Re: Intervals between various B pitches

You are welcome. This pattern may be better for understanding the staff system and how LilyPond works: Currently, LilyPond uses the M and the # as generators, and the latter is put on a rational number continuous variable, tied to E12, the 12-equal tone-system. But no matter what rational

Re: Intervals between various B pitches

Thanks Hans! JM > Le 20 mai 2018 à 20:56, Hans Åberg a écrit : > > Here is a two-dimensional layout fitting into the staff system (use a > monospace font to view). Pitches increase by moving up or to the right. > Moving vertically corresponds to changing position on the

Re: Intervals between various B pitches

Here is a two-dimensional layout fitting into the staff system (use a monospace font to view). Pitches increase by moving up or to the right. Moving vertically corresponds to changing position on the staff; moving horizontally, applying an accidental. Pitches altering layout as follows:

Re: Intervals between various B pitches

> On 20 May 2018, at 15:59, Freeman Gilmore wrote: > > On Sun, May 20, 2018 at 7:16 AM, Hans Åberg wrote: > >> Use the keyboard layout below, which I made for a ChucK program. Take >> two-dimensional pattern and transpose between the two

Re: Intervals between various B pitches

> On 20 May 2018, at 16:23, Aaron Hill wrote: > > Hans, would you confirm whether the "D2" dangling at the end should actually > be "D8"? Yes, indeed, typo. Here a repost for easy copy (for use with a monospace font). Available at [1], the files for use with ChucK

Re: Intervals between various B pitches

On 2018-05-20 04:16, Hans Åberg wrote: The keyboard layout is altering pitches as follows: ^ # / . -> M / \ b v v m where M (resp. m) is the major (resp. minor) second, and the the sharp # (resp. flat b) raises (resp lower) with the interval M - m,

Re: Intervals between various B pitches

On Sun, May 20, 2018 at 7:16 AM, Hans Åberg wrote: > > > On 20 May 2018, at 11:45, Menu Jacques wrote: > > > > Working on intervals, I bump into this question. > > > > How is the right column below to be filled? > > > > Downward interval between B## and:

Re: Intervals between various B pitches

> On 20 May 2018, at 11:45, Menu Jacques wrote: > > Working on intervals, I bump into this question. > > How is the right column below to be filled? > > Downward interval between B## and: > > B#:augmented unison or minor second? > B: major second or

Re: Intervals between various B pitches

Can I add a comment to this? The reason they must be referred to as unisons is because the notes are on the same staff position, and they have the same note name. This distinguishes them from chromatic semitones, or seconds, etc. I would say that in music theory the B is called the note (I know

Re: Intervals between various B pitches

Hello Malte and Simon, I must apologize for the subject of this post being off-topic for this list, but you guys here are the best experts I can contact for such a specific question. I’m programming a function computing the interval between two pitches, to display for example the inner

Re: Intervals between various B pitches

Am 20.05.2018 um 11:45 schrieb Menu Jacques: Hello folks, Working on intervals, I bump into this question. How is the right column below to be filled? Downward interval between B## and: B#:augmented unison or minor second? B: major second or ...? Bb:

Re: Intervals between various B pitches

Hi Jacques, the question seems slightly off topic, but I'll still answer: you're looking for double/triple/quadruple augmented unison. However, these names are a mere theoretical construct with no foundation in actual use... Best, Simon > Hello folks, > > Working on intervals, I bump into

Intervals between various B pitches

Hello folks, Working on intervals, I bump into this question. How is the right column below to be filled? Downward interval between B## and: B#:augmented unison or minor second? B: major second or ...? Bb:minor third or ...? Bbb: major third or