> Instead of
> #(define (anAList) `((aVariable . ,aSymbol)))
> you could write:
> #(define anAList (lambda () `((aVariable . ,aSymbol
Thanks Thomas. I love the simplicity of this example.
> #(define anAList '((aVariable . aSymbol)))
> aSymbol = { cis' }
> {
>#(module-ref (current-module)
On 2024-04-13 1:08 pm, Pierre-Luc Gauthier wrote:
But what about the parenthesised alist -> (alist) ‽
Difference between a variable containing an alist versus a *procedure*
that returns an alist. This defers the evaluation of aSymbol until such
time as it is defined.
Here is another
Am Sa., 13. Apr. 2024 um 22:09 Uhr schrieb Pierre-Luc Gauthier
:
> But what about the parenthesised alist -> (alist) ‽
>
> I have not found documentation here :
> https://extending-lilypond.gitlab.io/en/scheme/alists.html
> nor here :
>
o evaluate later. I thought that was
> > what ly:make-music was for.
> >
> > \version "2.25.15"
> >
> > #(define anAList ((aVariable . aSymbol)))
> >
> > aSymbol = {cis'}
> >
> > {
> > #(cdr (assoc 'aVariable anAList))
> >
Am Sa., 13. Apr. 2024 um 20:59 Uhr schrieb Pierre-Luc Gauthier
:
>
> Hello there,
>
> Quite an easy one I'm sure but I tried many combinations to no avail.
>
> I have this symbol that I wish to evaluate later. I thought that was
> what ly:make-music was for.
>
> \ver
Hello there,
Quite an easy one I'm sure but I tried many combinations to no avail.
I have this symbol that I wish to evaluate later. I thought that was
what ly:make-music was for.
\version "2.25.15"
#(define anAList ((aVariable . aSymbol)))
aSymbol = {cis'}
{
#(cdr (assoc
Hi Michael,
Do you mean the keyboard ostinato motiv?
Chords an lyrics you should easily find on the internet.
Anyway, here's the keyboard motiv. Might have to be transposed.
Thanks for transcribing the keyboard line!
Just one suggestion: While avoiding ces and fes might seem to simplify
the
Hi Tyler,
i’m no musician, but am trying to provide sheet music for the violinist
to play at our wedding.
is it possible to transcribe this song into sheet music with your software?
Do you mean the keyboard ostinato motiv?
Chords an lyrics you should easily find on the internet.
Anyway
hi,
i’m no musician, but am trying to provide sheet music for the violinist to play
at our wedding.
is it possible to transcribe this song into sheet music with your software?
if so, can you give a cost estimate?
thanks!
tyler
https://www.youtube.com/watch?v=K65dRRa3GoM_channel=destr100
Hi Morten,
Am 02.04.24 um 10:56 schrieb Morten Lemvigh:
Music objects are created with a name and some properties:
make-music name music-properties
I know how to get the properties from a music object - but how about
the name? I cannot figure out how to get the name from a music object
> I know how to get the properties from a music object - but how about the name?
> I cannot figure out how to get the name from a music object.
(ly:music-property the-object 'name)
HTH
Jean
signature.asc
Description: This is a digitally signed message part
Hi,
Music objects are created with a name and some properties:
make-music name music-properties
I know how to get the properties from a music object - but how about the
name? I cannot figure out how to get the name from a music object.
It is difficult to search for since the word "name&quo
Thanks so much for thinking along. In the current setup that would still
require users to change their Lilypond code. Your example did give me an
idea though: if there would be something like $currentscore, the problem
of getting access to the score header would be solved...
cheers
Maurits
On 27/03/2024 22:03, Maurits Lamers wrote:
Hi Timothy,
Thanks so much for your answer! With $defaultheader I can indeed get
the main/global header fields in the initialize stage of the engraver,
which is already a very important step. I looked up where
$defaultheader is defined, and tried
Op 27-03-2024 om 18:07 schreef Timothy Lanfear:
On 26/03/2024 14:01, Maurits Lamers via LilyPond user discussion wrote:
- is there a way to get a listener or callback of some kind to
capture out-of-music markup?
- is there a way to get access to the global headers and / or score
headers
On 26/03/2024 14:01, Maurits Lamers via LilyPond user discussion wrote:
- is there a way to get a listener or callback of some kind to capture
out-of-music markup?
- is there a way to get access to the global headers and / or score
headers (in case of score specific headers
Hey all,
It has been a while I posted on this mailing-list. As some of you might
remember, I have been working on a music braille output system for
Lilypond for quite some time now. The update on that front is that I do
have a system now that can reliably output (a subset of) music braille
Thanks, i haven't been using lilypond for a while, and forgot even the basic
things like these.
On Saturday, 23 March, 2024 at 07:48:32 pm IST, David Wright
wrote:
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached "example_1"
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached "example_1" picture.
>
> 2, example_1 - How do i disable connecting barlines between staves when
> using PianoStaff or GrandStaff within ChoirStaff.
You could also replace r1 with R1 in
Many thanks, Aaron, exactly what i was looking for. Is this on LSR ?.
On Saturday, 23 March, 2024 at 03:17:06 pm IST, Aaron Hill
wrote:
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached "example_1" picture.
>
> 2, example_1 -
On 2024-03-23 2:12 am, Eby Mani wrote:
Two questions.
1, How do i set instrument names as per attached "example_1" picture.
2, example_1 - How do i disable connecting barlines between staves when
using PianoStaff or GrandStaff within ChoirStaff.
This is not the complete scenario with all
On 2024-03-20 8:53 am, enejati--- via LilyPond user discussion wrote:
Hello,
I'm a new lilypond user. I want to create multiple scores in a single
file. These scores have some values on common. So I want to use
`define-music-function` in order to avoid repetition.
[ . . . ]
A few things
Hello,
I'm a new lilypond user. I want to create multiple scores in a single
file. These scores have some values on common. So I want to use
`define-music-function` in order to avoid repetition.
Here is my code now:
\score {
\new Staff \with {
instrumentName = "۱"
} \one
Great! Thank you so much!
On Wed, Mar 6, 2024, at 11:35 AM, Michael Werner wrote:
> Hi David,
>
> On Wed, Mar 6, 2024 at 10:00 AM David Wells
> wrote:
>> __
>> Hi,
>>
>> I'm working on typesetting some chants with two lines per staff and the
>> resulting barlines are too tall. Tiny example:
Hi David,
On Wed, Mar 6, 2024 at 10:00 AM David Wells <
drwells.mailingl...@fastmail.com> wrote:
> Hi,
>
> I'm working on typesetting some chants with two lines per staff and the
> resulting barlines are too tall. Tiny example:
>
%< snip >%
> Here, I expect the barlines to be the same height as
Hi,
I'm working on typesetting some chants with two lines per staff and the
resulting barlines are too tall. Tiny example:
\version "2.24.3"
\score
{
\relative c'
{
\time 9/4
\slurDown
\override Staff.StaffSymbol.line-count = #2
f4(g) a f(g) a(g) g2 |
f4(g) a f(g) a(g) g2 |
\break
/,
shifting back all the following music.
How can I correct this?
Greetings,
Jonathan
Am 23.02.2024 um 14:27 schrieb David Kastrup:
jca...@web.de writes:
Good day,
following snippet I need very frequently (with different notes instead
of c4 and e4):
\afterGrace c4 \glissando {\once \hide Stem
taking the time to help me
understand and explain these details.
Best regards,
Morten
On Thu, Feb 22, 2024 at 11:38 PM Jean Abou Samra wrote:
> Hi Morten,
>
> Le jeudi 22 février 2024 à 23:00 +0100, Morten Lemvigh a écrit :
> > \version "2.24.1"
> >
> > double
jca...@web.de writes:
> Good day,
>
> following snippet I need very frequently (with different notes instead
> of c4 and e4):
>
>\afterGrace c4 \glissando {\once \hide Stem \parenthesize e4}
>
>
> That's why I wanted to create a music function to shorten the
> e
On 2024-02-23 4:46 am, jca...@web.de wrote:
My previous attempt:
graceGliss =
#(define-music-function
(starttone endtone)
(ly:music? ly:music?)
#{
\afterGrace #starttone \glissando {\once \hide Stem
\parenthesize #endtone}
#})
doesn't work, Return Code
Good day,
following snippet I need very frequently (with different notes instead
of c4 and e4):
\afterGrace c4 \glissando {\once \hide Stem \parenthesize e4}
That's why I wanted to create a music function to shorten the
expression. My previous attempt:
graceGliss =
#(define-music
Hi Morten,
Le jeudi 22 février 2024 à 23:00 +0100, Morten Lemvigh a écrit :
> \version "2.24.1"
>
> double =
> #(define-music-function (music)(ly:music?)
> (let ((notes (ly:music-property music 'elements)))
> (make-music 'SequentialMusic
Hi,
I am trying to create a set of functions to help me set up songs with
divisi lyrics. When I generate a midi file with the unfolded music, I would
like it to have the different rhythms in the different voltas. I get some
unexpected results with regards to pitches.
I have tried to create
On Wed, Feb 14, 2024 at 7:59 AM Hajo Baess wrote:
> I have (just completely accidentally, with a little help from the
> Breeze theme color scheme) discovered a keyboard shortcut for switching
> back and forth between the editor and the Music View. I think that it
> is undocumented,
ortcut for switching
> back and forth between the editor and the Music View. I think that it
> is undocumented, and strange it is, too. Here it is:
>
> * from editor to Music View: press CTRL+TAB 5 times or until the Music
>View scroll bar is not greyed out any more. In Breeze for e
I have (just completely accidentally, with a little help from the
Breeze theme color scheme) discovered a keyboard shortcut for switching
back and forth between the editor and the Music View. I think that it
is undocumented, and strange it is, too. Here it is:
* from editor to Music View: press
to a different page of your doc in the music
view, you always have to click into the Music View half of
Frescobaldi's window in order to activate it, so you can use a keyboard
shortcut there. And when you have done this and want to go back to the
editor, you have to click again into the editor pane
wrote:
Hello all,
Maybe I am missing it alltogether or it does not exist or it is to hard
to find for me:
I am looking for a keyboard shortcut in Frescobaldi enabling me to
toggle between editor and music view, so I do not have to click with
the mouse.
I just can't find it. I have tried all kinds
On Mon, Feb 12, 2024 at 1:37 PM Hajo Baess wrote:
> Hello all,
>
> Maybe I am missing it alltogether or it does not exist or it is to hard
> to find for me:
> I am looking for a keyboard shortcut in Frescobaldi enabling me to
> toggle between editor and music view, so I do
Hello all,
Maybe I am missing it alltogether or it does not exist or it is to hard
to find for me:
I am looking for a keyboard shortcut in Frescobaldi enabling me to
toggle between editor and music view, so I do not have to click with
the mouse.
I just can't find it. I have tried all kinds
extending the extender to (almost)
end-of-measure by adding a (hidden) extra note towards the end of the
measure. Using \scaleDurations you make that the total length of the
shown+hidden music still fit within the measure.
You’ll need to add the additional extender in the lyrics as well, as
the h
the top line, even if it isn't actually a melisma? And if so,
> is it possible to force to extend as far as the other three lyrics extender
> lines re my first question.
Jakob,
You can trick lilypond into extending the extender to (almost) end-of-measure
by adding a (hidden) extra note toward
Hello all,
I've been trying to replicate a score from CPDL.
The font is terrible, the notes are weirdly shaped. I really don't like
it. I wonder what software made it. Also, why two hyphens in that short
a space?
(I'm wondering which software was used to make it in the first place.)
I've
k Probert wrote:
>> Hi.
>> I'm struggling some with writing a music function for rests. Basically I
>> want to be able to write something like
>> \rel-rest( b', 1)
>
> Minor nit: Functions in LilyPond do not use parentheses and commas for
> arguments in t
Dear Mark,
I did this in a slightly different way...if you do
\displayMusic c4\rest
you can see how to represent a rest using the make-music procedure in
scheme code. Modifying that a bit, I got
%
\version "2.25.6"
%\displayMusic c4\rest =
%(make-music
%
On 2023-12-17 9:33 pm, Mark Probert wrote:
Hi.
I'm struggling some with writing a music function for rests. Basically
I
want to be able to write something like
\rel-rest( b', 1)
Minor nit: Functions in LilyPond do not use parentheses and commas for
arguments in this way. You need only
Hi.
I'm struggling some with writing a music function for rests. Basically I
want to be able to write something like
\rel-rest( b', 1)
which would place a dotted quarter rest on the indicated pitch (the
equivalent of
b'1\rest
I'm starting with
rel-rest =
#(define-music-function (pit dur
On Sat, 16 Sep 2023, Knute Snortum wrote:
> Try moving the Dynamic performer to the Staff level.
Cutting and pasting this code produces two pages of error messages because
it's full of "non-breaking space" characters which LilyPond can't process,
but I was able to get the desired results by
msk...@ansuz.sooke.bc.ca writes:
> Thank you. That works for the given example. However, with more
> complicated music that already contains multiple voices (as is typical of
> the piano music where a between-staff Dynamics context would be used in
> the first place), it
On Sat, Sep 16, 2023 at 6:01 AM wrote:
> On Sat, 16 Sep 2023, David Kastrup wrote:
>
> > Try
> >
> > \new Staff << \MyMusic \MyDynamics >>
> >
> > since otherwise the variables will end up in separate Staff contexts.
>
> With the following code, the notes in the MIDI file still are both at
>
msk...@ansuz.sooke.bc.ca writes:
> On Sat, 16 Sep 2023, David Kastrup wrote:
>
>> Try
>>
>> \new Staff << \MyMusic \MyDynamics >>
>>
>> since otherwise the variables will end up in separate Staff contexts.
>
> With the following code, the notes in the MIDI file still are both at
> default
ssue the dynamics on a level visible
> to MIDI.
Thank you. That works for the given example. However, with more
complicated music that already contains multiple voices (as is typical of
the piano music where a between-staff Dynamics context would be used in
the first place), it doesn't work. For
On Sat, 16 Sep 2023, David Kastrup wrote:
> Try
>
> \new Staff << \MyMusic \MyDynamics >>
>
> since otherwise the variables will end up in separate Staff contexts.
With the following code, the notes in the MIDI file still are both at
default velocity. Explicitly instantiating the Staff does
msk...@ansuz.sooke.bc.ca writes:
> I'm trying to use a Dynamics context to put dynamics between the staves of
> a PianoStaff. As such, I've got my notes and my dynamics in two separate
> variables. For MIDI output, I'd like to merge the contents of the music
> variable and the dynam
I'm trying to use a Dynamics context to put dynamics between the staves of
a PianoStaff. As such, I've got my notes and my dynamics in two separate
variables. For MIDI output, I'd like to merge the contents of the music
variable and the dynamics variable and generate MIDI from the result.
But I
On Mon, 2023-08-28 at 11:27 +0200, Xavier Scheuer wrote:
> On Mon, 28 Aug 2023 at 10:17, Richard Shann
> wrote:
> >
> > There are more problems than I thought with your solution-
> > here is your example with some higher notes in it - the bar numbers
> > leave the staff again:
>
> Hello,
>
>
On Mon, 28 Aug 2023 at 10:17, Richard Shann wrote:
>
> There are more problems than I thought with your solution-
> here is your example with some higher notes in it - the bar numbers
> leave the staff again:
Hello,
Removing "Bar_number_engraver" from the Score context and adding it to the
testing further...
On Sun, 2023-08-27 at 07:50 -0700, Knute Snortum wrote:
> On Sun, Aug 27, 2023 at 7:31 AM Richard Shann
> wrote:
> > If I create a Dynamics staff above the music, the bar numbers are
> > printed on it rather than on the staff with the music. At least
> >
On Sun, 2023-08-27 at 07:50 -0700, Knute Snortum wrote:
> On Sun, Aug 27, 2023 at 7:31 AM Richard Shann
> wrote:
> > If I create a Dynamics staff above the music, the bar numbers are
> > printed on it rather than on the staff with the music. At least
> > this is
> >
On Sun, Aug 27, 2023 at 7:31 AM Richard Shann
wrote:
> If I create a Dynamics staff above the music, the bar numbers are
> printed on it rather than on the staff with the music. At least this is
> why setting the outside-staff-priority doesn't have any effect.
> Is there a way to get
If I create a Dynamics staff above the music, the bar numbers are
printed on it rather than on the staff with the music. At least this is
why setting the outside-staff-priority doesn't have any effect.
Is there a way to get bar numbers onto the staff with the music?
This is my MWE
Hi Jean,
It worked! I managed to move from a Nunjucks macro to a LilyPond music
function for creating custom shaped slurs. Thank you very much for your
substantial support! It would be much more difficult if ever possible for
me without your help!
Thank you,
Vlad
On Sun, Jul 2, 2023 at 9:44 PM
Le dimanche 02 juillet 2023 à 18:47 +0200, Volodymyr Prokopyuk a écrit :
> Thank you very much for multiple options! I've decided to try the first one. I
> still have two difficulties
> * How to create alist from the components ax, ay, ... (see comment in the code
> below)?
The control-points
. 2.0)) ( d)
I managed to created the below music function following your advice for the
option 1
shapedSlur = #(define-music-function (dir prs mus) (symbol? alist?
ly:music?)
(let* ((bs (assoc-get 'bs pars 2.0))
(sh (assoc-get 'sh prs 0.5))
(wd (assoc-get 'wd prs 1.0
Le dimanche 02 juillet 2023 à 14:28 +0200, Volodymyr Prokopyuk a écrit :
> I wonder if there is a **way to define a music function with default
> parameters** and be able to selectively specify some parameters using the
> **parameters names** leaving all other parameters with thei
Good afternoon, Jean and Valentin,
Thank you very much for the up to the point explanation, working function,
as well as alternatives syntax for object properties using Scheme
metaprogramming! Lilypond is quite flexible, but with its own quirks as the
handling of default parameters to a music
its
_meaning_.
Staff.property did not have any inherent meaning. It was part of the
hardwired syntax of \set and \override (in the form of, say,
\override Staff.TimeSignature #'stencil = ##f ) but there was no
user-accessible representation of it outside of the commands.
Music functions like \ov
Am Samstag, 1. Juli 2023, 18:48:31 CEST schrieb David Kastrup:
> The funny thing is that I suspect Han-Wen might still be surprised to
> hear what Staff.property "actually means".
>
> It's been around for quite longer than its "actual meaning". But of
> course I should be the last person to
directly enter
> #(list scope 'property) like this
>
> %
> \version "2.24.1"
>
> momentBeat =
> #(define-music-function (scope moment beat) ((symbol? 'Staff) fraction? list?)
>#{
> \set #(list scope 'beamExceptions) = #'()
> \set #(list scop
"2.24.1"
momentBeat =
#(define-music-function (scope moment beat) ((symbol? 'Staff) fraction? list?)
#{
\set #(list scope 'beamExceptions) = #'()
\set #(list scope 'baseMoment) = #(ly:make-moment (/ (car moment) (cdr
moment)))
\set #(list scope 'beatStructur
Le samedi 01 juillet 2023 à 16:42 +0200, Volodymyr Prokopyuk a écrit :
> I'm trying to define a music function as below, however I've faced
> difficulties with parameter predicates, visibility of the Staff object, and
> flexibility of the solution ideally without code duplication
>
Hi,
I'm trying to define a music function as below, however I've faced
difficulties with parameter predicates, visibility of the Staff object, and
flexibility of the solution ideally without code duplication
*Desired music function* (the code is not working)
momentBeat = #(define-music
Le mardi 30 mai 2023 à 08:52 +0200, Hans Aikema a écrit :
> Not sure whether that text would be easy to customise (could not find a
> reference for it on a quick search, only for an alternative Fine text, not
> for an alternative D.C. al Fine text)
Here is an example:
```
\version "2.24.1"
Le lundi 29 mai 2023 à 17:00 -0700, Kenneth Wolcott a écrit :
> Hi;
>
> Warning message from Lilypond 2.24.1 regarding a repeat segno
> attempt with a DC:
>
> When_You_and_I_Were_Young_Maggie.ly:50:12: warning: found music after \fine
> \volta 2
> \fine
>
> On 30 May 2023, at 02:00, Kenneth Wolcott wrote:
>
> Hi;
>
> Warning message from Lilypond 2.24.1 regarding a repeat segno
> attempt with a DC:
>
> When_You_and_I_Were_Young_Maggie.ly:50:12: warning: found music after \fine
> \volta 2
> \fine
&g
Valentin,
Thank you, for the detailed explanation and the links.
Jean's website-book is a wonderful resource.
Peace,
David
Hello David,
> I do have a difference in the the output of the code below, which does
> not use \new Staff.
>
> Without \textLengthOn, it makes two staves. With \textLenthOn, it
> combines the two music expressions into one stave. Why is that happening?
That is one of th
On 5/19/23 05:38, Valentin Petzel wrote:
Hello David,
My conundrum is that I want to call the same music expression (that is
declared as a variable) from different staves, but also cause markup
functions inside the music expression to behave differently from outside
the music expression. Using
Hello David,
> My conundrum is that I want to call the same music expression (that is
> declared as a variable) from different staves, but also cause markup
> functions inside the music expression to behave differently from outside
> the music expression. Using tags is the only way
use a function to actually directly
create the object you want. For example we can do a keepWithTag-like behaviour
like this:
myMusic = {
\tag #'a c'
\tag #'b d'
\tag #'c e'
}
\keepWithTag #'a \myMusic
\keepWithTag #'b \myMusic
myMusicII =
#(define-music-function (flags) (symbol-list
create the object you want. For example we can do a keepWithTag-like behaviour
like this:
myMusic = {
\tag #'a c'
\tag #'b d'
\tag #'c e'
}
\keepWithTag #'a \myMusic
\keepWithTag #'b \myMusic
myMusicII =
#(define-music-function (flags) (symbol-list-or-symbol?)
(if (symbol? flags) (set
Valentin,
Thank you, for the explanation! I see what you mean about controlling
when evaluation happens by avoiding global variables that change during
the flow of a music expression. I will avoid doing that.
I see now that it is better to create two or more static global
variables
\concat { "Symbol " #var #staff-variable } #}
> )
>)
>
> symbol =
> #(define-music-function
>()
>()
>#{ -\tag #'staff-one ^\markup \symbol #var "staff-one-var"
> -\tag #'staff-two ^\markup \symbol #var "staff-two-var"
>
, 17. Mai 2023, 22:24:54 CEST schrieb Valentin Petzel:
Hello David,
there is some confusing going on here about how certain things are
evaluated. When you do
{ ... something ... }
this is evaluated pretty much as it is parsed, returning some music object.
So
\keepWithTag #'textI \tag #'textII
, 17. Mai 2023, 22:24:54 CEST schrieb Valentin Petzel:
Hello David,
there is some confusing going on here about how certain things are
evaluated. When you do
{ ... something ... }
this is evaluated pretty much as it is parsed, returning some music object.
So
\keepWithTag #'textI \tag #'textII
Valentin Petzel:
> Hello David,
>
> there is some confusing going on here about how certain things are
> evaluated. When you do
>
> { ... something ... }
>
> this is evaluated pretty much as it is parsed, returning some music object.
> So
>
> \keepWithTag #'te
Hello David,
there is some confusing going on here about how certain things are evaluated.
When you do
{ ... something ... }
this is evaluated pretty much as it is parsed, returning some music object.
So
\keepWithTag #'textI \tag #'textII { #(define l "B") }
this will firs
I want to define and change variables mid-stream in a music expression,
while also using tags. Below is an example of what I am trying; but, it
does not work.
\version "2.24.1"
\keepWithTag #'textI
%\keepWithTag #'textII
{
\tag #'textI { #(define l "A") }
\tag #'te
Le mardi 28 mars 2023 à 12:15 +0100, Mark Knoop a écrit :
> Actually it does, see \modalInversion
Thanks for correcting me! I didn't remember about it.
signature.asc
Description: This is a digitally signed message part
At 13:10 on 28 Mar 2023, Jean Abou Samra wrote:
> Le mardi 28 mars 2023 à 09:30 +0200, Silvain Dupertuis a écrit :
>> How are enharmonic notes supposed to be treated in such a function?
> Inversion in, e.g., a Bach fugue subject is a bit different, as it
> inverts the diatonic steps but keeps
Le mardi 28 mars 2023 à 09:30 +0200, Silvain Dupertuis a écrit :
> How are enharmonic notes supposed to be treated in such a function?
\version "2.24.1"
m = \relative c' { c cis des d dis ees e fes }
{ \m }
\inversion c' c' \m
gives
which looks fine to me. Essentially, both the diatonic step
How are enharmonic notes supposed to be treated in such a function?
Le 28.03.23 à 00:08, Paul Hodges a écrit :
I have been asked to take a piece of music (which I already have in LilyPond), and
mirror it vertically. That's to say, to take each note which is n semitones above
middle c
Le lundi 27 mars 2023 à 23:08 +0100, Paul Hodges a écrit :
> I have been asked to take a piece of music (which I already have in
> LilyPond), and mirror it vertically. That's to say, to take each note which
> is n semitones above middle c and replace it with the note n semitones below
I have been asked to take a piece of music (which I already have in LilyPond),
and mirror it vertically. That's to say, to take each note which is n
semitones above middle c and replace it with the note n semitones below middle
c, and vice versa.
Before I start trying to write a function
On Tue, 2023-02-28 at 20:16 +, Timothy Lanfear wrote:
> On 28/02/2023 17:53, Richard Shann wrote:
> In a complex score with a DynamicsStaff placed above the music for
> markups and another below for the dynamics an unusually large space
> opened up below the music and above the d
On 28/02/2023 17:53, Richard Shann wrote:
In a complex score with a DynamicsStaff placed above the music for
markups and another below for the dynamics an unusually large space
opened up below the music and above the dynamics.
I pared the complex score down to this MWE:
A Dynamics context
Hi Richard:
On Tue, Feb 28, 2023 at 12:53 PM Richard Shann
wrote:
> In a complex score with a DynamicsStaff placed above the music for
> markups and another below for the dynamics an unusually large space
> opened up below the music and above the dynamics.
> I pared the comple
In a complex score with a DynamicsStaff placed above the music for
markups and another below for the dynamics an unusually large space
opened up below the music and above the dynamics.
I pared the complex score down to this MWE:
8><8><8><8><8><8><8><8
Hi
Thanks.
I tried googling, but it looks like it didn't help much :-)
Thank you
On Sat, Feb 11, 2023 at 11:42 AM David Kastrup wrote:
> Alberto Simões writes:
>
> > Hi
> >
> > I am starting a piano music this way:
> >
> > upper = \relative c'' {
&g
Alberto Simões writes:
> Hi
>
> I am starting a piano music this way:
>
> upper = \relative c'' {
> \clef treble
> \key g \major
> \time 4/4
>
> \acciaccatura ais8 b8.
> }
>
> and the lower voice as
>
> lower = \relative c {
> \cl
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