Crossposted this usage question to [EMAIL PROTECTED] > Hi, > > A very recurrent problem, and a very frustrating one too, > in early music, if that it sometimes happens that the > composer wanted a quick sequence of notes, but doesn't > want to mark them as grace notes. So, he just makes them > 128th and puts a small sequel. Now this is really a > frustrating problem to compensate using spacing rests (the > music has to look exactly like the originals, so no > tweaking of the note values!). So this is a feature I > suggest : > > r4 b, e2^\mordent ~ | > e4. \rap8{[d64 c b, a, g,]} \grace g, a,4^\mordent ~ [a,8. b,16] | > > The notes in beetween 'rap' shall then be calculated as if > they were a big 8th note (rap*8*) but would 'look' like > 64th notes.
You can get the desired result already today using (you want the 5 64:th notes to have the duration of 8 such notes) \property Voice.TupletBracket \override #'tuplet-number-visibility = ##f \property Voice.TupletBracket \override #'tuplet-bracket-visibility = ##f \times 8/5{[d64 c b, a, g,]} \property Voice.TupletBracket \revert #'tuplet-number-visibility \property Voice.TupletBracket \revert #'tuplet-bracket-visibility Of course, you could define a shorthand macro for the tuplet property settings or set them in the \paper{} section for scores that don't have any triplets. /Mats _______________________________________________ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user