macOS 10.14.6
Frescobaldi 3.1.2
I was working on a song in Frescobaldi. After renaming the directory that the
song is in Frescobaldi no longer shows the PDF for the song after engraving.
Does Frescobaldi keep track of what PDF file belongs to what input file? Can
that information be flushed?
On Jul 3, 2020, at 3:18 PM, David F. wrote:
> macOS 10.14.6
> Frescobaldi 3.1.2
>
> I was working on a song in Frescobaldi. After renaming the directory that
> the song is in Frescobaldi no longer shows the PDF for the song after
> engraving.
>
> Does Frescobald
On Jul 3, 2020, at 4:18 PM, Davide Liessi wrote:
> Dear David,
>
> Il giorno ven 3 lug 2020 alle ore 23:48 David F. ha scritto:
>> Frescobaldi is having problems with file paths that have question marks and
>> accented characters.
>
> tomorrow I'll test
On Jul 5, 2020, at 6:23 PM, Davide Liessi wrote:
> Il giorno ven 3 lug 2020 alle ore 23:48 David F. ha scritto:
>> Frescobaldi is having problems with file paths that have question marks and
>> accented characters.
>
> It should be solved in current master and v3.1.
can’t figure out how to actually interpolate the syllable
that is the input to my functions into the output. Second, the hyphen between
the first two syllables is lost.
Help?
David F.
\version "2.22"
\layout {
\context {
\Lyrics
\override LyricHyphen.minimu
On Oct 8, 2021, at 10:33 PM, Aaron Hill wrote:
> On 2021-10-08 8:24 pm, David F. wrote:
>> macOS 10.14.6, Lilypond 2.22.1
>> The syntax for adding quotes to lyrics is a little cluttered, so I
>> thought I’d whip up a couple of little helper functions to tidy things
>&g
ch/te??st.ly"
Exited with return code 1.
I thought that this problem had already been reported, but I can’t find any
mention of it now. So I’m reporting it.
David F.
> On May 21, 2022, at 5:01 PM, Jean Abou Samra wrote:
>
> Le 21/05/2022 à 23:20, David F. a écrit :
>> System: Intel-based macOS
>>
>> I make extensive use of UTF-8 characters in the filenames of my Lilypond
>> files. This works in Lilypond up through
> On May 25, 2022, at 11:21 AM, Jonas Hahnfeld wrote:
>
> On Sat, 2022-05-21 at 15:20 -0600, David F. wrote:
>> System: Intel-based macOS
>>
>> I make extensive use of UTF-8 characters in the filenames of my Lilypond
>> files. This works in Lilypond up th
ble regular note heads for the NullVoice:
\new NullVoice = "melody" \with { \unset shapeNoteStyles } { e'8
fs'8 }
But I couldn’t come up with anything that worked.
Any help or ideas would be greatly appreciated.
David F.
t,
> Jean
>
Perfect. That does exactly what I wanted.
Thanks!
David F.
> On Jul 6, 2022, at 12:40 PM, David Wright wrote:
>
> On Wed 06 Jul 2022 at 11:56:52 (-0600), David F. wrote:
>> [ … ]
>> The command to use aikenHeads comes from a separate style file that gets
>> included for each hymn. But there is an unfortunate interaction
amid) that depends on the stem direction. My assumption is that’s where the
error is coming from. But if the note is not being shown at all, that logic
doesn’t need to be executed.
David F.
How do I adjust the space between two syllables/words that are tied?
LyricSpace.minimum-distance works for words that are not tied.
Thanks!
David
\version "2.19"
{
c'4 d'4 e'4 f'4
}
\addlyrics {
\override Lyrics.LyricSpace.minimum-distance = #2
Ly -- rics with~some~ly -- ric~ties
}
On Jan 19, 2019, at 8:53 PM, Kieren MacMillan
wrote:
> Hi David,
>
>> How do I adjust the space between two syllables/words that are tied?
>> LyricSpace.minimum-distance works for words that are not tied.
>
> \override Lyrics.LyricHyphen.minimum-distance = #2
>
> Hope that helps!
Thanks
On Jan 19, 2019, at 10:06 PM, Aaron Hill wrote:
> LyricText.word-space is what you want to adjust. Note that it doesn't
> stretch the size of the tie.
Perfect! Thanks!
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On Jan 20, 2019, at 7:43 AM, Kieren MacMillan
wrote:
> Hi David,
>
>> I want to increase the space inside the lyric tie. So if I have
>> “some~word”, I’d like to have a little more space between “some” and “word”.
>> LyricHyphen.minimum-distance doesn’t do that.
>
> Ah, yes. Glad you fou
I can specify the font for my score to use with #(define fonts … ), but calling
#(set-global-staff-size) undoes the font definition.
In the snippet below, Times New Roman will be used as the font for the whole
document. But if line 6 is uncommented, the font reverts to the default of New
Centu
On Jan 26, 2019, at 8:52 PM, David F. wrote:
> I can specify the font for my score to use with #(define fonts … ), but
> calling #(set-global-staff-size) undoes the font definition.
>
> In the snippet below, Times New Roman will be used as the font for the whole
> document.
On Jan 27, 2019, at 9:09 PM, Martin Neubauer wrote:
> On 27/01/2019 04:52, David F. wrote:
>> I can specify the font for my score to use with #(define fonts … ), but
>> calling #(set-global-staff-size) undoes the font definition.
>>
>> In the snippet below, Time
On Feb 7, 2019, at 10:04 AM, Malte Meyn wrote:
> Hi list,
>
> IMHO systems-per-page should be ignored on the last page if (and only if)
> ragged-last-bottom is set to ##t. I think that systems-per-page is used for
> even spacing and ragged-last-bottom = ##t shows that the user wants an
> ex
Given a line of lyrics with the stanza number in front, how can I move the
stanza number (“1.”) so that it is above the first syllable of the lyrics
instead of to the left of the lyrics?
\version "2.19"
\new Voice \relative {
\time 3/4 g'2 e4 a2 f4 g2.
}
\addlyrics {
\set stanza = #"1.
On Mar 1, 2019, at 1:04 AM, Aaron Hill wrote:
> On 2019-02-28 8:53 pm, David F. wrote:
>> Given a line of lyrics with the stanza number in front, how can I move
>> the stanza number (“1.”) so that it is above the first syllable of the
>> lyrics instead of to the left of th
On Mar 1, 2019, at 6:21 PM, Aaron Hill wrote:
> On 2019-03-01 10:20 am, David F. wrote:
>> There’s one small issue that I noticed. I’m engraving music with
>> simultaneous bilingual lyrics and I’m using the stanza number to print
>> the language name. Since the language
On Mar 16, 2019, at 6:30 AM, Aaron Hill wrote:
> This whole thing started as a way to automate setting the properties of
> LyricHyphen based on the current LyricText font. In my use case, I am
> preparing music for projection, which requires larger font sizes than typical
> for print. The
On Dec 7, 2019, at 2:35 PM, Jim Duke wrote:
> I have a large Lilypond project for several hymnals. The project is
> organized into a subdirectory structure with each hymn in a separate
> directory. For each hymn I produce several products: an 8.5x11 PDF, a 6x9
> PDF, a set of images formatt
\tempo 4 = 90
How is tempo able to take ‘4 = 90’ as an argument? Is this hardwired into the
language or can any function take ‘x = y’ as an argument?
David F.
Would be be possible to make this command take either a
string or duration?
David F.
> On Jul 20, 2022, at 5:13 AM, Thomas Morley wrote:
>
> Am Mi., 20. Juli 2022 um 05:58 Uhr schrieb David F. :
>>
>> In 2.23, the rest markup command changed from taking a string to taking a
>> duration.
>>
>> \version "2.22"
>> \mark
> On Jul 20, 2022, at 5:25 AM, Jean Abou Samra wrote:
>
> Le 20/07/2022 à 05:57, David F. a écrit :
>> In 2.23, the rest markup command changed from taking a string to taking a
>> duration.
>>
>> \version "2.22"
>> \markup \rest #
> On Aug 18, 2022, at 2:15 PM, Benjamin Bruce wrote:
>
> Thanks for digging into this for me. Yes, both cases are necessary for
> typesetting shape note hymns, as illustrated by the attached scan. I believe
> the rule for this is that the notehead should be pointed up in the treble
> clef, a
sage shown in these examples.
Yes, that sounds reasonable.
David F.
ound this thread
>
> https://discussions.apple.com/thread/254519584
>
> which explains nicely the exact cause of your problem.
>
>
>Werner
Thanks! That explains it.
David F.
While we’re on the topic of bending slurs to our will, I’d like for slurred,
beamed eighth notes to have the slur printed below or inside the beam. This
works with a simple ^~ for ties. How might I accomplish this?
\version "2.19"
\language "english"
\new Staff \with { beamExceptions = #'()
one slur overlaps
>> another or when nesting short slurs within a longer one.
>>
>> Andrew
>>
>>
>>
>> On Sun, 12 Aug 2018 at 06:31, David F. wrote:
>>>
>>> While we’re on the topic of bending slurs to our will, I’d like for
&
I have a hymnal that prints the name of the key and the first note the song
above the treble clef sign of the first staff. So, for example, if you have
Amazing Grace in the key of G major, the first note of the soprano (melody)
part is a D. That is printed as “G/D”.
Can lilypond do that? I t
vid Nalesnik
> wrote:
>> Hi David,
>>
>> On Sat, Sep 2, 2017 at 12:25 AM, David F. wrote:
>>> I have a hymnal that prints the name of the key and the first note the song
>>> above the treble clef sign of the first staff. So, for example, if you
>>
Is there a way to tell Lilypond to put 2 systems per page on all pages except
the last—the last page can have one or two systems, depending on whichever fits
best?
Thanks,
David
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That doesn’t work for me. (Lilypond 2.19.58) I’ve got 3 bars at the end of a
piece that would comfortably fit on a single line, but they are stretched to
fill two lines.
David
On Sep 9, 2017, at 7:38 PM, Kieren MacMillan wrote:
> Hi David,
>
>> Is there a way to tell Lilypond to put 2 syst
If I have a score,
myScore = \score { … }
and I try to pass it into a function that expects music (ly:music?), I get an
error:
error: wrong type for argument 2. Expecting music, found #
So if a score is not a music, what it is it? Where can I find that object
described in Lilypond’s documen
The following code runs without error:
\version "2.19"
#(define-markup-command (myMarkup layout props music)
(ly:music?)
% Code to generate markup based on music goes here—elided for simplicity
(interpret-markup layout props "myMarkup"))
music = { c'1 }
\markup \myMarkup #music
Let’s say I have a score:
myScore = \score { … }
After my score is built, I’d like to keep/remove tagged sections from the music
inside my score.
How might I accomplish that?
I’ve already tried to decompose/recompose the score, like so:
\score {
\keepWithTag #’myTag
#(
On Sep 30, 2017, at 11:52 PM, David Kastrup wrote:
> "David F." writes:
>
>> Let’s say I have a score:
>>
>> myScore = \score { … }
>>
>> After my score is built, I’d like to keep/remove tagged sections from the
>> music inside my sc
I have a song transcribed in lilypond notation. It prints very nicely on one
page, like you might see in a hymnal. How do I print that same song so that it
could be projected on a screen? E.g. printed in landscape, broken up over
multiple pages and song verses printed separately and in seque
Is there a way to combine two voices and print both stems (up and down) when
the voices share a note? \partcombine does not appear to do this by default.
American SATB hymns are typically engraved with the soprano and alto voices
combined and the tenor and bass voices combined. If a note in th
On Sep 8, 2016, at 2:09 AM, Phil Holmes wrote:
> Partcombine has been improved in 2.19. See
> http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#automatic-part-combining
Ah, yes. That looks very close to what I want. In fact \partcombine #'(1 . 0)
appears to do the trick.
On Sep 13, 2016, at 4:14 PM, Rutger Hofman wrote:
> On 09/13/2016 11:32 PM, David Wright wrote:
>> On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote:
>>> On 12/09/16 19:21, Karlin High wrote:
>>>> On 9/7/2016 11:56 PM, David F. wrote:
>>>>
On Sep 7, 2016, at 10:56 PM, David F. wrote:
> Is there a way to combine two voices and print both stems (up and down) when
> the voices share a note? \partcombine does not appear to do this by default.
As pointed out by Phil Holmes, \partcombine has been upgraded in 2.19 and now
On Sep 8, 2016, at 8:52 AM, David Wright wrote:
> There's another "feature" of American hymn books illustrated on
> http://www.hymnary.org/text/amazing_grace_how_sweet_the_sound#pagescans
> which I haven't seen any mention of before, and only noticed recently
> when thumbing my way through a hym
I have a song in 9/8 time with a pickup of three eighth notes. I expect
Lilypond to beam those three eighth notes together, but it does not when I
combine two voices with partcombine.
Am I doing something wrong? Is Lilypond doing something wrong? How might I
work around this?
Thanks!
David
I’ve hit this bug as well, but don’t have a workaround for it. I’ve had to
manually combine tuplets when voices share a note. The issue there, besides
the extra work and the way it muddies the source file, is that the shared note
will be printed with two note heads and a single stem instead of
On Dec 3, 2016, at 8:19 AM, Kieren MacMillan
wrote:
> Right now, I have the syntactic sugar \ignoreH, \ignoreV, and \ignore (both H
> and V) which I put in front of objects when I want to adjust their effect on
> spacing — but it would be nice to have a built-in and less verbose way of
> doi
on without creating a key signature
Is this possible in Lilypond? I'm relatively new to it.
Cheers,
David
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Thanks, Rune.
That does work, but it makes lilypond print a warning for every note.
Cheers, David
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On Aug 31, 2007, at 7:25 PM, Rune Zedeler wrote:
Are you sure that you removed the key_engraver as specified in my
snippet?
-Rune
I did not. Now, I have and it works perfectly.
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David F. Place
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wLily.ly
Description: Binary data
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David F. Place
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(somehwere in ch 6) and multi-
measure rest (ch 8).
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x27;t have to put it after the rest, because it's aligned with
the barline or the clef).
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Hello:
Thanks very much for your help on my last topic.
I have a situation where I would like to have a \markup as the end text
of a TextSpanner. I see that I can do it by using the scheme syntax
for the markup as described in section 8.1.2. The markup I want is
correctly engraved using t
y helpful. Bound-details looks like it
does what I want, but apparently it didn't make it into 2.10.25 where
#'edge-text still rules.
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David F. Place
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Hi,
As a follow up to my previous message, I'm including a snippet that
demonstrates that \markup works differently when used in the
bound-details of a TextSpanner. I want the right of the TextSpanner to
look exactly like the first markup. The "note" is not engraved.
version = 2.11.32
Chee
the \general-align command:
Thanks, Neil, for the message and the tip. I submitted a bug report.
Cheers, David
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