Am Fr., 14. Dez. 2018 um 04:09 Uhr schrieb Kieren MacMillan
:
>
> Hello all,
>
> I’m trying to develop a Lilypond lyrics+chords [only] framework, and am
> trying to understand the "cleanest" possible starting point.
>
> The final goal: Given a set of lyrics (either with “inline” durations, or
>
Hi All,
Thank you very much for your help and suggestions!
On 12/14/18, Carl Sorensen wrote:
>
>
> On 12/13/18, 5:33 AM, "Yakir Arbib" wrote:
>
> Hi All,
>
>
> My name is Yakir and I'm a pianist / composer based in Paris.
>
> I am very new to LilyPond, so please pardon me if my
Hi Harm,
> I don't have a clue how to deal with those issues, but I'd love to be
> proofed wrong.
>
> Any idea how to tackle:
>
> (1) ligatures
> \lyricmode { f -- i }
This is a fringe case in my world, so I’m happy to cross that bridge when (if?)
all other problems are solved.
> (2) short
Sorry - email got cut!
Thanks DJF for your detailed example... I really appreciate it. Yes I
am very new to LilyPond and still reading the latter parts of the user
manuals. But from what you say, it seems like at least visually
LilyPond can accomplish a score with different metronome marks for
On 2018-12-14 10:46 pm, Aaron Hill wrote:
Creating a custom articulations is probably the best option, however
you can also easily redefine the stencil for an existing one:
\version "2.19.82"
% handbell mallet
hbm = \tweak stencil #(lambda (grob)
(grob-interpret-markup grob #{ \markup
All,
In handbell music, there is an articulation for playing the bell with a mallet
while it is on the table. It looks like a "stopped" symbol near the note head,
with a "staccato" articulation just beyond that. I can get reasonable results
for notes near the top and bottom of the staff, but
On 2018-12-14 9:58 pm, Rick Kimpel wrote:
All,
In handbell music, there is an articulation for playing the bell with
a mallet while it is on the table. It looks like a "stopped" symbol
near the note head, with a "staccato" articulation just beyond that. I
can get reasonable results for notes
Hi Thomas,
your analysis has been very good.
I have almost solved the issue.
I just don't know what's the glyph name for the SEMI-SHARP and SEMI-FLAT
In the following code, I should add the ones for SEMI-SHARP and SEMI-FLAT.
Do you know what's the name of the glyph? I already tried (e.g.
Here is my code I do not understand why newspacing would have any effect on
previous notes and measures why not just what comes after? Like in the user
manual. Page here
http://lilypond.org/doc/v2.19/Documentation/notation/new-spacing-section Why
are the first 3 measures adjusted when the
On Fri, 14 Dec 2018 08:49:33 -0500, Kieren MacMillan
wrote:
> > (2) short syllables, both with chords
>
> This is an issue even in Microsoft Word,
Interesting to encounter MSWord as apparent trendsetter... It is about the
worst tool for producing lead sheets.
The approach seen in many
Hi Johan,
> Interesting to encounter MSWord as apparent trendsetter... It is about the
> worst tool for producing lead sheets.
And yet many, many people I know use it (or LibreOffice). ;)
My point was simply that the "short syllables with [many and/or long] chords"
isn’t a Lilypond-only
On Fri, 14 Dec 2018 11:27:13 -0500, Kieren MacMillan
wrote:
> And yet many, many people I know use it (or LibreOffice). ;)
Libre/Open Office has a nifty plugin called ChordTransposer that makes it
possible to type in chords easily and obtain the right alignment for the
chords (and, as the name
Hi Johan,
> Libre/Open Office has a nifty plugin called ChordTransposer that makes it
> possible to type in chords easily and obtain the right alignment for the
> chords (and, as the name suggests, you get transpositions too).
Nice! I’ll have to look into that for inspiration.
> It works by
Hi Harm,
> Any idea how to tackle:
> (1) ligatures
> \lyricmode { f -- i }
Can you give me a real world situation — in a "regular" score (i.e., with
notes) — in which you would want both a ligature *and* chords on both elements
of the ligature? I can’t comprehend what that would look like…
On Fri 14 Dec 2018 at 17:32:59 (+1100), Andrew Bernard wrote:
> I was so disappointed with the complete mess the current abc2ly makes of
> Irish tunes from the vast repository at thesession.org that I started
> looking into this. The others mentioned that using abc2xml and then using
> musixxml2ly
Hi Reggie,
Reggie wrote
> Why
> are the first 3 measures adjusted when the newspacing comes after?
The \newSpacingSection command only ensures that there are two separate
sections which can have their own spacing. If you want, you can
independently tweak them with overrides.
The second
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