Good morning,
I've been tasked with preparing the score of what will be a critical
edition of some liturgical works of a lesser-known 18th-century composer.
Because of the nature of the source (the composer was writing at a
monastery), the originals are engraved using single-press typesetting
lines.
--
Phil Holmes
- Original Message -
*From:* Andrew Bernard andrew.bern...@gmail.com
*To:* N. Andrew Walsh n.andrew.wa...@gmail.com
*Cc:* lilypond-user@gnu.org
*Sent:* Monday, April 06, 2015 2:14 PM
*Subject:* Re: Score Layout, several questions
Where you refer
Where you refer to:
the originals are engraved using single-press typesetting (ie, each note is
its own block, so staff-lines and whatnot aren't continuous), so it's an
interesting exercise in historical scores.”
Andrew
On 6 April 2015 at 22:44:15, N. Andrew Walsh (n.andrew.wa...@gmail.com)
At 14:43 on 06 Apr 2015, N. Andrew Walsh wrote:
Thanks for the snippet. Do you know of any way to set that
*generally*? At the least, a way to set the difference between the
first and last Beam.positions values to be less than some maximum?
Try experimenting with different values of Beam.damping.
andrew.bern...@gmail.com
*To:* N. Andrew Walsh n.andrew.wa...@gmail.com
*Cc:* lilypond-user@gnu.org
*Sent:* Monday, April 06, 2015 2:14 PM
*Subject:* Re: Score Layout, several questions
Where you refer to:
the originals are engraved using single-press typesetting (ie, each note
is its own
Re beaming positions control:
An example snippet:
\version 2.19.17
treble = \relative c'' {
\once \override Beam.positions = #'(-3 . -3)
c8 e g a
\once \override Beam.positions = #'(3 . 3)
c, g e c
}
\score {
\new Staff { \treble }
}
You seem to have jumped in the deep end! Welcome
lines.
--
Phil Holmes
- Original Message -
*From:* Andrew Bernard andrew.bern...@gmail.com
*To:* N. Andrew Walsh n.andrew.wa...@gmail.com
*Cc:* lilypond-user@gnu.org
*Sent:* Monday, April 06, 2015 2:14 PM
*Subject:* Re: Score Layout, several questions
Where you refer
Thanks for the snippet. Do you know of any way to set that *generally*? At
the least, a way to set the difference between the first and last
Beam.positions values to be less than some maximum?
I'm unsure what you mean by trying to engrave the gaps in the staff lines
between the type sorts.
Also,
, 2015 2:14 PM
Subject: Re: Score Layout, several questions
Where you refer to:
the originals are engraved using single-press typesetting (ie, each note is
its own block, so staff-lines and whatnot aren't continuous), so it's an
interesting exercise in historical scores.”
Andrew
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Score-Layout-several-questions-tp174100p174119.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org
Am 06.04.2015 um 15:50 schrieb N. Andrew Walsh:
oh, heavens! I'm sorry, I didn't mean I was trying to reproduce them
(and yes, that's what I meant about the score: it looks like that,
though with oval noteheads. Just figuring out what printing technology
they were using would be interesting to
11 matches
Mail list logo
