Hello list,
I'm creating scores for my choir and because some of us use duplex printers,
they would like an empty page at the beginning. So I thought "Why not have a
nice title page there?", But because the majority does not use duplex
printers, I want the default title still visible. (Also bec
Am Freitag, 28. August 2009 schrieb Frederick Dennis:
> > I'm creating scores for my choir and because some of us use duplex
> > printers,
>
> they would like an empty page at the beginning. So I thought "Why not have
> a
>
> > nice title page there?", But because the majority does not use duplex
>
Am Freitag, 28. August 2009 schrieb Jonathan Wilkes:
> Hello,
> I'm curious how long it takes for other people to run lilypond on the
> following simple score:
>
> \relative c' {
> c4 d e fis
> }
>
> I'm on winxp sp3, pentium 1.7Ghz with 512mb ram and it consistently takes
> 7 seconds to com
Am Freitag, 28. August 2009 schrieb Jonathan Wilkes:
> It sounds like there is a wide discrepancy depending on machine/os/etc.
>
> Does anyone have any insight into how I could decrease this time on my
> winxp machine?
Half way through reading that sentence I wanted to say "install Linux". *d&h*
-
Am Samstag, 29. August 2009 schrob Nicolas Sceaux:
> You (Frank) have to change the footer markups. Have a look
> at oddFooterMarkup in ly/titling-init.ly: change the `first-page'
> predicate call to a (to be written) `second-page'.
Actually, I tried that out of the blue, hoping this keyword woul
Am Samstag, 29. August 2009 schrieb Frederick Dennis:
> Dear All,
> \version "2.12.2"
> I'm typesetting a 6-stave piece, SATB and piano.
> Is there any way of altering the distance between the
> piano staves, just for one system. Also, is there any
> way to put more distance between the top piano
>
Hi again
I was setting another piece yesterday and this had, as final note,
1
The fis in this chord is in parenthesis (basically) like this:
-
O
---/-\---
| # O |
---\-/---
However, lilypond gives me this:
-
O
-
# (O)
Am Montag, 31. August 2009 schrieb Jethro Van Thuyne:
> Hi Frank,
>
> This does the trick in a bit unorthodox way:
>
> \relative c'' {
> \override TextScript #'extra-offset = #'(-2.2 . 1.9)
> a b c d |
> 1_\markup { \small "( )" }
> }
>
> But there will probably be a better way
Am Donnerstag, 3. September 2009 schrieb Bertalan Fodor (LilyPondTool):
> Please don't start this discussion :)
Then how about a discussion about top posting? ;-) ;-) *duckandhide*
--
Gruß | Greetings | Qapla'
What do you call a dead bee? - A was.
signature.asc
Description: This is a digitally
Am Donnerstag, 3. September 2009 schrieb Tim Reeves:
> Mainly for my own curiosity, I compiled the Reubke Sonata score to check
> timing:
> WinXP SP3 32-bit, LP 2.13.3, LPT 2.12.869, on Intel C2D E9600 (2.8GHz), 2
> GB RAM
>
> 5 min 38 seconds.
>
> A bit slower than the Linux times others got.
W0
Am Samstag, 5. September 2009 schrieb Dan Florio:
> I've attached the pdf of that specific part. Notice how the stems in
> the fourth measure are disconnected and opposite. Anyone know why this
> is happening, and how I can fix it?
Well, I don't know why, but how to avoid it: you can use multip
Am Sonntag, 6. September 2009 schrieb Mark Engelberg:
> Right now, the way I'm dealing with this is to set up my ChoirStaff to have
> four lyrics lines throughout the song, above and below each staff. Then, I
> add a "\skip 1" for every note for which no lyrics should be printed.
you could use _
Am Montag, 7. September 2009 schrieb Patrick Schmidt:
> Hi all,
>
> I proudly present draft 9 of the new website.
>
> http://lilypond.org/~graham/out/
>
> Please comment.
I'm sorry to report that you overdid the javascripting. Opening an image in
Konqueror from its thumbnail doesn't work - the fr
Hi
Whenever I export a song with lyrics to MIDI, the lyrics are put into own MIDI
channels, so I have to open the file in Rosegarden and cut’n’paste them back
to their respective melody. Is there a way to accomplish this automatically?
--
Gruß | Greetings | Qapla'
LOL, you said ROFL.
signatur
Am Dienstag, 13. Oktober 2009 schrieb James E. Bailey:
> On 13.10.2009, at 01:16, Graham Percival wrote:
> > What about having some screenshots of easy-to-use editors?
>
> I'm almost finished with my instruction for using nano. I just helped
> someone on the german list get that set up, and I figur
Hi there,
I've entered a Distler piece with lots of different time signatures. Now that
I'm finished and doublechecked with the original, I was about to commit it to
my choir, when I noticed that there were no visible bar numbers.
At both line breaks I have signature changes in two or three of
Am Sonntag, 25. Oktober 2009 schrieb Neil Puttock:
> 2009/10/23 Frank Steinmetzger :
> > Hi there,
> >
> > I've entered a Distler piece with lots of different time signatures. Now
> > that I'm finished and doublechecked with the original, I was about to
>
Hi,
again a question about my Distler piece. Thanks to Neil I'm almost finished,
but there's one thing left. In many pieces I see lyrics that have melismata
at the end of a (half) sentence, so their text ends with __. And then the
punctiation mark like comma, exclamation and question marks are
Am Donnerstag, 29. Oktober 2009 schrieb Kris Van Bruwaene:
> - how to get the (final) lyrics repeated there?
You can also use volta repeats in lyricmode.
> - how to get the slurs extended into it?
I'v wondered about that myself. I have a piece that has a slur/tie into the
alternatives, so the
Am Donnerstag, 29. Oktober 2009 schrieb Valentin Villenave:
> On Tue, Oct 27, 2009 at 12:01 PM, Federico Bruni wrote:
> I have to admit I'm pretty disappointed with the user community.
>
> Wow, is this normal:
>
> http://lilypond.org/doc/v2.13/Documentation/
>
> This link points to the non-of
Hi,
not Lilypond-specific, but about the mechanisms of the mailing list:
During the last days I asked two questions on the list, and both Kieren and
Neil wrote their answers with To:my address and a copy (CC) to the list. The
same goes for answers they write to each other in the ongoing thread.
Am Donnerstag, 29. Oktober 2009 schrieb Chris Angelico:
> On Fri, Oct 30, 2009 at 7:57 AM, Frank Steinmetzger wrote:
> > Hi,
> >
> > not Lilypond-specific, but about the mechanisms of the mailing list:
> >
> > During the last days I asked two questions on the l
Hello dear list
I'm writing a score that has a \bar "||" at the end of a system, and a volta
repeat beginning in the following system after the line break. It seems that
the \bar command overwrites the |: of the following volta, making that
invisible. Is there a way to get what I desire?
Thank yo
Dear fellow users
I'd like to ask after which rule repeat bars are placed that belong to volta
repeats in lyrics blocks.
Until now my observation was that volta repeats in a lyrics block cause the
respective |: :| bars to appear as tightly around the enclosed lyrics as
possible:
- the opening ba
Am Mittwoch, 16. Januar 2013, 08:52:16 schrieb Marc Hohl:
> > Hello dear list
> >
> > I'm writing a score that has a \bar "||" at the end of a system, and a
> > volta repeat beginning in the following system after the line break. It
> > seems that the \bar command overwrites the |: of the followi
Am Donnerstag, 17. Januar 2013, 08:28:37 schrieb Ralph Palmer:
> On Wed, Jan 16, 2013 at 10:40 AM, Johan Vromans wrote:
> > Frank Steinmetzger writes:
> > > I knew about the |: bar statement, but also that I can't use two bars
> >
> > for the same moment
On Mon, Jan 21, 2013 at 03:49:20AM -0800, Eluze wrote:
> Frank Steinmetzger wrote
> > I attached a minimal example to clarify. Its repeat bars at marks A and B
> > are created by the music's repeat, the other two bars by the lyrics'
> > repeat.
>
> not sure
Hello list
I was ponding along with 2.18.2 and all of a sudden, the piece I was typing
didn't build a PDF anymore. As it turns out, lilypund is suffering a
segmentation fault.
I took the file apart and in an hour's search narrowed it down to those
features:
- RemoveEmptyStaves is enabled
- there
Am Sonntag, 8. November 2009 schrieb Peter Keller:
> I'm have a vocal score which uses bass clef almost exclusively during
> the verses. I'd like to keep the lyrics below the staff when the treble
> clef is hidden, and between staves (above bass clef) when it appears.
> Any suggestions for how to
Am Montag, 23. November 2009 schrieb Hugh Myers:
> Given:
>
> eMinor = < e b gis e b e, >
>
> I'd like to be able to do something like \eMinor' since I'm working in
> relative mode. Is this possible. Same thing for chord length, i.e.
> \eMinor2. etc.
AFAIK:
eMinor=\relative c { < e b gis e b
Am Dienstag, 24. November 2009 schrieb Francesco Petrogalli:
> Hello,
>
> is there a simple way to make a function that generate a repetead
> pattern having just a note as input? I'm writing a Brahms' piano
> score, and the left hand is doing the same rhythm, just changing the
> notes:
>
> %bar 1
Am Mittwoch, 16. Dezember 2009 schrieb Henning Hraban Ramm:
> 2009/12/16 Stefan Thomas :
> > I'm searching for a simple text-editor for windows. It is for the
> > computer in my music-school.
> > It is an old machine and lilypondtool, because it requires java, doesn't
> > work on it.
>
> On my WinX
Am Montag, 21. Dezember 2009 schrieb Athanasius Pelletier:
> I have a song of five verses and I want Latin on the top and English on the
> bottom for each verse. How can I accomplish that?
Uhm... I guess by writing ten verses and adding them all to your voice:
verseOneLat=\lyricmode {\set stanza
Am Montag, 18. Januar 2010 schrieb Pato Press:
> Ok thats great!
> even if I dont know how to find that character!!
> eventualy I can copy paste :)
Here's your four: ⁴ ;-)
--
Gruß | Greetings | Qapla'
Kids in the back seat cause accidents. Accidents in the backseat cause kids.
signature.asc
Des
Hi group,
I've got two questions concerning the attached measure (you see the original
and my attempt on reproducing it).
How can I achieve a similar "grouping" of beams? I.e. having one beam go
through, and the rest grouped. And secondly, how can I get the \times mark on
top of it?
I'm alread
Am Sonntag, 31. Januar 2010 schrieb James Bailey:
> On 31.01.2010, at 19:23, Frank Steinmetzger wrote:
> > Hi group,
> >
> > I've got two questions concerning the attached measure (you see the
> > original and my attempt on reproducing it).
> I can't tell i
Am Montag, 1. Februar 2010 schrieb Carl Sorensen:
> > I'm already working with override-auto-beam-setting to have all those
> > groups of 8. 16 8 you can see in my screenshot automatically separated:
> >
> > #(override-auto-beam-setting '(end * * * 8) 3 8)
> > #(override-auto-beam-setting '(end *
Am Freitag, 30. April 2010 schrieb Mike Blackstock:
> If somebody could have a quick look at http://www.vex.net/~mikeb/omet
> and tell me what they think I'd appreciate it.
> [...]
> Thanks a lot. I think it works across all browsers, though someone
> reported problems with FF 3.6.3 on some version
Hello List
I have grazed the ML archive and I (believe to) remember to have seen this
question before, but I couldn’t find anything, only other meanings of
”vertical alignment of lyrics“. So I’m just asking again. :-)
See the attached image of a page I’d like to set. It is page 2 of a song,
wh
Am Sonntag, 22. August 2010 schrieb James Bailey:
> > My problem now is in the last system, where the lyrics part in two lines.
> > I was unable to figure out how to achieve in it the way this page shows
> > it.
> >
> > What is your suggestion, please?
> Perhaps this from the LSR will help:
> ht
Hello Group
I am trying to add a descriptive text to the end of a score. I tried reading
the snipped for a title page¹ and how this accomplishes it, but even after a
couple of years of using lilypond, I still didn't manage to grasp scheme. It's
just too weird. *duckandhide*
So I tried the Micr
Dear list
I'm setting a score in which the women (one staff) and men (another
staff) each sing solo stanzas, then the chorus together, and then alone
again. The order of parts is this:
Men stanza, lyrics attached to men voice, below men staff
Chorus, lyrics attacged to women voice, center
Hello dear list
on one of my (seldomly used) machines, the lilypond setup is broken in
that fonts are rendered much bigger than expected, while still spaced as
if not enlarged. This simple three-liner:
\version "2.16"
\new Voice = "foo" \relative c' { c d e f }
\addlyrics { ceh deh eh ef }
proce
Dear list
I just discovered a problem with one of my Distler scores which uses lots of
sharp accidentals and breathing signs. If a sharp follows a breathing sign,
then the two touch each other, but *only* if the note is on a ledger line.
Snippet to reproduce:
\version "2.16"
\language "deutsch"
Hello
I think I've had this problem before, but back then it affected only the
G clef. There is more broken this time.
I have two machines here, both run 64 bit Gentoo linux with an identical
software setup (as far as possible, since the hardware is very different).
The problem: one machine rend
On Sun, Aug 24, 2014 at 02:13:34PM +0100, James wrote:
> On 24/08/14 13:56, Frank Steinmetzger wrote:
> > Dear list
> >
> > I just discovered a problem with one of my Distler scores which uses lots of
> > sharp accidentals and breathing signs. If a sharp follows a breat
On Sun, Aug 24, 2014 at 10:51:53PM +0200, Malte Meyn wrote:
> That is a known problem. If I remember correctly this only occurs with
> some old versions of LilyPond when using a certain version of
> ghostscript, but I don’t remember the exact details ...
>
> What versions of LilyPond (lilypond -
On Tue, Aug 26, 2014 at 03:55:51PM +0200, Janek Warchoł wrote:
> 2014-08-25 0:40 GMT+02:00 Frank Steinmetzger :
> > On Sun, Aug 24, 2014 at 10:51:53PM +0200, Malte Meyn wrote:
> >> That is a known problem. If I remember correctly this only occurs with
> >> some old vers
Dear list readers
I think I may have asked this very question already in the past, but without
success. This time, however, I can provide more specific info to it.
It boils down to this: if I use greek letters in a \markup, the corresponding
latin character (alpha -> a, gamma -> g, etc.) is rende
Hello list,
I have written a document with a number of pieces within a single \book block.
Each piece is a separate \score. I'm now working on an even density of the
systems, so the document looks nice as a whole. I have one problem here:
For some pieces I have set a fixed system-count to overr
On Saturday 04 December 2010 16:59:59 Phil Holmes wrote:
> Which version of LilyPond are you using?
Thought about that fact a couple of seconds after sending. *g*
It’s 2.12.3.
--
Gruß | Greetings | Qapla'
Moderener Tourismus: Man glaubt zu reisen und wird doch nur transportiert.
On Saturday 04 December 2010 19:14:46 Keith OHara wrote:
> > [...] It's almost perfect,
> > except for piece 9, which is only three systems big with (relatively)
> > much space in between. So I tried if it could be 4 systems long and it
> > can.
> >
> > However, for some reason, when I do so it m
Hello list
Triggered by my recent problem with a strange notion of Lilypond, due to which
it seems to prefer an even number of pages for a score in a multi-score
work, I wanted to try and fix that in another document of mine.
This work (namely Bach’s Mass in B minor, BWV 232) has 27 pieces, hen
On Thursday 16 December 2010 18:48:27 Phil Holmes wrote:
> Frank,
>
> The example you've posted seems to work as expected. Is there something
> you feel is wrong with the approach you use here?
Indeed, it doth work. For now I have done 8 pieces with 48 pages altogether,
and it already takes Lil
Hello List,
I am having a problem here with Lilypond 2.12.3 on Gentoo Linux. I use a size
of 14.14 for my own things, so I haven’t noticed it yet. But now I’ve come
across someone else’s documents, which are set at 17.82. There the loop at the
tip of the G clef is filled out. And at size 15.87
Hello list
A few months ago I wrote about mis-shaped glyphs (about which noone was able
to help). I recently found out that the feta font itself is borked on my
Gentoo system (and I discovered the same errors in Debian Squeeze’s), both are
2.12.3 I think. So I installed lilypond in my virtual
Hello list
I just finished typing some old, falling apart score and noticed some details
that bothered me, namely some slurs that would be much better if they were
above the notes instead of below, and vice versa.
I know that and how I can change their position manually, but I was wondering
on
Am Dienstag, 4. Oktober 2011, 20:13:12 schrieb Frank Steinmetzger:
> Hello list
>
> I just finished typing some old, falling apart score and noticed some
> details that bothered me, namely some slurs that would be much better if
> they were above the notes instead of below, and vic
Hello again
this time it is really a problem and not a fault of my own. :-)
Namely: there is a small part with two voices, in which I need to move the
whole-measure rest in the lower voice down a bit (see screenie).
I found http://lsr.dsi.unimi.it/LSR/Item?id=159 which explains \rest, i.e.
a4.\
Hello again dear list
Again, like with almost every piece, I encountered something new and unknown.
I had half a dozen problems, but I could find out (almost) everything by
myself. So the documentation indeed is quite complete. ;-)
But there is one thing which I was unable to find out:
After an
Hello list,
this is more of a dev topic than user topic, but I’m always hesitant to create
a new user account in the Intertubes just for an assumed one-occasion use. Plus
I am in no way skilled to be considered a dev anyway. So I’d be glad if someone
here knows to whom to forward this.
So here’s
Hello gurus
I already wrote a whole paragraph to describe my problem, but an image is far
simpler. Please see the attached screenshot to get an idea of my problem. The
"ness" syllables are not aligned to one another, because alto and bass are
aligned to a single note, whereas soprano and tenor h
Sorry about the wrong subject, it was supposed to be this one instead. (I used
another message in the list to extract the To: address and forgot to change the
subject before sending.)
For possible replies, here's the question again.
The "ness" syllables are not aligned to one another, because a
On Fri, Jan 20, 2012 at 01:34:21AM +0100, Thomas Morley wrote:
G, I wrote a reply yesterday, but _atain_ only replied to one person
instead of the list.
> >> Hi Frank,
> >>
> >> 2012/1/17 Frank Steinmetzger :
> >>
> >> > Is there an au
Good evening
I'll write my request first for those who are not interested in the whole
background story :-) It is about the vim filetype plugin that comes shipped
with lilypond. The following line needs to be added before any key mapping
(blatantly taken from the ftplugin file for mail and adapt
Dear list
In the last two hours or so I've been reading up 800 unread mails, searched
the archive and the LSR. But I still have to bother you with this. :/
I'm trying to reproduce two songs which both make an unusually big use of
extenders. Both are SATB choir pieces. One has only one of the vo
Dear list
I am trying something new; I want to include a logo in my copyright line. I
have here a one-page sheet consisting of a score and a markup block which
contains the text for verses 2 to 4.
Now according to annotate-spacing, I have 11.13pt of space left. The image in
the screenshot was inc
On Thu, Mar 08, 2012 at 06:16:15PM +0100, Frank Steinmetzger wrote:
> Dear list
> [...]
> Now according to annotate-spacing, I have 11.13pt of space left. The image in
> the screenshot's copyright line was included with the command
> \epsfile #Y #6 #"inc/filename.eps&quo
Only sent to Phil again yesterday. Now to you all.
On Fri, Mar 09, 2012 at 01:37:50PM -, Phil Holmes wrote:
> Dear list
>
> I am trying something new; I want to include a logo in my copyright line. I
> have here a one-page sheet consisting of a score and a markup block which
> contains the t
Dear list
I just discovered that 2.14 produces different lyrics for PDF and MIDI output,
when there are manual beams. Is this intentional?
A minimal example is attached. Note that, in the PDF, the text "three and
four" appears as expected under the notes, whereas in the MIDI, the notes on
"three
On Sat, Mar 17, 2012 at 01:53:10PM -0700, Joe Neeman wrote:
grrr... I _must_ remember to look to whom I send my replies; stupid mutt. I
answered only to Joe again. Here goes a second time:
> > Example #2, padding.png, shows a piece which has a large variation in
> > staff height, because there ar
Hello list,
I am trying to produce glissando marks as seen in original.png. My idea was to
use hidden grace notes as start note, but unfortunately, the result is not
very good, as seen in result.png. There is overlapping with the time
signatures, and mid-measure the grace notes are too close to th
Hello list
Starting with 2.14 (that's the version I used after 2.12 anyway), the order of
tracks in the MIDI file has changed. While 2.12 ordered them as their contexts
appeared in the score (notes, text, notes, text, and so on, see code example
below), 2.14 puts all music tracks first, then foll
On Wed, Apr 04, 2012 at 06:21:00AM -0700, MING TSANG wrote:
> Mark,
>
> I try as suggested. The print seems to suggest no voice two. When I just
> extract voice two (the bass) there is no midi sound for the s1~ s1. This
> is not what I want.
When I encounter this, I use tags. In your case:
Dear list
I am writing down the Tenor part of Mendelssohn’s Elias (Elijah) and stumbled
upon the following, which clearly is a bug (to me).
I attached the three bars of the piece in which it appears. Notice that both
the upper and the lower voice contain a Dynamic mark. The two marks have an
ex
On Sat, Apr 07, 2012 at 10:54:24PM +0200, Janek Warchoł wrote:
> >> Is that a bug? Or am I making a mistake here?
> >
> > It's not a bug, and not really a mistake either. But extra-offset should
> > be used only as a last resort, as the extra displacement is made only
> > _after_ _all_ typesetti
Dear list
Preface (go down for actual question):
---
I am still struggling with moving my dynamics around. I want to get rid of
all those extra-offsets, after you told me that it’s the wrong approach. So I
dug into the docs and lsr again, and found out about s
On Sun, Apr 15, 2012 at 05:27:55PM +0200, Janek Warchoł wrote:
> > Actual question:
> > ---
> > So instead of hoping to find a snippet on the interwebs for each single case
> > and playing with the numbers without knowing why they behave as they do, I
> > would
Dear list
Using 2.14.2, I am setting an SA-TB choir score with an additional solo voice.
With the help of snippet 336¹ I am auto-merging rests in the two-voiced
staves. I also want to use \layout{ \context{ \RemoveEmptyStaffContext } }
in order to hide the solo staff where it is silent.
While t
On Wed, Sep 05, 2012 at 01:17:35AM -0700, eluze wrote:
>
> Frank Steinmetzger wrote
> >
> >
> > While the empty staves get removed as expected, using this feature breaks
> > the
> > merge-rests code -- I get two rests above each other.
> >
>
&
On Sun, Sep 16, 2012 at 07:08:47PM +0200, David Kastrup wrote:
> […] Any changes made previously to \Staff after the definition of
> RemoveEmptyStaffContext will be gone. Broken by design, so it got
> deprecated. Perhaps we are not doing people a favor keeping it around.
Good to know, thank you
On Wed, Jun 19, 2013 at 01:11:45AM +, Jorge Ochoa Villar wrote:
> Hello,
> Is there any way of adding the dynamic without augmenting the space between
> the staves? I don't care if there are collisions. Thank you!!
I do it by changing the extent of dynamic symbols:
\override DynamicText #'Y-
Hello List
I have a score here with two groups, the choir and soloists, i.e.:
\new StaffGroup <<
\new ChoirStaff <<
% Choir staves
>>
\new ChoirStaff <<
% Soloist staves
>>
>>
I want to hide empty staves to save some space, but ideally I'd like to either
hide a whole group or
Dear list
I'm dealing with Gregorian notation for the first time by reproducing a Schütz
piece from IMSLP¹. After digging through the docs, I managed to solve most of
the hurdles that I came across by myself.
I'm almost finished and only need your advice for two things. Please see
attached a scr
Dear list,
I was reading up on stuff in the documentation and found a broken link.
If you go to
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes.de.html
and click on the link in “Schnipsel: Expressive marks”, you get a 404.
Cheers.
--
Grüße | Greetings |
Am Sun, Nov 07, 2021 at 10:40:06PM +0300 schrieb Ivanov Dmitry:
> I attached the minimal working example. The second variant is not stretched
> horizontally as
> the first two staves. Is it possible to stretch it so it occupied 100% of
> page width?
Add ragged-last = ##f to your \paper block.
On Sun, Jan 13, 2019 at 05:43:55PM +0100, Klaus Ethgen wrote:
> Hi,
>
> Am So den 13. Jan 2019 um 17:02 schrieb David Kastrup:
Sorry for reviving an ancient thread, but I just encountered the exact same
problem as Klaus (after many months of absence). And since there was no
solution given at the t
Am Fri, Feb 24, 2023 at 12:17:02AM +0100 schrieb Jean Abou Samra:
> Le jeudi 23 février 2023 à 17:08 -0600, David Wright a écrit :
> > I just tried ^P on the same link in FF, and I got a bar that said:
> >
> > "Firefox prevented this site from opening a pop-up window. [Preferences]
> > ×"
> >
Am Sat, Mar 04, 2023 at 04:45:07PM +0100 schrieb Robin Bannister:
> Jean Abou Samra wrote:
> > Hi,
> >
> > We've been informed that the size of messages to this list containing large
> > attachments is occasionally clogging up the GNU list server's mail delivery
> > queue, causing distribution d
Hello list,
while typing down the score from an old scan, I discovered a collision
between an accidental and a tuplet spanner, or rather the number in it:
\version "2.24"
\language "deutsch"
\relative c' {
\tupletUp
\times 2/3 { g'=''8 b4 } des8 h~ h4 r4
}
Perhaps this is worthy of an is
Dear list,
after a long hiatus, I am now typing another piece for choir. But after I
had finished the first voice, the document would not compile. I narrowed it
down to the following MWE. See the comment in the second line with notes:
\version "2.18"
\language "deutsch"
SopranNoten = \relative
On Mon, Mar 12, 2018 at 01:40:48AM +0100, David Kastrup wrote:
> Frank Steinmetzger writes:
> > […]
> > This snippet causes Lilypond to crash on my machines. Both run Gentoo Linux
> > with identical versions, namely Lilypoind 2.18.2. I installed 2.18.2 on an
> > Ubun
On Mon, Mar 12, 2018 at 07:40:13PM +0100, David Kastrup wrote:
> > There is 2.19.80 available in the repository, so I could give it a try
> > easily.
>
> Probably the easiest way out.
Indeedily-doodely. The document compiles now in full. ¯\_(ツ)_/¯
--
Gruß | Greetings | Qapla’
Please do not sh
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