> c'8~ c' c' c' c' c'
> > c'8~ c' c' c' c' c'
> > }
> > \score {
> > \new Staff <<
> > \partcombine
> > \MI
> > \MII
> > >>
> > }
> > 8><8><8><8
Thomas Morley writes:
> Am Sa., 22. Feb. 2020 um 15:45 Uhr schrieb David Kastrup :
>>
>> Thomas Morley writes:
>
>> > \partcombine may create several Voices. Which may not continue the
>> > initial one. Thus your overrides are not preserved.
>> > Same here:
>> >
>> > {
>> > \omit Slur
>> >
Am Sa., 22. Feb. 2020 um 15:45 Uhr schrieb David Kastrup :
>
> Thomas Morley writes:
> > \partcombine may create several Voices. Which may not continue the
> > initial one. Thus your overrides are not preserved.
> > Same here:
> >
> > {
> > \omit Slur
> > b4( b)
> > <<
> > { c'(
}
>> \score {
>> \new Staff <<
>>\partcombine
>>\MI
>>\MII
>> >>
>>}
>> 8><8><8><8><8><8><8><8><8><8>&
r.stencil = ##f
> \override Voice.Tie.stencil = ##f
> %comment out the next bar to suppress the slur and tie
> c'8~ c' c' c' c' c'
> c'8~ c' c' c' c' c'
> }
> \score {
> \new Staff <<
> \partcombine
>
the cause).
As a workaround, I think your options are:
a) don't use partcombine - it's handy but you lose some control over
the output (this would be my choice)
b) either use tweaks for each case where you need to hide the
slurs/ties, or put something in \layout if you want none of them to
show.
Best
oice.Tie.stencil = ##f
%comment out the next bar to suppress the slur and tie
c'8~ c' c' c' c' c'
c'8~ c' c' c' c' c'
}
\score {
\new Staff <<
\partcombine
\MI
\MII
>>
}
8><8&
Hi Werner!
Attached is a lilypond source that shows how to use postscript
to crop parts from a lilypond page.
Obviously you still need to find a way to pass the right corner
coordinates to the postscript code ...
Knut
\version "2.21.0"
\pointAndClickOff
#(set-global-staff-size 18)
>> I have to typeset a bunch of snippets that contain ties and slurs
>> either from a (not typeset) bar at the left or to a bar to the
>> right (see attached example). What is the recommended way to do
>> that gracefully?
>
> I'm still not sure what you're after an
Am Do., 18. Juli 2019 um 07:38 Uhr schrieb Werner LEMBERG :
>
>
> Folks,
>
>
> I have to typeset a bunch of snippets that contain ties and slurs
> either from a (not typeset) bar at the left or to a bar to the right
> (see attached example). What is the recommended way
gt;
>> which should be handled as
>>
>>\relative c' {
>> \partial 4 f4( \break
>> g a b c \break
>> d)
>>}
>>
>> with the first and third line thrown away.
>
> A truly ugly hack: [...]
Thanks! However, this is
Hi Werner,
What I imagine is a possibility to specify `front matter' and
`back matter' that gets processed but not displayed, for example
\relative c' {
\frontmatter { f4( }
g a b c
\backmatter { d) }
}
which should be handled as
\relative c' {
\partial 4 f4(
> You mean you just want the slurs to extend before and after the
> notes?
Yes, but ...
> Any reason you can't use \shapeII from openlilylib?
... I don't want to have a manual solution – but thanks for the
suggestion.
What I imagine is a possibility to specify `front matter' and
`back matter'
You mean you just want the slurs to extend before and after the notes?
Any reason you can't use \shapeII from openlilylib?
Andrew
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https://lists.gnu.org/mailman/listinfo/lilypond-user
Folks,
I have to typeset a bunch of snippets that contain ties and slurs
either from a (not typeset) bar at the left or to a bar to the right
(see attached example). What is the recommended way to do that
gracefully?
Werner
___
lilypond-user
Am 13.09.2018 um 15:29 schrieb Torsten Hämmerle:
>
> Phrasing slurs can be made dotted by \phrasingSlurDotted and they can be
> made dashed by \phrasingSlurDashed.
>
>
Thank you both,
Simon and Torsten
Bernhard
--
spitzhalde9
D-79853 lenzkirch
bernhard.kle...@gmx.net
www.b-kleine.com,
Bernhard Kleine wrote
> But how make them dotted?
Phrasing slurs can be made dotted by \phrasingSlurDotted and they can be
made dashed by \phrasingSlurDashed.
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
___
lilypond-user
On 13.09.2018 14:53, Bernhard Kleine wrote:
But how make them dotted?
How about:
\version "2.18.2"
"\\{" = -\single \phrasingSlurDotted \(
"\\}" = \)
{ c'\{ c'\} }
Best, Simon
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t; I'd just use phrasing slurs \( and \).
> In contrast to ties or ordinary slurs, each note will get its syllable,
> phrasing slurs won't create automatic melismata. Voilà !
>
> HTH,
> Torsten
>
>
>
> --
> Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
>
> __
On 13.09.2018 14:34, Bernhard Kleine wrote:
A fairly modern componist wrote in 1950 the following example (see
attached).
These dotted slurs are not slurs since the text is not suspended. Please
let me know how you would set this example.
I’d see two possible interpretations, depending on
Bernhard Kleine wrote
> These dotted slurs are not slurs since the text is not suspended. Please
> let me know how you would set this example.
Hi Bernhard,
I'd just use phrasing slurs \( and \).
In contrast to ties or ordinary slurs, each note will get its syllable,
phrasing slurs
A fairly modern componist wrote in 1950 the following example (see
attached).
These dotted slurs are not slurs since the text is not suspended. Please
let me know how you would set this example.
Regards Bernhard
--
spitzhalde9
D-79853 lenzkirch
bernhard.kle...@gmx.net
www.b-kleine.com,
ershoot"
I noticed Ties and Slurs doesn't have the same behavior for this: Ties have
a little gap, but slur strictly align with the barline.
My question is: how is it possible to configure the Slurs and Ties for a
specific break-overshoot like I did with beams? I'd prefer not use a shape
command
pond-user@gnu.org>
Subject: Re: How to set the line thickness for slurs and ties globally
Hi Joseph,
> Would someone be willing to tell me the specific codes or point me to the
> documentation that explains how to set the line thicknesses of slurs and ties
> globally?
\layout {
Hi Joseph,
> Would someone be willing to tell me the specific codes or point me to the
> documentation that explains how to set the line thicknesses of slurs and ties
> globally?
\layout {
\context {
\Score
\override Slur.thickness = #10 % or whatever
}
}
Hope this help
Joseph,
On Wed, Feb 24, 2016 at 9:17 AM, Joseph N. Srednicki-2 [via Lilypond] <
ml-node+s1069038n187678...@n5.nabble.com> wrote:
> Would someone be willing to tell me the specific codes or point me to the
> documentation that explains how to set the line thicknesses of slurs and
>
Would someone be willing to tell me the specific codes or point me to the
documentation that explains how to set the line thicknesses of slurs and
ties globally? I want to adjust the thicknesses only for ties and slurs and
not for any other lines.
Snippet http://lsr.di.unimi.it/LSR/Snippet?id
2015-09-30 4:40 GMT+02:00 Rachael Thomas :
> On Tue, Sep 29, 2015 at 4:33 PM, David Kastrup wrote:
>>
>> Thomas Morley writes:
>>
>> > 2015-09-29 12:26 GMT+02:00 David Kastrup :
>> >>
>> >> At the current
epresentation of this music. I have a lot
>> of trouble with Slurs and Ties in the TabStaff. If I could individually
>> instantiate Slurs and Ties my life would be much easier. I think that the
>> easiest way to do this is through a scheme function involving SlurEvent and
>> Spa
On Tue, Sep 29, 2015 at 4:33 PM, David Kastrup wrote:
> Thomas Morley writes:
>
> > 2015-09-29 12:26 GMT+02:00 David Kastrup :
> >>
> >> At the current point of time, slurs are only from one chord in a Voice
> >> to the next chord in a
Thomas Morley writes:
> 2015-09-29 12:26 GMT+02:00 David Kastrup :
>>
>> At the current point of time, slurs are only from one chord in a Voice
>> to the next chord in a Voice. So you'd need to put your notes into
>> different Voice contexts in order to
Rachael Thomas <rachael.thomas.carl...@gmail.com> writes:
> Hello All:
>
> I am attempting to typeset some fingerstyle guitar music. We extensively
> use the TabStaff for the visual representation of this music. I have a lot
> of trouble with Slurs and Ties in the
Hello All:
I am attempting to typeset some fingerstyle guitar music. We extensively
use the TabStaff for the visual representation of this music. I have a lot
of trouble with Slurs and Ties in the TabStaff. If I could individually
instantiate Slurs and Ties my life would be much easier. I
Hi,
while answering a question here, I wondered about the different
positioning of slurs and ties. Slurs begin and end centred on the note
head, while ties are placed between the notes (cf. example below). I
think this is also what Gould suggests.
\relative c'' {
\textLengthOff
b^expected
Hi,
On Mon, Mar 18, 2013 at 5:44 PM, Noeck noeck.marb...@gmx.de wrote:
2.) For notes outside the staff (on ledger lines, like c’) there is in
my opinion no reason to place ties below the note heads. I would prefer
to have them placed like for the d or b example, because currently ties
are
You are absolutely right, this is just LilyPond's sloppiness. In
general, tie formatting is ugly in many cases, and i'm thinking about
a complete redesign of tie formatting since summer 2011 (yep, 1.5
years now). I have many examples and half the design written, but
little time to finish it
Hello,
using an \addlyrics block I found out, that lilypond puts only one syllable to
notes connected with a slur ( ) automatically. (This is also said in the docs.)
If I want another behavior, I have to use phrasing slurs \( \). Fine. Problem
solved.
Also to notes connected with ties, lilypond
On Jul 30, 2010, at 4:58 PM, Werner wrote:
Hello,
using an \addlyrics block I found out, that lilypond puts only one syllable to
notes connected with a slur ( ) automatically. (This is also said in the
docs.)
If I want another behavior, I have to use phrasing slurs \( \). Fine. Problem
Hello,
On 30/07/2010 16:14, James Bailey wrote:
Here I had to add a “ _ ” or a “\skip1” for every note connected with a tie.
...
Why \lyricsto doesn’t behave like \addlyrics here?
...
PS:
The docs
Is this related?
http://code.google.com/p/lilypond/issues/detail?id=1026
No.
But I found out, that’s just because I’m stupid. I took a line from some example
— with or without the commented line - that makes the difference!
\context Lyrics = Text { }
% \set
Erik Appeldoorn wrote:
Attached a jpg snipped of score parts I want to reproduce with
lilypond. (Took me 30 secs to make using Sibelius)
But after a day of trying I can’t figure it out.
I have looked into the LSR and tried to adapt the following snippet
without any success.
Making an
: lilypond-user@gnu.org
Subject: Re: slurs and ties
Erik Appeldoorn wrote:
Attached a jpg snipped of score parts I want to reproduce with
lilypond. (Took me 30 secs to make using Sibelius)
But after a day of trying I can't figure it out.
I have looked into the LSR and tried to adapt
[mailto:kieren_macmil...@sympatico.ca]
Sent: zaterdag 7 november 2009 1:31
To: Erik Appeldoorn
Cc: lilypond user group; Carl Sorensen
Subject: Re: slurs and ties
Hi Erik,
I WANT TO CREATE NICE SCORES!!!
Well, aren't you glad you're learning Lilypond, then!? ;)
Here's a final version
Erik Appeldoorn ursus.k...@ziggo.nl writes:
Thanks Nick,
Interesting to see how your solution differs from the one Kieren and Carl
offered. More than one way to reach the goal. Nice.
Disagree. Seems rather like more than one trick to reach the goal.
From a user interface perspective, I find
Hi Erik,
As I see it you create the two voices as if nothing special was
needed.
Then create a third voice, with identical notes as the second voice.
These remain hidden, but the ties are visible.
Am I correct?
Essentially, with one [very small] correction: the third Voice
context doesn't
David,
If the composer has written them it is not to me to leave them out. Sensical
or not-so-sensical.
As I'm restoring an old manuscript I feel I'm bound to what I find. It is
difficult enough to recreate the score with only parts in different
handwriting available.
But I have to agree on the
Hello guys.
I am having a problem with lyrics and tied , slured notes.
First i was using ties to connect my notes, and when tried to add lyrics to
them, the program accepted the tied notes as one and it was impossible for me
to add the lyrics properly.
Then Graham Persilval suggested to me
the lyrics properly.
By default, slurs and ties both count as one syllable. You can change
the melismaBusyProperties property to define what is used as melisma.
See the following documentation page:
http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond-
internals
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