Hi,
there may be some issues I do not have in this simple example. But in principle
extracting dynamics from music into a dynamics context is possible (second staff
below):
- Do not engrave the dynamics with the staff (remove engraver)
- Put the same music in a dynamics context in addition (the
I have a follow-up question to my own example: It seems like LilyPond does
already keep the level of dynamics in a staff if they are connected via spanners
(\cresc \ff in my example).
Couldn’t that be extended, that there is some invisible connection? Because
sometimes you want a break in the
On Sat, 2015-02-14 at 00:44 -0800, Nathan Ho wrote:
On Fri, Feb 13, 2015 at 12:53 PM, Peter Gentry
peter.gen...@sunscales.co.uk wrote:
This is very true but the dynamics context is very cumbersome for this
purpose alone.
Surely there must be a simpler way to align hairpins.
Hmm, how
The \= part is possible:
\= = \tweak #'stencil #f \
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Hi David,
It's a shame that Lilypond does not (so far as I know) have any way to
(a) associate one mark with another for positioning purposes
This association can be done quite easily as you can see in my previous mail.
Have you seen it? However, I already found some drawbacks when used on the
It's probably a language thing...
My use of the word 'shame' did not in any way imply that I think that
anybody should feel shame, inadequacy or guilt for the fact that
Lilypond does not always do what some of us would like.
The English idiom it's a shame means the same as the similar it's a
It's probably a language thing...
Indeed. I should have looked up the phrase before writing. Sorry.
The link you included is very interesting - although I won't hold my
breath, because I see that the discussion has been going on for 4½
years so far.
The very issue is that we only have
On Sat, 2015-02-14 at 15:41 +0100, Werner LEMBERG wrote:
It's probably a language thing...
Indeed. I should have looked up the phrase before writing. Sorry.
The link you included is very interesting - although I won't hold my
breath, because I see that the discussion has been going on
It's a shame that Lilypond does not (so far as I know) have any way
to
(a) associate one mark with another for positioning purposes
(b) associate dynamics with two staves, and use some sensible
algorithm for vertically spacing the dynamics between the two
staves and their contents.
On Fri, Feb 13, 2015 at 12:53 PM, Peter Gentry
peter.gen...@sunscales.co.uk wrote:
This is very true but the dynamics context is very cumbersome for this
purpose alone.
Surely there must be a simpler way to align hairpins.
Hmm, how about a Scheme function that extracts all the dynamic events
On Sat, Feb 14, 2015 at 12:44:44AM -0800, Nathan Ho wrote:
On Fri, Feb 13, 2015 at 12:53 PM, Peter Gentry
peter.gen...@sunscales.co.uk wrote:
This is very true but the dynamics context is very cumbersome for
this purpose alone.
Surely there must be a simpler way to align hairpins.
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One of my pieces has a lot of crescendo-decrescendo markings, using two
hairpins (i.e. and ).
Mostly these look fine; but just occasionally, because of the contours
of the melodic line above the hairpins, the crescendo and decrescendo
hairpins have different vertical placements and are not
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This is too well known to need an example, indeed one is given in the
documentation
http://www.lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes
http://www.lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes#dynamics
where the
This is how I deal with it. Not exactly automatic, but works well for me :-)
\version 2.19.15
dynPadYOn =
#(define-music-function (parser location padding)(number?)
#{
\override DynamicLineSpanner.staff-padding = $padding
#})
dynPadYOff =
#(define-music-function (parser location)()
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