On 5/20/20, Christopher R. Maden wrote:
> ... I get rests scattered all over the place, not to mention redundant
> dynamics. Is there a way to combine the different drum parts on one
> staff without engraving a terrible mess?
Well, I’m not gonna lie: that’s a tough one. That’s typically what
As an exercise in Scheme programming (and because I’m something of a
perfectionist), I’m working on improving the output when using parse-only.ly by
having it account for `--format` flags and the various backends when
constructing the target portion of the make rule (the version I previously
On 5/20/20, Pierre Perol-Schneider wrote:
> Anything better?
Nothing better. I was about to suggest using a modifier Arpeggio
stencil, but your solution is simpler and better.
I’m not really sure why you’d need a music function at all, though:
toneCluster ={
\once \override
Hi guys
Many thanks for taking such an interest in this. I have been thinking. I
can see that using the key signature to automatically donate sharps and
flats is going to be a lot of work and cause problems.
Todays thoughts are: when you specify \language, then part of what you are
doing is
"Fr. Samuel Springuel" writes:
>> On 20 May, 2020, at 9:43 AM, Paul McKay wrote:
>>
>> Todays thoughts are: when you specify \language, then part of what
>> you are doing is setting up the parser to understand which character
>> sequence should indicate an f-sharp. I would like to be able to
Here's another try:
\version "2.20.0"
toneCluster = #(define-music-function
(note1 note2) (ly:music? ly:music?)
#{
{
\once\override NoteHead.stem-attachment = #'(0 . 0)
\once \override
> On 20 May, 2020, at 9:43 AM, Paul McKay wrote:
>
> Todays thoughts are: when you specify \language, then part of what you are
> doing is setting up the parser to understand which character sequence should
> indicate an f-sharp. I would like to be able to temporarily reconfigure this
> so
Hello,
In the example below:
\relative c' {
1
1
}
Notice the difference in the position of the flat symbol in the G-flat. For
me, particularly, I find the first chord much more clean: after the double
flat, closet to the note (and it occupies less space). Is there a way to
change the
Hi,
On Wed, May 20, 2020 at 8:35 AM Fr. Samuel Springuel
wrote:
>
> > On 20 May, 2020, at 2:41 AM, Witold Uchman wrote:
> >
> > Hello!
> >
> > I am looking for a way to simplify input in a book of psalms, namely to be
> > able to simply put an * in lyrics and make the character in red.
> >
>
> On 20 May, 2020, at 2:41 AM, Witold Uchman wrote:
>
> Hello!
>
> I am looking for a way to simplify input in a book of psalms, namely to be
> able to simply put an * in lyrics and make the character in red.
>
I define a special function for this:
#(define aster #{ \set stanza = \markup
Salut Pierre,
Am 20.05.2020 um 18:00 schrieb lilypond-user-requ...@gnu.org:
> toneCluster = #(define-music-function
> (note1 note2) (ly:music? ly:music?)
> #{
> {
> \once\override NoteHead.stem-attachment =
#'(0
> On 20 May, 2020, at 12:05 PM, Fr. Samuel Springuel
> wrote:
>
> Use of the -dbackend=eps (or setting the backend to eps in the file) also
> causes the production of several other files (*-systems.tex, *-systems.texi,
> *-systems.count, and the eps and pdf files for each system) while -E (or
Valentin Villenave writes:
> On 5/20/20, Pierre Perol-Schneider wrote:
>> Anything better?
>
> Nothing better. I was about to suggest using a modifier Arpeggio
> stencil, but your solution is simpler and better.
>
> I’m not really sure why you’d need a music function at all, though:
>
>
>
Humm, thank you Klaus, that looks pretty good!
Le mer. 20 mai 2020 à 22:29, Klaus Blum a écrit :
> Salut Pierre,
>
> Am 20.05.2020 um 18:00 schrieb lilypond-user-requ...@gnu.org:
>
> > toneCluster = #(define-music-function
> > (note1 note2) (ly:music? ly:music?)
> >
Greetings,
Is there a way to force LilyPond to engrave ties at the end of a
snippet of music? I was hoping that \set tieWaitForNote = ##t would
work, but it too had no results. Here is the snippet in question:
\score {
\new PianoStaff <<
\new Staff {
\relative c' {
\key es
"Hwaen Ch'uqi" writes:
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music? I was hoping that \set tieWaitForNote = ##t would
> work, but it too had no results. Here is the snippet in question:
>
> \score {
> \new PianoStaff <<
> \new Staff
"Fr. Samuel Springuel" writes:
>> On 20 May, 2020, at 10:22 AM, David Kastrup wrote:
>>
>> myNames = \language-pitch-names.english
>> myNames.do = c
>> myNames.re = d
>> myNames.mi = e
>> myNames.fa = f
>> myNames.sol = g
>> myNames.la = a
>> myNames.ta = bes
>> myNames.ti = b
>>
Hi.
2020-05-21 2:28 UTC+02:00, Hwaen Ch'uqi :
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music?
No need to "force" ;-)
http://lilypond.org/doc/v2.18/Documentation/snippets/expressive-marks#expressive-marks-laissez-vibrer-ties
Regards,
Gilles
On Mon 18 May 2020 at 14:32:31 (-0400), Fr. Samuel Springuel wrote:
> > On 18 May, 2020, at 11:30 AM, David Wright
> > wrote:
> >
> > If you were compiling a C program foo.c into an executable, what you
> > would be trying to avoid is recompiling fnbar.c into fnbar.o over
> > and over again
Dear Thomas,
Il giorno dom 17 mag 2020 alle ore 17:57 Thomas Scharkowski
ha scritto:
> warning: g_spawn_sync failed (0): gs: Failed to execute child process
> “gs” (No such file or directory)
this has been reported also on GitHub, see
https://github.com/frescobaldi/frescobaldi/issues/1305
I
> On 20 May, 2020, at 10:22 AM, David Kastrup wrote:
>
> myNames = \language-pitch-names.english
> myNames.do = c
> myNames.re = d
> myNames.mi = e
> myNames.fa = f
> myNames.sol = g
> myNames.la = a
> myNames.ta = bes
> myNames.ti = b
> language-pitch-names.solfegenglish = \myNames
>
For sure your next question is how to make them longer. There are a few
ways, but check LSR 715.
Andrew
Hi all,
apologies in advance for the slightly off topic question, but after
doing my own research I am still unable to sort out how to publish a
composition.
I have written it with lilypond, but it hasn't been performed yet. I
wanted to secure the copyright before performing it. Given that there
Hi Francesco,
Not sure if this gives you any help but the first thing I'd do in your case
is to secure the pdf with a password.
Cheers,
Pierre
Le jeu. 21 mai 2020 à 05:51, Francesco Petrogalli <
francesco.petroga...@gmail.com> a écrit :
> Hi all,
>
> apologies in advance for the slightly off
Wow, thank you all for your prompt responses! It was in fact the
lengthening of the ties that I was searching for.
Hwaen Ch'uqi
On 5/20/20, Andrew Bernard wrote:
> For sure your next question is how to make them longer. There are a few
> ways, but check LSR 715.
>
> Andrew
>
>
>
>
Hello!
I am looking for a way to simplify input in a book of psalms, namely to
be able to simply put an |*| in lyrics and make the character in red.
I tried with |#(add-text-replacements!|, but it only performs simple
character substitution, and I am afraid I am not fluent enough in
Hi All,
I have this function to make a tone cluster:
\version "2.20.0"
toneCluster = #(define-music-function
(note1 note2) (ly:music? ly:music?)
#{
<<
{ #note1 }
{
27 matches
Mail list logo
