Greetings Andrew,
I use \unfoldRepeats in order to get any sort of repeat - including
tremolos - to work with midi.
New Complexity! I haven't heard that term since my school days. Pretty cool!
Hwaen Ch'uqi
On 10/7/20, Andrew Bernard wrote:
> I am new to MIDI output, so pardon me if a stupid
Now that we’ve been talking about \shape and \shapeII, I would like to ask if
it’s possible that values put for \shape(II) could scale according to staff
size. Whenever I have a smaller staff, whatever values work for a 20 points
staff are too much for smaller staves (either with a smaller font
I am new to MIDI output, so pardon me if a stupid question, but a
search of the user archives did not reveal anything.
According to the supported notation for MIDI in the NR, using \repeat
tremolo instead of :n works. Yet this MWE produces no tremolo in the
MIDI (as far as I can hear). What do I
> Ah. It's described in A.19 Available Music Functions. Hard to find
> because not indexed.
Really? In my locally generated PDF of the NR the entry in the
appendix *is* indexed.
Werner
> Where is \unfoldRepeats in the NR?
Its usage is described in section 3.5.6, “Using repeats with MIDI” –
it's also in the index...
Werner
Thank you so much. Where is \unfoldRepeats in the NR? It entirely eludes me.
Andrew
On Wed, 7 Oct 2020 at 19:34, Hwaen Ch'uqi wrote:
>
> Greetings Andrew,
>
> I use \unfoldRepeats in order to get any sort of repeat - including
> tremolos - to work with midi.
Ah. It's described in A.19 Available Music Functions. Hard to find
because not indexed.
Sorry for the noise.
Andrew
On Wed, 7 Oct 2020 at 21:49, Andrew Bernard wrote:
>
> Thank you so much. Where is \unfoldRepeats in the NR? It entirely eludes me.
> On 7 Oct 2020, at 09:54, Andrew Bernard wrote:
>
> According to the supported notation for MIDI in the NR, using \repeat
> tremolo instead of :n works. Yet this MWE produces no tremolo in the
> MIDI (as far as I can hear). What do I need to add to make it work?
This is the method I found
Hello Jean,
thanks for further exploring the first request. In my experience with Lilypond
2.20 \shape doesn’t scale with set-global-staff-size either. I’m already kinda
“used” to writing smaller values —my primitive math only cooperated with me
today to figure that I can use fractions to
Well, despite two of today's statements arguing otherwise I must say I
have come to a different conclusion. I have given myself exactly two
weeks to make a determination, and I realized I have obviously
overestimated the value and impact of my pet project openLilyLib. The
two weeks until
Le 07/10/2020 à 16:30, Federico Bruni a écrit :
Il giorno mer 7 ott 2020 alle 16:24, Jean Abou Samra
ha scritto:
PPS: I see you shut down openlilylib.org. Is the source archived
somewhere
so I can better understand openLilyLib?
I think it's here:
Il giorno mer 7 ott 2020 alle 16:24, Jean Abou Samra
ha scritto:
PPS: I see you shut down openlilylib.org. Is the source archived
somewhere
so I can better understand openLilyLib?
I think it's here:
https://github.com/openlilylib-documentation/main-site/
Il giorno mer 7 ott 2020 alle 13:12, Werner LEMBERG ha
scritto:
Ah. It's described in A.19 Available Music Functions. Hard to find
because not indexed.
Really? In my locally generated PDF of the NR the entry in the
appendix *is* indexed.
He probably searched at the U:
On 2020-10-07 8:44 am, Matthew Fong wrote:
Hello Aaron,
I did find an issue with your syllable function. It seems to swallow up
dots, that is, if I take your sample code
\syllable { a'\( \melisma c'' b'\tenuto \melismaEnd }
and add a dot, it is ignored. I am playing around with an episema vs.
Am 07.10.20 um 02:18 schrieb Andrew Bernard:
> Urs and all,
>
> What happens to orphaned git repos? Not a case I am familiar with.
>
> I'd be happy to fork the OLL repo and take over the management and
> development. Should I do that? Are you going to delete the existing
> repo?
>
> Andrew
>
Hi
Hi. I'm hoping to get some input from this wonderful group.
It seems that repeat volta and \barNumberCheck don't work well
together when you use the \alternative function. If you put a
\barNumberCheck inside of a repeat volta, the \braNumberCheck fails
all the time. I think it's because when
Hello Aaron,
I did find an issue with your syllable function. It seems to swallow up
dots, that is, if I take your sample code
\syllable { a'\( \melisma c'' b'\tenuto \melismaEnd }
and add a dot, it is ignored. I am playing around with an episema vs. dot.
\syllable { a'4.\( \melisma c''
Le 05/10/2020 à 22:32, Pierre Perol-Schneider a écrit :
Yes Jean, this is exactly the type of example I was looking for.
Thank you!
It should be added to:
https://lilypond.org/doc/v2.20/Documentation/notation/other#index-_005cwith_002ddimensions
and to:
Now that we’ve been talking about \shape and \shapeII, I would like to
ask if it’s possible that values put for \shape(II) could scale
according to staff size. Whenever I have a smaller staff, whatever
values work for a 20 points staff are too much for smaller staves
(either with a smaller
Le 07/10/2020 à 18:58, Martín Rincón Botero a écrit :
Hello Jean,
thanks for further exploring the first request. In my experience with
Lilypond 2.20 \shape doesn’t scale with set-global-staff-size either.
I’m already kinda “used” to writing smaller values —my primitive math
only cooperated
Hello Aaron,
You're quite right. I don't need to alter the note duration in the scope --
it's simply a graphical articulation I wish to add, like the tenuto.
I actually do prefer the first solution. The second one for falsobordone
(or current problem). I suppose I could also use markup on the
Le 07/10/2020 à 19:50, Jean Abou Samra a écrit :
Le 07/10/2020 à 18:58, Martín Rincón Botero a écrit :
Hello Jean,
thanks for further exploring the first request. In my experience with
Lilypond 2.20 \shape doesn’t scale with set-global-staff-size either.
I’m already kinda “used” to
On 2020-10-07 5:00 pm, Andrew Bernard wrote:
Has anybody written a script to find the highest and lowest notes in a
part or a score etc?
Seems like something the Ambitus_engraver would help with.
In what format do you need the information?
-- Aaron Hill
I should add that I use absolute pitch notation exclusively, which
makes this an easier proposition for textual processing.
On Thu, 8 Oct 2020 at 11:00, Andrew Bernard wrote:
>
> Has anybody written a script to find the highest and lowest notes in a
> part or a score etc?
Thanks Aaron - that's perfect!
Never had need of that before. A great function.
Andrew
On 8/10/2020 11:22 am, Aaron Hill wrote:
Seems like something the Ambitus_engraver would help with.
If you use { " " } you will get a blank line, in 2.21.6. I don't know about
other versions, I only use one.
Andrew
On 2020-10-07 11:03 am, Matthew Fong wrote:
I suppose I could also use markup on the note if it's
a graphical articulation?
I can think of four ways to decorate a note:
\version "2.20.0"
decoMarkup = \markup \circle \normalsize \normal-text !
decoDynamic = #(make-dynamic-script
Try engrave this ly code:
\version "2.20.0"
>
> \header {
> title = \markup \column {
>\line { "Minuet" }
>\line { "" }
>\line { "" }
> }
> subtitle = "A study in accent and in the correct timing of half beats"
> }
>
{s}
By lilypond v2.20.0:
[image: image.png]
By lilypond
On 2020-10-07 5:37 pm, Andrew Bernard wrote:
I just need the highest and lowest note, text, is all.
From within LilyPond, something like this might work:
\version "2.20.0"
displayPitchRange =
#(define-music-function
(music)
(ly:music?)
(let ((pitches (music-pitches music)))
On 2020-10-07 8:20 pm, Andrew Bernard wrote:
If you use { " " } you will get a blank line, in 2.21.6. I don't know
about
other versions, I only use one.
Something else must be going on, as I cannot reproduce the claimed
behavior.
I am seeing consistently that \line { "" } results in an
Has anybody written a script to find the highest and lowest notes in a
part or a score etc?
Andrew
I just need the highest and lowest note, text, is all.
The rationale behind this is that I have set a New Complexity score for
a newly developed Clarinet D'Amore, which has a wider range than
clarinet, and few, if any sampled clarinet VST instruments go beyond a
textbook clarinet range, which
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