Re: Harmonics with ottava
On 2019-02-07 3:01 am, N. Andrew Walsh wrote:
Problem now is, Lily isn't avoiding collisions between the markup
objects
and grobs on other staves. Neither the markup nor the Staff.ottavation
text
block are given place, instead overlapping the voice above. How can I
fix
this?
Do you have a MWE for this? The snippet you posted only has a single
staff. I tried adding one...
\version "2.19.82"
<<
\new Staff { a2_\markup "Text" }
\new Staff
\relative c, {
\clef "bass_8"
\textLengthOn
\override Staff.NoteColumn.ignore-collision = ##t
\override NoteHead.style = #'harmonic-mixed
<<
{
\oneVoice
eih4^\markup { \right-align "Sul D" }--\harmonic
}
\\
{
\oneVoice
\textLengthOn
\tiny
\override Stem.stencil = ##f
\override Flag.stencil = ##f
\override ParenthesesItem.font-size = #0
\set Staff.ottavation = #"15ma"
\once \override Staff.OttavaBracket.direction = #UP
\set Voice.middleCPosition = #(+ -1)
< \parenthesize ceh'''>4 s
\unset Staff.ottavation
\unset Voice.middleCPosition
}
>>
}
...but I could not get any overlap. Granted, "Sul D" and "Text" appear
next to each other, but that has to do with text alignment. If you
change "Text" to \center-align, for instance, then the lower staff gets
moved down to prevent overlap.
-- Aaron Hill
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Re: Harmonics with ottava
PS- also, I've made use of http://lsr.di.unimi.it/LSR/Item?id=875, which
gets the notes in the correct positions. My example now looks like this:
---
\version "2.19.82"
\relative c, {
\clef "bass_8"
\textLengthOn
\override Staff.NoteColumn.ignore-collision = ##t
\override NoteHead.style = #'harmonic-mixed
<<
{
\oneVoice
eih^\markup { \right-align "Sul D" }--\harmonic
}
\\
{
\oneVoice
\textLengthOn
\tiny
\override Stem.stencil = ##f
\override Flag.stencil = ##f
\override ParenthesesItem.font-size = #0
\set Staff.ottavation = #"15ma"
\once \override Staff.OttavaBracket.direction = #UP
\set Voice.middleCPosition = #(+ -1)
< \parenthesize ceh'''>4 s
\unset Staff.ottavation
\unset Voice.middleCPosition
}
>>
}
---
Problem now is, Lily isn't avoiding collisions between the markup objects
and grobs on other staves. Neither the markup nor the Staff.ottavation text
block are given place, instead overlapping the voice above. How can I fix
this?
Cheers,
A
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Re: Harmonics with ottava
Hi Andrew On Thu, Feb 7, 2019 at 11:51 AM Andrew Bernard wrote: > Hello Andrew, > > Why are quartertones technically wrong? > Quartertones are wrong for harmonics (especially "natural" ones), because neither the finger position nor the resultant pitch are equivalent to equal-tempered quartertones. They are, at best, an approximation; and as I write music in just intonation, a misleading one that I avoid. But like I said: this is an example of a Stockhausen piece, and as he didn't care about tuning properly and I don't care about his music, I'm not going to invest the energy into doing it the right way. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Harmonics with ottava
Hello Andrew, Why are quartertones technically wrong? My current string quartet is full of them. String players can do them just fine. Andrew On Thu, 7 Feb 2019 at 21:46, N. Andrew Walsh wrote: > > (And yes, I know quartertones are technically wrong. > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Harmonics with ottava
Hi List,
I have the following construction:
--
\version "2.19.82"
\relative c, {
\clef "bass_8"
\textLengthOn
\override Staff.NoteColumn.ignore-collision = ##t
\override NoteHead.style = #'harmonic-mixed
<<
{
\oneVoice
eih^\markup { \right-align "Sul D" }--\harmonic
}
\\
{
\oneVoice
\tiny
\override Stem.stencil = ##f
\override Flag.stencil = ##f
\override ParenthesesItem.font-size = #0
{ \ottava #1 < \parenthesize ceh'''>4 s }
}
>>
}
What I actually want is for the fingered note to appear in the correct
location in the staff (so, just above the middle line), and the ottava to
apply only to the sounding harmonic note above it in parentheses. This
becomes important in higher-order harmonics, where you otherwise have two
notes that are separated by two or three octaves and it starts taking up a
lot of vertical space.
Is there a way to do this?
Cheers,
A
(And yes, I know quartertones are technically wrong. This is 1) an example
from a Stockhausen piece, and he's a dilettante who never was about correct
harmonic representation, and 2) if I were to do it properly I'd need to
import all my own custom accidentals as glyphs, and that's way too much
work for a musical example of a piece from a composer I clearly loathe)
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