Well, I'm 6 hours away from the Annex (from about 60km north of Montreal).
I'm interested in pints also. :-)
Le ven. 23 févr. 2024, à 07 h 50, Kieren MacMillan
a écrit :
>
> Hi Mike!
>
> > I live in Toronto, in the Annex. I'd love to help organize something here
> > if there's interest. I'm
Hi Jean,
Thank you so much for that clear and thorough explanation. I was so caught
up in my functional transformations, that I didn't even stop to think if
mutation could be at play. I sprinkled a handful of deep-copies over my
functions and voila!
- and thanks again! I really appreciate you
re "Let’s keep this discussion going... I teach in the Annex (Randolph
College) three times a week — we should grab lunch/tea/pints some day. "
For sure... I live at Bloor/Albany, just a few minutes walk from Randolph;
I walk past Randolph
all the time but didn't know it was a college. Right
Shamelessly copying the tip for my own use! I also use MobileSheets Pro,
and absolutely depend on it for my choral stuff. Your tip gives me some
ideas for stuff I know I'll be singing: things like highlighting my bass
part (NR 1.7.1ff), colouring key and time changes . . . Dude, I'm going
to
CueClef and CueEndClef are their own types of GROB, could \omit
Staff.CueEndClef work?
(sorry for short untried answer, I’m on the phone)
> 24 feb. 2024 kl. 00:27 skrev Gerardo Ballabio :
>
> Hello, please let me ask two questions on the example below:
> 1. how can I move the cue treble clef
Hi,
I use a tablet for storing my lead sheets, most of which I prepare in
Lilypond. I have just stumbled on a trick I thought I'd share with you -
although it might be obvious to you, it wasn't to me. (Tip to Jamie
Anderson of the Get your sax together Youtube channel)
I use a Samsung Galaxy Tab
Hello, please let me ask two questions on the example below:
1. how can I move the cue treble clef after the bar line?
2. how can I remove the closing bass clef? I tried \omit Staff.Clef
but it doesn't work -- I guess because, indeed, that isn't the *staff*
clef.
Thank you
Gerardo
%%
Just read a side note on Wikipedia about a supposed "boustrophedon"
notation. The citation does not link to the image in question, which is
an unfortunate oversight. I was curious whether this approach applied
only to Rousseau's numeric notation or if it was intended to work with
standard
Aaron,
One in Arabic:
https://www.quora.com/Musical-notation-is-written-from-left-to-right-but-Ara
bic-is-written-from-right-to-left-How-is-it-possible-to-show-the-words-and-m
usic-for-songs-in-Arabic
One for mixed quintette:
https://www.sheetmusicdirect.com/en-US/se/ID_No/552679/Product.aspx
\compressEmptyMeasures works (also in 2.24.1), thank you.
Gerardo
Il giorno mer 21 feb 2024 alle ore 21:49 Mats Bengtsson
ha scritto:
>
>
> On 2024-02-17 01:15, Gerardo Ballabio wrote:
>
> Hello,
> I need to change the time in the middle of a bar.
> I managed to do that using \partial, but it
Good day,
following snippet I need very frequently (with different notes instead
of c4 and e4):
\afterGrace c4 \glissando {\once \hide Stem \parenthesize e4}
That's why I wanted to create a music function to shorten the
expression. My previous attempt:
graceGliss =
On 2024-02-23 4:46 am, jca...@web.de wrote:
My previous attempt:
graceGliss =
#(define-music-function
(starttone endtone)
(ly:music? ly:music?)
#{
\afterGrace #starttone \glissando {\once \hide Stem
\parenthesize #endtone}
#})
doesn't work, Return Code
jca...@web.de writes:
> Good day,
>
> following snippet I need very frequently (with different notes instead
> of c4 and e4):
>
>\afterGrace c4 \glissando {\once \hide Stem \parenthesize e4}
>
>
> That's why I wanted to create a music function to shorten the
> expression. My previous attempt:
Hi Mike!
> I live in Toronto, in the Annex. I'd love to help organize something here if
> there's interest. I'm right
> close to the University of Toronto campus.
1. Let’s keep this discussion going, and see if it actually gains traction!
2. I teach in the Annex (Randolph College) three
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