Thanks for the replies, everyone.
David Kastrup wrote:
\relative c' takes a music expression as an argument, and in this case,
the argument is the parallel music ... .
Interesting. Does \voiceXXX take a music expression too? If so, can I set the
bounds of the expression with {}?
I don't
- Original Message -
From: Jeff Barnes jbarnes...@yahoo.com
To: David Kastrup d...@gnu.org; lilypond-user@gnu.org
I looked at the grammar at
http://lilypond.org/doc/v2.14/Documentation/notation/lilypond-grammar.
Where is \voiceXXX defined?
This snippet illustrates a problem I'm having. The tie on the g is in the wrong
direction after I've finished with the voice split. How do I get the correct
tie direction? It looks like the \voices are still in scope wrt ties.
Also, why did I lose the \relative c' after the voice split?
\score
Write ^ or _ before the tilde to force the tie up or down.
Works also with articulations, slurs and many other things.
Best
Urs
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Jeff Barnes jbarnes...@yahoo.com schrieb:
This snippet illustrates a problem I'm
Jeff Barnes jbarnes...@yahoo.com writes:
This snippet illustrates a problem I'm having. The tie on the g is in
the wrong direction after I've finished with the voice split. How do I
get the correct tie direction? It looks like the \voices are still in
scope wrt ties.
Also, why did I lose
