 10:43 PM Subject: Extra Staff length Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extra Staff length
I presume Lily will take any text moved to the right of the music as continuing music and surround it with staves. You could either move the text back to the left (why the \override TextScript.outside-staff-priority = ##f which causes a collision with the chord?) or try \stopStaff. -- Phil Holmes - Original Message - From: Conor Cook To: Phil Holmes Cc: lilypond-user@gnu.org Sent: Thursday, March 27, 2014 12:50 PM Subject: Re: Extra Staff length That did it! I don’t need the etc., but is there any way to put that back in without adding the same effect? ~Conor Cook On Mar 27, 2014, at 4:28 AM, Phil Holmes m...@philholmes.net wrote: Try the effect of restoring your line-width and removing the etc. markup. -- Phil Holmes - Original Message - From: Conor Cook To: lilypond-user@gnu.org Sent: Wednesday, March 26, 2014 10:43 PM Subject: Extra Staff length Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor Dear Lilypond Community, I am working on a musical example for a paper, and I am in need of some assistance. It started out longer and even more complicated, but I deleted a few measures, but when I did so, I ended up with staff lines that extend beyond the end of the music, which happens mid-measure. The etc… is connected to the last pitches, and the extra length stays when I move it to the left. The example is trying to show how the same material in the first bar goes to different material. Also, if there is a way to show slurs connecting to material beyond the fragment, I would appreciate seeing how. Best, Conor ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extra Staff length
Hi, On Thu, Mar 27, 2014 at 10:08 AM, Phil Holmes m...@philholmes.net wrote: I presume Lily will take any text moved to the right of the music as continuing music and surround it with staves. You could either move the text back to the left (why the \override TextScript.outside-staff-priority = ##f which causes a collision with the chord?) or try \stopStaff. You might move the text to where you want it by first placing it where the staff length is unaffected, then overriding TextScript.extra-offset. This leaves the layout unchanged. --David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extra Staff length
On Mar 27, 2014, at 10:15 AM, David Nalesnik david.nales...@gmail.com wrote: You might move the text to where you want it by first placing it where the staff length is unaffected, then overriding TextScript.extra-offset. This leaves the layout unchanged. I’m not entirely sure I follow (I’ve only been using this since February, which also explains the embarrassing file structure). ~Conor Cook ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
