Hi John,
you may be interested in reading this:
http://lilypondblog.org/2013/07/voice-contexts-in-temporary-polyphonic-sections/
Have fun
Urs
Am 08.07.2013 10:07, schrieb Urs Liska:
Am 08.07.2013 01:32, schrieb John Kliewe:
This looks almost right. It's from Chopin Nocturne Op9 no 3 :
\ve
Hi John,
2013/7/8 John Kliewe
>
> The slur starting on the g# is much too high.
>
Simply tweak extra offset it.
> Also, I don't want to see the "3" both over and under the triplet.
>
>
Here's a little trick that I use from time to time when no tuplet numbers
and bracket are needed :
\version
Am 08.07.2013 01:32, schrieb John Kliewe:
This looks almost right. It's from Chopin Nocturne Op9 no 3 :
\version "2.16.0"
\relative c'
{ \clef treble
\time 6/8
\key b \major
ais'4 gis8 << {\hideNotes gis'4.~\>\(
gis16 fis eis dis cisis dis\! e eis\) gisis,\( ais \times 2/3
%%\override Tupl
This looks almost right. It's from Chopin Nocturne Op9 no 3 :
\version "2.16.0"
\relative c'
{ \clef treble
\time 6/8
\key b \major
ais'4 gis8 << {\hideNotes gis'4.~\>\(
gis16 fis eis dis cisis dis\! e eis\) gisis,\( ais \times 2/3
%%\override TupletNumber #'stencil = ##f
{\unHideNotes b16\
