Am 09.08.23 um 13:34 schrieb David Kastrup:
Lukas-Fabian Moser writes:
\new Staff = down \with { \clef bass } {
That sentiment was part of why I chose to switch from tenor to male alto
instead of bass. An easier change for sight-reading.
:-) :-)
All the clefs (and all the keys) are
Thanks everyone. I was able to get what I wanted with your suggestions.
Anything I could be doing better in this snippet?
\version "2.24.1"
top = { \change Staff = "upper" \voiceTwo }
bottom = { \change Staff = "lower" \voiceOne }
upper = \relative c'' {
\new Voice {
\voiceOne
r4
Lukas-Fabian Moser writes:
> \new Staff = down \with { \clef bass } {
That sentiment was part of why I chose to switch from tenor to male alto
instead of bass. An easier change for sight-reading.
--
David Kastrup
Am 09.08.23 um 03:12 schrieb William Rehwinkel via LilyPond user discussion:
\version "2.25.7"
\new PianoStaff <<
\new Staff = "up" \relative g' { \voiceTwo g16 e c \change Staff =
"do" \voiceOne g e g \change Staff = "up" \voiceTwo c e}
\new Staff = "do" \with {\clef bass } s2
>>
Dear Jin,
In the future, it will be helpful to include a minimum working example,
so we can get a better idea of what step you are at, and what exactly
the problem is, so we can modify the code more directly.
For writing cross-staff beams, you can use \voiceOne when the notes go
to the
I’m trying to transcribe a piano piece (Rachmaninoff 3 first mvt) that has
several sections that are most easily written as polyphonic passages with
different voices.
As an example, from
https://s9.imslp.org/files/imglnks/usimg/5/59/IMSLP248685-SIBLEY1802.18602.bfe9-39087009348535score.pdf,
