Maybe this snippet is what you are looking for:
http://lsr.dsi.unimi.it/LSR/Item?id=503
--
Marek Klein
http://gregoriana.sk
2008/11/18 Cordilow [EMAIL PROTECTED]:
Sometimes it's desirable to have the chorus begin on the same system as the
end of the rest of the song. I have a situation
2008/11/18 Cordilow [EMAIL PROTECTED]:
Does anyone know how to make this decrescendo go all the way to the a'2? It's
supposed to, I think.
Try putting \once \override Hairpin #'to-barline = ##f in front of the
crescendo / decrescendo you want to extend beyond the barline. Like
this.
\time 3/4
Marek Klein wrote:
Maybe this snippet is what you are looking for:
http://lsr.dsi.unimi.it/LSR/Item?id=503
Yep—that's exactly what I was looking for. :)
Thanks!
--
View this message in context:
http://www.nabble.com/Centering-chorus-between-even-verses-tp20554992p20555131.html
Sent from
Risto Vääräniemi-2 wrote:
Try putting \once \override Hairpin #'to-barline = ##f in front of the
crescendo / decrescendo you want to extend beyond the barline. Like
this.
…
Excellent. Thanks! I guess it wasn't a bug after all, eh? Just a default
setting or such. :)
--
View this message
No, those values don't seem to be listed there (internals s.3.2.9) - maybe
they should be, but they are shown in s.1.2.5 of the notation reference.
Nick
From: Stefan Waler [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 18 November 2008 18:53
To: Nick Payne
Cc: 'lilypond-user'
Subject: Re:
2008/11/18 Cordilow [EMAIL PROTECTED]:
Excellent. Thanks! I guess it wasn't a bug after all, eh? Just a default
setting or such. :)
Yes. The default behaviour was changed a couple a versions ago. The
syntax for the command was changed, too.
-Risto
Quoting Nick Payne [EMAIL PROTECTED]:
No, those values don't seem to be listed there (internals s.3.2.9) - maybe
they should be, but they are shown in s.1.2.5 of the notation reference.
I just updated the source code, so that : and dashed will be
included also in IR 3.2.9 in the next
Hi all,
I'm writing a piece of music with compound signature time 4/4 + 3/4
(i.e. alternating measures of 4/4 and 3/4) with:
% Create 4/4 + 3/4 time signature
tsMarkup =\markup {
\override #'(baseline-skip . 2) \number {
\column { 4 4 }
\vcenter +
\column { 3 4 }
}
}
and then:
2008/11/14 Johan Vromans [EMAIL PROTECTED]:
Hi,
Is there a set of settings to make LP output lighter? Setting
line-thickness = \staff-space / 16
seems a good start, but I assume there's more to it.
I've tried to make it lighter, for a particular publication --
there is some settings
2008/11/14 Johan Vromans [EMAIL PROTECTED]:
Hi,
Is there a set of settings to make LP output lighter? Setting
line-thickness = \staff-space / 16
seems a good start, but I assume there's more to it.
I've tried to make it lighter, for a particular publication --
there is some settings
I'm new to Lilypond. I've been looking for a way to typeset music without
time signatures. This is because I'm transcribing chants that often use
_recitativ_ and rarely follow any strict meter--the rhythm of the chant is
completely text-driven.
Hello Alyozhik,
When I'm doing metreless
Hi,
to keep two staffs nearer I've used the command-lines
\overrideProperty
#Score.NonMusicalPaperColumn
#'line-break-system-details
#'((alignment-offsets . (0 -8)))
but it works fine only for the first system!
In the second one the staffs
Is it just me, or does the brace not show up?
2008/11/18 Marek Klein [EMAIL PROTECTED]
Maybe this snippet is what you are looking for:
http://lsr.dsi.unimi.it/LSR/Item?id=503
--
Marek Klein
http://gregoriana.sk
2008/11/18 Cordilow [EMAIL PROTECTED]:
Sometimes it's desirable to have
There is only the definition of leftbrace and rightbrace but these are
not used in any place. So they don´t show up. I´ve tried to add
\rightbrace after \dropLyrics which works quite good, but has one
fundamental problem: The brace uses one note as a syllable would.
Maybe someon else has a helping
\concat is your friend. It's also my friend.
Am 18.11.2008 um 16:36 schrieb Dominic Neumann:
There is only the definition of leftbrace and rightbrace but these are
not used in any place. So they don´t show up. I´ve tried to add
\rightbrace after \dropLyrics which works quite good, but has one
David Rogers [EMAIL PROTECTED] writes:
If you look at a good score of anything that was printed before the
time of computers, you can see that Lilypond looks 'almost like real
music', and Sibelius looks 'like a computer'
This does not necessarily mean that old scores look better than new
Hi Francesco,
2008/11/18 Francesco Casadei [EMAIL PROTECTED]:
I've tried using this hack:
\repeat percent 2 { d1 \skip 2. | \skip 1 d2. | }
This works, but the result is ugly because of the horizontal spacing
introduced by the skips.
A slightly different hack, using scaled durations
This will always be a kludge. The font and the line width settings are
tuned together. If you really want to do this, you have to recompile
LilyPond including the fonts, and update the definitions for the fonts
too.
On Tue, Nov 18, 2008 at 8:58 AM, Dmytro O. Redchuk
[EMAIL PROTECTED] wrote:
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