ame platform with the same
> program.
Possibly yes. On the other hand, this never seem to happen if the exact
same situation is being moved away from Y-offset 0 (the middle line).
I think it'd be favourable in any case to have a well-defined tie direction
in these neutral cases, i.e. po
Torsten Hämmerle writes:
> Thomas Morley-2 wrote
>> I already thought creating a function for setting tie-direction, _iff_
>> the notes are on the middle line, probably taking stem-direction into
>> account. It would give me more flexibility, though ofcourse the
>> con
Thomas Morley-2 wrote
> I already thought creating a function for setting tie-direction, _iff_
> the notes are on the middle line, probably taking stem-direction into
> account. It would give me more flexibility, though ofcourse the
> considerations mentioned above are still valid.
A
some penalty calculations yield nearly identical results for
> different tie directions so that the slightest environmental change may
> result in a tie direction change.
>
> All the best,
> Torsten
I stumbled across it while transposing a flute-part for alto-flute.
While it's tr
ive to changes like
\override Tie.details.note-head-gap = …
When just changing this from standard #0.2 to #0.20001, the first tie will
change its direction.
Perhaps some penalty calculations yield nearly identical results for
different tie directions so that the slightest environmental change
The most sensible solution to me seems to be for Tie to use the
neutral-direction property and heed it in such cases, overriding the
direction if it is set.
Best, Simon
On 26.07.2018 13:34, Robert Schmaus wrote:
Might be the same thing as here:
http://lilypond.1069038.n5.nabble.com/Curious-
Might be the same thing as here:
http://lilypond.1069038.n5.nabble.com/Curious-thing-about-ties-td196616.html
> On 26 Jul 2018, at 12:37, Thomas Morley wrote:
>
> Hi,
>
> please consider the following example:
>
> \version "2.19.82"
>
> \relative c'' {
> f,1
> r4 b~ b8 a b4~
> b8 a b2.
>
Hi,
please consider the following example:
\version "2.19.82"
\relative c'' {
f,1
r4 b~ b8 a b4~
b8 a b2.
\repeat unfold 8 f8
}
The ties have different directions.
If you change the example a little bit you may (or may not) get equal
directions.
Where does it comes from?
Or wit differe
Greetings All,
I have a lot of two note chords that are tied over, and would like to have
the upper tie always go up and the lower tie down. This is in the context of
a given voice. I am aware that one can specify individual directions for
individual notes in a chord, but for this use case, is
Christian writes:
> I would like to adjust the tie direction within a chord.
> How can I do that, I have tried the following.
>
> <\tieUp ais,~ \tieDown fis'~>2 2 |
>
> This doesn't work.
\relative c'' { 2 2 }
While you could work with
\sing
I would like to adjust the tie direction within a chord.
How can I do that, I have tried the following.
<\tieUp ais,~ \tieDown fis'~>2 2 |
This doesn't work.
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Ah, I misunderstood. Yes, you want \tieDown. If you'd rather, you can
redefine \voiceOne so that ties are always down, but in multi-voice
music, the ties follow the direction of the stems. Incidentally,
setting \tieDown does not affect the stems. So no, this is not a bug,
this is a feature.
Hi Nick,
On 2009-10-02, Nick Didkovsky wrote:
>
> I was using 2.11.37 when I reported this problem
> I upgraded to 2.12.2 but the problem remains, unfortunately
> I am reluctant to use tieUp tieDown because then I will need to
> specify stem direction as well. These are things LilyPond has been
That's odd. I assume I get what you want with my install of 2.12.2On 02.10.2009, at 06:11, Nick Didkovsky wrote:Thanks JamesI was using 2.11.37 when I reported this problemI upgraded to 2.12.2 but the problem remains, unfortunatelyI am reluctant to use tieUp tieDown because then I will need to sp
Thanks James
I was using 2.11.37 when I reported this problem
I upgraded to 2.12.2 but the problem remains, unfortunately
I am reluctant to use tieUp tieDown because then I will need to specify
stem direction as well. These are things LilyPond has been doing fine
without my specifying and I'd
On 29.09.2009, at 15:03, Nick Didkovsky wrote:
Hello
Here's one measure of music with two voices on the same staff. Top
voice has some notes that are tied. Bottom voice is an invisible rest.
The stems on the notes are all going up. This is good.
The ties are upside down however (frowns inst
Hello
Here's one measure of music with two voices on the same staff. Top voice
has some notes that are tied. Bottom voice is an invisible rest.
The stems on the notes are all going up. This is good.
The ties are upside down however (frowns instead of smiles). This is bad.
What am I doing wrong?
> Hi,
>
> I may have asked this before but is there a way of controlling the
> direction of a tie and the note that it is attached to?
If you use the search function on www.lilypond.org, I'm afraid
you'll get lost in the long list of links. To just set the
direction of ties, use the macro \tieU
Hi,
I may have asked this before but is there a way of controlling the
direction of a tie and the note that it is attached to?
Thanks,
Adam
--
Adam Tee
Postgraduate Research Student
Dept of Electronic & Electrical Engineering and Dept of Music
University of Leeds
LS2 9JT
UK
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