Harm,
a walk-through: [...]
Trivial as it may seem to the more experienced LilyPond hackers, this
might be a candidate for inclusion in the documentation! Especially the
repeated application of the "display what's on hand" trick is enormously
helpful, I think. Thank you!
Best
Lukas
2018-09-09 19:47 GMT+02:00 Kieren MacMillan :
> Hi Joram,
>
> How is your Scheme-fu?
> Maybe you can adapt one of the snippets that applies different tweaks (e.g.,
> color, shape) to notes of different duration.
Hi Joram,
a walk-through:
(1) Create code example:
{ r2 r1 }
(2) Initiate a most
Mailing List
Subject: Re: Position of rests
Hi Mark (and Joram),
> Consider using
> pitch duration\rest, e.g.
> b4\rest would place a quarter rest on "b."
If you do, remember that this doesn’t "survive" transposition:
\version "2.19.80"
restmusic = { g'4\
Hi Joram,
How is your Scheme-fu?
Maybe you can adapt one of the snippets that applies different tweaks (e.g.,
color, shape) to notes of different duration.
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email:
rride Rest.staff-position = -6
r2
}
>>
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Noeck
Sent: Sunday, September 09, 2018 10:28 AM
To: lilypond-user@gnu.org
Subject: Re: Position of rests
A MWE would be:
\new
Hi Mark (and Joram),
> Consider using
> pitch duration\rest, e.g.
> b4\rest would place a quarter rest on "b."
If you do, remember that this doesn’t "survive" transposition:
\version "2.19.80"
restmusic = { g'4\rest }
{
\restmusic
\transpose c d \restmusic
\transpose c e \restmusic
Joram
Consider using
pitch duration\rest, e.g.
b4\rest would place a quarter rest on "b."
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Noeck
Sent: Sunday, September 09, 2018 9:30 AM
To: lilypond-user
Subject:
A MWE would be:
\new Staff <<
\new Voice \relative {
\voiceOne c''4 d
\override Rest.staff-position = 6
r2
\revert Rest.staff-position
r4 r
\override Rest.staff-position = 6
r2
}
\new Voice \relative {
\voiceTwo e'4 f
\override Rest.staff-position = -6
Hello Harm,
Thanks for your reply.
Thomas Morley-2 wrote
> Best I can think of is:
>
> {
> \override Staff.Stem.stemlet-length = #1.25
> c'16[ d'
> \once\override NoteColumn.X-offset = 1
> r deses']
> }
This works quite well! I've made some quick tests and the scores are looking
much
2017-09-21 13:56 GMT+02:00 Gilberto Agostinho :
> Hello all,
>
> I am writing a composition in which all rests inside beamed groups have
> stemlets. The problem is that because of my use of accidentals on every
> single note and because spacing is sometimes a bit
Hello Jacques Yes it would. I was quickly clipping out a tiny example
(without reading glasses).
Old fogie trouble - but you get the gist.
On 25/12/2015 15:22, Jacques Menu wrote: > Hello Peter, "Wouldn’t
{\set Score.skipBars = ##t s2*6 } be more explicit and less confusing? >
Hello Peter,
> Le 24 déc. 2015 à 19:13, Peter Gentry a écrit :
>
> Brian Barker has supplied the solution.
>
> That is replace say r8 by b8\rest in the set of cue notes - see a8. ( [
> g16 ] r8 ) b8\rest | % 3 - I have left on r8 to
> illustrate the
Brian Barker has supplied the solution.
That is replace say r8 by b8\rest in the set of cue notes - see a8. ( [ g16
] r8 ) b8\rest | % 3 - I have left on r8 to
illustrate the problem.
It's a bit of a fag to change all the rest in the cueNotes files as I have (5 *
4) 20 files one for
Hello Peter,
Not sure what you’re after without an example.
Does this suit your need?
JM
\version "2.19.22"
\relative {
\clef "alto"
\key d \major
\time 2/4
a16 ( [ cis16 a16 cis16 ) ] a8 -. r8 | % 232
R2*2
<<
\new Voice {
\voiceTwo
R2 R2 R2
\tweak
On 24/12/2015 12:42, Peter Gentry wrote:
I am using cuenotes in parts with extensive rests to give players reassurance
with counting.
The only issue is that rest are placed on the top leger line ie the F of treble
clef.
Is there a way to move these down to the midle leger line ie the B of the
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