Reinhold Kainhofer writes:
A) Development of ly2xml
Reviewers would probably argue that this is not really scientific
research and should be funded by an industry partner instead.
Some may even note that the hardest part of this has already been
prototyped as part of schikkers list and argue
Jan Nieuwenhuizen jann...@gnu.org writes:
Reinhold Kainhofer writes:
A) Development of ly2xml
Reviewers would probably argue that this is not really scientific
research and should be funded by an industry partner instead.
Some may even note that the hardest part of this has already been
David Kastrup writes:
Jan Nieuwenhuizen jann...@gnu.org writes:
Reinhold Kainhofer writes:
A) Development of ly2xml
Reviewers would probably argue that this is not really scientific
research and should be funded by an industry partner instead.
Some may even note that the hardest part of
On 09/02/2012 12:08, Han-Wen Nienhuys wrote:
I have tried getting grants from different EU and national bodies with
various partner institutions (including the one where Graham now
works, IIRC). My impression is that you need people (preferably many)
with lots of academic clout that can sign
2012/2/10 Nick Payne nick.pa...@internode.on.net:
On 10/02/12 10:00, Janek Warchoł wrote:
Heck, let's do it!
Do you know of any famous pieces of music without freely accessible
scores? [...]
The minimum required by the Berne convention is 50 years beyond the authors
death before a work
Janek Warchoł janek.lilyp...@gmail.com writes:
2012/2/10 Nick Payne nick.pa...@internode.on.net:
On 10/02/12 10:00, Janek Warchoł wrote:
Heck, let's do it!
Do you know of any famous pieces of music without freely accessible
scores? [...]
The minimum required by the Berne convention is 50
There are loads of music up to the 20th century that wait to be
published in a good edition, but I think the kikstarter was so
successful mostly because the Goldbergs are a quite popular and
famous.
We could easily find something appealing to scholars like me (I dream
of and integral of Torelli :)
2012/2/10 David Kastrup d...@gnu.org:
Janek Warchoł janek.lilyp...@gmail.com writes:
- Sergei Rachmaninoff died in March 1943. If we start a year-long
project now, we will finish roughly when most of his works will fall
out of copyright.
How would one cooperate while they are not yet out of
On Feb 10, 2012, at 3:38 AM, David Kastrup wrote:
I expect that in a few years, composers becoming famous in their life
time will get life support systems paid by their publishers, preferably
after they are brain dead but in a defensible way not legally dead, in
order to be able to extend
I don't know. As technology becomes cheaper and politicians become more
expensive, we may reach a tipping point where zombie houses prevail.
-Original Message-
From: lilypond-user-bounces+chris=crossen@gnu.org
[mailto:lilypond-user-bounces+chris=crossen@gnu.org] On Behalf Of Tim
Chris Crossen ch...@crossen.net writes:
lilypond-user-bounces+chris=crossen@gnu.org wrote:
On Feb 10, 2012, at 3:38 AM, David Kastrup wrote:
Every publishing company will entertain a zombie house where some
parts of composers/writers are kept legally alive for the sake of
copyright
On 10/02/12 21:11, Janek Warchoł wrote:
2012/2/10 David Kastrupd...@gnu.org:
Janek Warchołjanek.lilyp...@gmail.com writes:
- Sergei Rachmaninoff died in March 1943. If we start a year-long
project now, we will finish roughly when most of his works will fall
out of copyright.
How would one
On Wed, Feb 8, 2012 at 12:29 PM, Carl Sorensen c_soren...@byu.edu wrote:
I've been thinking about the problem of sustaining LilyPond development
long-term (and specifically the problem of obtaining enough money to
support David K as long as he's interested).
As I've thought about it, going
Just an idea: how about a Kickstarter http://www.kickstarter.com/project?
Or has this already been considered?
Brent.
On 9 February 2012 12:08, Han-Wen Nienhuys hanw...@gmail.com wrote:
On Wed, Feb 8, 2012 at 12:29 PM, Carl Sorensen c_soren...@byu.edu wrote:
I've been thinking about the
Kickstarter is USA only.
On Thu, 9 Feb 2012 13:01:08 +0100
Brent Annable brentanna...@gmail.com wrote:
Just an idea: how about a Kickstarter http://www.kickstarter.com/project?
Or has this already been considered?
Brent.
On 9 February 2012 12:08, Han-Wen Nienhuys hanw...@gmail.com
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a kickstarter project and spend the money
any way they want to.
I thought about kickstarter as well. But what would you promise the
investors as return on the project? A free copy of
For what it's worth, I know of several musicians who have successfully funded
international Kickstarter projects.
On Thursday, February 09, 2012 09:40:22 AM Carl Sorensen wrote:
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a
2012/2/9 Carl Sorensen c_soren...@byu.edu:
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a kickstarter project and spend the money
any way they want to.
I thought about kickstarter as well. But what would you promise the
investors as
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's Requiem)? The funds would be split between
typesetter and programmer who implements
On Thu, 9 Feb 2012 23:04:35 +0100
Xavier Scheuer x.sche...@gmail.com wrote:
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's
2012/2/9 Xavier Scheuer x.sche...@gmail.com:
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's Requiem)? The funds would be split between
On Fri, Feb 10, 2012 at 12:00:21AM +0100, Janek Warchoł wrote:
Do you know of any famous pieces of music without freely accessible
scores? I have only one shot now, but it isn't perfect: Samuel
Barber's Adagio for Strings was composed in 1936 but the composer
died not-so-long-ago (1981).
On 10/02/12 10:00, Janek Warchoł wrote:
2012/2/9 Xavier Scheuerx.sche...@gmail.com:
2012/2/9 Janek Warchołjanek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's
Developers,
I've been thinking about the problem of sustaining LilyPond development
long-term (and specifically the problem of obtaining enough money to
support David K as long as he's interested).
As I've thought about it, going after a grant seems the most logical thing
to do. So I looked
Carl Sorensen c_soren...@byu.edu writes:
Developers,
I've been thinking about the problem of sustaining LilyPond development
long-term (and specifically the problem of obtaining enough money to
support David K as long as he's interested).
One problem with grants is that they make it _much_
2012/2/8 Carl Sorensen c_soren...@byu.edu:
Guidelines for the preservation grant (which will probably be due in July)
are shown here:
http://www.neh.gov/grants/guidelines/HCRR.html
Guidelines for the digital humanities grants are shown here:
On Wed, Feb 08, 2012 at 02:29:00PM +, Carl Sorensen wrote:
So I looked into the National Endowment for the Arts and the
National Endowment for the Humanities.
I could see this funding Americans to work on lilypond programming
while living in America.
I could see this potentially funding
Graham Percival gra...@percival-music.ca writes:
On Wed, Feb 08, 2012 at 02:29:00PM +, Carl Sorensen wrote:
So I looked into the National Endowment for the Arts and the
National Endowment for the Humanities.
I could see this funding Americans to work on lilypond programming
while living
On 2/8/12 11:01 AM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Feb 08, 2012 at 02:29:00PM +, Carl Sorensen wrote:
So I looked into the National Endowment for the Arts and the
National Endowment for the Humanities.
I could see this funding Americans to work on lilypond
On Wed, Feb 08, 2012 at 07:11:26PM +, Carl Sorensen wrote:
On 2/8/12 11:01 AM, Graham Percival gra...@percival-music.ca wrote:
I can not see this funding non-Americans working outside of
America.
If you look at the links, many of the successful grants either invite or
require
On Wed, 8 Feb 2012 19:24:08 +
Graham Percival gra...@percival-music.ca wrote:
Depends on how international you want to go, how closely tied to
music it needs to be, and how academic the people need to be.
There's Peter Chubb in Australia; he worked on the robotic
clarinet player. My
On 8 Feb 2012, at 20:57, Nils wrote:
The reason is that musicology here has more to do with Biographics or
Sociology. Music instrument training, notation knowledge or other
fundamentals of music are not required to study or teach it (University
Level) it in Germany. Search instead for
2012/2/8 Nils l...@nilsgey.de:
I have only read half of this thread, but is it about finding people or
supporting the existent Lilypond Developers with money to do their regular
great work?
More of the latter, but to make it possible it might be necessary to
find some people first. I.e.
Janek Warchoł janek.lilyp...@gmail.com writes:
2012/2/8 Nils l...@nilsgey.de:
I have only read half of this thread, but is it about finding people
or supporting the existent Lilypond Developers with money to do
their regular great work?
More of the latter, but to make it possible it might
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